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Ackermann, Kira. Der Antiheld in Westerncomics der franko-belgischen Schule. München: AVM, 2010.   
Last edited by: joachim 12/02/2018, 01:56
Ahrens, Jörn. "Intermedialität, Hybridität: Wieviel Unbestimmtheit verträgt der Comic?." Comics intermedial. Eds. Christian A. Bachmann, Véronique Sina and Lars Banhold. Bochum: Ch.A. Bachmann, 2012. 11–22.   
Last edited by: joachim 18/11/2012, 11:23
Ahrens, Jörn. "Übersetzungsprobleme: Narrativer und ästhetischer Import in Robert Rodriguez’ Verfilmung von Frank Millers Sin City." Comic. Intermedialität und Legitimität eines popkulturellen Mediums. Ed. Thomas Becker. Bochum: Ch.A. Bachmann, 2011. 77–90.   
Added by: joachim 08/04/2011, 00:52
Aiyesimoju, Ayodeji Boluwatife. "Black Panther as Afro-complementary Cinematic Intervention: Lessons for Africa South of the Sahara African Movie Industries." Africology 11.9 2018. Accessed 10 Jun. 2022. <http://www.jpanafrican. ... -special-20-Ayodeji.pdf>.   
Last edited by: joachim 10/06/2022, 12:13
Aldama, Frederick Luis. "Mood, Mystery, and Demystification in Gilbert Hernandez’s Twentieth-First-Century NeoNoir Stand-Alones." ImageTexT 7.1 2013. Accessed 16 Dec. 2014. <http://www.english.ufl. ... t/archives/v7_1/aldama/>.   
Last edited by: joachim 25/12/2014, 15:18
Allen, Harriet. "Anime-Noir, or how three key anime participate in the lasting legacy of noir." Crimeculture Summer 2011. Accessed 12 Jan. 2013. <http://www.crimeculture.com/?page_id=1641>.   
Added by: joachim 12/01/2013, 18:59
Armour, Robert A. "Comic Strips, Theatre, and Early Narrative Films 1895–1904." Studies in Popular Culture 10.(1987): 14–26.   
Last edited by: joachim 29/11/2021, 15:35
Bachmann, Michael. "Gesten des Dokumentarischen zwischen Comic und Film." Transmediale Genre-Passagen. Interdisziplinäre Perspektiven. Eds. Ivo Ritzer and Peter W. Schulze. Neue Perspektiven der Medienästhetik. Wiesbaden: Springer VS, 2016. 237–51.   
Last edited by: joachim 13/12/2020, 17:10
Baetens, Jan. "Remediation in the Era of Hybridization: The Example of the Film Photonovel." Leaves 7 2019. Accessed 15 Jan. 2021. <https://climas.u-bordea ... -photonovel-jan-baetens>.   
Added by: joachim 15/01/2021, 13:55
Baetens, Jan. "Alfred Hitchcock’s Rear Window as “Cineromanzo”." Comics Studies Here and Now. Ed. Frederick Luis Aldama. Routledge Advances in Comics Studies. London: Routledge, 2018. 90–101.   
Last edited by: joachim 26/11/2018, 17:48
Baetens, Jan. "Nederlandse literatuur en strips (met enkele uitstapjes naar de film)." Internationale neerlandistiek: een vak in beweging. Eds. Jane Fenoulhet and Jan Renkema. Lage Landen Studies. Gent: Academia, 2010. 255–68.   
Last edited by: joachim 26/06/2014, 09:43
Bartosch, Sebastian and Andreas Stuhlmann. "Reconsidering adaptation as translation: The comic in between." Studies in Comics 4.(2013): 59–74.   
Added by: joachim 04/08/2013, 11:02
Becker, Thomas. "Matrix versus The Ghost in the Shell: Die neuen Mythen der virtuellen Welt sind nicht mehr allein diskursiv analysierbar." Journal Ethnologie 5 2007. Accessed 4 Nov. 2012. <http://www.journal-ethn ... n_the_Shell/index.phtml>.   
Added by: joachim 04/11/2012, 12:23
Becker, Thomas. "Comiclibido der Nouvelle Vague und die Folgen: Zur Ästhetik der oszillierenden Übertreibung im Autorenfilm (Godard) und Autorencomic (Moebius)." Comic. Intermedialität und Legitimität eines popkulturellen Mediums. Ed. Thomas Becker. Bochum: Ch.A. Bachmann, 2011. 63–76.   
Added by: joachim 08/04/2011, 00:10
Becker, Thomas. "Cool premedialisation as symbolic capital of innovation: On intercultural intermediality between comics, literature, film, manga, and anime." Intercultural Crossovers, Transcultural Flows. Manga/Comics. Ed. Jaqueline Berndt. Global Manga Studies. Kyoto: International Manga Research Center, Kyoto Seika University, 2011. 107–17.   
Last edited by: joachim 30/05/2012, 22:32
op de Beeck, Nathalie. "Found Objects (Jem Cohen, Ben Katchor, Walter Benjamin)." Modern Fiction Studies 52.(2006): 807–31.   
Last edited by: joachim 14/03/2016, 03:32
Beez, Jigal. "The Swahili Titanic: The Tanzanian Appropriation of a Global Tragedy." International Journal of Comic Art 9.(2007): 542–53.   
Last edited by: joachim 25/09/2012, 19:18
Berenato, Joseph F. New Life and New Civilizations: Exploring Star Trek Comics. Edwardsville: Sequart Research & Literacy Organization, 2014.   
Added by: joachim 05/05/2016, 17:47
Berns, Jörg Jochen. Film vor dem Film: Bewegende und bewegliche Bilder als Mittel der Imaginationssteuerung in Mittelalter und Früher Neuzeit. Marburg: Jonas Verl. 2000.   
Last edited by: joachim 03/09/2021, 16:55
Berns, Jörg Jochen. "Horribilicinefax: Von Geburt und Gebaren des Daumenkino-Flipp-Flick-Muto-Blow- & Gaukelbuchs." Die Jagd auf die Nymphe Echo. Zur Technisierung der Wahrnehmung in der Frühen Neuzeit. Presse und Geschichte – Neue Beiträge. Bremen: edition lumière, 2011. 417–26.   
Added by: joachim 30/07/2011, 17:25
Berthomé, Jean-Pierre. "Réalisateurs: Leur passé de dessinateurs." Cinéma et bande dessinée. Ed. Gilles Ciment. CinémAction. Condé-sur-Noireau: Corlet, 1990.   
Added by: joachim 07/07/2012, 22:23
Blackmore, Tim. "300 AND TWO: Frank Miller and Daniel Ford Interpret Herodotus’s Thermopylae Myth." International Journal of Comic Art 6.(2004): 325–49.   
Last edited by: joachim 05/07/2012, 11:29
Boillat, Alain. "La figuration du mouvement dans les dessins de presse et albums illustrés signés « O’Galop »: Des images en séries (culturelles)." 1895 59 2009. Accessed 3 Sept. 2013. <http://1895.revues.org/3915>.   
Added by: joachim 03/09/2013, 10:12
Boillat, Alain. "Perspectives on Cinema and Comics: Adapting Feature Films into French-Language Comics Serials during the Post-war Years." European Comic Art 10.(2017): 9–23.   
Last edited by: joachim 14/05/2017, 13:41
Branigan, Edward. Narrative Comprehension and Film. London, New York: Routledge, 1992.   
Added by: joachim 14/10/2012, 16:02
Bruhn, Jørgen. "Now a Major Soundtrack! Madness, Music, and Ideology in Shutter Island." Adaptation 6.(2013): 320–37.   
Added by: joachim 11/12/2013, 15:43
Bukatman, Scott. "Online Comics and the Reframing of the Moving Image." The New Media Book. Ed. Dan Harries. Berkeley: Univ. of California Press, 2002. 133–43.   
Added by: joachim 04/11/2009, 18:50
Burke, Liam. The Comic Book Film Adaptation: Exploring Modern Hollywood’s Leading Genre. Jackson: Univ. Press of Mississippi, 2015.   
Last edited by: joachim 10/07/2015, 07:20
Bush, Christopher. "Yukiko’s Spinach and the Nouvelle Manga Aesthetic." Drawing from Life. Memory and Subjectivity in Comic Art. Ed. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013. 112–43.   
Added by: joachim 28/07/2014, 11:47
Caen, Michael. "Fellini und die Comics." Film (1966).   
Added by: Deleted user 16/06/2014, 10:09
Caneppele, Paolo and Günter Krenn. Film ist Comics: Wahlverwandtschaften zweier Medien. Die Projektionen des Filmstars Louise Brooks in den Comics von John Striebel bis Guido Crepax. Filmarchiv Austria, 1999.   
Last edited by: joachim 10/04/2014, 21:26
Capp, Al. "Discourse on Humor: The Comedy of Charlie Chaplin." The Funnies. An American Idiom. Eds. David Manning White and Robert H. Abel. New York: Free Press of Glencoe, 1963. 263–73.   
Last edited by: joachim 05/06/2010, 23:46
Carver, Stephen James. Weird Tales from the Vault of Fear: The EC Horror Comics Controversy & Its Legacy. Watching the Media – Censorship, Limits, and Control in Creative Practice: 15 Apr, 2011.   
Added by: joachim 18/02/2013, 17:33
Chavez Vaca, Wladimir. "The Film Noir’s Aesthetics in a Graphic Novel: The Case of Angelus Hostis (2012)." International Journal of Comic Art 19.(2017): 97–123.   
Added by: joachim 13/03/2018, 11:46
Christen, Matthias. "Düstere Clowns: Figuren des Schreckens im Kino der Transgression." Über den Clown. Künstlerische und theoretische Perspektiven. Ed. Richard Weihe. Bielefeld: Transcript, 2016. 203–42.   
Added by: joachim 12/04/2016, 13:07
Christiansen, Hans-Christian. Tegneseriens æstetik. Teori & Æstetik. København: Museum Tusculanum, 2001.   
Last edited by: joachim 23/02/2013, 15:30
Christiansen, Hans-Christian. "Comics and Film: A Narrative Perspective." Comics & Culture. Analytical and Theoretical Approaches to Comics. Eds. Anne Magnussen and Hans-Christian Christiansen. Copenhagen: Museum Tusculanum, 2000. 107–21.   
Last edited by: joachim 11/10/2010, 14:10
Ciment, Gilles, ed. Cinéma et bande dessinée. CinémAction. Condé-sur-Noireau: Corlet, 1990.   
Added by: joachim 05/07/2012, 12:05
Ciment, Gilles. "Spectacles du siècle." Cinéma et bande dessinée. Ed. Gilles Ciment. CinémAction. Condé-sur-Noireau: Corlet, 1990.   
Added by: joachim 07/07/2012, 22:52
Cohn, Neil. "Visual Narrative Structure." Cognitive Science 37.(2013): 413–52.   
Last edited by: joachim 24/03/2013, 23:27
Coleman, Earle J. "The Funnies, the Movies and Aesthetics." Journal of Popular Culture 18.(1985): 89–100.   
Last edited by: joachim 31/07/2010, 11:03
Cook, Roy T. "Why Comics Are Not Films: Metacomics and Medium‐Specific Conventions." The Art of Comics. A Philosophical Approach. Eds. Aaron Meskin and Roy T. Cook. Chichester: Wiley-Blackwell, 2012. 165–87.   
Added by: joachim 12/11/2012, 23:40
Cotter, Robert Michael. A History of the Doc Savage Adventures in Pulps, Paperbacks, Comics, Fanzines, Radio and Film. Jefferson, London: McFarland, 2009.   
Last edited by: joachim 26/11/2009, 10:54
Crafton, Donald. "Animation Iconography: The “Hand of the Artist”." Quarterly Review of Film Studies 4.(1979): 409–28.   
Added by: joachim 27/08/2011, 16:39
Crafton, Donald. Emile Cohl, Caricature, and Film. Princeton: Princeton Univ. Press, 1990.   
Added by: joachim 26/07/2010, 23:24
Crucifix, Benoît and David Pinho Barros. "Bibliographie commentée: Bande dessinée et cinéma." La Brèche 2016. Accessed 29 Nov. 2021. <https://labrechebd.word ... nde-dessinee-et-cinema/>.   
Added by: joachim 29/11/2021, 14:29
Crucifix, Benoît and David Pinho Barros. "Bande dessinée et cinema: Arts parallèles ou entrecroisés ?." Bande annonce. Cinéma et bande dessinée. Eds. Finzo and Olivier Deloignon. Paris: -zeug, 2019. 48–57.   
Last edited by: joachim 29/11/2021, 14:39
Dantzler, Jamoki Zakia. "How the Marvel Cinematic Universe Represents Our Quality World: An Integration of Reality Therapy/Choice Theory and Cinema Therapy." Journal of Creativity in Mental Health 10.(2015): 471–87.   
Last edited by: joachim 25/04/2021, 19:35
Darius, Julian. The Weirdest Sci-Fi Comic Ever Made: Understanding Jack Kirby’s 2001: A Space Odyssey. Edwardsville: Sequart Research & Literacy Organization, 2013.   
Last edited by: joachim 21/04/2016, 07:35
Darius, Julian. "On the Marvel Comic-Book Adaptation of Blade Runner." The Cyberpunk Nexus. Exploring the Blade Runner Universe. Eds. Lou Tambone and Joe Bongiorno. Edwardsville: Sequart Research & Literacy Organization, 2018. 250–64.   
Added by: joachim 21/08/2022, 10:12
Dasgupta, Romit. "The film Bishônen and Queer(N)Asia through Japanese popular culture." Popular culture, globalization and Japan. Eds. Matthew Allen and Rumi Sakamoto. Routledge Studies in Asia's Transformations. London, New York: Routledge, 2006. 56–74.   
Last edited by: joachim 16/11/2012, 00:02
Davis, Blair. Movie Comics: Page to Screen/Screen to Page. New Brunswick: Rutgers Univ. Press, 2016.   
Last edited by: joachim 29/03/2018, 16:16
Demos, T. J. Dara Birnbaum: Technology/Transformation: Wonder Woman. One Work. Cambridge, London: MIT Press, 2010.   
Added by: joachim 26/08/2013, 00:34
DeRoss, Jennifer. "Countering the Gaze: The Liberatory Potential of Bitch Planet’s Exploitation Aesthetic." The Middle Spaces 2018. Accessed 5 Sept. 2020. <https://themiddlespaces ... 08/countering-the-gaze/>.   
Added by: joachim 05/09/2020, 15:40
Dibiasi, Alexander. "Das politische Momentum im Film, aufgezeigt anhand ausgewählter Comicverfilmungen." Film- und Fernsichten. Dokumentation des 24. Film- und Fernsehwissenschaftlichen Kolloquiums. Eds. Katharina Klung, Susie Trenka and Geesa Tuch. Marburg: Schüren, 2013. 154–63.   
Last edited by: joachim 05/08/2013, 15:32
Dicker, Barnaby. "Dryden Goodwin in Conversation with Barnaby Dicker." Animation 4.(2009): 303–20.   
Added by: joachim 26/07/2010, 23:26
Diffrient, David Scott. "Contemporary comic books and Hollywood noir: Remediating cinematic style and cultural memory in The Fade Out." Journal of Graphic Novels and Comics 10.(2019): 342–67.   
Last edited by: joachim 29/05/2020, 10:56
Domínguez Leiva, Antonio. "L’invasion néo-zombie: Entre l’abjection, le grotesque et le pathos (2002–2009)." Frontières 23.(2010): 19–25.   
Added by: joachim 04/11/2014, 18:19
Driest, Joris. "Subjective Narration in Comics." Thesis Universiteit Utrecht, 2006.   
Added by: joachim 17/09/2014, 14:33
Ecke, Jochen. "Auf der Suche nach dem Neuen im Alten: Fritz Langs und Jon J Muths »M«." M. Eine Graphic Novel nach dem Film von Fritz Lang. Ed. John J. Muth. Ludwigsburg: Amigo, 2009. 203–08.   
Added by: joachim 05/07/2018, 12:37
Eder, Jens. "Transmediale Imagination." Auslassen, Andeuten, Auffüllen. Der Film und die Imagination des Zuschauers. Eds. Julian Hanich and Hans Jürgen Wulff. München: Fink, 2012. 207–36.   
Added by: joachim 30/06/2013, 16:20
Eerden, Bart. "Anger in Asterix: The metaphorical representation of anger in comics and animated films." Multimodal Metaphor. Eds. and Eduardo Urios-Aparisi. Applications of Cognitive Linguistics. Berlin, New York: Mouton de Gruyter, 2009. 243–64.   
Last edited by: joachim 22/10/2011, 16:08
Eisenstein, Sergej. Walt Disney. Strasbourg: Circé, 1991.   
Added by: joachim 04/05/2011, 16:30
Eisenstein, Sergej. Disney. Eds. Oksana Bulgakowa and Dietmar Hochmuth. Berlin: PotemkinPress, 2011.   
Added by: joachim 04/05/2011, 15:31
Eisenstein, Sergej. Eisenstein on Disney. Ed. Jay Leyda. Heinemann, 1989.   
Added by: joachim 04/05/2011, 16:23
Endres , Johannes. "Totemismus und Gesellschaft: Eisenstein über Disney." Scientia Poetica 22.(2018): 83–110.   
Last edited by: joachim 10/12/2018, 18:28
Escamilla, Mario. "Earth to Earth: The BOOM! Comics." The Cyberpunk Nexus. Exploring the Blade Runner Universe. Eds. Lou Tambone and Joe Bongiorno. Edwardsville: Sequart Research & Literacy Organization, 2018. 275–85.   
Last edited by: joachim 21/08/2022, 10:24
Fast, Karin and Henrik Örnebring. "Transmedia world-building: The Shadow (1931–present) and Transformers (1984–present)." International Journal of Cultural Studies 20.(2017): 636–52.   
Added by: joachim 15/04/2021, 14:31
Faucon, Térésa. "Dessine moi un raccord: Donald and Pluto, Walt Disney." Cinématheque (1999): 72–79.   
Added by: joachim 07/11/2016, 10:09
Fell, John L. Film and the Narrative Tradition. Berkeley: Univ. of California Press, 1986.   
Last edited by: joachim 14/05/2013, 09:24
Finzo and Olivier Deloignon, eds. Bande annonce: Cinéma et bande dessinée. Paris: -zeug, 2019.   
Added by: joachim 21/02/2024, 10:57
Fitzsimmons, Phil. "A Rebirth of Myth and Monster: An Old Sign in a New Framework." Myth & Symbol 4.(2007): 49–56.   
Added by: joachim 06/01/2010, 19:00
Fleischer, Sandra and Robert Seifert. "Die Ästhetik von Kinder- und Jugendmedien in einem globalisierten Medienmarkt." Ästhetiken in Kindheit und Jugend. Sozialisation im Spannungsfeld von Kreativität, Konsum und Distinktion. Eds. Sebastian Schinkel and Ina Herrmann. Bielefeld: Transcript, 2017. 219–36.   
Added by: joachim 13/02/2017, 23:26
Fotis, Matthew. "Call It (Friendo): Flipism and Folklore in No Country for Old Men and The Dark Knight." Riddle Me This, Batman! Essays on the Universe of the Dark Knight. Eds. Kevin K. Durand and Mary K. Leigh. Jefferson, London: McFarland, 2011. 201–16.   
Added by: joachim 17/04/2016, 10:42
Frémion, Yves. "Dessinateurs à la caméra." Cinéma et bande dessinée. Ed. Gilles Ciment. CinémAction. Condé-sur-Noireau: Corlet, 1990. 163–67.   
Added by: joachim 08/09/2011, 23:24
Gabriel, Nicole, Bogna Kazur, and Kai Matuszkiewicz. "Reconsidering Transmedia(l) Worlds." Convergence Culture Reconsidered. Media – Participation – Environments. Eds. Claudia Georgi and Brigitte Johanna Glaser. Göttinger Schriften zur Englischen Philologie. Göttingen: Universitätsverl. Göttingen, 2015. 163–94.   
Last edited by: joachim 04/12/2023, 16:57
Gaudreault, André and Philippe Marion. "A Medium is Always Born Twice …." Early Popular Visual Culture 3.(2005): 3–15.   
Added by: joachim 07/02/2011, 18:11
Gauthier, Philippe. "On “Institutionalization”: From Cinema to Comics." International Journal of Comic Art 12.(2010): 367–75.   
Last edited by: joachim 15/11/2012, 20:40
Geraghty, Lincoln. "“Realities … blending as one!”: Film Texts and Intertexts in the Star Trek/X-Men Crossover Comics." Extrapolation 28.(2007): 108–19.   
Last edited by: joachim 10/05/2022, 09:49
Geraghty, Lincoln. "Transmedia Character Building: Textual Crossovers in the Star Wars Universe." Star Wars and the History of Transmedia Storytelling. Eds. Sean A. Guynes and Dan A. Hassler-Forest. Transmedia. Amsterdam: Amsterdam Univ. Press, 2018. 117–28.   
Last edited by: joachim 28/08/2019, 16:17
Ghiggia, María. "What Lies in the Gutter of a Traumatic Past: Infancia clandestina [Clandestine Childhood], Animated Comics, and the Representation of Violence." Humanities 7.1 2018. Accessed 30 Aug. 2020. <https://www.mdpi.com/2076-0787/7/1/22>.   
Last edited by: joachim 30/08/2020, 12:56
Gibson, Mel. "Who does she think she is? Female comic-book characters, second-wave feminism, and feminist film theory." Superheroes and Identities. Eds. Mel Gibson, David Huxley and Joan Ormrod. London, New York: Routledge, 2014. 135–46.   
Added by: joachim 15/02/2016, 09:39
Glaubitz, Nicola. "Reanimationsversuche des Spielfilms: Kopplungen von Zeichentrick und Realfilm und das Kino der 1990er Jahre." Spielformen im Spielfilm. Zur Medienmorphologie des Kinos nach der Postmoderne. Eds. Rainer Leschke and Jochen Venus. Medienumbrüche. Bielefeld: Transcript, 2007. 41–66.   
Added by: joachim 20/09/2010, 15:16
Gott, Michael. "Reframing European Diasporas in Contemporary France: ‘Second Generation’ Subjectivity and the Road ‘Home’ in Portugal (2011) and La Commedia des ratés (2011)." European Comic Art 6.(2013): 95–125.   
Added by: joachim 13/02/2014, 08:40
Gough, Kerry. "Translation Creativity and Alien Econ(c)omics: From Hollywood Blockbuster to Dark Horse Comic Book." Film and Comic Books. Eds. Ian Gordon, Mark Jancovich and Matthew P. McAllister. Jackson: Univ. Press of Mississippi, 2007. 37–63.   
Last edited by: joachim 04/12/2023, 16:58
Gray van Heerden, Chantelle. "White God: Rethinking Human and Nonhuman Subjectivities through Underdog-Superhero Narratives and Ahuman Theory." Superheroes and Critical Animal Studies. The Heroic Beasts of Total Liberation. Eds. Sean Parson and J. L. Schatz. Lanham [etc.]: Lexington, 2018. 95–112.   
Last edited by: joachim 22/08/2018, 17:17
Groensteen, Thierry. "Særtræk i den 7. og 9. kunstart." MedieKultur 30 1999. Accessed 25 Nov. 2009. <http://ojs.statsbibliot ... ultur/article/view/1143>.   
Last edited by: joachim 20/01/2010, 02:04
Groensteen, Thierry. "Acteurs de papier." Cinéma et bande dessinée. Ed. Gilles Ciment. CinémAction. Condé-sur-Noireau: Corlet, 1990.   
Added by: joachim 07/07/2012, 22:54
Groensteen, Thierry. "Du 7e au 9e art: L’inventaire des singularités." Cinéma et bande dessinée. Ed. Gilles Ciment. CinémAction. Condé-sur-Noireau: Corlet, 1990.   
Added by: joachim 07/07/2012, 22:21
Groth, Gary. "Frank Frazetta: Separating the Men from the Boys." Classic Comics Illustrators. Frank Frazetta, Russ Heath, Burne Hogarth, Russ Manning, Mark Schultz. The Comics Journal Library. Seattle: Fantagraphics, 2005. 103–41.   
Added by: joachim 01/03/2013, 18:31
Gutiérrez G-H, Julio. "M, John J. Muth’s Adaptation of Lang’s Film: An Inference Bridge from Film to Comic." Framescapes. Graphic Narrative Intertexts. Eds. Mikhail Peppas and Sanabelle Ebrahim. Oxford: Inter-Disciplinary Pr. 2016. 63–71.   
Added by: joachim 20/01/2018, 17:34
Handley, Rich and Joseph F. Berenato, eds. The Sacred Scrolls: Comics on the Planet of the Apes. Edwardsville: Sequart Research & Literacy Organization, 2015.   
Last edited by: joachim 11/12/2014, 23:57
Hanna, Erin. Only at Comic-Con: Hollywood, Fans, and the Limits of Exclusivity. New Brunswick: Rutgers Univ. Press, 2019.   
Last edited by: joachim 19/05/2023, 12:28
Harvey, Colin B. Fantastic Transmedia: Narrative, Play and Memory Across Science Fiction and Fantasy Storyworlds. New York [etc.]: Palgrave Macmillan, 2015.   
Last edited by: joachim 27/09/2021, 17:13
Hassler-Forest, Dan A. "From Trauma Victim to Terrorist: Redefining Superheroes in Post–9/11 Hollywood." Comics as a Nexus of Cultures. Essays on the Interplay of Media, Disciplines and International Perspectives. Eds. Mark Berninger, Jochen Ecke and Gideon Haberkorn. Critical Explorations in Science Fiction and Fantasy. Jefferson, London: McFarland, 2010. 33–44.   
Last edited by: joachim 10/12/2010, 02:21
Hatfield, Charles. "The Presence of the Artist: Kim Deitch’s Boulevard of Broken Dreams vis-a-vis the Animated Cartoon." ImageTexT 1.1 2004. Accessed 20 Oct. 2009. <http://www.english.ufl. ... archives/v1_1/hatfield/>.   
Added by: joachim 20/10/2009, 17:47
Hayton, Christopher J. "Fantastic Giants: Charlton Comics' Monster Movie Adaptations." Scan. Journal of media arts culture 6.1 2009. Accessed 2 Oct. 2009. <http://scan.net.au/scan ... play.php?journal_id=131>.   
Last edited by: joachim 03/12/2009, 18:20
Heer, Jeet. "Comic Book Confidential and the Art of Perfect Timing." Hazlitt 2013. Accessed 30 Sept. 2014. <http://penguinrandomhou ... -and-art-perfect-timing>.   
Added by: joachim 30/09/2014, 22:24
Heydolph, Claudia. Der Blick auf das lebende Bild: F. W. Murnaus »Der letzte Mann« und die Herkunft der Bilderzählung. Kieler kunsthistorische Studien, N.F. Kiel: Ludwig, 2004.   
Added by: joachim 05/01/2010, 13:58
Higdon, David Leon. "Frankenstein as Founding Myth in Gary Larson’s The Far Side." Journal of Popular Culture 28.(1994): 49–60.   
Last edited by: joachim 31/05/2012, 15:06
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WIKINDX 6.8.2 | Total resources: 14508 | Username: -- | Bibliography: WIKINDX Master Bibliography | Style: Modern Language Association (MLA)