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Displaying 1 - 27  of 27 (Bibliography: WIKINDX Master Bibliography)
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Bahl, Erin Kathleen. "“Sung Reading”: An Operatic Approach to P. Craig Russell’s Graphic Novel The Ring of the Nibelung." 期刊介绍 / Signs and Media (2016): 131–58.   
Last edited by: joachim 5/10/21, 7:21 PM
Banerjee, Abanti. "Convergences of the Global and the Local: Graphic Narrative and Patua Art in Sita’s Ramayana." Gnosis Special Issue (2019): 92–112.   
Last edited by: joachim 10/25/21, 7:56 PM
Bavlnka, Timothy. "The Joke’s On Him: Shamanism, Literary Magic, and the Textualization of Grant Morrison, Heath Ledger, and The Joker." Intensities: The Journal of Cult Media 5 2013. Accessed 2 Jul. 2016. <https://intensitiescult ... e-joker-tim-bavlnka.pdf>.   
Added by: joachim 7/2/16, 12:56 PM
Black, Jake. "Flop of Steel: Why “It's a Bird, It's a Plane, It's Superman” Did Not Fly Over Broadway." International Journal of Comic Art 7.(2005): 546–52.   
Last edited by: joachim 4/15/21, 3:15 PM
Bremgartner, Mathias P. "Performing ‘Readings’: The Interplay of Theatre And Digital Comics In Tezuka." Networking Knowledge 8.4 2015. Accessed 14 Aug. 2015. < ... ow/article/view/391/220>.   
Last edited by: joachim 8/14/15, 6:47 AM
Bremgartner, Mathias. "Performing ‘Readings’: The Interplay of Theatre And Digital Comics In Tezuka." Networking Knowledge 8.4 2015. Accessed 15 Apr. 2021. < ... etknow/article/view/391>.   
Added by: joachim 4/15/21, 3:13 PM
Cook, Malcolm. "The lightning cartoon: Animation from music hall to cinema." Early Popular Visual Culture 11.(2013): 237–54.   
Added by: joachim 11/5/15, 3:46 PM
Crafton, Donald. Shadow of a Mouse: Performance, Belief, and World-Making in Animation. Berkeley: Univ. of California Press, 2012.   
Last edited by: joachim 6/30/16, 4:38 PM
Domsch, Sebastian. "Embodying Narrative, Staging Icons: The Liminal Space of Embodied Performance." Beyond Narrative. Exploring Narrative Liminality and Its Cultural Work. Eds. Sebastian M. Herrmann, Katja Kanzler and Stefan Schubert. Edition Kulturwissenschaft. Bielefeld: Transcript, 2022. 217–32.   
Last edited by: joachim 6/19/22, 12:21 PM
Dyer, Harry T. Designing the Social: Unpacking Social Media Design and Identity. Cultural Studies and Transdisciplinarity in Education. Singapor: Springer Singapore, 2020.   
Last edited by: joachim 6/30/22, 9:44 AM
Glaubitz, Nicola. "Der Prozess als Performance: Zur Geschichte des Schnellzeichnens." Ästhetik des Gemachten. Interdisziplinäre Beiträge zur Animations- und Comicforschung. Eds. Hans-Joachim Backe, et al. Berlin u. Boston: de Gruyter, 2018. 85–108.   
Last edited by: joachim 10/3/18, 1:09 PM
Gn, Joel. "Queer simulation: The practice, performance and pleasure of cosplay." Continuum 25.(2011): 583–93.   
Last edited by: joachim 4/18/21, 4:28 PM
Gray, Maggie. Alan Moore, Out from the Underground: Cartooning, Performance, and Dissent. Palgrave Studies in Comics and Graphic Novels. New York [etc.]: Palgrave Macmillan, 2017.   
Last edited by: joachim 8/28/18, 11:22 AM
Herd, Damon. "Comics and Performance: From ‘Chalk Talks’ to ‘Carousel’." Comics Forum 2013. Accessed 31 Aug. 2013. < ... carousel-by-damon-herd/>.   
Added by: joachim 8/31/13, 1:11 PM
Hescher, Achim. "Metalepses, Mises en Abyme and Performativity in Bryan Talbot’s Alice in Sunderland." Representing Restoration, Enlightenment and Romanticism. Eds. Anja Müller, Achim Hescher and Anke Uebel. Trier: Wissenschaftlicher Verlag Trier, 2014. 229–50.   
Last edited by: joachim 1/26/14, 10:56 PM
Howard, Leigh Anne and Susanna Hoeness-Krupsaw, eds. Performativity, Cultural Construction, and the Graphic Narrative. Routledge Advances in Comics Studies. London, New York: Routledge, 2019.   
Last edited by: joachim 6/25/20, 11:52 AM
Howard, Leigh Anne. "Austen’s audience(s) and the perils of adaptation." Performativity, Cultural Construction, and the Graphic Narrative. Eds. Leigh Anne Howard and Susanna Hoeness-Krupsaw. Routledge Advances in Comics Studies. London, New York: Routledge, 2019. 133–51.   
Last edited by: joachim 6/25/20, 10:55 AM
Jürgens, A.-S. "Batman’s Joker, a neo-modern clown of violence." Journal of Graphic Novels and Comics 5.(2014): 441–54.   
Added by: joachim 7/30/15, 5:37 PM
Ke Jinde, Kelvin. "On the Performance of Villainy and Evil in Joker (2019)." Performativity of Villainy and Evil in Anglophone Literature and Media. Ed. Nizar Zouidi. New York [etc.]: Palgrave Macmillan, 2021. 445–64.   
Added by: joachim 2/20/22, 3:13 PM
Mansbridge, Joanna. "Adapting Queerness, Queering Adaptation: Fun Home on Broadway." Adaptation, Awards Culture, and the Value of Prestige. Eds. Colleen Kennedy-Karpat and Eric Sandberg. Cham: Springer, 2017.   
Added by: joachim 4/15/21, 3:22 PM
Nichols, Elizabeth Gackstetter. "Playing with identity: Gender, performance and feminine agency in cosplay." Continuum 33.(2019): 270–82.   
Last edited by: joachim 4/18/21, 4:32 PM
Rüggemeier, Anne. "‘Posing for all the characters in the book’: The multimodal processes of production in Alison Bechdel’s relational autobiography Are You My Mother?." Journal of Graphic Novels and Comics 7.(2016): 254–67.   
Last edited by: joachim 8/21/16, 10:38 AM
Scivally, Bruce. Superman on Film, Television, Radio and Broadway. Jefferson, London: McFarland, 2008.   
Last edited by: joachim 4/15/21, 3:16 PM
Shoemaker, Deanna. "Cartoon Transgressions: Citlali, La Chicana Super Hero as Community Activist." Liminalities 7.1 2011. Accessed 25 Sep. 2020. <>.   
Last edited by: joachim 9/25/20, 12:52 PM
Venezia, Tony. "10th April, 1999, Conway Hall, Red Lion Square: Snakes and Ladders, Occult Cartography and Radical Nostalgia." Comic Book Geographies. Ed. Jason Dittmer. Media Geography at Mainz. Stuttgart: Franz Steiner, 2014. 41–58.   
Last edited by: joachim 6/27/14, 9:42 AM
Winge, Therèsa M. Costuming Cosplay: Dressing the Imagination. Dress, Body, Culture. New York: Bloomsbury Academic, 2018.   
Added by: joachim 11/8/18, 11:56 AM
Young, Hershini Bhana. "Performance Geography: Making Space in Jeremy Love’s Bayou, Volume 1." The Blacker the Ink. Constructions of Black Identity in Comics and Sequential Art. Eds. Frances Gateward and John Jennings. New Brunswick: Rutgers Univ. Press, 2015. 274–91.   
Last edited by: joachim 5/15/19, 1:24 PM
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