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| Sackmann, Eckart. "Addenda [zu: Ritter Sigurd. Das Streifenheft als Gattung, Muster und Mythos]." Deutsche Comicforschung 7. (2011): 142. |
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| Drewniak, Dagmara. "Addicted to the Holocaust – Bernice Eisenstein’s Ways of Coping with Troublesome Memories in I Was a Child of Holocaust Survivors." Studia Anglica Posnaniensia 50. (2015): 39–50. |
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| Pruitt, Dwain C. "Adding Color to a Four-Color World: Recent Scholarship on Race and Ethnicity in the Comics." History: Reviews of New Books 37. (2009): 45–48. |
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| Hughes, Janette Michelle, et al. "Adolescents and “Autographics”: Reading and Writing Coming-of-Age Graphic Novels." Journal of Adolescent & Adult Literacy 54. (2011): 601–12. |
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| Castaldi, Simone. "Adult Fumetti and the postmodern: Poetics of Italian sequential art in the 1970s and 1980s." Word & Image 20. (2004): 271–82. |
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| Kaur, Raminder and Saif Eqbal. Adventure Comics and Youth Cultures in India. London, New York: Routledge, 2019. |
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| Kukkonen, Karin. "Adventures in Duck-Rabbitry: Multistable Elements of Graphic Narrative." Narrative 25. (2017): 342–58. |
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| Thomas, Paul L. "Adventures in genre! Rethinking genre through comics/graphic novels." Journal of Graphic Novels and Comics 2. (2011): 187–201. |
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| Gaiman, Neil. Adventures in the Dream Trade. Framingham: NESFA, 2002. |
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| Samson, Jacques. "Adventures of the Proper Name in Tintin in Tibet." European Comic Art 5. (2012): 71–107. |
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| Bal, Mieke. "Aestheticizing Catastrophe." Reading Charlotte Salomon. Eds. Michael P. Steinberg and Monica Bohm-Duchen. Ithaca: Cornell Univ. Press, 2005. 167–93. |
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| Bray, Patrick M. "Aesthetics in the Shadow of No Towers: Reading Virilio in the Twenty-First Century." Yale French Studies 114. (2008): 4–17. |
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| Pintor Iranzo, Ivan. "Aesthetics of Negativity in US Television Fiction and Comics: Here by Richard McGuire and Twin Peaks, the Return." REDEN (2019): 35–54. |
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| Luedecke, Patti. "Affect and the Body in Melville’s “Bartleby” and Jillian Tamaki and Mariko Tamaki’s Skim." International Journal of Comic Art 11. (2009): 299–321. |
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| Patel, Samir S., ed. Africacomics. New York: The Studio Museum in Harlem, 2006. |
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| Repetti, Massimo. "African “Ligne Claire”: The Comics of Francophone Africa." International Journal of Comic Art 9. (2007): 515–41. |
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| Repetti, Massimo. "African Wave: Specificity and Cosmopolitanism in African Comics." African Arts 40. (2007): 16–35. |
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| Alexander, Torin Dru. "Africana Religion, Black Panther, and the Marvel Cinematic Universe (MCU)." Africology 11. 9 2018. Accessed 9Jun. 2022. <http://www.jpanafrican. ... pecial-12-Alexander.pdf>. |
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| Becker, Jörg. "Afrikanischer Medienkannibalismus: Karikaturen über Medien." Communicatio Socialis 36. (2003): 366–75. |
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| Cornet, Florencia V. "Afro-Caribbean Reflections on the Film Black Panther: Imagining Superheroes in the Nation-Building Process of Curaçao." Africology 11. 9 2018. Accessed 9Jun. 2022. <http://www.jpanafrican. ... .9-special-6-Cornet.pdf>. |
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| Coetzee, Carli. "Afro-superheroes: Prepossessing the future." Journal of African Cultural Studies 28. (2016): 241–44. |
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| Jungbluth, Eva. "After Alice: Wonderland’s Autonomy in Tommy Kovac’s and Sonny Liew’s Comic." ‘Tantalizing Alice’. Approaches, Concepts and Case-Studies in Adaptations of a Classic. Eds. Sissy Helff and Nadia Butt. ELCH - Studies in English Literary and Cultural History. Trier: Wissenschaftlicher Verlag Trier, 2016. 155–80. |
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| Meyer, Christina. "“After all, disaster is my muse”: Art Spiegelman's In the Shadow of No Towers." American Studies as Media Studies. Eds. Frank Kelleter and Daniel Stein. American Studies. Heidelberg: Winter, 2008. 107–17. |
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| Gravett, Paul. "After Maus: Graphic novels confront the Jewish experience." Jewish Quarterly 48. (2001): 21–28. |
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| Morton, Drew, ed. After Midnight: Watchmen after Watchmen. Jackson: Univ. Press of Mississippi, 2022. |
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| Pfahl, Courtney A. "“after the / Unauthor”: Fragmented Author Functions in Tom Phillips’s A Humument." Studies in the Novel 47. (2015): 399–419. |
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| Green, Justin. "Afterword." Binky Brown meets The Holy Virgin Mary. San Francisco: McSweeney’s Books, 2009. 51–63. |
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| Denson, Shane. "Afterword: Framing, Unframing, Reframing: Retconning the Transnational Work of Comics." Transnational Perspectives on Graphic Narratives. Comics at the Crossroads. Eds. Shane Denson, Christina Meyer and Daniel Stein. New York: Bloomsbury, 2013. 271–84. |
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| Yoshimura, Kazuma. "Afterword: Intentions and methods behind my proposal for Barefoot Gen remakes abroad." Comics Worlds and the World of Comics. Towards Scholarship on a Global Scale. Ed. Jaqueline Berndt. Global Manga Studies. Kyoto: International Manga Research Center, Kyoto Seika University, 2010. 308–17. |
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| Stewart, Bhob, ed. Against The Grain: Mad Artist Wallace Wood. Raleigh: TwoMorrows, 2003. |
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| Henderson, Scott A. "Agency and Intertextuality: Tank Girl, Subcultural Aesthetics, and the Strong Female Protagonist." Comics and Pop Culture. Adaptation from Panel to Frame. Eds. Barry Keith Grant and Scott A. Henderson. Austin: Univ. of Texas Press, 2019. 279–95. |
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| Mellette, Justin. "Agency Through Fragmentation? The Problem of Delirium in The Sandman." Feminism in the Worlds of Neil Gaiman. Essays on the Comics, Poetry and Prose. Eds. Tara Prescott and Aaron Drucker. Jefferson, London: McFarland, 2012. 47–63. |
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| Payne, Philip G. and Paul S. Spaeth. "Agent of Change: The Evolution and Enculturation of Nick Fury." Comic Books and American Cultural History. An Anthology. Ed. Matthew Pustz. London, New York: Continuum, 2012. 184–201. |
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| Chambliss, Julian C., William Svitavsky, and Thomas Donaldson, eds. Ages of Heroes, Eras of Men: Superheroes and the American Experience. Newcastle upon Tyne: Cambridge Scholars Publ. 2013. |
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| Cedeira Serantes, Lucia and Nicole K. Dalmer. "Aging in/with Comics." Closure. Kieler e-Journal für Comicforschung 9. (2023): 76–85. |
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| Miczo, Nathan. "Aging Superheroes: Retirement and Return in Kingdom Come and Old Man Logan." Aging Heroes. Growing Old in Popular Culture. Eds. Norma Jones and Bob Batchelor. Lanham [etc.]: Rowman & Littlefield, 2015. 143–55. |
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| Walshe, Shane. "‘Ah, laddie, did ye really think I’d let a foine broth of a boy such as yerself get splattered...?’: Representations of Irish English Speech in the Marvel Universe." Linguistics and the Study of Comics. Ed. Frank Bramlett. New York [etc.]: Palgrave Macmillan, 2012. 264–90. |
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| Demson, Michael and Heather Brown. "‘Aint I de Maine guy in dis paRade?’: Towards a radical history of comic strips and their audience since Peterloo." Journal of Graphic Novels and Comics 2. (2011): 151–67. |
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| Parson, Sean. "Ain’t No Thing Like Me, Except Me: Rocket Raccoon, Cyborg Queerness, and Toxic-Masculinity." Superheroes and Critical Animal Studies. The Heroic Beasts of Total Liberation. Eds. Sean Parson and J. L. Schatz. Lanham [etc.]: Lexington, 2018. 151–68. |
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| Freiberg, Freda. "Akira and the Postnuclear Sublime." Hibakusha Cinema. Hiroshima, Nagasaki and the Nuclear Image in Japanese Film. Ed. Mick Broderick. London, New York: Kegan Paul Int. 1996. 91–102. |
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| Tagsold, Christian. "Akira and the Tokyo Olympics in 1964 and 2020/21: Reading the games through manga and anime—reading manga and anime through the games." Contemporary Japan 35. (2023): 117–35. |
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| de la Iglesia, Martin. "Akira im Westen." Comics – Übersetzungen und Adaptionen. Ed. Nathalie Mälzer. TRANSÜD. Berlin: Frank & Timme, 2015. 355–74. |
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| Standish, Isolde. "Akira, Postmodernism and Resistance." The Worlds of Japanese Popular Culture. Gender, Shifting Boundaries and Global Cultures. Ed. Dolores P. Martinez. 3rd ed. Contemporary Japanese Society. Cambridge [etc.]: Cambridge Univ. Press, 2001. 56–74. |
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| Omanga, Duncan. "‘Akokhan returns’: Kenyan newspaper comics and the making of an ‘African’ superhero." Journal of African Cultural Studies 28. (2016): 262–74. |
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| Blank, Juliane. "Aktualisierung der Superheld*innen-Identität: Marvel’s Jessica Jones aus der Perspektive der Adaptionsforschung." Folge um Folge. Multiple Perspektiven auf die Fernsehserie. Eds. Marco Agnetta and Markus Schleich. Hildesheim: Universitätsverl. Hildesheim, 2020. 129–45. |
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| Dolle-Weinkauff, Bernd. "Aktuelle Erscheinungsformen des Comic: Manga und Graphic Novel." Comics und Animationsfilme. Eds. Klaus Maiwald and Petra Josting. Jahrbuch Medien im Deutschunterricht. München: kopaed, 2010. 19–32. |
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| Schumacher, Michael and Denis Kitchen. Al Capp: A Life to the Contrary. New York: Bloomsbury, 2013. |
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| Goldstein, Kalman. "Al Capp and Walt Kelly: Pioneers of Political and Social Satire in the Comics." Journal of Popular Culture 25. (1992): 81–96. |
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| Caplin, Elliott. Al Capp Remembered. Bowling Green: Bowling Green State Univ. Popular Press, 1994. |
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| Robinson, Michael G. "Alan Moore and Dave Gibbons’ Watchmen." The Graphic Novel. Ed. Gary Hoppenstand. Critical Insights. Englewood Cliffs: Salem Pr. 2014. 94–107. |
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| Green, Matthew J. A., ed. Alan Moore and the Gothic Tradition. Manchester, New York: Manchester Univ. Press, 2013. |
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