Edwards, Jordan Z. "Tools of the “En-Eh-Mee”: Grant Morrison’s Utopia and the Means to End There." Thesis Master of Arts. McMaster University, 2013. |
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Added by: joachim Last edited by: joachim 9/4/14, 10:12 AM |
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Garlington, Ian Stuart. "A context for the supercontext: On the function of psychedelics in Grant Morrison’s The Invisibles." Studies in Comics 7. (2016): 49–72. |
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Added by: joachim 12/8/17, 6:50 PM |
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Goodwin, Megan. "Conversion to Narrative: Magic as Religious Language in Grant Morrison’s Invisibles." Graven Images. Religion in Comic Books & Graphic Novels. Eds. A. David Lewis and Christine Hoff Kraemer. London, New York: Continuum, 2010. |
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Added by: joachim 8/27/11, 12:29 PM |
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Guillaume, Isabelle. Dramatis personae: Valeurs symboliques du masque dans Sandman et The Invisibles. Masques, identités et bande dessinée: Lyons, 20May, 2014. |
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Added by: joachim 10/10/21, 5:02 PM |
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Hadeed, Khalid. "The Invisibles: Gnosticism of the (Extra)Ordinary." Journal of Religion and Popular Culture 31. (2019): 139–52. |
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Added by: joachim Last edited by: joachim 7/9/21, 7:03 PM |
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James, Nick. "Opting for Ontological Terrorism: Freedom and Control in Grant Morrison’s The Invisibles." Law, Culture and the Humanities 3. (2007): 435–54. |
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Added by: joachim Last edited by: joachim 8/10/17, 10:09 AM |
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Kakko, Tommi and Mervi Miettinen. "“The Image Rules the World”: Focalization, Hallucinations and Metalepsis in The Invisibles." ImageTexT 8. 2 2015. Accessed 10Aug. 2017. <http://www.english.ufl. ... s/v8_2/kakko_miettinen/>. |
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Added by: joachim 8/10/17, 9:21 AM |
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Manning, Shaum. "Language and Fiction in the Creation of Reality in The Invisibles." International Journal of Comic Art 10. (2008): 32–38. |
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Added by: joachim Last edited by: joachim 11/2/15, 3:05 PM |
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Meaney, Patrick. Our Sentence is Up: Seeing Grant Morrison's The Invisibles. Sequart Journal. Edwardsville: Sequart Research & Literacy Organization, 2009. |
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Added by: joachim Last edited by: joachim 11/12/10, 4:43 PM |
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Rauch, Stephen. "“We Have All Been Sentenced”: Language as Means of Control in Grant Morrison’s Invisibles." International Journal of Comic Art 6. (2004): 350–63. |
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Added by: Deleted user Last edited by: joachim 4/14/12, 3:17 PM |
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Round, Julia. "London’s Calling: Alternate Worlds and the City as Superhero in Contemporary British-American Comics." International Journal of Comic Art 10. (2008): 24–31. |
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Added by: Deleted user Last edited by: joachim 7/14/12, 7:23 AM |
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Round, Julia. "We Share Our Mothers’ Health: Temporality and the Gothic in Comic Book Landscapes." Comic Book Geographies. Ed. Jason Dittmer. Media Geography at Mainz. Stuttgart: Franz Steiner, 2014. 127–40. |
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Added by: joachim Last edited by: joachim 8/11/19, 4:31 PM |
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Singer, Marc. Grant Morrison: Combining the Worlds of Contemporary Comics. Jackson: Univ. Press of Mississippi, 2011. |
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Added by: joachim Last edited by: joachim 4/5/12, 8:31 AM |
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Singer, Marc. "Time and Narrative: Unity and Discontinuity in The Invisibles." Critical Approaches to Comics and Graphic Novels. Theories and Methods. Eds. Matthew J. Smith and Randy Duncan. London, New York: Routledge, 2012. 55–70. |
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Added by: joachim Last edited by: joachim 3/11/14, 5:33 PM |
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Ursini, Francesco-Alessio. "Language and Thought in The Invisibles." ImageTexT 8. 2 2015. Accessed 2Nov. 2015. <http://www.english.ufl. ... t/archives/v8_2/ursini/>. |
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Added by: joachim Last edited by: joachim 11/3/15, 1:57 PM |
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Wolk, Douglas. "Grant Morrison: The Invisible King." Reading Comics. How Graphic Novels Work and What They Mean. Cambridge: Da Capo, 2007. 258–88. |
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Added by: joachim 5/6/13, 8:21 PM |
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