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van de Kerckhove, Marcel. "Tintin en voyage: Une vision «belge» des mondes exotiques?." Tintin, Hergé et la «Belgité». Ed. Anna Soncini Fratta. BelŒil. Bologna: CLUEB, 1994. 25–38. |
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Lackner, Michael. Kungfu, Drachen, Abenteuer: China und die chinesen im spiegel des europäischen comics. Berlin: Ch.A. Bachmann, 2020. |
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Lefèvre, Pascal. "The shifting representation of Japan in Belgian comics, in fifteen years after WWII (1945–1960)." Mutual Images 1 2016. Accessed 12 Feb. 2018. <http://www.mutualimages ... e/view/Pascal%20Lefèvre>. |
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Lefèvre, Pascal. "The Congo Drawn in Belgium." History and Politics in French-Language Comics and Graphic Novels. Ed. Mark McKinney. Jackson: Univ. Press of Mississippi, 2008. 166–85. |
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Miller, Ann. "The Astonishing Return of Blake and Mortimer: Francophone fantasies of britain as imperial power and retrospective rewritings." Technologies of Memory in the Arts. Eds. Liedeke Plate and Anneke Smelik. New York [etc.]: Palgrave Macmillan, 2009. 74–85. |
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Moyle, Lachlan R. "Drawing Conclusions: An imagological survey of britain and the british and germany and the germans in german and british cartoons and caricatures, 1945–2000." Diss. Dr. Universität Osnabrück, 2005. |
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Mückler, Hermann. "Die Darstellung der Südsee in Comics – Eine skizzenhafte Annäherung anhand dreier Beispiele." Mitteilungen der Anthropologischen Gesellschaft in Wien 141. (2011): 219–46. |
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Riach, Alan. Representing Scotland in Literature, Popular Culture and Iconography: The masks of the modern nation. New York [etc.]: Palgrave Macmillan, 2005. |
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