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Abusch, Dorit: "Applying Discourse Semantics and Pragmatics to Co-reference in Picture Sequences." In: Proceedings of Sinn und Bedeutung 17 . Hrsg. v. Emmanuel Chemla, Vincent Homer und Grégoire Winterstein. Washington: Linguistic Society of America, 2013, S. 9–25.
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Adamson, Jennifer L. Genji in Graphic Form. The Tale of Genji in Manga, and the bond between Japan’s Past and Present in Popular Art . Master of Arts (Thesis), University of Cincinnati, College of Design, Architecture, Art, and Planning 2008 (89 S.).
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Ahmad, Hafiz Aziz: The Impacts of Visuals of Manga on Indonesian Readers’ Psychological and Behavioral Reactions . Dr. phil. (Thesis), Chiba University, Design Psychology Unit, Department of Design Science, Graduate School of Engineering 2012 (122 S.).
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Ahmed, Maaheen: "Reading (and looking at) Mariko Parade . A methodological suggestion for understanding contemporary graphic narratives." In: Intercultural Crossovers, Transcultural Flows. Manga/Comics . Hrsg. v. Jaqueline Berndt. (Global Manga Studies, 2.) Kyoto: International Manga Research Center, Kyoto Seika University, 2011, S. 119–133.
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Akatsuka, Neal K. "Uttering the Absurd, Revaluing the Abject. Femininity and the Disavowal of Homosexuality in Transnational Boys’ Love Manga." In: Boys’ Love Manga. Essays on the Sexual Ambiguity and Cross-Cultural Fandom of the Genre . Hrsg. v. Antonia Levi, Mark McHarry und Dru Pagliassotti. Jefferson, London: McFarland, 2010, S. 159–176.
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Allen, Kate und John Ingulsrud: "Manga Literacy. Popular Culture and the Reading Habits of Japanese College Students." In: Journal of Adolescent & Adult Literacy 46.8 (2003), S. 674–683.
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---: "Reading Manga. Patterns of Personal Literacies Among Adolescents." In: Language and Education 19 (2005), S. 265–280.
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Allison, Anne: "A Challenge to Hollywood? Japanese Character Goods Hit the US." In: Japanese Studies 20.1 (2000), S. 67–88.
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---: Millennial Monsters. Japanese Toys and the Global Imagination . (Asia: Local Studies/Global Themes, 13.) Berkeley: Univ. of California Press, 2006. (232 S.)
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---: Permitted and Prohibited Desires. Mothers, Comics, and Censorship in Japan . 2. Aufl. Berkeley: Univ. of California Press, 2000. (251 S.)
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---: "Sailor Moon. Japanese Superheroes for Global Girls." In: Japan Pop! Inside the World of Japanese Popular Culture . Hrsg. v. Timothy J. Craig. Armonk: M. E. Sharpe, 2000, S. 259–278.
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Amano, Masanao: Manga Design . Hrsg. v. Julius Wiedemann. Köln: Taschen, 2004. (569 S.)
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Amano, Ikuho: "Visualizing the self in comedic pathos. Japanese autobiographical manga at the limit of multiculturalism." In: East Asian Journal of Popular Culture 1.2 (2015), S. 239–253.
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Anan, Nobuko: "The Rose of Versailles . Women and Revolution in Girls’ Manga and the Socialist Movement in Japan." In: Journal of Popular Culture 47.1 (2014), S. 41–63.
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Araki, Hirohiko: Manga in Theory and Practice. The Craft of Creating Manga . San Francisco: VIZ Media, 2017. (226 S.)
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Armour, William S. "Representations of the Masculine in Tagame Gengoroh’s Ero SM Manga ." In: Asian Studies Review 34 (2010), S. 443–466.
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Armour, William S. und Sumiko Iida: "Using the revised Bloom’s taxonomy to reflect on the teaching of the Japanese language through ‘manga’ and anime." In: East Asian Journal of Popular Culture 4.2 (2018), S. 205–220.
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Bailey, Catherine E. "Prince Charming by Day, Superheroine by Night? Subversive Sexualities and Gender Fluidity in Revolutionary Girl Utena and Sailor Moon ." In: Colloquy 24 (2012), S. 207–222, (11. März 2013)
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Bainbridge, Jason und Craig Norris: "Hybrid Manga. Implications for the Global Knowledge Economy." In: Manga. An Anthology of Global and Cultural Perspectives . Hrsg. v. Toni Johnson-Woods. London, New York: Continuum, 2010, S. 235–252.
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---: "Posthuman Drag. Understanding Cosplay as Social Networking in a Material Culture." In: Intersections 32 (2013), (26. Juli 2014)
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Bainbridge, Jason: "Seduction of the Serial Killer. Representing Justice with Lecter, Dexter and the Death Note ." In: The Australian Journal of Crime Fiction 1.2 (2015), (8. Jan. 2016)
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Balzer, Jens: "The Roses of Coconino. Reading the shōjo in Krazy Kat ." In: Reading Manga. Local and Global Perceptions of Japanese Comics . Hrsg. v. Jaqueline Berndt und Steffi Richter. (Mitteldeutsche Studien zu Ostasien, 11.) Leipzig: Leipziger Universitätsverlag, 2006, S. 167–177.
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---: "Wer hat an der Uhr gedreht? Gefälschtes Gedächtnis, stillstehende Zeit. Über einige Motive in den Comics von Miyazaki Hayao, Moebius und Chris Ware." In: Szenarien des Comic. Helden und Historien im Medium der Schriftbildlichkeit . Hrsg. v. Stefanie Diekmann und Matthias Schneider. Berlin: SuKuLTuR, 2005, S. 144–156.
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Barber, Christie, Mio Bryce und Jason Davis: "The Making of Killer Cuties." In: Anime and Philosophy. Wide Eyed Wonder . Hrsg. v. Josef Steiff und Tristan D. Tamplin. (Popular Culture and Philosophy, 47.) Chicago: Open Court, 2010, S. 13–25.
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Barbieri, Daniele: "Fumetti – Samurai allo specchio." In: Golem L’Indispensabile (2004), (2. Dez. 2012)
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Barkman, Adam: "Should Athena Really Wear Pink? Japanese Manga, European Mythology and Ultimate Reality." In: Manga and Philosophy. Fullmetal Metaphysician . Hrsg. v. Josef Steiff und Adam Barkman. (Popular Culture and Philosophy, 52.) Chicago: Open Court, 2010, S. 69–80.
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Baudinette, Thomas: "Japanese gay men’s attitudes towards ‘gay manga’ and the problem of genre." In: East Asian Journal of Popular Culture 3.1 (2017), S. 59–72.
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Bauer, Thomas: "When an energy drink exalts a table tennis hero. Brand placement and subvertising in the manga Ping-Pong Dash!! by Honda Shingo." In: Loisir et Société / Society and Leisure 41.2 (2018), S. 233–249.
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Bauwens-Sugimoto, Jessica: "Subverting masculinity, misogyny, and reproductive technology in SEX PISTOLS ." In: Image [&] Narrative 12.1 (2011), S. 1–18, (3. Apr. 2011)
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Beaty, Bart: "Jirō Taniguchi. France’s Mangaka." In: Comics Studies Here and Now . Hrsg. v. Frederick Luis Aldama. (Routledge Advances in Comics Studies, 5.) London: Routledge, 2018, S. 144–160.
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Becker, Thomas: "Cool premedialisation as symbolic capital of innovation. On intercultural intermediality between comics, literature, film, manga, and anime." In: Intercultural Crossovers, Transcultural Flows. Manga/Comics . Hrsg. v. Jaqueline Berndt. (Global Manga Studies, 2.) Kyoto: International Manga Research Center, Kyoto Seika University, 2011, S. 107–117.
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Becker, Andreas: "Lady Snowblood (Shurayukihime) und Lone Wolf and Cub (Kozure Ôkami). Ein Vergleich zwischen weiblicher und männlicher Rache im Manga und in der Filmadaption." In: Mörderinnen. Künstlerische und mediale Inszenierungen weiblicher Verbrechen . Hrsg. v. Hyunseon Lee und Isabel Maurer Queipo. Bielefeld: Transcript, 2013, S. 197–218.
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Becker, Thomas: "Matrix versus The Ghost in the Shell. Die neuen Mythen der virtuellen Welt sind nicht mehr allein diskursiv analysierbar." In: Journal Ethnologie 5 (2007), (4. Nov. 2012)
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--- (Hg.): Comics Worlds and the World of Comics. Towards Scholarship on a Global Scale . (Global Manga Studies, 1.) Kyoto: International Manga Research Center, Kyoto Seika University, 2010. (324 S.)
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---: "Historical Adventures of a Posthistorical Medium. Japan's Wartime Past as Represented in Manga." In: Contested Views of a Common Past. Revisions of History in Contemporary East Asia . Hrsg. v. Steffi Richter. (Globalgeschichte, 3.) Frankfurt am Main: Campus, 2008, S. 287–320.
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---: "The Intercultural Challenge of the “Mangaesque”. Reorienting Manga Studies after 3/11." In: Manga’s Cultural Crossroads . Hrsg. v. Jaqueline Berndt und Bettina Kümmerling-Meibauer. (Routledge Advances in Art and Visual Studies, 5.) London, New York: Routledge, 2013, S. 65–84.
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--- (Hg.): Intercultural Crossovers, Transcultural Flows. Manga/Comics . (Global Manga Studies, 2.) Kyoto: International Manga Research Center, Kyoto Seika University, 2012. (140 S.)
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---: "Introduction. Attempts at cross-cultural comics studies." In: Comics Worlds and the World of Comics. Towards Scholarship on a Global Scale . Hrsg. v. Jaqueline Berndt. (Global Manga Studies, 1.) Kyoto: International Manga Research Center, Kyoto Seika University, 2010, S. 5–16.
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---: Japanische Massenkultur im Wandel. Ästhetisch-kulturelle Prozesse im gegenwärtigen Japan am Beispiel massenliterarischer Bestseller und Manga . Dr. phil. (Dissertation), Humboldt-Universität zu Berlin, Seminar für Ästhetik 1990 (170 S.).
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---: "Manga als Kunst. Zur Sprache des Comic in der Bildenden Kunst der 90er Jahre." In: Referate des 10. Deutschsprachigen Japanologentages vom 9. bis 12. Oktober 1996 in München . Hrsg. v. Ulrich Apel, Josef Holzapfel und Peter Pörtner. München: Japan-Zentrum der Ludwig-Maximilians-Universität, 1997, S. 336–341.
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---: "Manga and ‘Manga’. Contemporary Japanese Comics and their Dis/similarities with Hokusai Manga ." In: Civilisation of Evolution, Civilisation of Revolution. Metamorphoses in Japan 1900–2000 . Hrsg. v. Arkadiusz Jabłoński, Stanisław Meyer und Morita Kōji. Kraków: Muzeum Sztuki i Techniki Japońskiej Manggha, 2009, S. 210–222.
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---: "Manga für Erwachsene. Maruo Suehiros vampyristische Nostalgie." In: Szenarien des Comic. Helden und Historien im Medium der Schriftbildlichkeit . Hrsg. v. Stefanie Diekmann und Matthias Schneider. Berlin: SuKuLTuR, 2005, S. 128–142.
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---: "Manga ist nicht gleich Manga. Plädoyer für eine Differenzierung." In: Aus Politik und Zeitgeschichte 64.33–34 (2014), S. 49–54.
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---: Manga: Medium, Kunst und Material. Manga: Medium, Art and Material . Leipzig: Leipziger Universitätsverlag, 2015. (245 S.)
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---: "Manga x Museum in Contemporary Japan." In: Manhwa, Manga, Manhua. East Asian Comics Studies . Hrsg. v. Jaqueline Berndt. (Leipziger Ostasien-Studien, 14.) Leipzig: Leipziger Universitätsverlag, 2012, S. 141–150.
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---: "Mangamania. Dis/Continuities, Perspective Changes and Diversity." In: Ga-netchū! The Manga Anime Syndrome . Hrsg. v. Hans-Peter Reichmann und Stephan von der Schulenburg. Frankfurt am Main: Deutsches Filmmuseum/Deutsches Filminstitut, 2008, S. 12–23.
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---: "Mangamania. Dis/kontinuitäten, Perspektivenwechsel, Vielfalt." In: Ga-netchū! Das Manga Anime Syndrom . Hrsg. v. Hans-Peter Reichmann und Stephan von der Schulenburg. Frankfurt am Main: Deutsches Filmmuseum/Deutsches Filminstitut, 2008, S. 12–23.
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---: "A Manifold ‘Flat Battlefield’. The Critical Potential of Manga as Seen through Okazaki Kyoko’s Works." In: LIFE, English Supplement to Exhibition Catatalogue . Hrsg. v. Mizuki Takahashi. Contemporary Art Center, Art Tower Mito, 2006, S. 23–26.
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---: "Permeability and Othering. The Relevance of “Art” in Contemporary Japanese Manga Discourse." In: Critical Perspectives on Twentieth Century Japanese Thought . Hrsg. v. Livia Monnet. Montreal: Montreal Univ. Press, 2001, S. 349–375.
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---: "Reflections. Writing Comics into Art History in Contemporary Japan." In: Konsthistorisk tidskrift/Journal of Art History 86.1 (2017), S. 67–74.
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---: "Shōjo global. Japanische Mädchenmanga zwischen Kitsch und Kritik." In: kjl&m 61.3 (2009), S. 32–38.
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---: "Skim as Girl . Reading a Japanese North American Graphic Novel through Manga Lenses." In: Drawing New Color Lines. Transnational Asian American Graphic Narratives . Hrsg. v. Monica Chiu. (Global Connections.) Hong Kong: Hong Kong Univ. Press, 2015, S. 257–278.
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---: "Subculture und Otaku – Manga und Anime in Japan als Nischenkulturen." In: Veröffentlichungen des Japanisch-Deutschen Zentrums Berlin. Reihe 1. Deutsch 54 (2006), S. 28–41.
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