| Edwards, Jordan Z. "Tools of the “En-Eh-Mee”: Grant Morrison’s Utopia and the Means to End There." Thesis Master of Arts. McMaster University, 2013. |
 
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| Added by: joachim Last edited by: joachim 04/09/2014, 10:12 |
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| Garlington, Ian Stuart. "A context for the supercontext: On the function of psychedelics in Grant Morrison’s The Invisibles." Studies in Comics 7. (2016): 49–72. |
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| Added by: joachim 08/12/2017, 18:50 |
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| Goodwin, Megan. "Conversion to Narrative: Magic as Religious Language in Grant Morrison’s Invisibles." Graven Images. Religion in Comic Books & Graphic Novels. Eds. A. David Lewis and Christine Hoff Kraemer. London, New York: Continuum, 2010. |
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| Added by: joachim 27/08/2011, 12:29 |
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| Guillaume, Isabelle. Dramatis personae: Valeurs symboliques du masque dans Sandman et The Invisibles. Masques, identités et bande dessinée: Lyons, 20May, 2014. |
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| Added by: joachim 10/10/2021, 17:02 |
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| Hadeed, Khalid. "The Invisibles: Gnosticism of the (Extra)Ordinary." Journal of Religion and Popular Culture 31. (2019): 139–52. |
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| Added by: joachim Last edited by: joachim 09/07/2021, 19:03 |
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| James, Nick. "Opting for Ontological Terrorism: Freedom and Control in Grant Morrison’s The Invisibles." Law, Culture and the Humanities 3. (2007): 435–54. |
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| Added by: joachim Last edited by: joachim 10/08/2017, 10:09 |
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| Kakko, Tommi and Mervi Miettinen. "“The Image Rules the World”: Focalization, Hallucinations and Metalepsis in The Invisibles." ImageTexT 8. 2 2015. Accessed 10Aug. 2017. <http://www.english.ufl. ... s/v8_2/kakko_miettinen/>. |
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| Added by: joachim 10/08/2017, 09:21 |
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| Manning, Shaum. "Language and Fiction in the Creation of Reality in The Invisibles." International Journal of Comic Art 10. (2008): 32–38. |
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| Added by: joachim Last edited by: joachim 02/11/2015, 15:05 |
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| Meaney, Patrick. Our Sentence is Up: Seeing Grant Morrison's The Invisibles. Sequart Journal. Edwardsville: Sequart Research & Literacy Organization, 2009. |
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| Added by: joachim Last edited by: joachim 12/11/2010, 16:43 |
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| Rauch, Stephen. "“We Have All Been Sentenced”: Language as Means of Control in Grant Morrison’s Invisibles." International Journal of Comic Art 6. (2004): 350–63. |
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| Added by: Deleted user Last edited by: joachim 14/04/2012, 15:17 |
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| Round, Julia. "London’s Calling: Alternate Worlds and the City as Superhero in Contemporary British-American Comics." International Journal of Comic Art 10. (2008): 24–31. |
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| Added by: Deleted user Last edited by: joachim 14/07/2012, 07:23 |
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| Round, Julia. "We Share Our Mothers’ Health: Temporality and the Gothic in Comic Book Landscapes." Comic Book Geographies. Ed. Jason Dittmer. Media Geography at Mainz. Stuttgart: Franz Steiner, 2014. 127–40. |
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| Added by: joachim Last edited by: joachim 11/08/2019, 16:31 |
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| Singer, Marc. Grant Morrison: Combining the Worlds of Contemporary Comics. Jackson: Univ. Press of Mississippi, 2011. |
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| Added by: joachim Last edited by: joachim 05/04/2012, 08:31 |
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| Singer, Marc. "Time and Narrative: Unity and Discontinuity in The Invisibles." Critical Approaches to Comics and Graphic Novels. Theories and Methods. Eds. Matthew J. Smith and Randy Duncan. London, New York: Routledge, 2012. 55–70. |
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| Added by: joachim Last edited by: joachim 11/03/2014, 17:33 |
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| Ursini, Francesco-Alessio. "Language and Thought in The Invisibles." ImageTexT 8. 2 2015. Accessed 2Nov. 2015. <http://www.english.ufl. ... t/archives/v8_2/ursini/>. |
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| Added by: joachim Last edited by: joachim 03/11/2015, 13:57 |
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| Wolk, Douglas. "Grant Morrison: The Invisible King." Reading Comics. How Graphic Novels Work and What They Mean. Cambridge: Da Capo, 2007. 258–88. |
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| Added by: joachim 06/05/2013, 20:21 |
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