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| Campbell, Eddie. From Hell Companion: Eddie Campbell presenta guiones, bocetos, notas y otras misceláneas de Alan Moore, así como originales, aportaciones, anécdotas y reflexiones académicas de su propia cosecha. Trazado. Barcelona: bPlaneta DeAgostini, 2013. |
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| Chatterji, Roma. Graphic Narratives and the Mythological Imagination in India. London: Routledge India, 2019. |
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| Chiarello, Mark and Todd Klein. The DC Comics Guide to Coloring and Lettering Comics. New York: Watson-Guptill, 2004. |
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| Deneyer, François. Petites histoires originales: Un voyage parmi les planches originales de la bande dessinée. Bruxelles: Éd. Musée Jijé, 2016. |
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| Dooley, Michael and Steven Heller, eds. The Education of a Comics Artist: Visual Narrative in Cartoons, Graphic Novels, and Beyond. New York: Allworth Pr. 2005. |
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| Dunkmann, Nina. "Vom Aufhängen der Sterne: Wie Ulf K.s Geschichten aufs Papier kommen." Ulf K. Der Poet unter den Comiczeichnern. Ed. Christine Vogt. Wuppertal: Edition 52, 2012. 39–52. |
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| Eisner, Will. "Das Interview des Jahres: »Wir sitzen nicht auf der Titanic …«: Will Eisner im Gespräch mit Milton Caniff." Comic Jahrbuch (1987): 124–40. |
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| Eisner, Will. "»Man hat bemerkt, daß sich die Comics mit relevanten Themen beschäftigen können …«: Will Eisner im Gespräch mit Neal Adams." Comic Jahrbuch (1988): 195–211. |
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| Farmer, Clark. "Comic Book Color and the Digital Revolution." International Journal of Comic Art 8. (2006): 330–46. |
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| Fingeroth, Danny, ed. The Best of Write Now!: How-Tos, Interviews, & Art from the Premier Publication about Comics Writing. Raleigh: TwoMorrows, 2008. |
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| Friedman, Elisabeth R. "Spiegelman’s magic box: MetaMaus and the archive of representation." Studies in Comics 3. (2012): 275–91. |
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| Garric, Henri, ed. L’engendrement des images en bande dessinée. Iconotextes. Tours: Presses Univ. François-Rabelais, 2013. |
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| Garric, Henri. "Imaginaire des auteurs et engendrement des images." L’engendrement des images en bande dessinée. Ed. Henri Garric. Iconotextes. Tours: Presses Univ. François-Rabelais, 2013. 9–18. |
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| Garric, Henri. "L’engendrement du gag dans Gaston Lagaffe de Franquin." L’engendrement des images en bande dessinée. Ed. Henri Garric. Iconotextes. Tours: Presses Univ. François-Rabelais, 2013. 43–54. |
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| Goodbrey, Daniel Merlin. "Foreword." Comic Book Geographies. Ed. Jason Dittmer. Stuttgart: Franz Steiner, 2014. 9–14. |
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| Grant, Pat. "Bodies on the Boards: Materiality and movement in the production of comic books and graphic novels." PhD Thesis. Macquarie University, 2014. |
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| Green, Justin. "Afterword." Binky Brown meets The Holy Virgin Mary. San Francisco: McSweeney’s Books, 2009. 51–63. |
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| Greenberg, Marc H. Comic Art, Creativity and the Law. Elgar Law and Entrepreneurship. Cheltenham: Edward Elgar, 2014. |
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| Greinecker-Morocutti, Hannelore. "Wie ist die Darstellung des Warschauer Ghettos im Comic möglich? Der Himmel zwischen den Mauern." Der dokumentarische Comic. Reportage und Biografie. Ed. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2013. 139–52. |
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| Grennan, Simon. A Theory of Narrative Drawing. Palgrave Studies in Comics and Graphic Novels. New York [etc.]: Palgrave Macmillan, 2017. |
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| Groensteen, Thierry. "Couleur directe: La séduction picturale." Couleur directe. Chefs d’œuvres de la nouvelle bande dessinée française. Meisterwerke des neuen französischen Comics. Masterpieces of the new French Comics. Ed. Didier Moulin. Thurn: Edition Kunst der Comics, 1993. 7–68. |
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| Groensteen, Thierry. "Direktkolorierung: Verführung durch Bilder." Couleur directe. Chefs d’œuvres de la nouvelle bande dessinée française. Meisterwerke des neuen französischen Comics. Masterpieces of the new French Comics. Ed. Didier Moulin. Thurn: Edition Kunst der Comics, 1993. 8–74. |
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| Groensteen, Thierry. "Fully-painted-artwork: Seduction by Images." Couleur directe. Chefs d’œuvres de la nouvelle bande dessinée française. Meisterwerke des neuen französischen Comics. Masterpieces of the new French Comics. Ed. Didier Moulin. Thurn: Edition Kunst der Comics, 1993. 10–75. |
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| Hagelstein, Maud. How to Capture Life as it Happens? An Aesthetical Approach to Joann Sfar’s Drawing. International Comic Arts Forum: Chicago, 15–17 Oct, 2009. |
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| Harvey, Robert C. Children of the Yellow Kid: The Evolution of the American Comic Strip. Seattle: Univ. of Washington Press, 1999. |
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| Hignite, Todd M. In the Studio: Visits with Contemporary Cartoonists. London: Yale Univ. Press, 2006. |
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| Hignite, Todd M. "Jaime Hernandez." In the Studio. Visits with Contemporary Cartoonists. London: Yale Univ. Press, 2006. 132–63. |
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| Hignite, Todd M. "Seth." In the Studio. Visits with Contemporary Cartoonists. London: Yale Univ. Press, 2006. 192–227. |
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| Hignite, Todd M. The Art of Jaime Hernandez: The Secrets of Life and Death. New York: Abrams, 2010. |
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| Janson, Klaus. The DC Comics Guide to Pencilling Comics. New York: Watson-Guptill, 2002. |
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| Janson, Klaus. The DC Comics Guide to Inking Comics. New York: Watson-Guptill, 2003. |
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| Jenkins, Henry. "Comics as Poetry: An Interview with David Mack." Amerikastudien 56. (2011): 669–95. |
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| Jung, Anna Maria. HP Lovecrafts »Cthulhu Mythos« in der Populärkultur: Die Formen des »Unaussprechlichen« in Comics, Filmen und anderen Medien. Saarbrücken: VDM, 2010. |
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| Kane, Brian M. "From Prizefighters to Princes: The Classic Art of John Cullen Murphy." The Definitive Prince Valiant Companion. Ed. Brian M. Kane. Seattle: Fantagraphics, 2009. 131–42. |
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| Karasik, Paul and Mark Newgarden. How to Read Nancy: The Elements of Comics in Three Easy Panels. Seattle: Fantagraphics, 2017. |
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| Kartalopoulos, Bill. "Three Questions for David Mazzucchelli." Indy Magazine Spring 2004. Accessed 7Feb. 2012. <http://www.indyworld.co ... li_interview/index.html>. |
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| Kirtz, Jaime Lee. "Computers, Comics and Cult Status: A Forensics of Digital Graphic Novels." Digital Humanities Quarterly 8. 3 2014. Accessed 30Mar. 2015. <http://www.digitalhuman ... /8/3/000185/000185.html>. |
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| Kitchen, Denis and Paul Buhle. The Art of Harvey Kurtzman: The Mad Genius of Comics. New York: Abrams, 2009. |
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| Klaehn, Jeffery. "Synergy and synthesis: An interview with comic book creator Benjamin Marra." Journal of Graphic Novels and Comics 6. (2015): 284–92. |
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| Klaehn, Jeffery. "The craft of comics: An interview with comic book artist Norm Breyfogle." Journal of Graphic Novels and Comics 6. (2015): 108–15. |
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| Klaehn, Jeffery. "Talking comics with Minimum Wage creator Bob Fingerman." Journal of Graphic Novels and Comics 7. (2016): 210–19. |
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| Klaehn, Jeffery. "‘The important thing, always, is to tell a good story’: an interview with comic book creator Erik Larsen." Journal of Graphic Novels and Comics 7. (2016): 445–55. |
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| Klaehn, Jeffery. "An interview with Canadian comic book writer Jim Zub." Journal of Graphic Novels and Comics 8. (2017): 203–09. |
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| Lee, Stan and John Buscema. How to Draw Comics the Marvel Way. New York [etc.]: Simon & Schuster, 1984. |
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| Mangin, Valérie. "Von der Antike in den Weltraum." Caesar, Attila & Co. Comics und die Antike. Ed. Filippo Carlà. Darmstadt: Philipp von Zabern, 2014. 106–16. |
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| Marcus, Leonard S., ed. Comics Confidential: Thirteen Graphic Novelists Talk Story, Craft, and Life Outside the Box. Somerville: Candlewick, 2016. |
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| Secrets du Manga / MangaMania. Comics aus Fernost. 2009. |
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| Martinbrough, Shawn. How to Draw Noir Comics: The Art and Technique of Visual Storytelling. New York: Watson-Guptill, 2007. |
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| McKean, Dave. "Lorenzo Mattotti: The Magic & Music Of Comics." Comic Heroes Magazine (2011). |
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| McNeill, Malcolm. Observed While Falling: Bill Burroughs, Ah Pook, and Me. Seattle: Fantagraphics, 2012. |
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| Meaney, Patrick and Kevin Thurman. Warren Ellis: The Captured Ghosts Interviews. Edwardsville: Sequart Research & Literacy Organization, 2013. |
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