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| Ahrens, Jörn. "Neun Thesen zur Möglichkeit einer Rekonfiguration von Geschichte im Comic." Geschichte im Comic. Befunde – Theorien – Erzählweisen. Ed. Bernd Dolle-Weinkauff. Berlin: Ch.A. Bachmann, 2018. 45–56. |
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| Alexander, Dorian, Michael Goodrum, and Philip Smith, eds. Drawing the Past: Comics and the Historical Imagination in the United States. Vol. 1. Jackson: Univ. Press of Mississippi, 2022. |
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| Alexander, Dorian, Michael Goodrum, and Philip Smith, eds. Drawing the Past: Comics and the Historical Imagination in the World. Vol. 2. Jackson: Univ. Press of Mississippi, 2022. |
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| Alsina, Jean. "La narración en El Artefacto perverso: Algunas calas en un objeto inagotable." Historietas, Comics y Tebeos españoles. Ed. Viviane Alary. Collection Hespérides. Toulouse: Presses Univ. du Mirail, 2002. 210–28. |
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| Alsina, Jean. "Lope de Aguirre, trilogie du scénariste Felipe Hernández Cava: Promotion du lecteur et exténuation du mythe." Mythe et bande dessinée. Eds. Danielle Corrado and Viviane Alary. Littératures. Clermont-Ferrand: Presses Univ. Blaise Pascal, 2006. 453–69. |
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| Aman, Robert. "Swedish Colonialism, Exotic Africans and Romantic Anti-Capitalism: Notes on the Comic Series Johan Vilde." Third Text 30. (2016): 60–75. |
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| Amihay, Ofra. "Passing under separation: Comics representations of the Holocaust and the Berlin Wall." Journal of Graphic Novels and Comics 4. (2013): 278–96. |
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| Artinger, Kai. "Graphic Novels und Fotografie: Das Geschichts- und Frauenbild in zwei deutschen Graphic Novels." Virtuelles Magazin 2000 64 2012. Accessed 4Jun. 2012. <http://www.vm2000.net/64/Artinger.pdf>. |
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| Baetens, Jan. "History Against the Grain? On the Relationship Between Visual Aesthetics and Historical Interpretation in the Contemporary Spanish Graphic Novel." Rethinking History 6. (2002): 345–56. |
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| Baetens, Jan. "Comics and characterization: The case of Fritz Haber (David Vandermeulen)." Journal of Graphic Novels and Comics 4. (2013): 84–91. |
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| Ballis, Anja. "Die Überlebenden und ihre Kinder: Die Graphic Novel »Ich war das Kind von Holocaust-Überlebenden« als Unterrichtslektüre (Klassenstufen 9–10)." Deutschunterricht 65. (2012): 9–10. |
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| Bancaud, Florence. "Le Roman graphique: Une nouvelle écriture du traumatisme ?." Studia Universitatis Babeş-Bolyai – Philologia 62. (2017): 73–84. |
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| Barrera-Vidal, Albert. "Le Moyen Âge dans la bande dessinée." Bilderwelten – Textwelten – Comicwelten. Romanistische Begegnungen mit der Neunten Kunst. Eds. Frank Leinen and Guido Rings. München: Meidenbauer, 2007. 25–43. |
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| Basile, Emanuele. "Maus: Questioni di narrabilità storica." Fictions 9. (2010): 81–98. |
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| Baskind, Samantha. "Picturing “The Holiest Thing”: Joe Kubert’s Children of the Warsaw Ghetto." Visualizing Jewish Narrative. Jewish Comics and Graphic Novels. Ed. Derek Parker Royal. New York: Bloomsbury Academic, 2016. 171–84. |
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| Baumann, Uwe. "»Populäre Inszenierung des Grauens«: Attila und die Hunnen-Einfälle im modernen Geschichts-Comic." Die Völkerwanderung. Mythos – Forschung – Vermittlung. Eds. Peter Geiss and Konrad Vössing. Wissenschaft und Lehrerbildung. Bonn: Bonn Univ. Press, 2021. 183–229. |
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| Beadling, Laura L. "Twin Turns: Art Spiegelman’s In the Shadow of No Towers and History." Graphic History. Essays on Graphic Novels And/As History. Ed. Richard Iadonisi. Newcastle upon Tyne: Cambridge Scholars Publ. 2012. 37–54. |
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| Begag, Azouz. "Mai 1945 à Sétif: Genèse d’une bande dessinée." Contemporary French and Francophone Studies 17. (2013): 99–116. |
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| Behringer, Marco. Der Holocaust in Sprechblasen: Erinnerung im Comic. Marburg: Tectum, 2009. |
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| Berndt, Caroline M. "Popular Culture as Political Protest: Writing the Reality of Sexual Slavery." Journal of Popular Culture 31. (1997): 177–87. |
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| Berndt, Jaqueline. "The Time of Comics. Reading a Post/historical Art Form from the Perspective of Manga." Aesthetics 11. (2004): 13–19. |
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| Berndt, Jaqueline. "'Comfort Women' Comics, Multifaceted: Revisiting the 2014 Manhwa Exhibit in Angoulême from the Perspective of Manga Studies." Orientaliska Studier (2016): 143–69. |
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| Berndt, Jaqueline. "‘Adult’ Manga: Maruo Suehiro's Historically Ambiguous Comics." Reading Manga. Local and Global Perceptions of Japanese Comics. Eds. Jaqueline Berndt and Steffi Richter. Mitteldeutsche Studien zu Ostasien. Leipzig: Leipziger Universitätsverlag, 2006. 107–25. |
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| Berndt, Jaqueline. "Eine zeitlos schöne Nation: Das Neue Geschichtslehrbuch als Bildergeschichte." Vergangenheit im Gesellschaftskonflikt. Ein Historikerstreit in Japan. Ed. Steffi Richter. 2003. 191–217. |
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| Berndt, Jaqueline. "Historical Adventures of a Posthistorical Medium: Japan's Wartime Past as Represented in Manga." Contested Views of a Common Past. Revisions of History in Contemporary East Asia. Ed. Steffi Richter. Globalgeschichte. Frankfurt am Main: Campus, 2008. 287–320. |
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| Berthel, Teresa. "Geschichtsbewusstsein wecken: Ein besonderer Zugang zum Thema Nationalsozialismus anhand der Graphic Novel Die Suche." Praxis Deutsch (2012): 28–34. |
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| Birkmeyer, Jens. "Bildersuche nach dem Krieg: Eignet sich der Holocaust-Comic Die Suche für den Deutschunterricht?." kjl&m 62. (2010): 56–63. |
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| Blancher, Marc. "On affame bien les rats!: oder: Ein ästhetischer Bericht über die Unterdrückung in den 70er Jahren." Comics & Politik. Comics & Politics. Ed. Stephan Packard. Bochum: Ch.A. Bachmann, 2014. 327–43. |
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| Blank, Juliane. "»Aber wir dürfen uns vor dem Bösen nicht verstecken«: Die Vergegenwärtigung historischer Mordfälle in der »Serienmörder-Trilogie« von Peer Meter." Der dokumentarische Comic. Reportage und Biografie. Ed. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2013. 101–17. |
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| Bock, Dennis. "»Gezeichnete Fluchtromantik? Auf keinen Fall« – Die Geschichte des Fluchtversuchs ›Tunnel 57‹ im Comic zwischen bildungspolitischer Wissensvermittlung und Abenteuererzählung." Trauma-Erfahrungen und Störungen des ›Selbst‹. Mediale und literarische Konfigurationen lebensweltlicher Krisen. Ed. Carsten Gansel. Untersuchungen zur deutschen Literaturgeschichte. Berlin u. Boston: de Gruyter, 2020. 421–48. |
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| Börnchen, Stefan. "Marcel Beyer im Gespräch mit der Comiczeichnerin Ulli Lust: Roman in Sprechblasen." Marcel Beyer. Eds. Torsten Hahn and Christof Hamann. transLIT. Köln: Buchhandl. Klaus Bittner, 2016. 49–80. |
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| Boykin, Jessica. "Filling in the Gutters: Graphic Biographies Disrupting Dominant Narratives of the Civil Rights Movement." Journal of Multimodal Rhetorics 3. 1 2019. Accessed 29May. 2019. <http://journalofmultimo ... cs.com/3-1-issue-boykin>. |
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| Bridges, Elizabeth. "Bridging the Gap: A Literacy-Oriented Approach to Teaching the Graphic Novel Der erste Frühling." Die Unterrichtspraxis/Teaching German 42. (2009): 152–61. |
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| Bridges, Elizabeth. "Schiller Reading Comics: The Aesthetics of Nostalgia and the Wende-Narrative in Contemporary Graphic Novels." Colloquia Germanica 48. (2015): 343–56. |
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| Britten, Bob. "Picturing Terror: Visual and Verbal Rhetoric in The 9/11 Report Graphic Adaptation." International Journal of Comic Art 12. (2010): 355–69. |
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| Brizzi, Giovanni and Sergio Tisselli. "Ein Streifzug durch einen historischen Comic: Die Abenteuer von Ducarius dem Gallier." Caesar, Attila & Co. Comics und die Antike. Ed. Filippo Carlà. Darmstadt: Philipp von Zabern, 2014. 22–31. |
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| Brock, Jennifer. "‘One Should Never Forget’ : The Tangling of History and Memory in Persepolis." Graphic History. Essays on Graphic Novels And/As History. Ed. Richard Iadonisi. Newcastle upon Tyne: Cambridge Scholars Publ. 2012. 223–41. |
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| Brodersen, Kai. "Die kleine Welt des großen Galliers." Asterix und seine Zeit. Die große Welt des kleinen Galliers. Ed. Kai Brodersen. 3rd ed. Beck’sche Reihe. München: C.H. Beck, 2008. 12–18. |
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| Bukh, Alexander. "Reception of the revisionist historical manga in Japan: A case study of university students." Inter-Asia Cultural Studies 13. (2012): 623–38. |
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| Candel, Daniel. "The rhythms of narrative tension and its cultural satisfaction: Frank Miller’s 300." English Text Construction 11. (2018): 169–98. |
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| Carlà, Filippo. "Messalina und die anderen »Girls« – römische Erotik im italienischen Comic." Caesar, Attila & Co. Comics und die Antike. Ed. Filippo Carlà. Darmstadt: Philipp von Zabern, 2014. 62–75. |
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| Castello, Maria G. "Kaiser Julian: Apostasie und Comics." Caesar, Attila & Co. Comics und die Antike. Ed. Filippo Carlà. Darmstadt: Philipp von Zabern, 2014. 94–104. |
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| Catalá-Carrasco, Jorge L., Paulo Drinot, and James Scorer, eds. Comics and Memory in Latin America. Illuminations. Pittsburgh: Univ. of Pittsburgh Press, 2017. |
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| Catalá-Carrasco, Jorge L., Paulo Drinot, and James Scorer. "Introduction: Comics and Memory in Latin America." Comics and Memory in Latin America. Eds. Jorge L. Catalá-Carrasco, Paulo Drinot and James Scorer. Illuminations. Pittsburgh: Univ. of Pittsburgh Press, 2017. 3–32. |
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| Chandra, Nandini. The Classic Popular: Amar Chitra Katha, 1967–2007. New Delhi: Yoda Press, 2008. |
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| Chaney, Michael A. "Drawing on History in Recent African American Graphic Novels." Melus 32. (2007): 175–200. |
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| Chaney, Michael A. "Misreading with the President: Re-reading the Covers of John Lewis’s March." International Journal of Comic Art 20. (2018): 25–42. |
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| Chaney, Michael A. "Not Just a Theme: Transnationalism and Form in Visual Narratives of US Slavery." Transnational Perspectives on Graphic Narratives. Comics at the Crossroads. Eds. Shane Denson, Christina Meyer and Daniel Stein. New York: Bloomsbury, 2013. 15–31. |
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| Chapman, Jane, Daniel Ellin, and Adam Sherif. Comics, the Holocaust and Hiroshima. The Holocaust and its Contexts. New York [etc.]: Palgrave Macmillan, 2015. |
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| Chapman, Jane, et al. Comics and the World Wars: A Cultural Record. Palgrave Studies in the History of the Media. New York [etc.]: Palgrave Macmillan, 2015. |
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| Chappelow, Christian. "Hitler und die Moral der Geschichte: Über Mizuki Shigeru und seinen Manga Gekiga Hittorâ." Geschichte im Comic. Befunde – Theorien – Erzählweisen. Ed. Bernd Dolle-Weinkauff. Berlin: Ch.A. Bachmann, 2018. 293–306. |
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| Cheng Chua, Karl Ian Uy. "Representing the war in manga." Controversial History Education in Asian Contexts. Eds. Mark Baildon, et al. London, New York: Routledge, 2014. 123–39. |
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| Chisholm, James S., Ashley L. Shelton, and Caroline C. Sheffield. "Mediating Emotive Empathy With Informational Text: Three Students’ Think-Aloud Protocols of Gettysburg: The Graphic Novel." Journal of Adolescent & Adult Literacy (2017). |
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| Chute, Hillary. Disaster Drawn: Visual Witness, Comics, and Documentary Form. Cambridge: Harvard Univ. Press, 2016. |
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| Clark, J. Spencer. "“Your Credibility Could Be Shot”: Preservice Teachers’ Thinking about Nonfiction Graphic Novels, Curriculum Decision Making, and Professional Acceptance." The Social Studies 104. (2013): 38–45. |
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| Cutrara, Samantha. "Drawn out of History: The Representation of Women in Chester Brown’s Louis Riel: A Comic Strip Biography." Graphic History. Essays on Graphic Novels And/As History. Ed. Richard Iadonisi. Newcastle upon Tyne: Cambridge Scholars Publ. 2012. 121–43. |
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| Cutter, Martha J. and Cathy J. Schlund-Vials, eds. Redrawing the Historical Past: History, Memory, and Multiethnic Graphic Novels. Athens: Univ. of Georgia Press, 2018. |
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| Danesin, Maxime. "Beyond Time & Culture: The Revitalisation of Old Norse Literature and History in Yukimura Makoto’s Vinland Saga." Mutual Images 2 2017. Accessed 12Feb. 2018. <https://www.mutualimage ... /mi/article/view/Vol2-7>. |
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| Davis-McElligatt, Joanna C. "Walk Together, Children: The Function of Interplay of Comics, History, and Memory in Martin Luther King and the Montgomery Story and John Lewis’s March: Book One." Graphic Novels for Children and Young Adults. A Collection of Critical Essays. Eds. Michelle Ann Abate and Gwen Athene Tarbox. Children’s Literature Association Series. Jackson: Univ. Press of Mississippi, 2017. 298–311. |
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| Davis-McElligatt, Joanna. "Confronting the Intersections of Race, Immigration, and Representation in Chris Ware’s Comics." The Comics of Chris Ware. Drawing is a Way of Thinking. Eds. David M. Ball and Martha B. Kuhlman. Jackson: Univ. Press of Mississippi, 2010. 135–45. |
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| Dey, Arunima. "Women in the Partition of India: Graphic Narratives." Visual Past 3. 1 2016. Accessed 16Aug. 2016. <http://www.visualpast.d ... ive/pdf/vp2016_0109.pdf>. |
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| Dickason, Renée. "Histoire/histoire(s) ou la construction fictionnelle de la Seconde Guerre mondiale dans les bandes dessinnées britanniques." Lignes de front. Bande dessinée et totalitarisme. Eds. Viviane Alary and Benoît Mitaine. L’Équinoxe. Chêne-Bourg: Georg, 2011. 47–64. |
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| Dittmar, Jakob F. "Comic und Geschichtsbewusstsein: Mythisierung im Gegensatz zur Historisierung." Rechtsextremismus, Rassismus und Antisemitismus in Comics. Ed. Ralf Palandt. Berlin: Archiv der Jugendkulturen, 2011. 419–27. |
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| Dolle-Weinkauff, Bernd. "Das »Dritte Reich« im Comic: Geschichtsbilder und darstellungsästhetische Strategien einer rekonstruierten Gattung." Jahrbuch für Antisemitismusforschung 2. (1993): 298–332. |
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| Dolle-Weinkauff, Bernd. "Was ist ein »Geschichtscomic«? Über historisches Erzählen in Comic, Manga und Graphic Novel." Comparativ 24. (2014): 29–46. |
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| Dolle-Weinkauff, Bernd, ed. Geschichte im Comic: Befunde – Theorien – Erzählweisen. Berlin: Ch.A. Bachmann, 2018. |
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| Dolle-Weinkauff, Bernd. "What Are »Historical Comics«? : On Historical Storytelling in Comics, Manga and Graphic Novels." Geschichte im Comic. Befunde – Theorien – Erzählweisen. Ed. Bernd Dolle-Weinkauff. Berlin: Ch.A. Bachmann, 2018. 11–28. |
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| Dolle-Weinkauff, Bernd. "Danach, das Ende und der Anfang: Aktuelle Comic-Schlaglichter auf die Zeit der NS-Herrschaft und des II. Weltkrieges." Bücher haben ihre Geschichte. Kinder- und Jugendliteratur, Literatur und Nationalsozialismus, Deutschdidaktik. Eds. Petra Joosting and Jan Wirrer. Hildesheim, New York: Olms, 1996. 161–76. |
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| Dolle-Weinkauff, Bernd. "Autofiktion als Geschichtsschreibung? Historisches und autobiografisches Erzählen im Comic." Autobiografie intermedial. Fallstudien zur Literatur und zum Comic. Eds. Kalina Kupczyńska and Jadwiga Kita-Huber. Bielefeld: Aisthesis, 2019. 391–404. |
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| Dolle-Weinkauff, Bernd. "Geschichte zwischen Grandiosität und Gag: Historisches Erzählen in Bildgeschichte und Comic." GeschichtsBilder. Historische Jugendbücher aus vier Jahrhunderten. Eds. Carola Pohlmann and Rüdiger Steinlein. Wiesbaden: Reichert, 2000. 301–16. |
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| Dong, Lan. "Autobiography, Documentary, and History in Comics: The Four Immigrants Manga and Citizen13660." Journal of Comics and Culture 2. (2017): 3–28. |
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| Donnelly, Kevin. "“Well, Anyway”: The Marvelous and the Mundane in Jimmy Corrigan, the Smartest Kid on Earth." Graphic History. Essays on Graphic Novels And/As History. Ed. Richard Iadonisi. Newcastle upon Tyne: Cambridge Scholars Publ. 2012. 89–108. |
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| Dunker, Axel. "»Time Flies«: Mediale Selbstreflexität in Art Spiegelmans Holocaust-Comic Maus." Der Holocaust und die Künste. Medialität und Authentizität von Holocaust-Darstellungen in Literatur, Film, Video, Malerei, Denkmälern, Comic und Musik. Ed. Matías Martínez. Schrift und Bild in Bewegung. Bielefeld: Aisthesis, 2004. 79–98. |
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| Eaglestone, Robert. "Madness or Modernity? The Holocaust in Two Anglo-American Comics." Rethinking History 6. (2002): 319–30. |
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| Earle, Harriet E. H. "“The Sky Is Darkened by Gods”: Spirituality, Strength, and Violence in Gene Luen Yang’s Boxers and Saints." Cultures of War in Graphic Novels. Violence, Trauma, and Memory. Eds. Tatiana Prorokova and Nimrod Tal. New Brunswick: Rutgers Univ. Press, 2018. 75–90. |
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| Edwards, Brian. "The Popularisation of War in Comic Strips 1958–1988." History Workshop Journal (1996): 180–89. |
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