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| Alexander, Dorian, Michael Goodrum, and Philip Smith, eds. Drawing the Past: Comics and the Historical Imagination in the World. Vol. 2. Jackson: Univ. Press of Mississippi, 2022. |
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| Dittmar, Jakob F. "Comic und Geschichtsbewusstsein: Mythisierung im Gegensatz zur Historisierung." Rechtsextremismus, Rassismus und Antisemitismus in Comics. Ed. Ralf Palandt. Berlin: Archiv der Jugendkulturen, 2011. 419–27. |
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| Dyrenfurth, Nick and Marian Quartly. "‘All the World Over’: The Transnational World of Australian Radical and Labour Cartoonists." Drawing the Line. Using Cartoons as Historical Evidence. Eds. Richard Scully and Marian Quartly. Clayton: Monash Univ. ePress, 2009. |
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| Gundermann, Christine. "Geschichtskultur in Sprechblasen: Comics in der politisch-historischen Bildung." Aus Politik und Zeitgeschichte 64. (2014): 24–29. |
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| Gundermann, Christine. "Comics als historische Quelle." Visual History 2015. Accessed 23Aug. 2024. <https://visual-history. ... als-historische-quelle/>. |
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| Gundermann, Christine. "Inszenierte Vergangenheit oder wie Geschichte im Comic gemacht wird." Ästhetik des Gemachten. Interdisziplinäre Beiträge zur Animations- und Comicforschung. Eds. Hans-Joachim Backe, et al. Berlin u. Boston: de Gruyter, 2018. 257–84. |
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| Gundermann, Christine. "Zwischen Genre, Gattung und Typus: Geschichtscomics aus geschichtswissenschaftlicher Perspektive." Geschichte im Comic. Befunde – Theorien – Erzählweisen. Ed. Bernd Dolle-Weinkauff. Berlin: Ch.A. Bachmann, 2018. 29–44. |
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| Hall, Richard A. Captain America and the American Journey, 1940–2022. Jefferson: McFarland, 2024. |
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| Harbeck, Matthias. "Alternate Histories des Zweiten Weltkriegs – Erinnerung oder Fetischisierung? Eine Untersuchung am Beispiel US-amerikanischer Mainstreamcomics.." Mediated Pasts – Popular Pleasures. Medien und Praktiken populärkulturellen Erinnerns. Eds. Christoph Bareither and Ingrid Tomkowiak. Kulturen populärer Unterhaltung und Vergnügung. Würzburg: Königshausen & Neumann, 2020. 235–53. |
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| Harbeck, Matthias. "Comics als Gegenstand der historischen Stereotypenforschung." Geschichte im Comic. Befunde – Theorien – Erzählweisen. Ed. Bernd Dolle-Weinkauff. Berlin: Ch.A. Bachmann, 2018. 253–72. |
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| Hwang, Yih-Jye. "Japan as “Self” or “the Other” in Yoshinori Kobayashi’s On Taiwan." China Information 24. (2010): 75–98. |
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| Iwasaki, Minoru and Steffi Richter. "The Topology of Post-1990s Historical Revisionism." positions 16. (2008): 507–38. |
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| Kartalopoulos, Bill. "Taking and Making Liberties: Narratives of Comics History." International Journal of Comic Art 12. (2010): 565–76. |
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| Kesper-Biermann, Sylvia and Bettina Severin-Barboutie. "Verflochtene Vergangenheiten: Geschichtscomics in Europa, Asien und Amerika. Perspektiven auf ein Forschungsfeld." Comparativ 24. (2014): 7–28. |
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| Klęczar, Aleksandra. "The Revenge of Augustus: Caesar, Octavian and History in Neil Gaiman’s August." Classica Cracoviensia 21 2018. Accessed 10Oct. 2021. <https://journals.akademicka.pl/cc/article/view/890>. |
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| Kupczyńska, Kalina. "Comics in polnischen Gedenkstätten: „Chleb wolnościowy“ von Paweł Piechnik (2019) im Kontext der polnischen Holocaust-Comics." Geschichte in Wissenschaft und Unterricht 74. (2023): 261–74. |
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| van Laak, Jeannette. "Dissidenz im Comic." Comparativ 24. (2014): 80–96. |
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| Lauwers, Joran. "Intertextuality and Adaptation as a Narrative Framework: Creating the New from the Inexplicable in Neil Gaiman’s “The Sandman”." Master in de taal- en letterkunde Masterproef. Universiteit Gent, 2016. |
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| Lerg, Charlotte A. "Konstruktion und Offenheit – Comic-Geschichtsschreibung in Kanada." Praktiken der Geschichtsschreibung. Vergleichende Perspektiven auf Forschungs- und Vermittlungsprozesse. Eds. Jürgen Büschenfeld, Marina Böddeker and Rebecca Moltmann. Bielefeld: Transcript, 2023. 89–116. |
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| MacInnes, Iain A. "The World As It Was/Could Have Been? The Depiction And (Re)Interpretation of Medieval History in Jour J." Drawing the Past. Comics and the Historical Imagination. Eds. Michael Goodrum, David Hall and Philip Smith. Jackson: Univ. Press of Mississippi, 2020. |
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| Magnussen, Anne. "Comics as historical source material: Race, ethnicity and power according to Texas History Movies." Studies in Comics 7. (2016): 99–126. |
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| Marshall, Bridget M. "Comics as Primary Sources: The Case of Journey into Mohawk Country." Comic Books and American Cultural History. An Anthology. Ed. Matthew Pustz. London, New York: Continuum, 2012. 26–39. |
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| Melber, Takuma. "Mangas als Impulsgeber für die Geschichtswissenschaft?! Das Beispiel Barfuß durch Hiroshima." Rechtsextremismus, Rassismus und Antisemitismus in Comics. Ed. Ralf Palandt. Berlin: Archiv der Jugendkulturen, 2011. 135–48. |
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| Munier, Gerald. "Geschichte im Comic: Können ernsthafte historische Themen auch in Form von Bildergeschichten behandelt werden?." Traverse 11. (2004): 110–17. |
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| Näpel, Oliver. Das Fremde als Argument: Identität und Alterität durch Fremdbilder und Geschichtsstereotype von der Antike bis zum Holocaust und 9/11 im Comic. Die Deutschen und das östliche Europa. Studien und Quellen. Frankfurt am Main [etc.]: Peter Lang, 2011. |
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| Näpel, Oliver. "›Fremdheit‹ und ›Geschichte‹: Identität und Alterität durch visuelle Stereotypisierung des ›Anderen‹ und der ›Geschichte‹ von der antiken Vasenmalerei bis zum gegenwärtigen Comic und Film. Ein Abriss." Struktur und Geschichte der Comics. Beiträge zur Comicforschung. Ed. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2010. 99–127. |
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| Netter, Louis and Oliver Gruner. "Steal This History: Historiography, the Sixties and the comic." Rethinking History (2016). |
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| Neuhaus, Jessamyn. "How Wonder Woman Helped My Students: “Join the Conversation”. Comic Books as Teaching Tools in a History Methodology Course." Comic Books and American Cultural History. An Anthology. Ed. Matthew Pustz. London, New York: Continuum, 2012. 11–25. |
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| Nijdam, Elizabeth. "Coming to Terms with the Past: Teaching German History with the Graphic Novel." Class, Please Open Your Comics. Essays on Teaching with Graphic Narratives. Ed. Matthew L. Miller. Jefferson: McFarland, 2015. 143–54. |
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| Osievsky, Evheny. "The Fallout of Dreams, the Demonstration of Shadows: Watchmen and the Atomic Zeitgeist of the ‘80s." The Comics Journal 2022. Accessed 25Oct. 2024. <https://www.tcj.com/the ... c-zeitgeist-of-the-80s/>. |
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| Palandt, Ralf, ed. Anne Frank im Comic. Berlin: Ch.A. Bachmann, 2021. |
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| Pandel, Hans-Jürgen. "Comicliteratur und Geschichte: Gezeichnete Narrativität, gedeutete Geschichte und die Ästhetik des Geschichtsbewußtseins." Geschichte lernen (1994): 18–26. |
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| Ricca, Brad J. "History: Discovering the Story of Jerry Siegel and Joe Shuster." Critical Approaches to Comics and Graphic Novels. Theories and Methods. Eds. Matthew J. Smith and Randy Duncan. London, New York: Routledge, 2012. 189–200. |
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| Riedel, Siegmund, ed. Max & Luzie: Ein Comic macht Geschichte. Gilching: Stefan Riedl, 2019. |
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| Savage Jr., William W. "Research and Comic Books: A Historian's Perspective." Popular Culture in Libraries 1. (1992): 85–90. |
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| Scholz, Michael F. "Tecknade serier som källmaterial för historisk forskning." Historisk tidskrift 127. (2007): 279–87. |
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| Scholz, Michael F. "Comics als Quelle der Geschichtswissenschaft: Mit Beispielen aus der DDR-Geschichte." Struktur und Geschichte der Comics. Beiträge zur Comicforschung. Ed. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2010. 199–217. |
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| Scully, Richard and Marian Quartly, eds. Drawing the Line: Using Cartoons as Historical Evidence. Clayton: Monash Univ. ePress, 2009. |
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| Scully, Richard and Marian Quartly. "Using Cartoons as Historical Evidence." Drawing the Line. Using Cartoons as Historical Evidence. Eds. Richard Scully and Marian Quartly. Clayton: Monash Univ. ePress, 2009. |
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| Scully, Richard. "‘A Pettish Little Emperor’: Images of Kaiser Wilhelm II in Punch, 1888–1901." Drawing the Line. Using Cartoons as Historical Evidence. Eds. Richard Scully and Marian Quartly. Clayton: Monash Univ. ePress, 2009. |
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| Serriere, Jérôme. Zum Bild des tirailleur sénégalais im französischen Comic: Repräsentation einer kolonialen Figur in der Erinnerungskultur des 1. Weltkriegs. Wiesbaden: Springer VS, 2022. |
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| Sleight, Simon. "Wavering between Virtue and Vice: Constructions of Youth in Australian Cartoons of the Late-Victorian Era." Drawing the Line. Using Cartoons as Historical Evidence. Eds. Richard Scully and Marian Quartly. Clayton: Monash Univ. ePress, 2009. |
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| Stańczyk, Ewa. "Szaber in post-war Poland: Satirising plunder in Polish magazine cartoons (1945–1946)." Journal of Graphic Novels and Comics (2020): 1–16. |
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| Walker Vadillo, Mónica Ann. "Comic Books Featuring the Middle Ages." Itinéraires 2010-3 2010. Accessed 28May. 2021. <http://journals.openedition.org/itineraires/1877>. |
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| Wichhart, Stefanie. "Propaganda and Protest: Political Cartoons in Iraq during the Second World War." Drawing the Line. Using Cartoons as Historical Evidence. Eds. Richard Scully and Marian Quartly. Clayton: Monash Univ. ePress, 2009. |
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| Wolfinger, Stefan. Von Karl Marx bis Carl Barks: Comics und Geschichte. Neue Aspekte in Kultur- und Kommunikationswissenschaft. Wien: Österreichischer Kunst- und Kulturverl. 1999. |
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