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Banerjee, Abanti. "Convergences of the Global and the Local: Graphic Narrative and Patua Art in Sita’s Ramayana." Gnosis Special Issue (2019): 92–112. |
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Bavlnka, Timothy. "The Joke’s On Him: Shamanism, Literary Magic, and the Textualization of Grant Morrison, Heath Ledger, and The Joker." Intensities: The Journal of Cult Media 5 2013. Accessed 2Jul. 2016. <https://intensitiescult ... e-joker-tim-bavlnka.pdf>. |
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Black, Jake. "Flop of Steel: Why “It's a Bird, It's a Plane, It's Superman” Did Not Fly Over Broadway." International Journal of Comic Art 7. (2005): 546–52. |
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Bremgartner, Mathias P. "Performing ‘Readings’: The Interplay of Theatre And Digital Comics In Tezuka." Networking Knowledge 8. 4 2015. Accessed 14Aug. 2015. <http://ojs.meccsa.org.u ... ow/article/view/391/220>. |
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Bremgartner, Mathias. "Performing ‘Readings’: The Interplay of Theatre And Digital Comics In Tezuka." Networking Knowledge 8. 4 2015. Accessed 15Apr. 2021. <https://ojs.meccsa.org. ... etknow/article/view/391>. |
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Cook, Malcolm. "The lightning cartoon: Animation from music hall to cinema." Early Popular Visual Culture 11. (2013): 237–54. |
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Crafton, Donald. Shadow of a Mouse: Performance, Belief, and World-Making in Animation. Berkeley: Univ. of California Press, 2012. |
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Domsch, Sebastian. "Embodying Narrative, Staging Icons: The Liminal Space of Embodied Performance." Beyond Narrative. Exploring Narrative Liminality and Its Cultural Work. Eds. Sebastian M. Herrmann, Katja Kanzler and Stefan Schubert. Edition Kulturwissenschaft. Bielefeld: Transcript, 2022. 217–32. |
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Dyer, Harry T. Designing the Social: Unpacking Social Media Design and Identity. Cultural Studies and Transdisciplinarity in Education. Singapor: Springer Singapore, 2020. |
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Glaubitz, Nicola. "Der Prozess als Performance: Zur Geschichte des Schnellzeichnens." Ästhetik des Gemachten. Interdisziplinäre Beiträge zur Animations- und Comicforschung. Eds. Hans-Joachim Backe, et al. Berlin u. Boston: de Gruyter, 2018. 85–108. |
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Gn, Joel. "Queer simulation: The practice, performance and pleasure of cosplay." Continuum 25. (2011): 583–93. |
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Gray, Maggie. Alan Moore, Out from the Underground: Cartooning, Performance, and Dissent. Palgrave Studies in Comics and Graphic Novels. New York [etc.]: Palgrave Macmillan, 2017. |
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Herd, Damon. "Comics and Performance: From ‘Chalk Talks’ to ‘Carousel’." Comics Forum 2013. Accessed 31Aug. 2013. <http://comicsforum.org/ ... carousel-by-damon-herd/>. |
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Hescher, Achim. "Metalepses, Mises en Abyme and Performativity in Bryan Talbot’s Alice in Sunderland." Representing Restoration, Enlightenment and Romanticism. Eds. Anja Müller, Achim Hescher and Anke Uebel. Trier: Wissenschaftlicher Verlag Trier, 2014. 229–50. |
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Howard, Leigh Anne and Susanna Hoeness-Krupsaw, eds. Performativity, Cultural Construction, and the Graphic Narrative. Routledge Advances in Comics Studies. London, New York: Routledge, 2019. |
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Howard, Leigh Anne. "Austen’s audience(s) and the perils of adaptation." Performativity, Cultural Construction, and the Graphic Narrative. Eds. Leigh Anne Howard and Susanna Hoeness-Krupsaw. Routledge Advances in Comics Studies. London, New York: Routledge, 2019. 133–51. |
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Jürgens, A.-S. "Batman’s Joker, a neo-modern clown of violence." Journal of Graphic Novels and Comics 5. (2014): 441–54. |
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Jürgens, Anna-Sophie and Will Visconti. "Joker stages: Popular performance and theatrical sensibilities in Joker comics and film adaptations." Journal of Graphic Novels and Comics (2023). |
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Ke Jinde, Kelvin. "On the Performance of Villainy and Evil in Joker (2019)." Performativity of Villainy and Evil in Anglophone Literature and Media. Ed. Nizar Zouidi. New York [etc.]: Palgrave Macmillan, 2021. 445–64. |
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Mansbridge, Joanna. "Adapting Queerness, Queering Adaptation: Fun Home on Broadway." Adaptation, Awards Culture, and the Value of Prestige. Eds. Colleen Kennedy-Karpat and Eric Sandberg. Cham: Springer, 2017. |
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Nichols, Elizabeth Gackstetter. "Playing with identity: Gender, performance and feminine agency in cosplay." Continuum 33. (2019): 270–82. |
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Rüggemeier, Anne. "‘Posing for all the characters in the book’: The multimodal processes of production in Alison Bechdel’s relational autobiography Are You My Mother?." Journal of Graphic Novels and Comics 7. (2016): 254–67. |
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Scivally, Bruce. Superman on Film, Television, Radio and Broadway. Jefferson, London: McFarland, 2008. |
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Shoemaker, Deanna. "Cartoon Transgressions: Citlali, La Chicana Super Hero as Community Activist." Liminalities 7. 1 2011. Accessed 25Sept. 2020. <http://liminalities.net/7-1/citali.pdf>. |
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Venezia, Tony. "10th April, 1999, Conway Hall, Red Lion Square: Snakes and Ladders, Occult Cartography and Radical Nostalgia." Comic Book Geographies. Ed. Jason Dittmer. Media Geography at Mainz. Stuttgart: Franz Steiner, 2014. 41–58. |
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Winge, Therèsa M. Costuming Cosplay: Dressing the Imagination. Dress, Body, Culture. New York: Bloomsbury Academic, 2018. |
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Young, Hershini Bhana. "Performance Geography: Making Space in Jeremy Love’s Bayou, Volume 1." The Blacker the Ink. Constructions of Black Identity in Comics and Sequential Art. Eds. Frances Gateward and John Jennings. New Brunswick: Rutgers Univ. Press, 2015. 274–91. |
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