Aggleton, Jen: "Defining digital comics. A British Library perspective." In: Journal of Graphic Novels and Comics (2018), S. 1–17.
Last edited by: joachim 2018-08-02 10:41:35
Agland, Jamie: "Madness and Masculinity in the Caricatures of the Regency Crisis, 1788–89 ." In: Drawing the Line. Using Cartoons as Historical Evidence . Hrsg. v. Richard Scully und Marian Quartly. Clayton: Monash Univ. ePress, 2009.
Last edited by: joachim 2014-02-12 17:23:09
Ahmed, Maaheen und Martin Lund: "Apocalypse Why? The Neutralisation of the Antichrist in Three Comics Adaptations." In: Scan. Journal of media arts culture 9.1 (2012), (3. Mai 2013)
Added by: joachim 2013-05-04 10:36:00
Ahmed, Maaheen: "Collages in Comics. The Case of Dave McKean." In: Le statut culturel de la bande dessinée – ambiguïtés et évolutions. The Cultural Standing of Comics – Ambiguities and Changes . Hrsg. v. Maaheen Ahmed, Stephanie Delneste und Jean-Louis Tilleuil. Paris: L’Harmattan, 2017, S. 53–74.
Added by: joachim 2017-07-20 14:16:14
Alaniz, José: "Into Her Dead Body. Moore & Campbell’s From Hell." In: Alan Moore. Portrait of an Extraordinary Gentleman . Hrsg. v. smoky man und Gary Spencer Millidge. Leigh-on-Sea: Abiogenesis, 2003, S. 145–149.
Last edited by: joachim 2012-02-29 23:33:54
---: "Rutting in Free Fall. Moore & Bissette/Zulli’s Act of Faith." In: Alan Moore. Portrait of an Extraordinary Gentleman . Hrsg. v. smoky man und Gary Spencer Millidge. Leigh-on-Sea: Abiogenesis, 2003, S. 129–134.
Last edited by: joachim 2018-08-22 17:53:21
---: "“Rutting in Free-Fall”. Moore and Bissette/Zulli’s Act of Faith ." In: International Journal of Comic Art 10.1 (2008), S. 407–419.
Last edited by: joachim 2018-08-22 17:54:21
---: "Speaking the ‘Truth’ of Sex. Moore & Gebbie’s Lost Girls ." In: Alan Moore. Portrait of an Extraordinary Gentleman . Hrsg. v. smoky man und Gary Spencer Millidge. Leigh-on-Sea: Abiogenesis, 2003, S. 273–276.
Last edited by: joachim 2011-11-05 15:27:22
---: "Speaking the “Truth” of Sex. Moore & Gebbie’s Lost Girls ." In: International Journal of Comic Art 8.2 (2006), S. 307–318.
Last edited by: joachim 2011-11-05 16:15:09
---: "‘Will You Listen to That!’. (Dis)Ability in Moore/Willingham’s ‘In Blackest Night’." In: Comics Forum (7. Sept. 2012),
Added by: joachim 2013-04-13 01:01:22
Aldridge, Alan und George Perry: The Penguin Book of Comics. A Slight History . 3. Aufl. New York: Penguin, 1989. (272 S.)
Last edited by: joachim 2013-01-03 14:17:38
Ali, Barish: "The Violence of Criticism. The Mutilation and Exhibition of History in From Hell ." In: Journal of Popular Culture 38 (2005), S. 605–631.
Last edited by: joachim 2009-10-18 22:30:01
Alonso Jerez, Marta: "New Gender Identities in the Twenty-First Century. Blending Victorian and Steampunk Cultures." In: Victorianomania. Reimagining, Refashioning, and Rewriting Victorian Literature and Culture . Hrsg. v. Simonetta Falchi, Greta Perletti und Maria Isabel Romero Ruiz. (Critica letteraria e linguistica, 100.) Milano: FrancoAngeli, 2015, S. 59–72.
Last edited by: joachim 2020-08-26 18:22:55
Alspaugh, Leann Davis: "Treading Upon the Shroud. Martin Rowson’s Graphic Novel Version of Tristram Shandy ." In: The Shandean 20 (2009), S. 131–146.
Last edited by: joachim 2013-01-20 14:58:17
Althouse, Matthew T. "Kevlar Armor, Heat-Seeking Bullets and Social Order. A Mythological Reading of Judge Dredd ." In: Comics & Ideology . Hrsg. v. Matthew P. McAllister, Edward H. Sewell, Jr. und Ian Gordon. (Popular Culture and Everyday Life, 2.) 2001, S. 195–219.
Last edited by: joachim 2010-05-08 18:18:18
Anderson, Leslie J. "Myth and the Superhero. Personal Choice in Batman, Arkham Asylum: A Serious House on Serious Earth ." In: International Journal of Comic Art 14.1 (2012), S. 507–524.
Added by: joachim 2013-01-08 16:29:35
Anderson, Kane: "V for Occupy. Transmedial Theatricality, V for Vendetta , and the Occupy Movement." In: International Journal of Comic Art 14.2 (2012), S. 143–168.
Added by: Deleted user 2013-06-25 11:53:56
Angel, Christina C. "The Hermeneutics of Spider-Man. What Is Peter Parker Doing in Elizabethan England?" In: Web-Spinning Heroics. Critical Essays on the History and Meaning of Spider-Man . Hrsg. v. Robert Moses Peaslee und Robert G. Weiner. Jefferson, London: McFarland, 2012, S. 74–80.
Added by: joachim 2012-09-25 13:08:34
Antal, Frederick: Hogarth and His Place in European Art . London: Routledge & Paul, 1962. (270 S.)
Added by: joachim 2013-09-14 13:59:18
---: Hogarth und seine Stellung in der europäischen Kunst . 2. Aufl. Dresden: Verl. d. Kunst, 1991. (607 S.)
Added by: joachim 2013-09-14 14:06:41
von Arburg, Hans-Georg: Kunst-Wissenschaft um 1800. Studien zu Georg Christoph Lichtenbergs Hogarth-Kommentaren . Göttingen: Wallstein, 1998. (432 S.)
Added by: joachim 2012-04-17 00:08:06
Arp, Robert: "Hooded Justice and Captain Metropolis. The Ambiguously Gay Duo." In: Watchmen and Philosophy. A Rorschach Test . Hrsg. v. Mark D. White. (The Blackwell Philosophy and Pop Culture Series.) Hoboken: Wiley, 2009, S. 185–196.
Last edited by: joachim 2009-12-20 00:59:52
Atkinson, Doug und R. J. White: The Annotated Watchmen. Your Complete Guide to the Classic Series . 1995. (12. Juni 2018)
Added by: joachim 2018-06-12 16:02:33
Atkinson, Paul: "The Time of Heroes. Narrative, Progress, and Eternity in Miracleman ." In: The Contemporary Comic Book Superhero . Hrsg. v. Angela Ndalianis. (Routledge Research in Cultural and Media Studies, 19.) London, New York: Routledge, 2009, S. 44–63.
Last edited by: joachim 2010-04-24 09:41:30
Ault, Donald: "Re-Visioning William Blake's The Four Zoas ." In: ImageTexT 3.2 (2007),
Last edited by: Deleted user 2010-01-25 15:01:56
Ayres, Jackson: "The Integrity of the Work. Alan Moore, Modernism, and the Corporate Author." In: Journal of Modern Literature 39.2 (2016), S. 144–166.
Added by: joachim 2017-02-25 01:04:59
Babilas, Dorota: "Her Majesty’s Own Murderer? Queen Victoria and Jack the Ripper in Popular Fiction." In: Crime Scenes. Modern Crime Fiction in an International Context . Hrsg. v. Urszula Elias und Agnieszka Sienkiewicz-Charlish. (Gdańsk Transatlantic Studies in British and North American Culture.) Frankfurt am Main [etc.]: Peter Lang, 2014, S. 213–228.
Added by: joachim 2020-09-27 11:22:13
Bachmann, Holger: "Die Funktion idiomatischer Wendungen in populärer Literatur am Beispiel Comicbook. Mit einer Beispielinterpretation von Alan Moores »The Killing Joke«." In: Sprachwissenschaft 21.3 (1996), S. 337–366.
Last edited by: joachim 2013-03-20 12:23:06
Backe, Hans-Joachim: "Alan Moores League of Extraordinary Gentlemen . Comics als/über/durch Literaturgeschichte." In: Literaturgeschichte und Bildmedien . Hrsg. v. Achim Hölter und Monika Schmitz-Emans. (Hermeia, 14.) Heidelberg: Synchron, 2015, S. 293–310.
Added by: joachim 2016-05-22 14:09:48
---: "Preachers, Butchers, Politicians, or: The Gravitational Pull of Liminal Superheroes." In: Breaking the Panel! Comics as a Medium . Hrsg. v. Rebecca Klütsch, Sina A. Nitzsche und Stefan Schlensag. (masteRResearch, 6.) Berlin [etc.]: LIT, 2015, S. 21–36.
Added by: joachim 2017-06-05 14:05:36
---: "The League of Extraordinary Gentlemen as (Cultural) History." In: Geschichte im Comic. Befunde – Theorien – Erzählweisen . Hrsg. v. Bernd Dolle-Weinkauff. Berlin: Ch.A. Bachmann, 2018, S. 189–208.
Last edited by: joachim 2018-08-25 14:03:10
---: "Transformation und Aneignung. Literarische Prätexte in Moores und Gibbons’ Watchmen ." In: Comic und Literatur. Konstellationen . Hrsg. v. Monika Schmitz-Emans. (linguae & litterae, 16.) Berlin u. Boston: de Gruyter, 2012, S. 187–202.
Last edited by: joachim 2020-06-08 12:38:26
---: Under the Hood. Die Verweisstruktur der Watchmen . (yellow. Schriften zur Comicforschung, 4.) Bochum: Ch.A. Bachmann, 2010. (153 S.)
Last edited by: joachim 2013-03-19 23:14:20
---: "Von der Superhelden-Fiktion zur Meta-Helden-Fiktion. Watchmen und die Dekonstruktion des Heldentums." In: kritische berichte 39.1 (2011), S. 5–19.
Last edited by: joachim 2011-11-03 13:18:21
Baetens, Jan: "Adapting and displaying multiple temporalities. What became of Trollope’s John Caldigate and Maupassant’s Boule de Suif in Simon Grennan’s Dispossession and Dino Battaglia’s Contes et nouvelles de guerre ?" In: Transforming Anthony Trollope. Dispossession , Victorianism and Nineteenth-Century Word and Image . Hrsg. v. Simon Grennan und Laurence Grove. (Studies in European Comics and Graphic Novels, 4.) Leuven: Leuven Univ. Press, 2015, S. 15–32.
Last edited by: joachim 2020-01-10 17:10:50
Baetens, Jan und Caren Litherland: "Latent Violence (Escher, Franc, Vaughn-James)." In: Yale French Studies 84 (1994), S. 222–241.
Last edited by: joachim 2013-10-20 16:50:27
Baetens, Jan: "Uncaging and Reframing Martin Vaughn-James’s The Cage ." In: Drawing from Life. Memory and Subjectivity in Comic Art . Hrsg. v. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013, S. 67–85.
Last edited by: joachim 2014-07-28 09:52:17
Bailey, Peter: "Ally Sloper’s Half-Holiday. Comic Art in the 1880s." In: History Workshop 16 (1983), S. 4–31.
Added by: joachim 2013-03-08 14:22:17
Baker, Bill (Hg.): Alan Moore On His Work and Career. A Conversation with Bill Baker . (Talking with Graphic Novelists.) New York: Rosen, 2008. (110 S.)
Last edited by: joachim 2014-03-02 16:34:25
--- (Hg.): Alan Moore Spells It out. On Comics, Creativity, Magic and Much, Much More . Airwave Publ. 2005. (78 S.)
Last edited by: joachim 2012-12-09 14:28:29
--- (Hg.): Alan Moore’s Exit Interview . Airwave Publ. 2007. (80 S.)
Last edited by: joachim 2009-08-11 13:06:21
--- (Hg.): Neil Gaiman On His Work and Career. A Conversation with Bill Baker . (Talking with Graphic Novelists.) New York: Rosen, 2008. (118 S.)
Last edited by: joachim 2014-03-02 17:04:38
Baker, James: "Satirising a Prince, or Making Light of a Culture of Errors." In: The Comics Grid 3.3 (2013),
Added by: joachim 2016-04-04 12:45:41
Balinisteanu, Tudor: "Goddess Cults in Techno-Worlds. Tank Girl and the Borg Queen." In: Journal of Feminist Studies in Religion 28.1 (2012), S. 5–24.
Last edited by: joachim 2020-08-22 20:15:09
Ballesteros, Antonio: "L’assassin multiple comme mythe moderne. From Hell d’Alan Moore et Eddie Campbell." In: Mythe et bande dessinée . Hrsg. v. Danielle Corrado und Viviane Alary. (Littératures.) Clermont-Ferrand: Presses Univ. Blaise Pascal, 2006, S. 323–334.
Last edited by: joachim 2016-08-28 13:35:49
Banhold, Lars: "»Yet Always Must it Love Sweet Music More«. Zur Funktion von Musik in V for Vendetta ." In: Bildlaute & laute Bilder. Zur ›Audiovisualität‹ von Bilderzählungen . Hrsg. v. Christian A. Bachmann. Bochum: Ch.A. Bachmann, 2014, S. 129–147.
Added by: joachim 2014-06-19 22:05:49
Banks, Amanda Carson und Elizabeth E. Wein: "Folklore and the Comic Book. The Traditional Meets the Popular." In: New Directions in Folklore 2 (1998), (21. März 2010)
Last edited by: Joachim Trinkwitz 2010-03-21 01:04:50
Banta, Martha: Barbaric Intercourse. Caricature and the Culture of Conduct, 1841–1936 . Chicago: Univ. of Chicago Press, 2003. (433 S.)
Last edited by: joachim 2019-10-21 18:26:21
Barbour, Chad A. "When Captain America Was an Indian. Heroic Masculinity, National Identity, and Appropriation." In: Journal of Popular Culture 48.2 (2015), S. 269–284.
Added by: joachim 2017-01-19 11:38:22
Barker, Martin: Action. The Story of a Violent Comic . London: Titan Books, 1990. (285 S.)
Last edited by: joachim 2017-08-12 15:30:40
---: Comics. Ideology, Power and the Critics . (Cultural Politics.) Manchester, New York: Manchester Univ. Press, 1989. (320 S.)
Last edited by: joachim 2017-08-22 11:36:41
---: "Getting a Conviction. Or, How the British Horror Comics Campaign Only Just Succeeded." In: Pulp Demons. International Dimensions of the Postwar Anti-Comics Campaign . Hrsg. v. John A. Lent. Madison [etc.]: Fairleigh Dickinson Univ. Press, 1999, S. 69–92.
Last edited by: joachim 2013-02-22 16:26:12
---: A Haunt of Fears. The Strange History of the British Horror Comics Campaign . (Studies in Popular Culture.) Jackson: Pluto, 1992. (239 S.)
Last edited by: joachim 2013-06-02 20:19:22
---: "Jackie and the Problem of Romance." In: A Comics Studies Reader . Hrsg. v. Jeet Heer und Kent Worcester. Jackson: Univ. Press of Mississippi, 2009, S. 190–206.
Added by: joachim 2011-01-03 02:50:50
Barker, Martin und Kate Brooks: Knowing Audiences. Judge Dredd, its Friends, Fans, and Foes . Luton: Univ. of Luton Press, 1998. (328 S.)
Added by: joachim 2016-09-03 11:23:48
Barker, Martin: "Seeing how far you can see. On being a ‘fan’ of 2000 AD ." In: Reading Audiences. Young people and the media . Hrsg. v. David Buckingham. Manchester, New York: Manchester Univ. Press, 1993, S. 159–183.
Last edited by: joachim 2010-05-08 18:11:11
---: "Taking the Extreme Case. Understanding a Fascist Fan of Judge Dredd." In: Trash Aesthetics. Popular Culture and its Audience . Hrsg. v. Deborah Cartmell et al. London: Pluto, 1997, S. 14–30.
Last edited by: joachim 2010-05-08 23:14:26
Barnes, David: "Time in the Gutter. Temporal Structures in Watchmen ." In: KronoScope 9 (2009), S. 51–60.
Last edited by: joachim 2017-02-23 11:55:41
Barnet, Tully und Ben Kooyman: "The Cure Has Killed Us All. Dramatizing Medical Ethics through Zombie and Period Fiction Tropes in The New Deadwardians ." In: The Walking Med. Zombies and The Medical Image . Hrsg. v. Lorenzo Servitje und Sherryl Vint. (Graphic Medicine.) University Park: Pennsylvania State Univ. Press, 2016.
Last edited by: joachim 2019-09-07 20:12:38
Baroni, Raphaël: "Le récit dans l’image. Séquence, intrigue et configuration." In: Image [&] Narrative 12.1 (2011), (6. Sept. 2011)
Added by: joachim 2013-08-13 17:30:45
Bartual, Roberto: "William Hogarth’s A Harlot’s Progress . The beginnings of a purely pictographic sequential language." In: Studies in Comics 1.1 (2010), S. 83–105.
Last edited by: joachim 2015-12-27 09:40:57
Basel, Marie-Catherine: "Jacky Fleming: “Falling in Love”." In: Image [&] Narrative 2.2 (2002), (3. Jan. 2011)
Added by: joachim 2011-01-03 14:36:23
Bates, Brian: "Graphic and Digital Keats. “La Belle Dame sans Merci” in Poetry Comics." In: Reconstruction 16.1 (2016), (1. Juni 2016)
Added by: joachim 2016-06-01 15:47:24
Baurin, Camille: "Alan Moore. Métalepse et réflexivité." In: L’engendrement des images en bande dessinée . Hrsg. v. Henri Garric. (Iconotextes.) Tours: Presses Univ. François-Rabelais, 2013, S. 81–96.
Last edited by: joachim 2017-02-19 12:27:18
---: Le metacomic . La réflexivité dans le comic book de super-héros contemporain .(Thèse de doctorat), Université de Poitiers, Ecole doctorale : Lettres, Pensée, Arts et Histoire 2012 (631 S.).
Added by: joachim 2015-04-24 09:41:57
Bavlnka, Timothy: "/Co/operation and /co/mmunity in /co/mics. 4chan’s Hypercrisis." In: Transformative Works and Cultures 13 (2013), (19. Juni 2013)
Last edited by: joachim 2013-06-19 21:10:36
---: "The Joke’s On Him. Shamanism, Literary Magic, and the Textualization of Grant Morrison, Heath Ledger, and The Joker." In: Intensities: The Journal of Cult Media 5 (2013), (2. Juli 2016)
Added by: joachim 2016-07-02 12:56:27
---: Superheroes and Shamanism. Magic and Participation in the Comics of Grant Morrison . Master of Arts (Thesis), Bowling Green State Univ. Popular Culture 2011 (96 S.).
Last edited by: joachim 2011-06-21 23:23:31
Beckett, Chris: Reading Watchmen . 2015. (12. Juni 2018) .
Added by: joachim 2018-06-12 15:45:51
Beineke, Colin: "“Her Guardiner”. Alan Moore’s Swamp Thing as the Green Man." In: ImageTexT 5.4 (2011),
Last edited by: joachim 2013-03-13 21:23:02
Bell, Steve und Eli Valley: "Drawing truth to power. A conversation about cartoons between Steve Bell and Eli Valley." In: Jewish Quarterly 60.1 (2013), S. 28–33.
Last edited by: joachim 2014-02-18 15:32:40
Bender, Hy: The Sandman Companion. A Dreamer’s Guide to the Award-Winning Comics Series . New York: DC Comics, 1999. (274 S.)
Last edited by: joachim 2017-09-03 15:00:04
Bensam, Richard (Hg.): Minutes to Midnight. Twelve Essays on Watchmen . (Sequart Journal, 6.) Edwardsville: Sequart Research & Literacy Organization, 2010. (171 S.)
Added by: joachim 2010-11-12 16:03:48
---: "Obsolete Models a Specialty. An Introduction." In: Minutes to Midnight. Twelve Essays on Watchmen . Hrsg. v. Richard Bensam. (Sequart Journal, 6.) Edwardsville: Sequart Research & Literacy Organization, 2010, S. 1–7.
Added by: joachim 2010-11-13 23:46:48
Berlatsky, Eric (Hg.): Alan Moore. Conversations . (Conversations with Comic Artists.) Jackson: Univ. Press of Mississippi, 2011. (240 S.)
Last edited by: joachim 2013-04-24 01:55:48
---: "“Does That Change Anything?”. (Post)Feminist Implications of Gemma Bovery ." In: Drawn from the Classics. Essays on Graphic Adaptations of Literary Works . Hrsg. v. Stephen E. Tabachnick und Esther Bendit Saltzman. Jefferson, London: McFarland, 2015, S. 127–146.
Last edited by: joachim 2017-08-08 09:03:26
---: "Lone Woolf and Cubs. Alan Moore, Postmodern Fiction, and Third-Wave Feminist Utopianism." In: The Gay Utopia (20. Dez. 2007), (27. Febr. 2014)
Added by: joachim 2014-02-27 16:45:32
---: "Time and Free Will. Bergson, Modernism, Superheroes, and Watchmen ." In: Understanding Bergson, Understanding Modernism . Hrsg. v. Paul Ardoin, S. E. Gontarski und Laci Mattison. London, New York: Continuum, 2013, S. 256–280.
Last edited by: joachim 2014-01-07 12:47:45
Bernard, Mark und James Bucky Carter: "Alan Moore and the Graphic Novel. Confronting the Fourth Dimension." In: ImageTexT 1.2 (2005),
Last edited by: joachim 2012-07-06 12:55:44
Berninger, Mark: "Workshop III: Teaching Comics and Literary Studies—Neil Gaiman and Charles Vess’ “A Midsummer Night’s Dream”." In: Comics as a Nexus of Cultures. Essays on the Interplay of Media, Disciplines and International Perspectives . Hrsg. v. Mark Berninger, Jochen Ecke und Gideon Haberkorn. (Critical Explorations in Science Fiction and Fantasy, 22.) Jefferson, London: McFarland, 2010, S. 253–264.
Last edited by: joachim 2010-12-10 01:25:36
Besozzi, Michael T. “To Blaze Forever in a Blazing World”. Queer Reconstruction and Cultural Memory in the Works of Alan Moore . Master of Arts (Thesis), Georgia State University, College of Arts and Sciences 2011 (87 S.).
Added by: joachim 2012-11-19 20:19:34
Bétan, Julien (Hg.): Alan Moore. Tisser l’invisible . (La bibliothèque des miroirs-BD, 3.) Lyon: Les moutons électriques, 2010. (307 S.)
Last edited by: joachim 2014-10-09 10:19:58
Bevin, Phil: "Truth, Justice, and the Socialist Way? The Politics of Grant Morrison’s Superman." In: Working-Class Comic Book Heroes. Class Conflict and Populist Politics in Comics . Hrsg. v. Marc DiPaolo. Jackson: Univ. Press of Mississippi, 2018, S. 126–148.
Last edited by: joachim 2018-09-01 00:38:48
Bishop, David und Karl Stock: Thrill-Power Overload. 2000 AD – the First Forty Years . Oxford: Rebellion, 2017. (301 S.)
Last edited by: joachim 2017-09-12 12:55:47
Bissette, Stephen R. "Mr. Moore and Me." In: Alan Moore. Portrait of an Extraordinary Gentleman . Hrsg. v. smoky man und Gary Spencer Millidge. Leigh-on-Sea: Abiogenesis, 2003, S. 217–232.
Added by: joachim 2009-08-15 00:41:29
Bjegac, Vesna und Anna Waczek: "Spiel mit Perspektiven. Hilda und der Mitternachtsriese von Luke Pearson." In: Praxis Deutsch 252 (2015), S. 15–18.
Added by: joachim 2015-07-27 08:38:26
Blackbeard, Bill: Sherlock Holmes in America . New York: Abrams, 1981. (240 S.)
Added by: joachim 2016-06-05 09:57:29
Blake, Charlie: "Pirate multiplicities. Aion , chronos and magical inscription in the graphic novels of Alan Moore." In: Studies in Comics 2.1 (2011), S. 121–134.
Last edited by: joachim 2012-12-03 19:47:11
Blake, Brandy Ball: "Watchmen . The Graphic Novel as Trauma Fiction." In: ImageTexT 5.1 (2010),
Last edited by: Deleted user 2010-02-01 14:06:46
Blank, Juliane: "Shaping the World. Dreams, Dreaming, and Dream-Worlds in Comics: Dream of the Rarebit Fiend (1904–1911), Little Nemo (1905–1911) and The Sandman (1989–1996)." In: Writing the Dream / Écrire le rêve . Hrsg. v. Bernard Dieterle und Manfred Engel. (Cultural Dream Studies, 1.) Würzburg: Königshausen & Neumann, 2017, S. 277–303.
Last edited by: joachim 2021-02-22 16:23:39
Boge, Chris: "Visualizing Histories and Stories. Revisionary Graphic Novels of the 1980s and 1990s." In: Medienimpulse 3 (2013), (21. Juni 2016)
Last edited by: joachim 2016-06-21 11:17:46
Boillat, Alain: "Douze minutes avant minuit. L’effet « graphic novel » du chapitrage dans Watchmen ." In: Cahiers de Narratologie 34 (2018), (3. Juli 2020)
Last edited by: joachim 2020-07-03 11:09:25
Bordeaux, Joel: "The Dark Knight of the Soul. Death as Initiatory Ordeal in Grant Morrison’s Batman R.I.P. ." In: The Assimilation of Yogic Religions through Pop Culture . Hrsg. v. Paul G. Hackett. Lanham [etc.]: Rowman & Littlefield, 2017, S. 219–246.
Last edited by: joachim 2018-12-02 11:34:08
Borsellino, Mary: "Blue and Pink. Gender in Neil Gaiman’s Work." In: The Neil Gaiman Reader . Hrsg. v. Darrell Schweitzer. Rockville: Wildside, 2007, S. 51–53.
Added by: joachim 2018-01-30 18:54:10
---: "How the Ghost of You Clings. Watchmen and Music." In: Minutes to Midnight. Twelve Essays on Watchmen . Hrsg. v. Richard Bensam. (Sequart Journal, 6.) Edwardsville: Sequart Research & Literacy Organization, 2010, S. 24–37.
Added by: joachim 2010-11-13 23:55:24
Bradshaw, Michael: "‘The sleep of reason’. Swamp Thing and the intertextual reader." In: Alan Moore and the Gothic Tradition . Hrsg. v. Matthew J. A. Green. Manchester, New York: Manchester Univ. Press, 2013, S. 121–139.
Added by: joachim 2014-06-22 11:49:58
Bragard, Véronique: "Conrad’s Two Visions. Intermedial Transgenericity in Anyango and Mairowitz’s Graphic Adaptation of Heart of Darkness ." In: European Comic Art 6.1 (2013), S. 45–65.
Last edited by: joachim 2013-07-18 22:19:57
Brataas, Delilah Bermudez: "Gods and monsters. Authorial creation in Gaiman’s Sandman and McCreery and Del Col’s Kill Shakespeare ." In: Journal of Graphic Novels and Comics (2020), S. 1–24.
Last edited by: joachim 2020-08-17 17:55:31
Bratman, David: "A Game of You – Yes, You ." In: The Sandman Papers. An Exploration of the Sandman Mythology . Hrsg. v. Joe Sanders. Seattle: Fantagraphics, 2006, S. 41–53.
Added by: joachim 2010-11-20 15:29:29
Brayshaw, Chris: "Dave McKean." In: The Comics Journal 196 (1997), S. 58–89.
Added by: joachim 2013-10-13 12:43:50
