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Displaying 1 - 100 of 220 (Bibliography: WIKINDX Master Bibliography)
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Ackermann, Kira: Der Antiheld in Westerncomics der franko-belgischen Schule. München: AVM, 2010. (158 S.)  
Last edited by: joachim 2/12/18, 1:56 AM
Ahrens, Jörn: "Intermedialität, Hybridität. Wieviel Unbestimmtheit verträgt der Comic?" In: Comics intermedial. Hrsg. v. Christian A. Bachmann, Véronique Sina und Lars Banhold. Bochum: Ch.A. Bachmann, 2012, S. 11–22.  
Last edited by: joachim 11/18/12, 11:23 AM
---: "Übersetzungsprobleme. Narrativer und ästhetischer Import in Robert Rodriguez’ Verfilmung von Frank Millers Sin City." In: Comic. Intermedialität und Legitimität eines popkulturellen Mediums. Hrsg. v. Thomas Becker. Bochum: Ch.A. Bachmann, 2011, S. 77–90.  
Added by: joachim 4/8/11, 12:52 AM
Aldama, Frederick Luis: "Mood, Mystery, and Demystification in Gilbert Hernandez’s Twentieth-First-Century NeoNoir Stand-Alones." In: ImageTexT 7.1 (2013).  
Last edited by: joachim 12/25/14, 3:18 PM
Allen, Harriet: "Anime-Noir, or how three key anime participate in the lasting legacy of noir." In: Crimeculture Summer (2011).  
Added by: joachim 1/12/13, 6:59 PM
Armour, Robert A. "Comic Strips, Theatre, And Early Narrative Films 1895–1904." In: Studies in Popular Culture 10.1 (1987), S. 14–26.  
Added by: joachim 4/27/17, 5:28 PM
Bachmann, Michael: "Gesten des Dokumentarischen zwischen Comic und Film." In: Transmediale Genre-Passagen. Interdisziplinäre Perspektiven. Hrsg. v. Ivo Ritzer und Peter W. Schulze. (Neue Perspektiven der Medienästhetik.) Wiesbaden: Springer VS, 2016, S. 237–251.  
Last edited by: joachim 12/13/20, 5:10 PM
Baetens, Jan: "Alfred Hitchcock’s Rear Window as “Cineromanzo”." In: Comics Studies Here and Now. Hrsg. v. Frederick Luis Aldama. (Routledge Advances in Comics Studies, 5.) London: Routledge, 2018, S. 90–101.  
Last edited by: joachim 11/26/18, 5:48 PM
---: "Nederlandse literatuur en strips (met enkele uitstapjes naar de film)." In: Internationale neerlandistiek: een vak in beweging. Hrsg. v. Jane Fenoulhet und Jan Renkema. (Lage Landen Studies, 1.) Gent: Academia, 2010, S. 255–268.  
Last edited by: joachim 6/26/14, 9:43 AM
---: "Remediation in the Era of Hybridization. The Example of the Film Photonovel." In: Leaves 7 (2019), S. 1–14, .  
Added by: joachim 1/15/21, 1:55 PM
Bartosch, Sebastian und Andreas Stuhlmann: "Reconsidering adaptation as translation. The comic in between." In: Studies in Comics 4.1 (2013), S. 59–74.  
Added by: joachim 8/4/13, 11:02 AM
Becker, Thomas: "Comiclibido der Nouvelle Vague und die Folgen. Zur Ästhetik der oszillierenden Übertreibung im Autorenfilm (Godard) und Autorencomic (Moebius)." In: Comic. Intermedialität und Legitimität eines popkulturellen Mediums. Hrsg. v. Thomas Becker. Bochum: Ch.A. Bachmann, 2011, S. 63–76.  
Added by: joachim 4/8/11, 12:10 AM
---: "Cool premedialisation as symbolic capital of innovation. On intercultural intermediality between comics, literature, film, manga, and anime." In: Intercultural Crossovers, Transcultural Flows. Manga/Comics. Hrsg. v. Jaqueline Berndt. (Global Manga Studies, 2.) Kyoto: International Manga Research Center, Kyoto Seika University, 2011, S. 107–117.  
Last edited by: joachim 5/30/12, 10:32 PM
---: "Matrix versus The Ghost in the Shell. Die neuen Mythen der virtuellen Welt sind nicht mehr allein diskursiv analysierbar." In: Journal Ethnologie 5 (2007).  
Added by: joachim 11/4/12, 12:23 PM
op de Beeck, Nathalie: "Found Objects (Jem Cohen, Ben Katchor, Walter Benjamin)." In: Modern Fiction Studies 52.4 (2006), S. 807–831.  
Last edited by: joachim 3/14/16, 3:32 AM
Beez, Jigal: "The Swahili Titanic. The Tanzanian Appropriation of a Global Tragedy." In: International Journal of Comic Art 9.1 (2007), S. 542–553.  
Last edited by: joachim 9/25/12, 7:18 PM
Berenato, Joseph F. New Life and New Civilizations. Exploring Star Trek Comics. Edwardsville: Sequart Research & Literacy Organization, 2014. (304 S.)  
Added by: joachim 5/5/16, 5:47 PM
Berns, Jörg Jochen: Film vor dem Film. Bewegende und bewegliche Bilder als Mittel der Imaginationssteuerung in Mittelalter und Früher Neuzeit. Marburg: Jonas Verl. 2000. (168 S.)  
Last edited by: joachim 9/3/21, 4:55 PM
---: "Horribilicinefax. Von Geburt und Gebaren des Daumenkino-Flipp-Flick-Muto-Blow- & Gaukelbuchs." In: Die Jagd auf die Nymphe Echo. Zur Technisierung der Wahrnehmung in der Frühen Neuzeit. (Presse und Geschichte – Neue Beiträge, 53.) Bremen: edition lumière, 2011, S. 417–426.  
Added by: joachim 7/30/11, 5:25 PM
Berthomé, Jean-Pierre: "Réalisateurs. Leur passé de dessinateurs." In: Cinéma et bande dessinée. Hrsg. v. Gilles Ciment. (CinémAction.) Condé-sur-Noireau: Corlet, 1990.  
Added by: joachim 7/7/12, 10:23 PM
Blackmore, Tim: "300 AND TWO. Frank Miller and Daniel Ford Interpret Herodotus’s Thermopylae Myth." In: International Journal of Comic Art 6.2 (2004), S. 325–349.  
Last edited by: joachim 7/5/12, 11:29 AM
Boillat, Alain: "La figuration du mouvement dans les dessins de presse et albums illustrés signés « O’Galop ». Des images en séries (culturelles)." In: 1895 59 (2009), S. 22–45, .  
Added by: joachim 9/3/13, 10:12 AM
---: "Perspectives on Cinema and Comics. Adapting Feature Films into French-Language Comics Serials during the Post-war Years." In: European Comic Art 10.1 (2017), S. 9–23.  
Last edited by: joachim 5/14/17, 1:41 PM
Branigan, Edward: Narrative Comprehension and Film. London, New York: Routledge, 1992. (325 S.)  
Added by: joachim 10/14/12, 4:02 PM
Bruhn, Jørgen: "Now a Major Soundtrack! Madness, Music, and Ideology in Shutter Island." In: Adaptation 6.36–37 (2013), S. 320–337.  
Added by: joachim 12/11/13, 3:43 PM
Bukatman, Scott: "Online Comics and the Reframing of the Moving Image." In: The New Media Book. Hrsg. v. Dan Harries. Berkeley: Univ. of California Press, 2002, S. 133–143.  
Added by: joachim 11/4/09, 6:50 PM
Burke, Liam: The Comic Book Film Adaptation. Exploring Modern Hollywood’s Leading Genre. Jackson: Univ. Press of Mississippi, 2015. (372 S.)  
Last edited by: joachim 7/10/15, 7:20 AM
Bush, Christopher: "Yukiko’s Spinach and the Nouvelle Manga Aesthetic." In: Drawing from Life. Memory and Subjectivity in Comic Art. Hrsg. v. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013, S. 112–143.  
Added by: joachim 7/28/14, 11:47 AM
Caen, Michael: "Fellini und die Comics." In: Film 2 (1966).  
Added by: Deleted user 6/16/14, 10:09 AM
Caneppele, Paolo und Günter Krenn: Film ist Comics. Wahlverwandtschaften zweier Medien. Die Projektionen des Filmstars Louise Brooks in den Comics von John Striebel bis Guido Crepax. Filmarchiv Austria, 1999. (249 S.)  
Last edited by: joachim 4/10/14, 9:26 PM
Capp, Al: "Discourse on Humor. The Comedy of Charlie Chaplin." In: The Funnies. An American Idiom. Hrsg. v. David Manning White und Robert H. Abel. New York: Free Press of Glencoe, 1963, S. 263–273.  
Last edited by: joachim 6/5/10, 11:46 PM
Carver, Stephen James. "Weird Tales from the Vault of Fear. The EC Horror Comics Controversy & Its Legacy". Watching the Media – Censorship, Limits, and Control in Creative Practice: 15. Apr. 2011.  
Added by: joachim 2/18/13, 5:33 PM
Chavez Vaca, Wladimir: "The Film Noir’s Aesthetics in a Graphic Novel. The Case of Angelus Hostis (2012)." In: International Journal of Comic Art 19.2 (2017), S. 97–123.  
Added by: joachim 3/13/18, 11:46 AM
Christen, Matthias: "Düstere Clowns. Figuren des Schreckens im Kino der Transgression." In: Über den Clown. Künstlerische und theoretische Perspektiven. Hrsg. v. Richard Weihe. Bielefeld: Transcript, 2016, S. 203–242.  
Added by: joachim 4/12/16, 1:07 PM
Christiansen, Hans-Christian: "Comics and Film. A Narrative Perspective." In: Comics & Culture. Analytical and Theoretical Approaches to Comics. Hrsg. v. Anne Magnussen und Hans-Christian Christiansen. Copenhagen: Museum Tusculanum, 2000, S. 107–121.  
Last edited by: joachim 10/11/10, 2:10 PM
---: Tegneseriens æstetik. (Teori & Æstetik, 11.) København: Museum Tusculanum, 2001. (170 S.)  
Last edited by: joachim 2/23/13, 3:30 PM
Ciment, Gilles (Hg.): Cinéma et bande dessinée. (CinémAction.) Condé-sur-Noireau: Corlet, 1990. (280 S.)  
Added by: joachim 7/5/12, 12:05 PM
---: "Spectacles du siècle." In: Cinéma et bande dessinée. Hrsg. v. Gilles Ciment. (CinémAction.) Condé-sur-Noireau: Corlet, 1990.  
Added by: joachim 7/7/12, 10:52 PM
Cohn, Neil: "Visual Narrative Structure." In: Cognitive Science 37.3 (2013), S. 413–452.  
Last edited by: joachim 3/24/13, 11:27 PM
Coleman, Earle J. "The Funnies, the Movies and Aesthetics." In: Journal of Popular Culture 18.4 (1985), S. 89–100.  
Last edited by: joachim 7/31/10, 11:03 AM
Cook, Roy T. "Why Comics Are Not Films. Metacomics and Medium‐Specific Conventions." In: The Art of Comics. A Philosophical Approach. Hrsg. v. Aaron Meskin und Roy T. Cook. Chichester: Wiley-Blackwell, 2012, S. 165–187.  
Added by: joachim 11/12/12, 11:40 PM
Cotter, Robert Michael: A History of the Doc Savage Adventures in Pulps, Paperbacks, Comics, Fanzines, Radio and Film. Jefferson, London: McFarland, 2009. (239 S.)  
Last edited by: joachim 11/26/09, 10:54 AM
Crafton, Donald: "Animation Iconography. The “Hand of the Artist”." In: Quarterly Review of Film Studies 4 (1979), S. 409–428.  
Added by: joachim 8/27/11, 4:39 PM
---: Emile Cohl, Caricature, and Film. Princeton: Princeton Univ. Press, 1990. (432 S.)  
Added by: joachim 7/26/10, 11:24 PM
Dantzler, Jamoki Zakia: "How the Marvel Cinematic Universe Represents Our Quality World. An Integration of Reality Therapy/Choice Theory and Cinema Therapy." In: Journal of Creativity in Mental Health 10.4 (2015), S. 471–487.  
Last edited by: joachim 4/25/21, 7:35 PM
Darius, Julian: The Weirdest Sci-Fi Comic Ever Made. Understanding Jack Kirby’s 2001: A Space Odyssey. Edwardsville: Sequart Research & Literacy Organization, 2013. (82 S.)  
Last edited by: joachim 4/21/16, 7:35 AM
Dasgupta, Romit: "The film Bishônen and Queer(N)Asia through Japanese popular culture." In: Popular culture, globalization and Japan. Hrsg. v. Matthew Allen und Rumi Sakamoto. (Routledge Studies in Asia's Transformations.) London, New York: Routledge, 2006, S. 56–74.  
Last edited by: joachim 11/16/12, 12:02 AM
Davis, Blair: Movie Comics. Page to Screen/Screen to Page. New Brunswick: Rutgers Univ. Press, 2016. (295 S.)  
Last edited by: joachim 3/29/18, 4:16 PM
Demos, T. J. Dara Birnbaum: Technology/Transformation: Wonder Woman. (One Work.) Cambridge, London: MIT Press, 2010. (118 S.)  
Added by: joachim 8/26/13, 12:34 AM
DeRoss, Jennifer: "Countering the Gaze. The Liberatory Potential of Bitch Planet’s Exploitation Aesthetic." In: The Middle Spaces (8. Mai 2018).  
Added by: joachim 9/5/20, 3:40 PM
Dibiasi, Alexander: "Das politische Momentum im Film, aufgezeigt anhand ausgewählter Comicverfilmungen." In: Film- und Fernsichten. Dokumentation des 24. Film- und Fernsehwissenschaftlichen Kolloquiums. Hrsg. v. Katharina Klung, Susie Trenka und Geesa Tuch. Marburg: Schüren, 2013, S. 154–163.  
Last edited by: joachim 8/5/13, 3:32 PM
Dicker, Barnaby: "Dryden Goodwin in Conversation with Barnaby Dicker." In: Animation 4 (2009), S. 303–320.  
Added by: joachim 7/26/10, 11:26 PM
Diffrient, David Scott: "Contemporary comic books and Hollywood noir. Remediating cinematic style and cultural memory in The Fade Out." In: Journal of Graphic Novels and Comics 10.3 (2019), S. 342–367.  
Last edited by: joachim 5/29/20, 10:56 AM
Domínguez Leiva, Antonio: "L’invasion néo-zombie. Entre l’abjection, le grotesque et le pathos (2002–2009)." In: Frontières 23.1 (2010), S. 19–25.  
Added by: joachim 11/4/14, 6:19 PM
Driest, Joris: Subjective Narration in Comics.(Thesis), Universiteit Utrecht 2006 (73 S.).  
Added by: joachim 9/17/14, 2:33 PM
Ecke, Jochen: "Auf der Suche nach dem Neuen im Alten. Fritz Langs und Jon J Muths »M«." In: M. Eine Graphic Novel nach dem Film von Fritz Lang. Hrsg. v. John J. Muth. Ludwigsburg: Amigo, 2009, S. 203–208.  
Added by: joachim 7/5/18, 12:37 PM
Eder, Jens: "Transmediale Imagination." In: Auslassen, Andeuten, Auffüllen. Der Film und die Imagination des Zuschauers. Hrsg. v. Julian Hanich und Hans Jürgen Wulff. München: Fink, 2012, S. 207–236.  
Added by: joachim 6/30/13, 4:20 PM
Eerden, Bart: "Anger in Asterix. The metaphorical representation of anger in comics and animated films." In: Multimodal Metaphor. Hrsg. v. und Eduardo Urios-Aparisi. (Applications of Cognitive Linguistics, 11.) Berlin, New York: Mouton de Gruyter, 2009, S. 243–264.  
Last edited by: joachim 10/22/11, 4:08 PM
Eisenstein, Sergej: Disney. Hrsg. v. Oksana Bulgakowa und Dietmar Hochmuth. Berlin: PotemkinPress, 2011. (200 S.)  
Added by: joachim 5/4/11, 3:31 PM
---: Eisenstein on Disney. Hrsg. v. Jay Leyda. Heinemann, 1989. (102 S.)  
Added by: joachim 5/4/11, 4:23 PM
---: Walt Disney. Strasbourg: Circé, 1991. (127 S.)  
Added by: joachim 5/4/11, 4:30 PM
Endres , Johannes: "Totemismus und Gesellschaft. Eisenstein über Disney." In: Scientia Poetica 22 (2018), S. 83–110.  
Last edited by: joachim 12/10/18, 6:28 PM
Fast, Karin und Henrik Örnebring: "Transmedia world-building. The Shadow (1931–present) and Transformers (1984–present)." In: International Journal of Cultural Studies 20.6 (2017), S. 636–652.  
Added by: joachim 4/15/21, 2:31 PM
Faucon, Térésa: "Dessine moi un raccord. Donald and Pluto, Walt Disney." In: Cinématheque 15 (1999), S. 72–79.  
Added by: joachim 11/7/16, 10:09 AM
Fell, John L. Film and the Narrative Tradition. Berkeley: Univ. of California Press, 1986. (284 S.)  
Last edited by: joachim 5/14/13, 9:24 AM
Fitzsimmons, Phil: "A Rebirth of Myth and Monster. An Old Sign in a New Framework." In: Myth & Symbol 4 (2007), S. 49–56.  
Added by: joachim 1/6/10, 7:00 PM
Fleischer, Sandra und Robert Seifert: "Die Ästhetik von Kinder- und Jugendmedien in einem globalisierten Medienmarkt." In: Ästhetiken in Kindheit und Jugend. Sozialisation im Spannungsfeld von Kreativität, Konsum und Distinktion. Hrsg. v. Sebastian Schinkel und Ina Herrmann. Bielefeld: Transcript, 2017, S. 219–236.  
Added by: joachim 2/13/17, 11:26 PM
Fotis, Matthew: "Call It (Friendo). Flipism and Folklore in No Country for Old Men and The Dark Knight." In: Riddle Me This, Batman! Essays on the Universe of the Dark Knight. Hrsg. v. Kevin K. Durand und Mary K. Leigh. Jefferson, London: McFarland, 2011, S. 201–216.  
Added by: joachim 4/17/16, 10:42 AM
Frémion, Yves: "Dessinateurs à la caméra." In: Cinéma et bande dessinée. Hrsg. v. Gilles Ciment. (CinémAction.) Condé-sur-Noireau: Corlet, 1990, S. 163–167.  
Added by: joachim 9/8/11, 11:24 PM
Gaudreault, André und Philippe Marion: "A Medium is Always Born Twice …." In: Early Popular Visual Culture 3 (2005), S. 3–15.  
Added by: joachim 2/7/11, 6:11 PM
Gauthier, Philippe: "On “Institutionalization”. From Cinema to Comics." In: International Journal of Comic Art 12.2–3 (2010), S. 367–375.  
Last edited by: joachim 11/15/12, 8:40 PM
Geraghty, Lincoln: "Transmedia Character Building. Textual Crossovers in the Star Wars Universe." In: Star Wars and the History of Transmedia Storytelling. Hrsg. v. Sean A. Guynes und Dan A. Hassler-Forest. (Transmedia, 3.) Amsterdam: Amsterdam Univ. Press, 2018, S. 117–128.  
Last edited by: joachim 8/28/19, 4:17 PM
Ghiggia, María: "What Lies in the Gutter of a Traumatic Past. Infancia clandestina [Clandestine Childhood], Animated Comics, and the Representation of Violence." In: Humanities 7.1 (2018), S. 1–11, .  
Last edited by: joachim 8/30/20, 12:56 PM
Gibson, Mel: "Who does she think she is? Female comic-book characters, second-wave feminism, and feminist film theory." In: Superheroes and Identities. Hrsg. v. Mel Gibson, David Huxley und Joan Ormrod. London, New York: Routledge, 2014, S. 135–146.  
Added by: joachim 2/15/16, 9:39 AM
Glaubitz, Nicola: "Reanimationsversuche des Spielfilms. Kopplungen von Zeichentrick und Realfilm und das Kino der 1990er Jahre." In: Spielformen im Spielfilm. Zur Medienmorphologie des Kinos nach der Postmoderne. Hrsg. v. Rainer Leschke und Jochen Venus. (Medienumbrüche, 22.) Bielefeld: Transcript, 2007, S. 41–66.  
Added by: joachim 9/20/10, 3:16 PM
Gott, Michael: "Reframing European Diasporas in Contemporary France. ‘Second Generation’ Subjectivity and the Road ‘Home’ in Portugal (2011) and La Commedia des ratés (2011)." In: European Comic Art 6.2 (2013), S. 95–125.  
Added by: joachim 2/13/14, 8:40 AM
Gough, Kerry: "Translation Creativity and Alien Econ(c)omics. From Hollywood Blockbuster to Dark Horse Comic Book." In: Film and Comic Books. Hrsg. v. Ian Gordon, Mark Jancovich und Matthew P. McAllister. Jackson: Univ. Press of Mississippi, 2007, S. 37–63.  
Last edited by: joachim 7/2/11, 4:51 PM
Gray van Heerden, Chantelle: "White God. Rethinking Human and Nonhuman Subjectivities through Underdog-Superhero Narratives and Ahuman Theory." In: Superheroes and Critical Animal Studies. The Heroic Beasts of Total Liberation. Hrsg. v. Sean Parson und J. L. Schatz. Lanham [etc.]: Lexington, 2018, S. 95–112.  
Last edited by: joachim 8/22/18, 5:17 PM
Groensteen, Thierry: "Acteurs de papier." In: Cinéma et bande dessinée. Hrsg. v. Gilles Ciment. (CinémAction.) Condé-sur-Noireau: Corlet, 1990.  
Added by: joachim 7/7/12, 10:54 PM
---: "Du 7e au 9e art. L’inventaire des singularités." In: Cinéma et bande dessinée. Hrsg. v. Gilles Ciment. (CinémAction.) Condé-sur-Noireau: Corlet, 1990.  
Added by: joachim 7/7/12, 10:21 PM
---: "Særtræk i den 7. og 9. kunstart." In: MedieKultur 30 (1999), S. 19–26, .  
Last edited by: joachim 1/20/10, 2:04 AM
Groth, Gary: "Frank Frazetta. Separating the Men from the Boys." In: Classic Comics Illustrators. Frank Frazetta, Russ Heath, Burne Hogarth, Russ Manning, Mark Schultz. (The Comics Journal Library, 5.) Seattle: Fantagraphics, 2005, S. 103–141.  
Added by: joachim 3/1/13, 6:31 PM
Gutiérrez G-H, Julio: "M, John J. Muth’s Adaptation of Lang’s Film. An Inference Bridge from Film to Comic." In: Framescapes. Graphic Narrative Intertexts. Hrsg. v. Mikhail Peppas und Sanabelle Ebrahim. Oxford: Inter-Disciplinary Pr. 2016, S. 63–71.  
Added by: joachim 1/20/18, 5:34 PM
Handley, Rich und Joseph F. Berenato (Hgg.): The Sacred Scrolls. Comics on the Planet of the Apes. Edwardsville: Sequart Research & Literacy Organization, 2015.  
Last edited by: joachim 12/11/14, 11:57 PM
Hanna, Erin: Only at Comic-Con. Hollywood, Fans, and the Limits of Exclusivity. New Brunswick: Rutgers Univ. Press, 2019.  
Added by: joachim 6/7/19, 10:25 AM
Harvey, Colin B. Fantastic Transmedia. Narrative, Play and Memory Across Science Fiction and Fantasy Storyworlds. New York [etc.]: Palgrave Macmillan, 2015. (238 S.)  
Last edited by: joachim 9/27/21, 5:13 PM
Hassler-Forest, Dan A. "From Trauma Victim to Terrorist. Redefining Superheroes in Post–9/11 Hollywood." In: Comics as a Nexus of Cultures. Essays on the Interplay of Media, Disciplines and International Perspectives. Hrsg. v. Mark Berninger, Jochen Ecke und Gideon Haberkorn. (Critical Explorations in Science Fiction and Fantasy, 22.) Jefferson, London: McFarland, 2010, S. 33–44.  
Last edited by: joachim 12/10/10, 2:21 AM
Hatfield, Charles: "The Presence of the Artist. Kim Deitch’s Boulevard of Broken Dreams vis-a-vis the Animated Cartoon." In: ImageTexT 1.1 (2004).  
Added by: joachim 10/20/09, 5:47 PM
Hayton, Christopher J. "Fantastic Giants. Charlton Comics' Monster Movie Adaptations." In: Scan. Journal of media arts culture 6.1 (2009).  
Last edited by: joachim 12/3/09, 6:20 PM
Heer, Jeet: "Comic Book Confidential and the Art of Perfect Timing." In: Hazlitt (18. Sept. 2013).  
Added by: joachim 9/30/14, 10:24 PM
Heydolph, Claudia: Der Blick auf das lebende Bild. F. W. Murnaus »Der letzte Mann« und die Herkunft der Bilderzählung. (Kieler kunsthistorische Studien, N.F. 5.) Kiel: Ludwig, 2004. (235 S.)  
Added by: joachim 1/5/10, 1:58 PM
Higdon, David Leon: "Frankenstein as Founding Myth in Gary Larson’s The Far Side." In: Journal of Popular Culture 28.1 (1994), S. 49–60.  
Last edited by: joachim 5/31/12, 3:06 PM
Höltgen, Stefan: "The Juwes are not the men That Will be Blamed for nothing. Über die Agonie des Profilers im Jack the Ripper-Film." In: f.lm. texte zum film 3 (2003), S. 15–22.  
Last edited by: joachim 12/11/09, 6:08 AM
Horn, Maurice: "American Comic Strips And Silent Seriable. A Parallel." In: International Journal of Comic Art 2.1 (2000), S. 85–89.  
Last edited by: joachim 11/9/12, 10:48 PM
---: "Comics and Cinema. The Beginnings (1896–1913)." In: International Journal of Comic Art 9.2 (2007), S. 58–67.  
Last edited by: joachim 11/16/12, 12:09 AM
Hornstein, Shelley: "Ornament, Boundaries, and Mourning after Auschwitz." In: Reading Charlotte Salomon. Hrsg. v. Michael P. Steinberg und Monica Bohm-Duchen. Ithaca: Cornell Univ. Press, 2005, S. 126–139.  
Added by: joachim 8/5/09, 9:23 PM
How, James: "2000AD and Hollywood. The Special Relationship between a British Comic and American Film." In: Comics & Culture. Analytical and Theoretical Approaches to Comics. Hrsg. v. Anne Magnussen und Hans-Christian Christiansen. Copenhagen: Museum Tusculanum, 2000, S. 225–241.  
Last edited by: joachim 9/12/17, 11:23 AM
Hoyle, Brian: "Irresponsible Pictures. Questions of Adaptation and Morality in the Comic and Film Versions of Road to Perdition." In: International Journal of Comic Art 10.1 (2008), S. 62–67.  
Last edited by: joachim 2/17/11, 5:28 PM
Ihme, Burkhard: "Montage im Comic. Spezifische Nutzung eines Erzählmittels." In: Struktur und Geschichte der Comics. Beiträge zur Comicforschung. Hrsg. v. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2010, S. 67–83.  
Added by: joachim 6/8/10, 12:30 AM
Inge, M. Thomas: "Charlie Chaplin and the Comics." In: Comics as Culture. Jackson: Univ. Press of Mississippi, 1990, S. 59–67.  
Added by: joachim 9/5/11, 12:56 AM
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