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Baetens, Jan. "Adapting and displaying multiple temporalities: What became of Trollope’s John Caldigate and Maupassant’s Boule de Suif in Simon Grennan’s Dispossession and Dino Battaglia’s Contes et nouvelles de guerre?." Transforming Anthony Trollope. Dispossession, Victorianism and Nineteenth-Century Word and Image. Eds. Simon Grennan and Laurence Grove. Studies in European Comics and Graphic Novels. Leuven: Leuven Univ. Press, 2015. 15–32. |
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Bolton, Matthew. "Fidelity and Period Aesthetics in Comics Adaptation." ImageTexT 6. 1 2011. Accessed 10Nov. 2011. <http://www.english.ufl. ... t/archives/v6_1/bolton/>. |
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Börnchen, Stefan. "Marcel Beyer im Gespräch mit der Comiczeichnerin Ulli Lust: Roman in Sprechblasen." Marcel Beyer. Eds. Torsten Hahn and Christof Hamann. transLIT. Köln: Buchhandl. Klaus Bittner, 2016. 49–80. |
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Boschenhoff, Sandra Eva. Tall Tales in Comic Diction: From Literature to Graphic Fiction: An Intermedial Analysis of Comic Adaptations of Literary Texts. Focal Point. Trier: Wissenschaftlicher Verlag Trier, 2014. |
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Bosold-DasGupta, Bettina. "Dante »travestito«: Von Edoardo Sanguinetis Commedia dell’lnferno zum Comic." Dante Alighieri und sein Werk in Literatur, Musik und Kunst bis zur Postmoderne. Ed. Klaus Ley. Mainzer Forschungen zu Drama und Theater. Tübingen: Francke, 2010. 43–55. |
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Bragard, Véronique. "Conrad’s Two Visions: Intermedial Transgenericity in Anyango and Mairowitz’s Graphic Adaptation of Heart of Darkness." European Comic Art 6. (2013): 45–65. |
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Braithwaite, Jean. "Words + Pictures: A Manifesto." Studies in 20th & 21st Century Literature 42. 1 2017. Accessed 4May. 2021. <https://newprairiepress.org/sttcl/vol42/iss1/4/>. |
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