| Lewis, A. David. "The Seven Traits of Fictoscripture and the Wormhole Sacred." Comics and Sacred Texts. Reimagining Religion and Graphic Narratives. Eds. Assaf Gamzou and Ken Koltun-Fromm. Jackson: Univ. Press of Mississippi, 2018. 56–72. |
 
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| McLain, Karline. "Many Comic Book Ramayanas: Idealizing and opposing rama as the righteous god-king." Comics and Sacred Texts. Reimagining Religion and Graphic Narratives. Eds. Assaf Gamzou and Ken Koltun-Fromm. Jackson: Univ. Press of Mississippi, 2018. 77–97. |
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| Coody, Elizabeth Rae. "The Ending of Mark as a Page-Turn Reveal." Comics and Sacred Texts. Reimagining Religion and Graphic Narratives. Eds. Assaf Gamzou and Ken Koltun-Fromm. Jackson: Univ. Press of Mississippi, 2018. 98–112. |
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| Omer-Sherman, Ranen. "Slaying a Biblical Archetype: 1 samuel, gauld’s goliath, and the new midrash." Comics and Sacred Texts. Reimagining Religion and Graphic Narratives. Eds. Assaf Gamzou and Ken Koltun-Fromm. Jackson: Univ. Press of Mississippi, 2018. 113–31. |
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| Elliot, Scott S. "Transrendering Biblical Bodies: Reading sex in the action bible and genesis illustrated." Comics and Sacred Texts. Reimagining Religion and Graphic Narratives. Eds. Assaf Gamzou and Ken Koltun-Fromm. Jackson: Univ. Press of Mississippi, 2018. 132–48. |
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| Langsdale, Samantha. "The Dark Phoenix As “Promising Monster” An interdisciplinary approach to teaching marvel’s x-men: the dark phoenix saga." Comics and Sacred Texts. Reimagining Religion and Graphic Narratives. Eds. Assaf Gamzou and Ken Koltun-Fromm. Jackson: Univ. Press of Mississippi, 2018. 153–71. |
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| Richey, Jeffrey L. "“Honor The Power Within” Daoist wizards, popular culture, and contemporary japan’s spiritual crisis." Comics and Sacred Texts. Reimagining Religion and Graphic Narratives. Eds. Assaf Gamzou and Ken Koltun-Fromm. Jackson: Univ. Press of Mississippi, 2018. 172–92. |
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| Baskind, Samantha. "Joe Kubert’s Yossel: April 19, 1943: Faith and art history’s precedents." Comics and Sacred Texts. Reimagining Religion and Graphic Narratives. Eds. Assaf Gamzou and Ken Koltun-Fromm. Jackson: Univ. Press of Mississippi, 2018. 193–210. |
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| Kwa, Shiamin. "The Common Place: The poetics of the pedestrian in kevin huizenga’s walkin’." Comics and Sacred Texts. Reimagining Religion and Graphic Narratives. Eds. Assaf Gamzou and Ken Koltun-Fromm. Jackson: Univ. Press of Mississippi, 2018. 232–48. |
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| Plencner, Joshua. "Marvel’s Fallen Son and Making The Ordinary Sacred." Comics and Sacred Texts. Reimagining Religion and Graphic Narratives. Eds. Assaf Gamzou and Ken Koltun-Fromm. Jackson: Univ. Press of Mississippi, 2018. 249–68. |
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| Kaplan, Leonard V. "Will Eisner: Master of graphic wisdom." Comics and Sacred Texts. Reimagining Religion and Graphic Narratives. Eds. Assaf Gamzou and Ken Koltun-Fromm. Jackson: Univ. Press of Mississippi, 2018. 269–80. |
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| Newman, Nicholas. "The War of the Frogs and the Rats: The batrachomyomachia in marvel’s the mighty thor." New Voices In Classical Reception Studies 13 2020. Accessed 9 Jun. 2022. <https://fass.open.ac.uk ... e13/nicholas-newman.pdf>. |
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| Hagener, Malte. "Digital/digitus: Die geste in den pixar-animationsfilmen." Ästhetik des Gemachten. Interdisziplinäre Beiträge zur Animations- und Comicforschung. Eds. Hans-Joachim Backe, et al. Berlin u. Boston: de Gruyter, 2018. 11–26. |
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| Hänselmann, Matthias C. "Das Gemachte als Bewusst-Gemachtes: Produktive und rezeptive dimensionen von materialität und materialtransparenz im film." Ästhetik des Gemachten. Interdisziplinäre Beiträge zur Animations- und Comicforschung. Eds. Hans-Joachim Backe, et al. Berlin u. Boston: de Gruyter, 2018. 27–52. |
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| Papenburg, Bettina. "Das Dokumentarische als Autorisierungsstrategie und als Lektüremodus für bildgebende Verfahren und digitale Animationen in den Lebenswissenschaften." Ästhetik des Gemachten. Interdisziplinäre Beiträge zur Animations- und Comicforschung. Eds. Hans-Joachim Backe, et al. Berlin u. Boston: de Gruyter, 2018. 203–30. |
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| Reinerth, Maike Sarah. "Entirely (Self-)Made Up! Animierte Imaginationsdarstellungen in Realspielfilmen." Ästhetik des Gemachten. Interdisziplinäre Beiträge zur Animations- und Comicforschung. Eds. Hans-Joachim Backe, et al. Berlin u. Boston: de Gruyter, 2018. 231–56. |
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| Williams, Délice. "Three Theses about Black Panther." Africology 11. 9 2018. Accessed 9 Jun. 2022. <http://www.jpanafrican. ... -special-5-Williams.pdf>. |
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| Cornet, Florencia V. "Afro-Caribbean Reflections on the Film Black Panther: Imagining superheroes in the nation-building process of curaçao." Africology 11. 9 2018. Accessed 9 Jun. 2022. <http://www.jpanafrican. ... .9-special-6-Cornet.pdf>. |
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| Onyango, Rosemary A. "Echoes of Pan Africanism in Black Panther." Africology 11. 9 2018. Accessed 9 Jun. 2022. <http://www.jpanafrican. ... 9-special-7-Onyango.pdf>. |
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| Ndaita, Peter. "Can the Migrant Speak: Ethnic accents in black panther and the quadruple consciousness of african immigrants in the united states." Africology 11. 9 2018. Accessed 9 Jun. 2022. <http://www.jpanafrican. ... .9-special-8-Ndaita.pdf>. |
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| LaRue, Robert. "‘I Remember You Was Conflicted’ Reflections on black panther, the african american/african divide, and scholarly positionings." Africology 11. 9 2018. Accessed 9 Jun. 2022. <http://www.jpanafrican. ... 1.9-special-9-LaRue.pdf>. |
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| Catsam, Derek Charles. "If You’re (Concerned About) White You’re Alt-Right: Racialized conservative responses to black panther." Africology 11. 9 2018. Accessed 9 Jun. 2022. <http://www.jpanafrican. ... 9-special-10-Catsam.pdf>. |
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| Baker, Bennie W. "The Death of Wakanda: The impact of chattel slavery on the advancement of the descendants of the african enslaved." Africology 11. 9 2018. Accessed 9 Jun. 2022. <http://www.jpanafrican. ... .9-special-11-Baker.pdf>. |
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| Alexander, Torin Dru. "Africana Religion, Black Panther, and the Marvel Cinematic Universe (MCU)." Africology 11. 9 2018. Accessed 9 Jun. 2022. <http://www.jpanafrican. ... pecial-12-Alexander.pdf>. |
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| Okello, Wilson Kwamogi. "It’s Not Magic: The black body as an aesthetic site and sight." Africology 11. 9 2018. Accessed 9 Jun. 2022. <http://www.jpanafrican. ... 9-special-13-Okello.pdf>. |
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| Morris, Lleuella. "To the Ancestral Plane: African spiritism in ryan coogler’s black panther (marvel studios, 2018) and the desensitization to spiritualism in hollywood." Africology 11. 9 2018. Accessed 9 Jun. 2022. <http://www.jpanafrican. ... 9-special-14-Morris.pdf>. |
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| Forry, Diana. "Belonging: The struggle of two worlds and identity." Africology 11. 9 2018. Accessed 9 Jun. 2022. <http://www.jpanafrican. ... .9-special-17-Forry.pdf>. |
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| Bullen, David. "Dionysus Comes to Gotham: Forces of disorder in the dark knight." Classical Myth on Screen. Eds. Monica S. Cyrino and Meredith E. Safran. New York [etc.]: Palgrave Macmillan, 2015. 183–93. |
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| Gilbert, Christopher J. Caricature and National Character: The united states at war. Humor in America. University Park: Penn State Univ. Press, 2021. |
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| Wynter, D. E. "Combat, Couture, and Caribbeana: Cultural process in coogler’s black panther (2018)." Africology 11. 9 2018. Accessed 10 Jun. 2022. <http://www.jpanafrican. ... 9-special-19-Wynter.pdf>. |
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| Aiyesimoju, Ayodeji Boluwatife. "Black Panther as Afro-complementary Cinematic Intervention: Lessons for africa south of the sahara african movie industries." Africology 11. 9 2018. Accessed 10 Jun. 2022. <http://www.jpanafrican. ... -special-20-Ayodeji.pdf>. |
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| D. Royce, Terry. "Intersemiotic Complementarity in Legal Cartoons: An ideational multimodal analysis." International Journal for the Semiotics of Law – Revue internationale de Sémiotique juridique 28. (2015): 719–44. |
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| Bainbridge, Jason. "“The Call to do Justice” Superheroes, sovereigns and the state during wartime." International Journal for the Semiotics of Law – Revue internationale de Sémiotique juridique 28. (2015): 745–63. |
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| Travis, Mitchell. "We’re All Infected: Legal personhood, bare life and the walking dead." International Journal for the Semiotics of Law – Revue internationale de Sémiotique juridique 28. (2015): 787–800. |
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| Kozin, Alexander V. "On the Cultural Meaning of The New Yorker ‘Lawyer Cartoon’ An experiment in ethnography of communication." International Journal for the Semiotics of Law – Revue internationale de Sémiotique juridique 28. (2015): 801–23. |
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| Romero, Luis Gómez. "The Jurisprudence of Ratatouille: The rat in the machine, or, the equivocal taste of égaliberté." International Journal for the Semiotics of Law – Revue internationale de Sémiotique juridique 28. (2015): 843–66. |
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| Díaz Vera, Javier E. "Woven emotions: Visual representations of emotions in medieval english textiles." Review of Cognitive Linguistics 11. (2013): 269–84. |
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| Peer, Ayelet. "Thermae Romae Manga: Plunging into the gulf between ancient rome and modern japan." New Voices In Classical Reception Studies 12 2018. Accessed 12 Jun. 2022. <https://fass.open.ac.uk ... ournal/issue12/peer.pdf>. |
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| Eedy, Sean. Four-Color Communism: Comic books and contested power in the german democratic republic. Oxford, New York: Berghahn Books, 2021. |
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| Bainbridge, Jason. "Beyond the Law: What is so “super” about superheroes and supervillains?." International Journal for the Semiotics of Law – Revue internationale de Sémiotique juridique 30. (2017): 367–88. |
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| Gidden, Thomas. "Anderson v Dredd [2137] Mega-City LR 1." International Journal for the Semiotics of Law – Revue internationale de Sémiotique juridique 30. (2017): 389–405. |
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| Sharp, Cassandra. "‘Fear’ and ‘Hope’ in Graphic Fiction: The schismatic role of law in an australian dystopian comic." International Journal for the Semiotics of Law – Revue internationale de Sémiotique juridique 30. (2017): 407–26. |
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| Peters, Timothy D. "I, Corpenstein: Mythic, metaphorical and visual renderings of the corporate form in comics and film." International Journal for the Semiotics of Law – Revue internationale de Sémiotique juridique 30. (2017): 427–54. |
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| Hoffman, Matthew A. and Sara Kolmes. "When Clark Met Diana: Friendship and romance in comics." Wonder Woman and Philosophy. The Amazonian Mystique. Ed. Jacob M. Held. Hoboken: Wiley, 2017. 81–90. |
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| Wright, Lenore J. "Becoming a (Wonder) Woman." Wonder Woman and Philosophy. The Amazonian Mystique. Ed. Jacob M. Held. Chichester: Wiley-Blackwell, 2016. 3–18. |
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| Bourelle, Andrew. "Not Just Novels: The pedagogical possibilities of the graphic narrative." Teaching Graphic Novels in the English Classroom. Pedagogical Possibilities of Multimodal Literacy Engagement. Ed. Alissa Burger. New York [etc.]: Palgrave Macmillan, 2018. 11–28. |
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| Austin, Sara. "Understanding Rhetoric, Understanding Genre: A rhetorical genre studies approached writing course." Teaching Graphic Novels in the English Classroom. Pedagogical Possibilities of Multimodal Literacy Engagement. Ed. Alissa Burger. New York [etc.]: Palgrave Macmillan, 2018. 29–41. |
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| Thompson, Riki. "Writing Through Comics." Teaching Graphic Novels in the English Classroom. Pedagogical Possibilities of Multimodal Literacy Engagement. Ed. Alissa Burger. New York [etc.]: Palgrave Macmillan, 2018. 43–65. |
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| Perry, Lauren E. "Teaching the History and Theory of American Comics: 20th-century graphic novels as a complex literary genre." Teaching Graphic Novels in the English Classroom. Pedagogical Possibilities of Multimodal Literacy Engagement. Ed. Alissa Burger. New York [etc.]: Palgrave Macmillan, 2018. 69–85. |
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| Halsall, Alison. "“What Is the Use of a Book … Without Pictures or Conversations?” Incorporating the graphic novel into the university curriculum." Teaching Graphic Novels in the English Classroom. Pedagogical Possibilities of Multimodal Literacy Engagement. Ed. Alissa Burger. New York [etc.]: Palgrave Macmillan, 2018. 87–101. |
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| Risko, Guy Andre. "“Does Doctor Manhattan Think?” Alan moore’s the watchmen and a ‘great books’ curriculum in the early college setting." Teaching Graphic Novels in the English Classroom. Pedagogical Possibilities of Multimodal Literacy Engagement. Ed. Alissa Burger. New York [etc.]: Palgrave Macmillan, 2018. 103–16. |
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| Powell, Allison. "“If He Be Mr. Hyde, We Shall Be Mr. See” Using graphic novels, comic books, and the visual narrative in the gothic literature classroom." Teaching Graphic Novels in the English Classroom. Pedagogical Possibilities of Multimodal Literacy Engagement. Ed. Alissa Burger. New York [etc.]: Palgrave Macmillan, 2018. 117–32. |
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| Hoeness-Krupsaw, Susanna. "Teaching March in the Borderlands between Social Justice and Pop Culture." Teaching Graphic Novels in the English Classroom. Pedagogical Possibilities of Multimodal Literacy Engagement. Ed. Alissa Burger. New York [etc.]: Palgrave Macmillan, 2018. 135–47. |
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| Phillips, Jennifer. "Revising the Rhetoric of “Boat People” through the Interactive Graphic Adaptation of Nam Le’s “The Boat”." Teaching Graphic Novels in the English Classroom. Pedagogical Possibilities of Multimodal Literacy Engagement. Ed. Alissa Burger. New York [etc.]: Palgrave Macmillan, 2018. 149–66. |
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| Wegner, Gesine. "The Poetics and Politics of Staring: Spectacle and disability in chris ware’s building stories." Beyond Narrative. Exploring Narrative Liminality and Its Cultural Work. Eds. Sebastian M. Herrmann, Katja Kanzler and Stefan Schubert. Edition Kulturwissenschaft. 2022. 143–56. |
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| Domsch, Sebastian. "Embodying Narrative, Staging Icons: The liminal space of embodied performance." Beyond Narrative. Exploring Narrative Liminality and Its Cultural Work. Eds. Sebastian M. Herrmann, Katja Kanzler and Stefan Schubert. Edition Kulturwissenschaft. Bielefeld: Transcript, 2022. 217–32. |
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| Strong, Anise K. "A Dream of Augustus: Neil gaiman’s sandman and comics mythology." Classics and Comics. Eds. George Kovacs and C. W. Marshall. Classical Presences. New York: Oxford Univ. Press, 2011. 173–82. |
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| Singh, Java. Feminist Literary and Cultural Criticism: An analytical approach to space. Singapor: Springer Singapore, 2022. |
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| Varis, Essi. "The Monster Analogy: Why fictional characters are frankenstein’s monsters." SubStance 48. (2019): 63–86. |
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| Gray, Maggie and Ian Horton, eds. Seeing Comics through Art History: Alternative approaches to the form. Palgrave Studies in Comics and Graphic Novels. New York [etc.]: Palgrave Macmillan, 2022. |
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| Banco, Lindsey Michael. "Graphic Bombs: Scientific knowledge and the manhattan project in comic books." The Palgrave Handbook of Twentieth and Twenty-First Century Literature and Science. Eds. Neel Ahuja, et al. Palgrave Handbooks of Literature and Science. New York [etc.]: Palgrave Macmillan, 2020. 577–95. |
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| Servitje, Lorenzo. "“The Path of Most Resistance” surgeon x and the graphic estrangement of antibiosis." The Palgrave Handbook of Twentieth and Twenty-First Century Literature and Science. Eds. Neel Ahuja, et al. Palgrave Handbooks of Literature and Science. New York [etc.]: Palgrave Macmillan, 2020. |
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| Jasmin, Jasmin. "Narrating other Perspectives, Re-Drawing History: The protagonization of afro-brazilians in the work of graphic novelist marcelo d’salete." Literature and Ethics in Contemporary Brazil. Eds. Vinicius Mariano de Carvalho and Nicola Gavioli. London, New York: Routledge, 2017. 106–23. |
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| Aldana, Juan Alberto Conde. "Del cómic a la novela gráfica: Mutaciones editoriales de la historieta colombiana en el siglo xxi." Mitologías Hoy 20 2019. Accessed 25 Jun. 2022. <https://revistes.uab.ca ... /article/view/v20-conde>. |
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| Cohn, Jesse. "The Politics of the Diagram as Graphic Narrative: Chris ware and chad mccail." SubStance 46. (2017): 33–49. |
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| Ahmed, Maaheen. "Reading children in comics: A sociohistorical mapping." Children’s Geographies 20. (2022): 349–60. |
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| Dyer, Harry T. Designing the Social: Unpacking social media design and identity. Cultural Studies and Transdisciplinarity in Education. Singapor: Springer Singapore, 2020. |
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| MacDonald, Damien. Anatomy of Comics: Famous originals of narrative art. Paris: Flammarion, 2022. |
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| Leclerc, Michel-Édouard. Itinéraires dans l’univers de la bande dessinée. Paris: Flammarion, 2003. |
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| Mouchart, Benoît. "Le festival d’Angoulême, instrument de legitimation." Le Débat (2017): 10–15. |
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| Dagen, Philippe. "Sens dessus dessous: Art contemporain et bande dessinée." Le Débat (2017): 16–24. |
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| Kaur, Guneet. "Community Narrative as a Borderlands Praxis: Anzaldúa’s mestiza consciousness as explored in cortez’s sexile." Journal of Medical Humanities 43. (2022): 319–33. |
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| De, Pinaki. "Post-millennial comics anthologies in India: The long haul to longform." Journal of Graphic Novels and Comics 12. (2021): 1410–22. |
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| Baetens, Jan, Hugo Frey, and Fabrice Leroy, eds. Intermediality in French-Language Comics and Graphic Novels. Lafayette: Univ. of Louisiana at Lafayette Press, 2022. |
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| Kelp-Stebbins, Katherine. How Comics Travel: Publication, translation, radical literacies. Studies in Comics and Cartoons. Columbus: Ohio State Univ. Press, 2022. |
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| Kirkpatrick, Ellen. "The Jeopardy of Genderswap Storytelling: Un/becoming captain nemo." The Break 2022. Accessed 8 Jul. 2022. <https://ellenkirkpatric ... genderswap-storytelling>. |
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| Andrieu de Levis, Jean-Charles, et al. "Collaborer: Ce que le style doit aux collaborations." Style(s) de (la) bande dessinée. Eds. Benoît Berthou and Jacques Dürrenmatt. Perspectives comparatistes. Paris: Classiques Garnier, 2019. 11–52. |
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| Larance, Jeremy. "Alan Moore’s Miracleman: Harbinger of the modern age of comics." Works & Days 32. (2014–15): 117–38. |
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| Gordon, Ian. "Rose O’Neill’s Kewpies and early transmedia practices." Transmedia Practices in the Long Nineteenth Century. Eds. Christina Meyer and Monika Pietrzak-Franger. London, New York: Routledge, 2022. 79–94. |
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| Clevenger, Shelly and Brittany L. Acquaviva. "Hulk Smash! Violence in the incredible hulk comics." Journal of Criminal Justice and Popular Culture 20. 1 2020. Accessed 16 Jul. 2022. <https://static1.squares ... k+Smash+Final+Proof.pdf>. |
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| Hadler, Florian and Daniel Irrgang, "Nonlinearity, Multilinearity, Simultaneity: Notes on epistemological structures," in Proc. Interactive Narratives, New Media & Social Engagement, Toronto, 23—25 Oct, 2014, pp. 70–87. |
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