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| Agland, Jamie. "Madness and Masculinity in the Caricatures of the Regency Crisis, 1788–89." Drawing the Line. Using Cartoons as Historical Evidence. Eds. Richard Scully and Marian Quartly. Clayton: Monash Univ. ePress, 2009. |
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| Ahmed, Maaheen. Monstrous Imaginaries: The legacy of romanticism in comics. Jackson: University Pr. of Mississippi, 2019. |
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| Ahmed, Maaheen. "Collages in Comics: The case of dave mckean." Le statut culturel de la bande dessinée – ambiguïtés et évolutions. The Cultural Standing of Comics – Ambiguities and Changes. Eds. Maaheen Ahmed, Stephanie Delneste and Jean-Louis Tilleuil. Paris: L’Harmattan, 2017. 53–74. |
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| Ahmed, Maaheen and Martin Lund. "Apocalypse Why? The neutralisation of the antichrist in three comics adaptations." Scan. Journal of media arts culture 9.1 2012. Accessed 3 May. 2013. <http://scan.net.au/scn/ ... ed-and-Martin-Lund.html>. |
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| Al-Tabaa, Najwa. "Hell Can Be Good for You." Neil Gaiman and Philosophy. Gods Gone Wild. Eds. Tracy L. Bealer, Rachel Luria and Wayne Yuen. Popular Culture and Philosophy. Chicago: Open Court, 2012. 127–34. |
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| Alaniz, José. "Speaking the “Truth” of Sex: Moore & gebbie’s lost girls." International Journal of Comic Art 8.(2006): 307–18. |
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| Alaniz, José. "“Rutting in Free-Fall”: Moore and bissette/zulli’s act of faith." International Journal of Comic Art 10.(2008): 407–19. |
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| Alaniz, José. "‘Will You Listen to That!’ (dis)ability in moore/willingham’s ‘in blackest night’." Comics Forum 2012. Accessed 13 April. 2013. <http://comicsforum.org/ ... t-night-by-jose-alaniz/>. |
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| Alaniz, José. "Into Her Dead Body: Moore & campbell’s from hell." Alan Moore. Portrait of an Extraordinary Gentleman. Eds. smoky man and Gary Spencer Millidge. Leigh-on-Sea: Abiogenesis, 2003. 145–49. |
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| Alaniz, José. "Rutting in Free Fall: Moore & bissette/zulli’s act of faith." Alan Moore. Portrait of an Extraordinary Gentleman. Eds. smoky man and Gary Spencer Millidge. Leigh-on-Sea: Abiogenesis, 2003. 129–34. |
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| Alaniz, José. "Speaking the ‘Truth’ of Sex: Moore & gebbie’s lost girls." Alan Moore. Portrait of an Extraordinary Gentleman. Eds. smoky man and Gary Spencer Millidge. Leigh-on-Sea: Abiogenesis, 2003. 273–76. |
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| Alegría Sabogal, Diego Cristóbal. Von Endlosen, Ewigen und Anderen Die darstellung des undarstellbaren bei neil gaiman. Studia Comparatistica. Berlin: Ch.A. Bachmann, 2021. |
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| Alegría Sabogal, Diego Cristóbal. "Autorenfunktion, Comic-Kontinuität und Transmedia Storytelling Intertextuelle bedeutungsketten bei neil gaiman." Ketten. Ed. Petra Gehring. Essen: Blaue Eule, 2017. 111–28. |
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| Alonso Jerez, Marta. "New Gender Identities in the Twenty-First Century: Blending victorian and steampunk cultures." Victorianomania. Reimagining, Refashioning, and Rewriting Victorian Literature and Culture. Eds. Simonetta Falchi, Greta Perletti and Maria Isabel Romero Ruiz. Critica letteraria e linguistica. Milano: FrancoAngeli, 2015. 59–72. |
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| Anderson, Kane. "V for Occupy: Transmedial theatricality, v for vendetta, and the occupy movement." International Journal of Comic Art 14.(2012): 143–68. |
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| Angel, Christina C. "The Hermeneutics of Spider-Man: What is peter parker doing in elizabethan england?." Web-Spinning Heroics. Critical Essays on the History and Meaning of Spider-Man. Eds. Robert Moses Peaslee and Robert G. Weiner. Jefferson, London: McFarland, 2012. 74–80. |
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| Arp, Robert. "Hooded Justice and Captain Metropolis: The ambiguously gay duo." Watchmen and Philosophy. A Rorschach Test. Ed. Mark D. White. The Blackwell Philosophy and Pop Culture Series. Hoboken: Wiley, 2009. 185–96. |
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| Atkinson, Paul. "The Time of Heroes: Narrative, progress, and eternity in miracleman." The Contemporary Comic Book Superhero. Ed. Angela Ndalianis. Routledge Research in Cultural and Media Studies. London, New York: Routledge, 2009. 44–63. |
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| Ault, Donald. "Re-Visioning William Blake's The Four Zoas." ImageTexT 3.2 2007. Accessed 25 January. 2010. <http://www.english.ufl. ... ext/archives/v3_2/ault/>. |
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| Ayres, Jackson. "The Integrity of the Work: Alan moore, modernism, and the corporate author." Journal of Modern Literature 39.(2016): 144–66. |
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| Ayres, Jackson. Alan Moore: A critical guide. Bloomsbury Comics Studies. New York: Bloomsbury Academic, 2021. |
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| Ayres, Jackson. "“A very, very bad mood” The turn to horror in alan moore’s late comics." Journal of Graphic Novels and Comics (2021). |
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| Babilas, Dorota. "Her Majesty’s Own Murderer? Queen victoria and jack the ripper in popular fiction." Crime Scenes. Modern Crime Fiction in an International Context. Eds. Urszula Elias and Agnieszka Sienkiewicz-Charlish. Gdańsk Transatlantic Studies in British and North American Culture. Frankfurt am Main [etc.]: Peter Lang, 2014. 213–28. |
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| Bachmann, Holger. "Die Funktion idiomatischer Wendungen in populärer Literatur am Beispiel Comicbook. Mit einer beispielinterpretation von alan moores »the killing joke«." Sprachwissenschaft 21.(1996): 337–66. |
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| Backe, Hans-Joachim. Under the Hood: Die verweisstruktur der watchmen. yellow. Schriften zur Comicforschung. Bochum: Ch.A. Bachmann, 2010. |
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| Backe, Hans-Joachim. "Von der Superhelden-Fiktion zur Meta-Helden-Fiktion: watchmen und die dekonstruktion des heldentums." kritische berichte 39.(2011): 5–19. |
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| Backe, Hans-Joachim. "The League of Extraordinary Gentlemen as (Cultural) History." Geschichte im Comic. Befunde – Theorien – Erzählweisen. Ed. Bernd Dolle-Weinkauff. Berlin: Ch.A. Bachmann, 2018. 189–208. |
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| Backe, Hans-Joachim. "Alan Moores League of Extraordinary Gentlemen: Comics als/über/durch literaturgeschichte." Literaturgeschichte und Bildmedien. Eds. Achim Hölter and Monika Schmitz-Emans. Hermeia. Heidelberg: Synchron, 2015. 293–310. |
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| Backe, Hans-Joachim. "Preachers, Butchers, Politicians, or: The Gravitational Pull of Liminal Superheroes." Breaking the Panel! Comics as a Medium. Eds. Rebecca Klütsch, Sina A. Nitzsche and Stefan Schlensag. masteRResearch. Berlin [etc.]: LIT, 2015. 21–36. |
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| Backe, Hans-Joachim. "Transformation und Aneignung: Literarische prätexte in moores und gibbons’ watchmen." Comic und Literatur. Konstellationen. Ed. Monika Schmitz-Emans. linguae & litterae. Berlin u. Boston: de Gruyter, 2012. 187–202. |
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| Baetens, Jan. "Adapting and displaying multiple temporalities: What became of trollope’s john caldigate and maupassant’s boule de suif in simon grennan’s dispossession and dino battaglia’s contes et nouvelles de guerre?." Transforming Anthony Trollope. Dispossession, Victorianism and Nineteenth-Century Word and Image. Eds. Simon Grennan and Laurence Grove. Studies in European Comics and Graphic Novels. Leuven: Leuven Univ. Press, 2015. 15–32. |
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| Baetens, Jan. "Uncaging and Reframing Martin Vaughn-James’s The Cage." Drawing from Life. Memory and Subjectivity in Comic Art. Ed. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013. 67–85. |
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| Bailey, Peter. "Ally Sloper’s Half-Holiday: Comic art in the 1880s." History Workshop (1983): 4–31. |
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| Baker, Bill. Alan Moore On His Work and Career: A conversation with bill baker. Talking with Graphic Novelists. New York: Rosen, 2008. |
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| Baker, Bill. Neil Gaiman On His Work and Career: A conversation with bill baker. Talking with Graphic Novelists. New York: Rosen, 2008. |
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| Baker, James. "Satirising a Prince, or Making Light of a Culture of Errors." The Comics Grid 3.3 2013. Accessed 4 April. 2016. <http://www.comicsgrid.com/articles/10.5334/cg.ac/>. |
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| Balinisteanu, Tudor. "Goddess Cults in Techno-Worlds: Tank girl and the borg queen." Journal of Feminist Studies in Religion 28.(2012): 5–24. |
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| Ballesteros, Antonio. "L’assassin multiple comme mythe moderne: from hell d’alan moore et eddie campbell." Mythe et bande dessinée. Eds. Danielle Corrado and Viviane Alary. Littératures. Clermont-Ferrand: Presses Univ. Blaise Pascal, 2006. 323–34. |
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| Banhold, Lars. "»Yet Always Must it Love Sweet Music More«: Zur funktion von musik in v for vendetta." Bildlaute & laute Bilder. Zur ›Audiovisualität‹ von Bilderzählungen. Ed. Christian A. Bachmann. Bochum: Ch.A. Bachmann, 2014. 129–47. |
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| Banta, Martha. Barbaric Intercourse: Caricature and the culture of conduct, 1841–1936. Chicago: Univ. of Chicago Press, 2003. |
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| Barbour, Chad A. "When Captain America Was an Indian: Heroic masculinity, national identity, and appropriation." Journal of Popular Culture 48.(2015): 269–84. |
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| Barker, Martin. Comics: Ideology, power and the critics. Cultural Politics. Manchester, New York: Manchester Univ. Press, 1989. |
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| Barker, Martin. Action: The story of a violent comic. London: Titan Books, 1990. |
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| Barker, Martin. A Haunt of Fears: The strange history of the british horror comics campaign. Studies in Popular Culture. Jackson: Pluto, 1992. |
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| Barker, Martin and Kate Brooks. Knowing Audiences: Judge dredd, its friends, fans, and foes. Luton: Univ. of Luton Press, 1998. |
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| Barker, Martin. "Seeing how far you can see: On being a ‘fan’ of 2000 ad." Reading Audiences. Young people and the media. Ed. David Buckingham. Manchester, New York: Manchester Univ. Press, 1993. 159–83. |
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| Barker, Martin. "Taking the Extreme Case: Understanding a fascist fan of judge dredd." Trash Aesthetics. Popular Culture and its Audience. Eds. Deborah Cartmell, et al.. London: Pluto, 1997. 14–30. |
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| Barker, Martin. "Jackie and the Problem of Romance." A Comics Studies Reader. Eds. Jeet Heer and Kent Worcester. Jackson: Univ. Press of Mississippi, 2009. 190–206. |
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| Barker, Martin. "Getting a Conviction: Or, how the british horror comics campaign only just succeeded." Pulp Demons. International Dimensions of the Postwar Anti-Comics Campaign. Ed. John A. Lent. Madison [etc.]: Fairleigh Dickinson Univ. Press, 1999. 69–92. |
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| Barnet, Tully and Ben Kooyman. "The Cure Has Killed Us All: Dramatizing medical ethics through zombie and period fiction tropes in the new deadwardians." The Walking Med. Zombies and The Medical Image. Eds. Lorenzo Servitje and Sherryl Vint. Graphic Medicine. University Park: Penn State Univ. Press, 2016. |
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| Baroni, Raphaël. "Le récit dans l’image: Séquence, intrigue et configuration." Image [&] Narrative 12.1 2011. Accessed 6 September. 2011. <http://www.imageandnarr ... rticle/viewFile/136/107>. |
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| Bartual, Roberto. "William Hogarth’s A Harlot’s Progress: The beginnings of a purely pictographic sequential language." Studies in Comics 1.(2010): 83–105. |
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| Basel, Marie-Catherine. "Jacky Fleming: “Falling in Love”." Image [&] Narrative 2.2 2002. Accessed 3 January. 2011. <http://www.imageandnarr ... mariecatherinebasel.htm>. |
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| Bates, Brian. "Graphic and Digital Keats: “la belle dame sans merci” in poetry comics." Reconstruction 16.1 2016. Accessed 1 June. 2016. <http://reconstruction.e ... /Issues/161/Bates.shtml>. |
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| Baurin, Camille. "Le metacomic: La réflexivité dans le comic book de super-héros contemporain." Thèse de doctorat Université de Poitiers, 2012. |
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| Baurin, Camille. "Alan Moore: Métalepse et réflexivité." L’engendrement des images en bande dessinée. Ed. Henri Garric. Iconotextes. Tours: Presses Univ. François-Rabelais, 2013. 81–96. |
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| Bavlnka, Timothy. "Superheroes and Shamanism: Magic and participation in the comics of grant morrison." Thesis Master of Arts. Bowling Green State Univ. Popular Culture, 2011. |
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| Bavlnka, Timothy. "/Co/operation and /co/mmunity in /co/mics: 4chan’s hypercrisis." Transformative Works and Cultures 13 2013. Accessed 19 June. 2013. <http://journal.transfor ... wc/article/view/442/397>. |
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| Bavlnka, Timothy. "The Joke’s On Him: Shamanism, literary magic, and the textualization of grant morrison, heath ledger, and the joker." Intensities: The Journal of Cult Media 5 2013. Accessed 2 July. 2016. <https://intensitiescult ... e-joker-tim-bavlnka.pdf>. |
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| Beckett, Chris. "Reading Watchmen." 2015. Accessed 12 June. 2018. <http://www.readingwatchmen.com>. |
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| Beer, Andreas. "Just(ice) Smiling? Masks and masking in the occupy-wall street protests." European Journal of American Studies 13.4 2018. Accessed 25 February. 2022. <https://journals.openedition.org/ejas/13982>. |
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| Beineke, Colin. "“Her Guardiner”: Alan moore’s swamp thing as the green man." ImageTexT 5.4 2011. Accessed 7 August. 2011. <http://www.english.ufl. ... /archives/v5_4/beineke/>. |
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| Bell, Steve and Eli Valley. "Drawing truth to power: A conversation about cartoons between steve bell and eli valley." Jewish Quarterly 60.(2013): 28–33. |
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| Bender, Hy. The Sandman Companion: A dreamer’s guide to the award-winning comics series. New York: DC Comics, 1999. |
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| Bensam, Richard, ed. Minutes to Midnight: Twelve essays on watchmen. Sequart Journal. Edwardsville: Sequart Research & Literacy Organization, 2010. |
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| Bensam, Richard. "Obsolete Models a Specialty: An introduction." Minutes to Midnight. Twelve Essays on Watchmen. Ed. Richard Bensam. Sequart Journal. Edwardsville: Sequart Research & Literacy Organization, 2010. 1–7. |
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| Berlatsky, Eric. "Lone Woolf and Cubs: Alan moore, postmodern fiction, and third-wave feminist utopianism." The Gay Utopia 2007. Accessed 27 February. 2014. <http://gayutopia.blogsp ... woolf-and-cubsalan.html>. |
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| Berlatsky, Eric, ed. Alan Moore: Conversations. Conversations with Comic Artists. Jackson: Univ. Press of Mississippi, 2011. |
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| Berlatsky, Eric. "Time and Free Will: Bergson, modernism, superheroes, and watchmen." Understanding Bergson, Understanding Modernism. Eds. Paul Ardoin, S. E. Gontarski and Laci Mattison. London, New York: Continuum, 2013. 256–80. |
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| Berlatsky, Eric. "“Does That Change Anything?” (post)feminist implications of gemma bovery." Drawn from the Classics. Essays on Graphic Adaptations of Literary Works. Eds. Stephen E. Tabachnick and Esther Bendit Saltzman. Jefferson, London: McFarland, 2015. 127–46. |
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| Bermudez Brataas, Delilah. "Gods and monsters: Authorial creation in gaiman’s sandman and mccreery and del col’s kill shakespeare." Journal of Graphic Novels and Comics (2020): 1–24. |
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| Bernard, Mark and James Bucky Carter. "Alan Moore and the Graphic Novel: Confronting the fourth dimension." ImageTexT 1.2 2005. Accessed 6 July. 2012. <http://www.english.ufl. ... t/archives/v1_2/carter/>. |
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| Berninger, Mark. "Workshop III: Teaching Comics and Literary Studies—Neil Gaiman and Charles Vess’ “A Midsummer Night’s Dream”." Comics as a Nexus of Cultures. Essays on the Interplay of Media, Disciplines and International Perspectives. Eds. Mark Berninger, Jochen Ecke and Gideon Haberkorn. Critical Explorations in Science Fiction and Fantasy. Jefferson, London: McFarland, 2010. 253–64. |
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| Besozzi, Michael T. "“To Blaze Forever in a Blazing World”: Queer reconstruction and cultural memory in the works of alan moore." Thesis Master of Arts. Georgia State University, 2011. |
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| Besson, Cyril. "Aesthetics fiction ? comics, avant-gardes visuelles et genre dans doom patrol de grant morrison." ReS Futurae 5 2015. Accessed 3 December. 2021. <http://journals.openedition.org/resf/660>. |
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| Bétan, Julien, ed. Alan Moore: Tisser l’invisible. La bibliothèque des miroirs-BD. Lyon: Les moutons électriques, 2010. |
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| Bevin, Phil. "Truth, Justice, and the Socialist Way? The politics of grant morrison’s superman." Working-Class Comic Book Heroes. Class Conflict and Populist Politics in Comics. Ed. Marc DiPaolo. Jackson: Univ. Press of Mississippi, 2018. 126–48. |
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| Bishop, David and Karl Stock. Thrill-Power Overload: 2000 ad – the first forty years. Oxford: Rebellion, 2017. |
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