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| Huyssen, Andreas. "Von Mauschwitz in die Catskills und zurück: Art spiegelmans holocaust-comic »maus«." Bilder des Holocaust. Literatur – Film – Bildende Kunst. Eds. Manuel Köppen and Klaus R. Scherpe. Literatur – Kultur – Geschlecht. Köln, Weimar, Wien: Böhlau, 1997. 171–89. |
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| Banhold, Lars and David Freis. "Von postmodernen Katzen, abwesenden Katzen und Dinosaurier reitenden Banditen: Medienästhetik, distribution und medialer kontext von webcomics." Comics intermedial. Eds. Christian A. Bachmann, Véronique Sina and Lars Banhold. Bochum: Ch.A. Bachmann, 2012. 159–77. |
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| Dolle-Weinkauff, Bernd. "Von zierlichen Zigeunerinnen und Roma-Rambos: Beobachtungen zum zigeunerbild im zeitgenössischen comic." Zigeunerbilder in der Kinder- und Jugendliteratur. Ed. Anita Awosusi. Schriftenreihe des Dokumentations- und Kulturzentrums Deutscher Sinti und Roma. Heidelberg: Wunderhorn, 2000. 97–116. |
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| Guilbert, Xavier. "Vous avez dit «populaire»?." L’état de la bande dessinée. Vive la crise? Ed. Gilles Ciment. Réflexions faites. Bruxelles: Les Impressions Nouvelles, 2008. 99–114. |
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| Kuskin, William. "Vulgar Metaphysicians: William s. burroughs, alan moore, art spiegelman, and the medium of the book." Intermediality and Storytelling. Eds. Marina Grishakova and Marie-Laure Ryan. Narratologia. Berlin u. New York: de Gruyter, 2010. 49–77. |
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| Lambert, Josh. "“Wait for the Next Pictures”: Intertextuality and cliffhanger continuity in early cinema and comic strips." Cinema Journal 48. (2009): 3–25. |
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| Koehn, Elisabeth Johanna. "Waiting for …: Becketts en attendant godot / waiting for godot in cartoon und comicstrip." Klassik als kulturelle Praxis. Funktional, intermedial, transkulturell. Eds. Paula Wojcik, et al. spectrum Literaturwissenschaft / spectrum Literature. Berlin: de Gruyter, 2019. 247–62. |
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| Romaguera, Gabriel. "Waiting for the Next Part: How the temporal dimensions of digital serialisation have changed author-reader dynamics." Networking Knowledge 8. 4 2015. Accessed 13 Aug. 2015. <http://ojs.meccsa.org.u ... ow/article/view/388/217>. |
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| Davis-McElligatt, Joanna C. "Walk Together, Children: The function of interplay of comics, history, and memory in martin luther king and the montgomery story and john lewis’s march: book one." Graphic Novels for Children and Young Adults. A Collection of Critical Essays. Eds. Michelle Ann Abate and Gwen Athene Tarbox. Children’s Literature Association Series. Jackson: Univ. Press of Mississippi, 2017. 298–311. |
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| Okuhara, Rieko. "Walking Along With Nature: A psychological interpretation of my neighbor totoro." The Looking Glass 10. 2 2006. Accessed 30 May. 2011. <http://www.lib.latrobe. ... lg/article/view/104/100>. |
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| Schneider, Greice. "Walking the Dog – David Hughes." The Comics Grid. Journal of Comics Scholarship. Year One. Ed. Ernesto F. Priego Ramirez. London: The Comics Grid Digital First Editions, 2012. 102–04. |
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| Starger, Steve and David J. Spurlock. Wally’s World: The brillant life and tragic death of wally wood, the world’s second best comic book artist. New Jersey: Vanguard, 2006. |
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| Jackson, Kathy Merlock, ed. Walt Disney: Conversations. Conversations with Comic Artists. Jackson: Univ. Press of Mississippi, 2006. |
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| Dorfman, Ariel and Armand Mattelart. Walt Disneys »Dritte Welt«: Massenkommunikation und kolonialismus bei micky maus und donald duck. Basis Theorie. Berlin: Basis, 1977. |
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| Merritt, Russell and J. B. Kaufman. Walt Disney’s Silly Symphonies: A companion to the classic cartoon series. La Cineteca del Friuli, 2006. |
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| Kohn, Ayelet and Rachel Weissbrod. "Waltz with Bashir as a Case of Multidimensional Translation." Translation, Adaptation and Transformation. Ed. Laurence Raw. Continuum Advances in Translation. London, New York: Bloomsbury T&T Clark, 2012. 123–44. |
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| Balzer, Jens. "Wam – Clonk – Chomp – Zow – Bop: On the physics of sound in the comics." Comic Meets Theatre. Eds. Annegret Hahn and Berit Schuck. Berlin: Theater der Zeit, 2006. 124–27. |
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| Balzer, Jens. "Wam – Clonk – Chomp – Zow – Bop: Zur physik des geräuschs in den comics." Comic Meets Theatre. Eds. Annegret Hahn and Berit Schuck. Berlin: Theater der Zeit, 2006. 108–15. |
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| Kirby, Katherine E. "War and Peace, Power and Faith." X-Men and Philosophy. Astonishing Insight and Uncanny Argument in the Mutant X-Verse. Eds. Rebecca Housel and J. Jeremy Wisnewski. Blackwell Philosophy and Pop Culture. Hoboken: Wiley, 2009. 209–22. |
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| Ribbens, Kees. "War comics beyond the battlefield: Anne frank’s transnational representation in sequential art." Comics Worlds and the World of Comics. Towards Scholarship on a Global Scale. Ed. Jaqueline Berndt. Global Manga Studies. Kyoto: International Manga Research Center, Kyoto Seika University, 2010. 219–33. |
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| Yosef, Raz. "War fantasies: Memory, trauma and ethics in ari folman’s waltz with bashir." Journal of Modern Jewish studies 9. (2010): 311–26. |
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| Gabriel, Fernando and Pagnoni Berns. "War, Foreign Policy and the Media: The rucka years." The Ages of Wonder Woman. Essays on the Amazon Princess in Changing Times. Ed. Joseph J. Darowski. Jefferson: McFarland, 2013. 194–204. |
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| Pasanovic, Emir. "War in the Bosnian Graphic Novel." Cultures of War in Graphic Novels. Violence, Trauma, and Memory. Eds. Tatiana Prorokova and Nimrod Tal. New Brunswick: Rutgers Univ. Press, 2018. 58–72. |
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| Knopf, Christina M. "War is Hell: The (super)nature of war in the works of mike mignola." The Mignolaverse. Hellboy and the Comics Art of Mike Mignola. Ed. S. G. Hammond. Edwardsville: Sequart Research & Literacy Organization, 2019. 144–55. |
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| Chambliss, Julian C. "War Machine: Blackness, power and identity in iron man." The Ages of Iron Man. Essays on the Armored Avenger in Changing Times. Ed. Joseph J. Darowski. London, New York: McFarland, 2015. 148–63. |
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| DiPaolo, Marc. War, Politics and Superheroes: Ethics and propaganda in comics and film. Jefferson, London: McFarland, 2011. |
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| Metz, Christian. "Warenästhetik, Liebe und literarische Selbstreflexion in Leanne Shaptons Romanexperiment Bedeutende Objekte." Warenästhetik. Neue Perspektiven auf Konsum, Kultur und Kunst. Eds. Heinz Drügh, Björn Weyand and Christian Metz. Frankfurt am Main: Suhrkamp, 2011. 269–95. |
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| Prescott, Tara. "Warming Up the Strings." Neil Gaiman in the 21st Century. Essays on the Novels, Children’s Stories, Online Writings, Comics and Other Works. Ed. Tara Prescott. Jefferson: McFarland, 2015. 216–31. |
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| Riley, Brendan. "Warren Ellis Is the Future of Superhero Comics: How to write superhero stories that aren’t superhero stories." The Amazing Transforming Superhero! Essays on the Revision of Characters in Comic Books, Film and Television. Jefferson, London: McFarland, 2007. 129–48. |
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| Ecke, Jochen. "Warren Ellis: Performing the transnational author in the american comics mainstream." Transnational Perspectives on Graphic Narratives. Comics at the Crossroads. Eds. Shane Denson, Christina Meyer and Daniel Stein. New York: Bloomsbury, 2013. 163–79. |
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| Holmes, Thomas Alan. "Warren Ellis’ »Shoot« and Media Passivity." International Journal of Comic Art 7. (2005): 370–74. |
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| Meaney, Patrick and Kevin Thurman. Warren Ellis: The captured ghosts interviews. Edwardsville: Sequart Research & Literacy Organization, 2013. |
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| Kukkonen, Karin. "Warren Ellis’s Planetary: The archaeology of superheroes." The Rise and Reason of Comics and Graphic Literature. Critical Essays on the Form. Eds. Joyce Goggin and Dan A. Hassler-Forest. Jefferson, London: McFarland, 2010. 154–63. |
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| Gwynne, Joel. "Warrior of Love: Japanese girlhood’s postfeminist asian body in cutie honey (hideaki anno, 2004)." International Cinema and the Girl. Local Issues, Transnational Contexts. Eds. Fiona Handyside and Kate Taylor-Jones. Global Cinema. New York [etc.]: Palgrave Macmillan, 2016. 49–60. |
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| Manning, Scott. "Warriors “Hedgehogged” in Arrows: Crusaders, samurai, and wolverine in medieval chronicles and popular culture." The Year’s Work in Medievalism 33 2018. Accessed 7 Jun. 2020. <https://drive.google.co ... -nhd2qoUrCiyle7ddFGSq5s>. |
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| Pratt, Hugo. Warten auf Corto. trans. Peter Pohl. Texte zur Graphischen Literatur. Barmstedt: Edition Alfons, 2019. |
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| Spanjers, Rik. "Wartime Weddings: Realism and war representation in shigeru mizuki’s onwards towards our noble deaths." Image [&] Narrative 17. 4 2016. Accessed 31 Mar. 2017. <http://www.imageandnarr ... ative/article/view/1333>. |
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| Stein, Daniel. "Was ist ein Comic-Autor? Autorinszenierung in autobiografischen comics und selbstporträts." Comics. Zur Theorie und Geschichte eines populärkulturellen Mediums. Eds. Stephan Ditschke, Katerina Kroucheva and Daniel Stein. Bielefeld: Transcript, 2009. 201–37. |
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| Dolle-Weinkauff, Bernd. "Was ist ein »Geschichtscomic«? Über historisches erzählen in comic, manga und graphic novel." Comparativ 24. (2014): 29–46. |
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| Ammerer, Heinrich and Markus Oppolzer, eds. Was kann der Comic für den Unterricht leisten? Fachdidaktische perspektiven auf ein subversives erzählmedium. Salzburger Beiträge zur Lehrer/innen/bildung: Der Dialog der Fachdidaktiken mit Fach- und Bildungswissenschaften. Münster: Waxmann, 2022. |
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