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| Adams, Kenneth Alan and Lester Hill, Jr. "Protest and Rebellion: Fantasy themes in japanese comics." Journal of Popular Culture 25.(1991): 99–127. |
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| Adams, Kenneth Alan and Lester Hill, Jr. "The Phallic Female in Japanese Group-Fantasies." Journal of Psychohistory 25.(1997): 2–31. |
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| Adamson, Jennifer L. "Genji in Graphic Form: the tale of genji in manga, and the bond between japan’s past and present in popular art." Thesis Master of Arts. University of Cincinnati, 2008. |
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| Ahmed, Maaheen. "Reading (and looking at) Mariko Parade: A methodological suggestion for understanding contemporary graphic narratives." Intercultural Crossovers, Transcultural Flows. Manga/Comics. Ed. Jaqueline Berndt. Global Manga Studies. Kyoto: International Manga Research Center, Kyoto Seika University, 2011. 119–33. |
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| Akatsuka, Neal K. "Uttering the Absurd, Revaluing the Abject Femininity and the disavowal of homosexuality in transnational boys’ love manga." Boys’ Love Manga. Essays on the Sexual Ambiguity and Cross-Cultural Fandom of the Genre. Eds. Antonia Levi, Mark McHarry and Dru Pagliassotti. Jefferson, London: McFarland, 2010. 159–76. |
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| Amano, Ikuho. "Visualizing the self in comedic pathos: Japanese autobiographical manga at the limit of multiculturalism." East Asian Journal of Popular Culture 1.(2015): 239–53. |
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| Araki, Hirohiko. Manga in Theory and Practice: The craft of creating manga. San Francisco: VIZ Media, 2017. |
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| Azuma, Hiroki. Otaku: Japan’s database animals. Minneapolis: Univ. of Minnesota Press, 2009. |
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| Bachmayer, Eva. "»Gequälter Engel« – Das Frauenbild in den erotischen Comics in Japan: Versuch einer psychoanalytischen und feministischen interpretation." Aspekte japanischer Comics. Eds. Megumi Maderdonner and Eva Bachmayer. Beiträge zur Japanologie. Wien: Inst. f. Japanologie, Univ. Wien, 1986. 95–223. |
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| Bailey, Catherine E. "Prince Charming by Day, Superheroine by Night? Subversive sexualities and gender fluidity in revolutionary girl utena and sailor moon." Colloquy 24 2012. Accessed 11 March. 2013. <http://artsonline.monas ... twenty-four_/bailey.pdf>. |
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| Bainbridge, Jason. "Seduction of the Serial Killer: Representing justice with lecter, dexter and the death note." The Australian Journal of Crime Fiction 1.2 2015. Accessed 8 January. 2016. <http://www.australiancr ... on-of-the-serial-killer>. |
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| Bainbridge, Jason and Craig Norris. "Posthuman Drag: Understanding cosplay as social networking in a material culture." Intersections 32 2013. Accessed 26 July. 2014. <http://intersections.an ... 2/bainbridge_norris.htm>. |
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| Bainbridge, Jason and Craig Norris. "Hybrid Manga: Implications for the global knowledge economy." Manga. An Anthology of Global and Cultural Perspectives. Ed. Toni Johnson-Woods. London, New York: Continuum, 2010. 235–52. |
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| Balzer, Jens. "The Roses of Coconino: Reading the shōjo in krazy kat." Reading Manga. Local and Global Perceptions of Japanese Comics. Eds. Jaqueline Berndt and Steffi Richter. Mitteldeutsche Studien zu Ostasien. Leipzig: Leipziger Universitätsverlag, 2006. 167–77. |
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| Balzer, Jens. "Wer hat an der Uhr gedreht? Gefälschtes Gedächtnis, stillstehende Zeit Über einige motive in den comics von miyazaki hayao, moebius und chris ware." Szenarien des Comic. Helden und Historien im Medium der Schriftbildlichkeit. Eds. Stefanie Diekmann and Matthias Schneider. Berlin: SuKuLTuR, 2005. 144–56. |
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| Ban, Toshio. The Osamu Tezuka Story: A life in manga and anime. Berkeley: Stone Bridge Press, 2016. |
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| Baraniak-Hirata, Zuzanna and Agata Włodarczyk. "Bending Gender in Japanese Arts: Queering girls culture, takarazuka revue and boys’ love manga." Ambiguous Selves. Contesting Gender Binaries in Literature, Film and the Media. Eds. Barbara Braid, Ewa Glapka and Malwina Siemiątkowska. Newcastle upon Tyne: Cambridge Scholars Publ, 2019. 295–316. |
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| Barber, Christie, Mio Bryce, and Jason Davis. "The Making of Killer Cuties." Anime and Philosophy. Wide Eyed Wonder. Eds. Josef Steiff and Tristan D. Tamplin. Popular Culture and Philosophy. Chicago: Open Court, 2010. 13–25. |
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| Barkman, Adam. "Should Athena Really Wear Pink? Japanese manga, european mythology and ultimate reality." Manga and Philosophy. Fullmetal Metaphysician. Eds. Josef Steiff and Adam Barkman. Popular Culture and Philosophy. Chicago: Open Court, 2010. 69–80. |
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| Baudinette, Thomas. "Japanese gay men’s attitudes towards ‘gay manga’ and the problem of genre." East Asian Journal of Popular Culture 3.(2017): 59–72. |
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| Bauer, Thomas. "When an energy drink exalts a table tennis hero: Brand placement and subvertising in the manga ping-pong dash!! by honda shingo." Loisir et Société / Society and Leisure 41.(2018): 233–49. |
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| Bauwens-Sugimoto, Jessica. "Subverting masculinity, misogyny, and reproductive technology in SEX PISTOLS." Image [&] Narrative 12.1 2011. Accessed 3 April. 2011. <http://www.imageandnarr ... ive/article/view/123/94>. |
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| Bauwens-Sugimoto, Jessica. "Queering Black Jack: A look at how the manga industry adapts to changing reader demographics." Orientaliska Studier (2016): 111–40. |
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| Bauwens-Sugimoto, Jessica. "The “Monstrous Feminine” in the work of Sakamoto Shin'ichi." 国際文化研究 (Kokusai Bunka) (2018): 3–16. |
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| Bazylewicz, Tomasz. "Transfer of Japanese Culture Patterns on the Example of a Comic Book: How manga conquered the world and became an integral part of the polish publishing market?." Studia Historiae Oeconomicae 36.(2018): 105–23. |
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| Beaty, Bart. "Jirō Taniguchi France’s mangaka." Comics Studies Here and Now. Ed. Frederick Luis Aldama. Routledge Advances in Comics Studies. London: Routledge, 2018. 144–60. |
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| Beaty, Bart and Stephen Weiner, eds. Manga. Critical Survey of Graphic Novels. Englewood Cliffs: Salem Pr, 2012. |
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| Becker, Thomas. "Cool premedialisation as symbolic capital of innovation: On intercultural intermediality between comics, literature, film, manga, and anime." Intercultural Crossovers, Transcultural Flows. Manga/Comics. Ed. Jaqueline Berndt. Global Manga Studies. Kyoto: International Manga Research Center, Kyoto Seika University, 2011. 107–17. |
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| Becker, Andreas. "Lady Snowblood (Shurayukihime) und Lone Wolf and Cub (Kozure Ôkami): Ein vergleich zwischen weiblicher und männlicher rache im manga und in der filmadaption." Mörderinnen. Künstlerische und mediale Inszenierungen weiblicher Verbrechen. Eds. Hyunseon Lee and Isabel Maurer Queipo. Bielefeld: Transcript, 2013. 197–218. |
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| Berkowitz, Drew Emanuel. Framing School Violence and Bullying in Young Adult Manga: Fictional perspectives on a pedagogical problem. New York [etc.]: Palgrave Macmillan, 2020. |
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| Berndt, Jaqueline. "Japanische Massenkultur im Wandel: Ästhetisch-kulturelle prozesse im gegenwärtigen japan am beispiel massenliterarischer bestseller und manga." Dissertation Dr. phil. Humboldt-Universität zu Berlin, 1990. |
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| Berndt, Jaqueline. "Japanische Bilderwelten: Popularität des manga und visualitätskultur." Comics Anno (1995): 228–40. |
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| Berndt, Jaqueline. Phänomen Manga: Comic-kultur in japan. Japan-Edition. Berlin: edition q, 1995. |
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| Berndt, Jaqueline. El fenómeno manga. Ediciones Martínez Roca, 1996. |
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| Berndt, Caroline M. "Popular Culture as Political Protest: Writing the reality of sexual slavery." Journal of Popular Culture 31.(1997): 177–87. |
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| Berndt, Jaqueline. "»Verkunstung« des Comics. Wo japanische Kunstwissenschaft und Mangastudien sich bislang begegnen." Thesis. Wissenschaftliche Zeitschrift der Bauhaus-Universität Weimar (1998): 52–73. |
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| Berndt, Jaqueline. "The Time of Comics. Reading a Post/historical Art Form from the Perspective of Manga." Aesthetics 11.(2004): 13–19. |
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| Berndt, Jaqueline. "Beweglich, flächig, glatt »japan« und »manga« in den arbeiten des künstlers murakami takashi." Facetten der japanischen Populär- und Medienkultur 1.(2005): 5–36. |
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| Berndt, Jaqueline. "Comics an der Uni: Japanisch-deutsche erfahrungen mit japanologie und kunstwissenschaft. erfahrungsbericht zur daad-gastdozentur, universität leipzig/japanologie, ss 2005." 2005. Accessed 4 August. 2011. <http://www.uni-leipzig. ... daad_bericht_berndt.pdf>. |
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| Berndt, Jaqueline. "Etikett »Manga«: Comics als alltagsreferenz und exotikum bei gegenwärtigen japanischen künstlern." Ostasiatische Zeitschrift (2006): 19–28. |
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| Berndt, Jaqueline. "Subculture und Otaku – Manga und Anime in Japan als Nischenkulturen." Veröffentlichungen des Japanisch-Deutschen Zentrums Berlin. Reihe 1. Deutsch 54.(2006): 28–41. |
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| Berndt, Jaqueline. "Traditions of Contemporary Manga (1). Relating Comics to Premodern Art." SIGNs. Studies in Graphic Narratives 1.(2008): 33–47. |
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| Berndt, Jaqueline. "Shōjo global: Japanische mädchenmanga zwischen kitsch und kritik." kjl&m 61.(2009): 32–38. |
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| Berndt, Jaqueline, ed. Comics Worlds and the World of Comics: Towards scholarship on a global scale. Global Manga Studies. Kyoto: International Manga Research Center, Kyoto Seika University, 2010. |
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| Berndt, Jaqueline. "Facing the Nuclear Issue in a “Mangaesque” Way: The barefoot gen anime." Cinergie 2 2012. Accessed 20 April. 2013. <http://www.cinergie.it/?p=1840>. |
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| Berndt, Jaqueline, ed. Intercultural Crossovers, Transcultural Flows Manga/comics. Global Manga Studies. Kyoto: International Manga Research Center, Kyoto Seika University, 2012. |
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| Berndt, Jaqueline, ed. Manhwa, Manga, Manhua East asian comics studies. Leipziger Ostasien-Studien. Leipzig: Leipziger Universitätsverlag, 2012. |
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| Berndt, Jaqueline. "Manga ist nicht gleich Manga: Plädoyer für eine differenzierung." Aus Politik und Zeitgeschichte 64.(2014): 49–54. |
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| Berndt, Jaqueline. Manga: Medium, Kunst und Material Manga: medium, art and material. Leipzig: Leipziger Universitätsverlag, 2015. |
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| Berndt, Jaqueline. "'Comfort Women' Comics, Multifaceted Revisiting the 2014 manhwa exhibit in angoulême from the perspective of manga studies." Orientaliska Studier (2016): 143–69. |
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| Berndt, Jaqueline. "Reflections: Writing comics into art history in contemporary japan." Konsthistorisk tidskrift/Journal of Art History 86.(2017): 67–74. |
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| Berndt, Jaqueline. "Manga als Kunst: Zur sprache des comic in der bildenden kunst der 90er jahre." Referate des 10. Deutschsprachigen Japanologentages vom 9. bis 12. Oktober 1996 in München. Eds. Ulrich Apel, Josef Holzapfel and Peter Pörtner. München: Japan-Zentrum der Ludwig-Maximilians-Universität, 1997. 336–41. |
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| Berndt, Jaqueline. "Hand in Hand: Kouno fumiyos mangaserie kono sekai no katasumi ni (in this corner of the world) im vergleich zur anime-adaptation durch katabuchi sunao." Ästhetik des Gemachten. Interdisziplinäre Beiträge zur Animations- und Comicforschung. Eds. Hans-Joachim Backe, et al.. Berlin u. Boston: de Gruyter, 2018. 53–84. |
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| Berndt, Jaqueline. "Introduction: Attempts at cross-cultural comics studies." Comics Worlds and the World of Comics. Towards Scholarship on a Global Scale. Ed. Jaqueline Berndt. Global Manga Studies. Kyoto: International Manga Research Center, Kyoto Seika University, 2010. 5–16. |
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| Berndt, Jaqueline. "Manga x Museum in Contemporary Japan." Manhwa, Manga, Manhua. East Asian Comics Studies. Ed. Jaqueline Berndt. Leipziger Ostasien-Studien. Leipzig: Leipziger Universitätsverlag, 2012. 141–50. |
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| Berndt, Jaqueline. "The Intercultural Challenge of the “Mangaesque”: Reorienting manga studies after 3/11." Manga’s Cultural Crossroads. Eds. Jaqueline Berndt and Bettina Kümmerling-Meibauer. Routledge Advances in Art and Visual Studies. London, New York: Routledge, 2013. 65–84. |
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| Berndt, Jaqueline. "‘Adult’ Manga: Maruo suehiro's historically ambiguous comics." Reading Manga. Local and Global Perceptions of Japanese Comics. Eds. Jaqueline Berndt and Steffi Richter. Mitteldeutsche Studien zu Ostasien. Leipzig: Leipziger Universitätsverlag, 2006. 107–25. |
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| Berndt, Jaqueline. "Skim as Girl: Reading a japanese north american graphic novel through manga lenses." Drawing New Color Lines. Transnational Asian American Graphic Narratives. Ed. Monica Chiu. Global Connections. Hong Kong: Hong Kong Univ. Press, 2015. 257–78. |
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| Berndt, Jaqueline. "Manga für Erwachsene. Maruo Suehiros vampyristische Nostalgie." Szenarien des Comic. Helden und Historien im Medium der Schriftbildlichkeit. Eds. Stefanie Diekmann and Matthias Schneider. Berlin: SuKuLTuR, 2005. 128–42. |
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| Berndt, Jaqueline. "‘Real’ Manga: Diversity, hybridity, relationalities." Shinjigen. Manga hyōgen no genzai. Manga Realities. Exploring the Art of Japanese Comics Today. Eds. Yasuko Furuichi and Mito Geijutsukan. Tōkyō: Kokusai Kōryū Kikin, 2010. 203–09. |
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| Berndt, Jaqueline. "Un/sichtbare Nacktheit. Zur kulturellen und ästhetischen Spezifik japanischer Comics." Nacktheit. Ästhetische Inszenierungen im Kulturvergleich. Ed. Kerstin Gernig. Literatur – Kultur – Geschlecht. Kleine Reihe. Köln, Weimar, Wien: Böhlau, 2002. 327–48. |
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| Berndt, Jaqueline. "Manga and ‘Manga’: Contemporary japanese comics and their dis/similarities with hokusai manga." Civilisation of Evolution, Civilisation of Revolution. Metamorphoses in Japan 1900–2000. Eds. Arkadiusz Jabłoński, Stanisław Meyer and Morita Kōji. Kraków: Muzeum Sztuki i Techniki Japońskiej Manggha, 2009. 210–22. |
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| Berndt, Jaqueline and Bettina Kümmerling-Meibauer, eds. Manga’s Cultural Crossroads. Routledge Advances in Art and Visual Studies. London, New York: Routledge, 2013. |
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| Berndt, Jaqueline. "Considering Manga Discourse: Location, ambiguity, historicity." Japanese Visual Culture. Explorations in the World of Manga and Anime. Ed. Mark W. MacWilliams. Armonk: M. E. Sharpe, 2008. 351–69. |
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| Berndt, Jaqueline. "Permeability and Othering: The relevance of “art” in contemporary japanese manga discourse." Critical Perspectives on Twentieth Century Japanese Thought. Ed. Livia Monnet. Montreal: Montreal Univ. Press, 2001. 349–75. |
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| Last edited by: joachim 5/14/10, 10:47 PM |
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| Berndt, Jaqueline. "Mangamania: Dis/continuities, perspective changes and diversity." Ga-netchū! The Manga Anime Syndrome. Eds. Hans-Peter Reichmann and Stephan von der Schulenburg. Frankfurt am Main: Deutsches Filmmuseum/Deutsches Filminstitut, 2008. 12–23. |
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| Added by: joachim 2/15/11, 11:41 AM |
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| Berndt, Jaqueline. "Mangamania: Dis/kontinuitäten, perspektivenwechsel, vielfalt." Ga-netchū! Das Manga Anime Syndrom. Eds. Hans-Peter Reichmann and Stephan von der Schulenburg. Frankfurt am Main: Deutsches Filmmuseum/Deutsches Filminstitut, 2008. 12–23. |
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| Last edited by: joachim 2/15/11, 11:14 AM |
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| Berndt, Jaqueline and Steffi Richter, eds. Reading Manga. Local and Global Perceptions of Japanese Comics. Mitteldeutsche Studien zu Ostasien. Leipzig: Leipziger Universitätsverlag, 2006. |
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| Last edited by: joachim 8/21/09, 2:50 AM |
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| Berndt, Jaqueline. "Historical Adventures of a Posthistorical Medium: Japan's wartime past as represented in manga." Contested Views of a Common Past. Revisions of History in Contemporary East Asia. Ed. Steffi Richter. Globalgeschichte. Frankfurt am Main: Campus, 2008. 287–320. |
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| Berndt, Jaqueline. "Bilderwelten: Popularität des manga und visualitätskultur." Ästhetik und Ästhetisierung in Japan. Ed. Werner Schaumann. München: iudicium, 1993. 41–53. |
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| Added by: joachim 4/1/19, 1:05 PM |
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| Berndt, Jaqueline. "Ghostly: ‘asian graphic narratives,’ nonnonba, and manga." From Comic Strips to Graphic Novels. Contributions to the Theory and History of Graphic Narrative. Eds. Daniel Stein and Jan-Noël Thon. Narratologia. Berlin u. Boston: de Gruyter, 2013. 363–84. |
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| Last edited by: joachim 10/14/13, 1:54 AM |
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| Berndt, Jaqueline. "A Manifold ‘Flat Battlefield’: The critical potential of manga as seen through okazaki kyoko’s works." LIFE, English Supplement to Exhibition Catatalogue. Ed. Mizuki Takahashi. Contemporary Art Center, Art Tower Mito, 2006. 23–26. |
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| Last edited by: joachim 8/11/15, 10:17 AM |
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| Bird, Lawrence. "States of Emergency: Urban space and the robotic body in the metropolis tales." Mechademia 3.(2008): 127–48. |
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| Last edited by: Deleted user 5/15/10, 6:57 PM |
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