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Agland, Jamie: "Madness and Masculinity in the Caricatures of the Regency Crisis, 1788–89 ." In: Drawing the Line. Using Cartoons as Historical Evidence . Hrsg. v. Richard Scully und Marian Quartly. Clayton: Monash Univ. ePress, 2009.
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Ahmed, Maaheen und Martin Lund: "Apocalypse Why? The Neutralisation of the Antichrist in Three Comics Adaptations." In: Scan. Journal of media arts culture 9.1 (2012), (3. Mai 2013)
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Ahmed, Maaheen: "Collages in Comics. The Case of Dave McKean." In: Le statut culturel de la bande dessinée – ambiguïtés et évolutions. The Cultural Standing of Comics – Ambiguities and Changes . Hrsg. v. Maaheen Ahmed, Stephanie Delneste und Jean-Louis Tilleuil. Paris: L’Harmattan, 2017, S. 53–74.
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Alaniz, José: "Into Her Dead Body. Moore & Campbell’s From Hell." In: Alan Moore. Portrait of an Extraordinary Gentleman . Hrsg. v. smoky man und Gary Spencer Millidge. Leigh-on-Sea: Abiogenesis, 2003, S. 145–149.
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---: "Rutting in Free Fall. Moore & Bissette/Zulli’s Act of Faith." In: Alan Moore. Portrait of an Extraordinary Gentleman . Hrsg. v. smoky man und Gary Spencer Millidge. Leigh-on-Sea: Abiogenesis, 2003, S. 129–134.
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---: "“Rutting in Free-Fall”. Moore and Bissette/Zulli’s Act of Faith ." In: International Journal of Comic Art 10.1 (2008), S. 407–419.
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---: "Speaking the ‘Truth’ of Sex. Moore & Gebbie’s Lost Girls ." In: Alan Moore. Portrait of an Extraordinary Gentleman . Hrsg. v. smoky man und Gary Spencer Millidge. Leigh-on-Sea: Abiogenesis, 2003, S. 273–276.
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---: "Speaking the “Truth” of Sex. Moore & Gebbie’s Lost Girls ." In: International Journal of Comic Art 8.2 (2006), S. 307–318.
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---: "‘Will You Listen to That!’. (Dis)Ability in Moore/Willingham’s ‘In Blackest Night’." In: Comics Forum (2012),
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Ali, Barish: "The Violence of Criticism. The Mutilation and Exhibition of History in From Hell ." In: Journal of Popular Culture 38 (2005), S. 605–631.
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Alspaugh, Leann Davis: "Treading Upon the Shroud. Martin Rowson’s Graphic Novel Version of Tristram Shandy ." In: The Shandean 20 (2009), S. 131–146.
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Althouse, Matthew T. "Kevlar Armor, Heat-Seeking Bullets and Social Order. A Mythological Reading of Judge Dredd ." In: Comics & Ideology . Hrsg. v. Matthew P. McAllister, Edward H. Sewell, Jr. und Ian Gordon. (Popular Culture and Everyday Life, 2.) 2001, S. 195–219.
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Anderson, Leslie J. "Myth and the Superhero. Personal Choice in Batman, Arkham Asylum: A Serious House on Serious Earth ." In: International Journal of Comic Art 14.1 (2012), S. 507–524.
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Anderson, Kane: "V for Occupy. Transmedial Theatricality, V for Vendetta , and the Occupy Movement." In: International Journal of Comic Art 14.2 (2012), S. 143–168.
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Angel, Christina C. "The Hermeneutics of Spider-Man. What Is Peter Parker Doing in Elizabethan England?" In: Web-Spinning Heroics. Critical Essays on the History and Meaning of Spider-Man . Hrsg. v. Robert Moses Peaslee und Robert G. Weiner. Jefferson, London: McFarland, 2012, S. 74–80.
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Antal, Frederick: Hogarth and His Place in European Art . London: Routledge & Paul, 1962. (270 S.)
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---: Hogarth und seine Stellung in der europäischen Kunst . 2. Aufl. Dresden: Verl. d. Kunst, 1991. (607 S.)
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von Arburg, Hans-Georg: Kunst-Wissenschaft um 1800. Studien zu Georg Christoph Lichtenbergs Hogarth-Kommentaren . Göttingen: Wallstein, 1998. (432 S.)
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Arp, Robert: "Hooded Justice and Captain Metropolis. The Ambiguously Gay Duo." In: Watchmen and Philosophy. A Rorschach Test . Hrsg. v. Mark D. White. (The Blackwell Philosophy and Pop Culture Series.) Hoboken: Wiley, 2009, S. 185–196.
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Atkinson, Doug und R. J. White: The Annotated Watchmen. Your Complete Guide to the Classic Series . 1995. (12. Juni 2018)
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Atkinson, Paul: "The Time of Heroes. Narrative, Progress, and Eternity in Miracleman ." In: The Contemporary Comic Book Superhero . Hrsg. v. Angela Ndalianis. (Routledge Research in Cultural and Media Studies, 19.) London, New York: Routledge, 2009, S. 44–63.
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Ault, Donald: "Re-Visioning William Blake's The Four Zoas ." In: ImageTexT 3.2 (2007),
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Ayres, Jackson: "The Integrity of the Work. Alan Moore, Modernism, and the Corporate Author." In: Journal of Modern Literature 39.2 (2016), S. 144–166.
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Bachmann, Holger: "Die Funktion idiomatischer Wendungen in populärer Literatur am Beispiel Comicbook. Mit einer Beispielinterpretation von Alan Moores »The Killing Joke«." In: Sprachwissenschaft 21.3 (1996), S. 337–366.
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Backe, Hans-Joachim: "Alan Moores League of Extraordinary Gentlemen . Comics als/über/durch Literaturgeschichte." In: Literaturgeschichte und Bildmedien . Hrsg. v. Achim Hölter und Monika Schmitz-Emans. (Hermeia, 14.) Heidelberg: Synchron, 2015, S. 293–310.
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---: "Preachers, Butchers, Politicians, or: The Gravitational Pull of Liminal Superheroes." In: Breaking the Panel! Comics as a Medium . Hrsg. v. Rebecca Klütsch, Sina A. Nitzsche und Stefan Schlensag. (masteRResearch, 6.) Berlin [etc.]: LIT, 2015, S. 21–36.
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---: "The League of Extraordinary Gentlemen as (Cultural) History." In: Geschichte im Comic. Befunde – Theorien – Erzählweisen . Hrsg. v. Bernd Dolle-Weinkauff. Berlin: Ch.A. Bachmann, 2018, S. 189–208.
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---: "Transformation und Aneignung. Literarische Prätexte in Moores und Gibbons’ Watchmen ." In: Comic und Literatur. Konstellationen . Hrsg. v. Monika Schmitz-Emans. (linguae & litterae, 16.) Berlin u. Boston: de Gruyter, 2012, S. 187–202.
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---: Under the Hood. Die Verweisstruktur der Watchmen . (yellow. Schriften zur Comicforschung, 4.) Bochum: Ch.A. Bachmann, 2010. (153 S.)
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---: "Von der Superhelden-Fiktion zur Meta-Helden-Fiktion. Watchmen und die Dekonstruktion des Heldentums." In: kritische berichte 39.1 (2011), S. 5–19.
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Baetens, Jan und Caren Litherland: "Latent Violence (Escher, Franc, Vaughn-James)." In: Yale French Studies 84 (1994), S. 222–241.
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Baetens, Jan: "Uncaging and Reframing Martin Vaughn-James’s The Cage ." In: Drawing from Life. Memory and Subjectivity in Comic Art . Hrsg. v. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013, S. 67–85.
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Bailey, Peter: "Ally Sloper’s Half-Holiday. Comic Art in the 1880s." In: History Workshop 16 (1983), S. 4–31.
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Baker, Bill (Hg.): Alan Moore On His Work and Career. A Conversation with Bill Baker . (Talking with Graphic Novelists.) New York: Rosen, 2008. (110 S.)
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--- (Hg.): Alan Moore Spells It out. On Comics, Creativity, Magic and Much, Much More . Airwave Publ. 2005. (78 S.)
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--- (Hg.): Alan Moore’s Exit Interview . Airwave Publ. 2007. (80 S.)
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--- (Hg.): Neil Gaiman On His Work and Career. A Conversation with Bill Baker . (Talking with Graphic Novelists.) New York: Rosen, 2008. (118 S.)
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Baker, James: "Satirising a Prince, or Making Light of a Culture of Errors." In: The Comics Grid 3.3 (2013),
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Balinisteanu, Tudor: "Goddess Cults in Techno-Worlds. Tank Girl and the Borg Queen." In: Journal of Feminist Studies in Religion 28.1 (2012), S. 5–24.
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Ballesteros, Antonio: "L’assassin multiple comme mythe moderne. From Hell d’Alan Moore et Eddie Campbell." In: Mythe et bande dessinée . Hrsg. v. Danielle Corrado und Viviane Alary. (Littératures.) Clermont-Ferrand: Presses Univ. Blaise Pascal, 2006, S. 323–334.
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Banhold, Lars: "»Yet Always Must it Love Sweet Music More«. Zur Funktion von Musik in V for Vendetta ." In: Bildlaute & laute Bilder. Zur ›Audiovisualität‹ von Bilderzählungen . Hrsg. v. Christian A. Bachmann. Bochum: Ch.A. Bachmann, 2014, S. 129–147.
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Banks, Amanda Carson und Elizabeth E. Wein: "Folklore and the Comic Book. The Traditional Meets the Popular." In: New Directions in Folklore 2 (1998), (21. März 2010)
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Banta, Martha: Barbaric Intercourse. Caricature and the Culture of Conduct, 1841–1936 . Chicago: Univ. of Chicago Press, 2003. (433 S.)
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Barbour, Chad A. "When Captain America Was an Indian. Heroic Masculinity, National Identity, and Appropriation." In: Journal of Popular Culture 48.2 (2015), S. 269–284.
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Barker, Martin: Action. The Story of a Violent Comic . London: Titan Books, 1990. (285 S.)
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---: Comics. Ideology, Power and the Critics . (Cultural Politics.) Manchester, New York: Manchester Univ. Press, 1989. (320 S.)
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---: "Getting a Conviction. Or, How the British Horror Comics Campaign Only Just Succeeded." In: Pulp Demons. International Dimensions of the Postwar Anti-Comics Campaign . Hrsg. v. John A. Lent. Madison [etc.]: Fairleigh Dickinson Univ. Press, 1999, S. 69–92.
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---: A Haunt of Fears. The Strange History of the British Horror Comics Campaign . (Studies in Popular Culture.) Jackson: Pluto, 1992. (239 S.)
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---: "Jackie and the Problem of Romance." In: A Comics Studies Reader . Hrsg. v. Jeet Heer und Kent Worcester. Jackson: Univ. Press of Mississippi, 2009, S. 190–206.
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Barker, Martin und Kate Brooks: Knowing Audiences. Judge Dredd, its Friends, Fans, and Foes . Luton: Univ. of Luton Press, 1998. (328 S.)
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Barker, Martin: "Seeing how far you can see. On being a ‘fan’ of 2000 AD ." In: Reading Audiences. Young people and the media . Hrsg. v. David Buckingham. Manchester, New York: Manchester Univ. Press, 1993, S. 159–183.
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---: "Taking the Extreme Case. Understanding a Fascist Fan of Judge Dredd." In: Trash Aesthetics. Popular Culture and its Audience . Hrsg. v. Deborah Cartmell et al. London: Pluto, 1997, S. 14–30.
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Barnes, David: "Time in the Gutter. Temporal Structures in Watchmen ." In: KronoScope 9 (2009), S. 51–60.
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Baroni, Raphaël: "Le récit dans l’image. Séquence, intrigue et configuration." In: Image [&] Narrative 12.1 (2011), S. 272–294, (6. Sept. 2011)
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Bartual, Roberto: "William Hogarth’s A Harlot’s Progress . The beginnings of a purely pictographic sequential language." In: Studies in Comics 1.1 (2010), S. 83–105.
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Basel, Marie-Catherine: "Jacky Fleming: “Falling in Love”." In: Image [&] Narrative 2.2 (2002), (3. Jan. 2011)
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Bates, Brian: "Graphic and Digital Keats. “La Belle Dame sans Merci” in Poetry Comics." In: Reconstruction 16.1 (2016), (1. Juni 2016)
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Baurin, Camille: "Alan Moore. Métalepse et réflexivité." In: L’engendrement des images en bande dessinée . Hrsg. v. Henri Garric. (Iconotextes.) Tours: Presses Univ. François-Rabelais, 2013, S. 81–96.
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---: Le metacomic . La réflexivité dans le comic book de super-héros contemporain .(Thèse de doctorat), Université de Poitiers, Ecole doctorale : Lettres, Pensée, Arts et Histoire 2012 (631 S.).
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Bavlnka, Timothy: "/Co/operation and /co/mmunity in /co/mics. 4chan’s Hypercrisis." In: Transformative Works and Cultures 13 (2013), (19. Juni 2013)
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---: "The Joke’s On Him. Shamanism, Literary Magic, and the Textualization of Grant Morrison, Heath Ledger, and The Joker." In: Intensities: The Journal of Cult Media 5 (2013), S. 111–133, (2. Juli 2016)
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---: Superheroes and Shamanism. Magic and Participation in the Comics of Grant Morrison . Master of Arts (Thesis), Bowling Green State Univ. Popular Culture 2011 (96 S.).
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Beckett, Chris: Reading Watchmen . 2015. (12. Juni 2018) .
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Beineke, Colin: "“Her Guardiner”. Alan Moore’s Swamp Thing as the Green Man." In: ImageTexT 5.4 (2011),
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Bell, Steve und Eli Valley: "Drawing truth to power. A conversation about cartoons between Steve Bell and Eli Valley." In: Jewish Quarterly 60.1 (2013), S. 28–33.
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Bender, Hy: The Sandman Companion. A Dreamer’s Guide to the Award-Winning Comics Series . New York: DC Comics, 1999. (274 S.)
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Bensam, Richard (Hg.): Minutes to Midnight. Twelve Essays on Watchmen . (Sequart Journal, 6.) Edwardsville: Sequart Research & Literacy Organization, 2010. (171 S.)
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---: "Obsolete Models a Specialty. An Introduction." In: Minutes to Midnight. Twelve Essays on Watchmen . Hrsg. v. Richard Bensam. (Sequart Journal, 6.) Edwardsville: Sequart Research & Literacy Organization, 2010, S. 1–7.
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Berlatsky, Eric (Hg.): Alan Moore. Conversations . (Conversations with Comic Artists.) Jackson: Univ. Press of Mississippi, 2011. (240 S.)
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---: "“Does That Change Anything?”. (Post)Feminist Implications of Gemma Bovery ." In: Drawn from the Classics. Essays on Graphic Adaptations of Literary Works . Hrsg. v. Stephen E. Tabachnick und Esther Bendit Saltzman. Jefferson, London: McFarland, 2015, S. 127–146.
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---: "Lone Woolf and Cubs. Alan Moore, Postmodern Fiction, and Third-Wave Feminist Utopianism." In: The Gay Utopia (2007), (27. Febr. 2014)
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---: "Time and Free Will. Bergson, Modernism, Superheroes, and Watchmen ." In: Understanding Bergson, Understanding Modernism . Hrsg. v. Paul Ardoin, S. E. Gontarski und Laci Mattison. London, New York: Continuum, 2013, S. 256–280.
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Bernard, Mark und James Bucky Carter: "Alan Moore and the Graphic Novel. Confronting the Fourth Dimension." In: ImageTexT 1.2 (2005),
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Berninger, Mark: "Workshop III: Teaching Comics and Literary Studies—Neil Gaiman and Charles Vess’ “A Midsummer Night’s Dream”." In: Comics as a Nexus of Cultures. Essays on the Interplay of Media, Disciplines and International Perspectives . Hrsg. v. Mark Berninger, Jochen Ecke und Gideon Haberkorn. (Critical Explorations in Science Fiction and Fantasy, 22.) Jefferson, London: McFarland, 2010, S. 253–264.
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Besozzi, Michael T. “To Blaze Forever in a Blazing World”. Queer Reconstruction and Cultural Memory in the Works of Alan Moore . Master of Arts (Thesis), Georgia State University, College of Arts and Sciences 2011 (87 S.).
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Bétan, Julien (Hg.): Alan Moore. Tisser l’invisible . (La bibliothèque des miroirs-BD, 3.) Lyon: Les moutons électriques, 2010. (307 S.)
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Bevin, Phil: "Truth, Justice, and the Socialist Way? The Politics of Grant Morrison’s Superman." In: Working-Class Comic Book Heroes. Class Conflict and Populist Politics in Comics . Hrsg. v. Marc DiPaolo. Jackson: Univ. Press of Mississippi, 2018, S. 126–148.
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Bishop, David und Karl Stock: Thrill-Power Overload. 2000 AD – the First Forty Years . Oxford: Rebellion, 2017. (301 S.)
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Bissette, Stephen R. "Mr. Moore and Me." In: Alan Moore. Portrait of an Extraordinary Gentleman . Hrsg. v. smoky man und Gary Spencer Millidge. Leigh-on-Sea: Abiogenesis, 2003, S. 217–232.
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Bjegac, Vesna und Anna Waczek: "Spiel mit Perspektiven. Hilda und der Mitternachtsriese von Luke Pearson." In: Praxis Deutsch 252 (2015), S. 15–18.
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Blackbeard, Bill: Sherlock Holmes in America . New York: Abrams, 1981. (240 S.)
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Blake, Charlie: "Pirate multiplicities. Aion , chronos and magical inscription in the graphic novels of Alan Moore." In: Studies in Comics 2.1 (2011), S. 121–134.
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Blake, Brandy Ball: "Watchmen . The Graphic Novel as Trauma Fiction." In: ImageTexT 5.1 (2010),
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Boge, Chris: "Visualizing Histories and Stories. Revisionary Graphic Novels of the 1980s and 1990s." In: Medienimpulse 3 (2013), (21. Juni 2016)
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Bordeaux, Joel: "The Dark Knight of the Soul. Death as Initiatory Ordeal in Grant Morrison’s Batman R.I.P. ." In: The Assimilation of Yogic Religions through Pop Culture . Hrsg. v. Paul G. Hackett. Lanham [etc.]: Rowman & Littlefield, 2017, S. 219–246.
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Borsellino, Mary: "Blue and Pink. Gender in Neil Gaiman’s Work." In: The Neil Gaiman Reader . Hrsg. v. Darrell Schweitzer. Rockville: Wildside, 2007, S. 51–53.
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---: "How the Ghost of You Clings. Watchmen and Music." In: Minutes to Midnight. Twelve Essays on Watchmen . Hrsg. v. Richard Bensam. (Sequart Journal, 6.) Edwardsville: Sequart Research & Literacy Organization, 2010, S. 24–37.
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Bradshaw, Michael: "‘The sleep of reason’. Swamp Thing and the intertextual reader." In: Alan Moore and the Gothic Tradition . Hrsg. v. Matthew J. A. Green. Manchester, New York: Manchester Univ. Press, 2013, S. 121–139.
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Bragard, Véronique: "Conrad’s Two Visions. Intermedial Transgenericity in Anyango and Mairowitz’s Graphic Adaptation of Heart of Darkness ." In: European Comic Art 6.1 (2013), S. 45–65.
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Bratman, David: "A Game of You – Yes, You ." In: The Sandman Papers. An Exploration of the Sandman Mythology . Hrsg. v. Joe Sanders. Seattle: Fantagraphics, 2006, S. 41–53.
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Brayshaw, Chris: "Dave McKean." In: The Comics Journal 196 (1997), S. 58–89.
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Brisbin, Ally und Paul Booth: "The Sand/wo/man. The Unstable Worlds of Gender in Neil Gaiman’s Sandman Series." In: Journal of Popular Culture 46.1 (2013), S. 20–37.
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Broderick, James F. "From Hell ." In: Now a Terrifying Motion Picture! Twenty-Five Classic Works of Horror Adapted from Book to Film . Jefferson, London: McFarland, 2012, S. 78–85.
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Brogan, Jacob: "Stop/Watch. Repressing History, Adapting Watchmen ." In: The Politics of Adaptation. Media Convergence and Ideology . Hrsg. v. Dan A. Hassler-Forest und Pascal Nicklas. New York [etc.]: Palgrave Macmillan, 2015, S. 214–226.
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Broglio, Ron: "William Blake and the Novel Space of Revolution." In: ImageTexT 3.2 (2007),
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Brooker, Will: "Fifth Dimensional Batman. An Interview with Grant Morrison." In: Many More Lives of the Batman . Hrsg. v. Roberta E. Pearson, William Uricchio und Will Brooker. London: BFI Palgrave, 2015, S. 43–52.
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---: "Hero of the beach. Flex Mentallo at the end of the worlds." In: Journal of Graphic Novels and Comics 2 (2011), S. 25–37.
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