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Alaniz, José: "Into Her Dead Body. Moore & Campbell’s From Hell." In: Alan Moore. Portrait of an Extraordinary Gentleman . Hrsg. v. smoky man und Gary Spencer Millidge. Leigh-on-Sea: Abiogenesis, 2003, S. 145–149.
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---: "Rutting in Free Fall. Moore & Bissette/Zulli’s Act of Faith." In: Alan Moore. Portrait of an Extraordinary Gentleman . Hrsg. v. smoky man und Gary Spencer Millidge. Leigh-on-Sea: Abiogenesis, 2003, S. 129–134.
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---: "“Rutting in Free-Fall”. Moore and Bissette/Zulli’s Act of Faith ." In: International Journal of Comic Art 10.1 (2008), S. 407–419.
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---: "Speaking the ‘Truth’ of Sex. Moore & Gebbie’s Lost Girls ." In: Alan Moore. Portrait of an Extraordinary Gentleman . Hrsg. v. smoky man und Gary Spencer Millidge. Leigh-on-Sea: Abiogenesis, 2003, S. 273–276.
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---: "Speaking the “Truth” of Sex. Moore & Gebbie’s Lost Girls ." In: International Journal of Comic Art 8.2 (2006), S. 307–318.
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---: "‘Will You Listen to That!’. (Dis)Ability in Moore/Willingham’s ‘In Blackest Night’." In: Comics Forum (7. Sept. 2012), (13. Apr. 2013)
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Anderson, Kane: "V for Occupy. Transmedial Theatricality, V for Vendetta , and the Occupy Movement." In: International Journal of Comic Art 14.2 (2012), S. 143–168.
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Angel, Christina C. "The Hermeneutics of Spider-Man. What Is Peter Parker Doing in Elizabethan England?" In: Web-Spinning Heroics. Critical Essays on the History and Meaning of Spider-Man . Hrsg. v. Robert Moses Peaslee und Robert G. Weiner. Jefferson, London: McFarland, 2012, S. 74–80.
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Antal, Frederick: Hogarth and His Place in European Art . London: Routledge & Paul, 1962. (270 S.)
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---: Hogarth und seine Stellung in der europäischen Kunst . 2. Aufl. Dresden: Verl. d. Kunst, 1991. (607 S.)
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Ault, Donald: "Re-Visioning William Blake's The Four Zoas ." In: ImageTexT 3.2 (2007), (25. Jan. 2010)
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Backe, Hans-Joachim: "Alan Moores League of Extraordinary Gentlemen . Comics als/über/durch Literaturgeschichte." In: Literaturgeschichte und Bildmedien . Hrsg. v. Achim Hölter und Monika Schmitz-Emans. (Hermeia, 14.) Heidelberg: Synchron, 2015, S. 293–310.
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---: "Preachers, Butchers, Politicians, or: The Gravitational Pull of Liminal Superheroes." In: Breaking the Panel! Comics as a Medium . Hrsg. v. Rebecca Klütsch, Sina A. Nitzsche und Stefan Schlensag. (masteRResearch, 6.) Berlin [etc.]: LIT, 2015, S. 21–36.
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---: "The League of Extraordinary Gentlemen as (Cultural) History." In: Geschichte im Comic. Befunde – Theorien – Erzählweisen . Hrsg. v. Bernd Dolle-Weinkauff. Berlin: Ch.A. Bachmann, 2018, S. 189–208.
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---: "Transformation und Aneignung. Literarische Prätexte in Moores und Gibbons’ Watchmen ." In: Comic und Literatur. Konstellationen . Hrsg. v. Monika Schmitz-Emans. (linguae & litterae, 16.) Berlin u. Boston: de Gruyter, 2012, S. 187–202.
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---: Under the Hood. Die Verweisstruktur der Watchmen . (yellow. Schriften zur Comicforschung, 4.) Bochum: Ch.A. Bachmann, 2010. (153 S.)
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---: "Von der Superhelden-Fiktion zur Meta-Helden-Fiktion. Watchmen und die Dekonstruktion des Heldentums." In: kritische berichte 39.1 (2011), S. 5–19.
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Baetens, Jan: "Adapting and displaying multiple temporalities. What became of Trollope’s John Caldigate and Maupassant’s Boule de Suif in Simon Grennan’s Dispossession and Dino Battaglia’s Contes et nouvelles de guerre ?" In: Transforming Anthony Trollope. Dispossession , Victorianism and Nineteenth-Century Word and Image . Hrsg. v. Simon Grennan und Laurence Grove. (Studies in European Comics and Graphic Novels, 4.) Leuven: Leuven Univ. Press, 2015, S. 15–32.
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Baker, Bill (Hg.): Alan Moore On His Work and Career. A Conversation with Bill Baker . (Talking with Graphic Novelists.) New York: Rosen, 2008. (110 S.)
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--- (Hg.): Neil Gaiman On His Work and Career. A Conversation with Bill Baker . (Talking with Graphic Novelists.) New York: Rosen, 2008. (118 S.)
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Banta, Martha: Barbaric Intercourse. Caricature and the Culture of Conduct, 1841–1936 . Chicago: Univ. of Chicago Press, 2003. (433 S.)
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---: "Taking the Extreme Case. Understanding a Fascist Fan of Judge Dredd." In: Trash Aesthetics. Popular Culture and its Audience . Hrsg. v. Deborah Cartmell et al. London: Pluto, 1997, S. 14–30.
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Barnet, Tully und Ben Kooyman: "The Cure Has Killed Us All. Dramatizing Medical Ethics through Zombie and Period Fiction Tropes in The New Deadwardians ." In: The Walking Med. Zombies and The Medical Image . Hrsg. v. Lorenzo Servitje und Sherryl Vint. (Graphic Medicine.) University Park: Pennsylvania State Univ. Press, 2016.
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---: Le metacomic . La réflexivité dans le comic book de super-héros contemporain .(Thèse de doctorat), Université de Poitiers, Ecole doctorale : Lettres, Pensée, Arts et Histoire 2012 (631 S.).
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---: "The Joke’s On Him. Shamanism, Literary Magic, and the Textualization of Grant Morrison, Heath Ledger, and The Joker." In: Intensities: The Journal of Cult Media 5 (2013), (2. Juli 2016)
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---: Superheroes and Shamanism. Magic and Participation in the Comics of Grant Morrison . Master of Arts (Thesis), Bowling Green State Univ. Popular Culture 2011 (96 S.).
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Bell, Steve und Eli Valley: "Drawing truth to power. A conversation about cartoons between Steve Bell and Eli Valley." In: Jewish Quarterly 60.1 (2013), S. 28–33.
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Bensam, Richard (Hg.): Minutes to Midnight. Twelve Essays on Watchmen . (Sequart Journal, 6.) Edwardsville: Sequart Research & Literacy Organization, 2010. (171 S.)
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---: "Obsolete Models a Specialty. An Introduction." In: Minutes to Midnight. Twelve Essays on Watchmen . Hrsg. v. Richard Bensam. (Sequart Journal, 6.) Edwardsville: Sequart Research & Literacy Organization, 2010, S. 1–7.
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Berlatsky, Eric (Hg.): Alan Moore. Conversations . (Conversations with Comic Artists.) Jackson: Univ. Press of Mississippi, 2011. (240 S.)
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---: "“Does That Change Anything?”. (Post)Feminist Implications of Gemma Bovery ." In: Drawn from the Classics. Essays on Graphic Adaptations of Literary Works . Hrsg. v. Stephen E. Tabachnick und Esther Bendit Saltzman. Jefferson, London: McFarland, 2015, S. 127–146.
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---: "Lone Woolf and Cubs. Alan Moore, Postmodern Fiction, and Third-Wave Feminist Utopianism." In: The Gay Utopia (20. Dez. 2007), (27. Febr. 2014)
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---: "Time and Free Will. Bergson, Modernism, Superheroes, and Watchmen ." In: Understanding Bergson, Understanding Modernism . Hrsg. v. Paul Ardoin, S. E. Gontarski und Laci Mattison. London, New York: Continuum, 2013, S. 256–280.
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Bernard, Mark und James Bucky Carter: "Alan Moore and the Graphic Novel. Confronting the Fourth Dimension." In: ImageTexT 1.2 (2005), (6. Juli 2012)
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Berninger, Mark: "Workshop III: Teaching Comics and Literary Studies—Neil Gaiman and Charles Vess’ “A Midsummer Night’s Dream”." In: Comics as a Nexus of Cultures. Essays on the Interplay of Media, Disciplines and International Perspectives . Hrsg. v. Mark Berninger, Jochen Ecke und Gideon Haberkorn. (Critical Explorations in Science Fiction and Fantasy, 22.) Jefferson, London: McFarland, 2010, S. 253–264.
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Besozzi, Michael T. “To Blaze Forever in a Blazing World”. Queer Reconstruction and Cultural Memory in the Works of Alan Moore . Master of Arts (Thesis), Georgia State University, College of Arts and Sciences 2011 (87 S.).
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Bétan, Julien (Hg.): Alan Moore. Tisser l’invisible . (La bibliothèque des miroirs-BD, 3.) Lyon: Les moutons électriques, 2010. (307 S.)
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Bevin, Phil: "Truth, Justice, and the Socialist Way? The Politics of Grant Morrison’s Superman." In: Working-Class Comic Book Heroes. Class Conflict and Populist Politics in Comics . Hrsg. v. Marc DiPaolo. Jackson: Univ. Press of Mississippi, 2018, S. 126–148.
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Bishop, David und Karl Stock: Thrill-Power Overload. 2000 AD – the First Forty Years . Oxford: Rebellion, 2017. (301 S.)
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Bjegac, Vesna und Anna Waczek: "Spiel mit Perspektiven. Hilda und der Mitternachtsriese von Luke Pearson." In: Praxis Deutsch 252 (2015), S. 15–18.
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Blackbeard, Bill: Sherlock Holmes in America . New York: Abrams, 1981. (240 S.)
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Blake, Charlie: "Pirate multiplicities. Aion , chronos and magical inscription in the graphic novels of Alan Moore." In: Studies in Comics 2.1 (2011), S. 121–134.
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Blank, Juliane: "Shaping the World. Dreams, Dreaming, and Dream-Worlds in Comics: Dream of the Rarebit Fiend (1904–1911), Little Nemo (1905–1911) and The Sandman (1989–1996)." In: Writing the Dream / Écrire le rêve . Hrsg. v. Bernard Dieterle und Manfred Engel. (Cultural Dream Studies, 1.) Würzburg: Königshausen & Neumann, 2017, S. 277–303.
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Boge, Chris: "Visualizing Histories and Stories. Revisionary Graphic Novels of the 1980s and 1990s." In: Medienimpulse 3 (2013), (21. Juni 2016)
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Boillat, Alain: "Douze minutes avant minuit. L’effet « graphic novel » du chapitrage dans Watchmen ." In: Cahiers de Narratologie 34 (2018), (3. Juli 2020)
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Bordeaux, Joel: "The Dark Knight of the Soul. Death as Initiatory Ordeal in Grant Morrison’s Batman R.I.P. ." In: The Assimilation of Yogic Religions through Pop Culture . Hrsg. v. Paul G. Hackett. Lanham [etc.]: Rowman & Littlefield, 2017, S. 219–246.
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Borsellino, Mary: "Blue and Pink. Gender in Neil Gaiman’s Work." In: The Neil Gaiman Reader . Hrsg. v. Darrell Schweitzer. Rockville: Wildside, 2007, S. 51–53.
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---: "How the Ghost of You Clings. Watchmen and Music." In: Minutes to Midnight. Twelve Essays on Watchmen . Hrsg. v. Richard Bensam. (Sequart Journal, 6.) Edwardsville: Sequart Research & Literacy Organization, 2010, S. 24–37.
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Bradshaw, Michael: "‘The sleep of reason’. Swamp Thing and the intertextual reader." In: Alan Moore and the Gothic Tradition . Hrsg. v. Matthew J. A. Green. Manchester, New York: Manchester Univ. Press, 2013, S. 121–139.
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Bragard, Véronique: "Conrad’s Two Visions. Intermedial Transgenericity in Anyango and Mairowitz’s Graphic Adaptation of Heart of Darkness ." In: European Comic Art 6.1 (2013), S. 45–65.
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Brataas, Delilah Bermudez: "Gods and monsters. Authorial creation in Gaiman’s Sandman and McCreery and Del Col’s Kill Shakespeare ." In: Journal of Graphic Novels and Comics (2020), S. 1–24.
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Bratman, David: "A Game of You – Yes, You ." In: The Sandman Papers. An Exploration of the Sandman Mythology . Hrsg. v. Joe Sanders. Seattle: Fantagraphics, 2006, S. 41–53.
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Brayshaw, Chris: "Dave McKean." In: The Comics Journal 196 (1997), S. 58–89.
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