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Displaying 1 - 83 of 83 (Bibliography: WIKINDX Master Bibliography)
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Keyword:  Anthropomorphismus
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Alaniz, José: "“We Are All Scream!”. Woodgod and the “Animal Superhero”." In: Superheroes and Critical Animal Studies. The Heroic Beasts of Total Liberation. Hrsg. v. Sean Parson und J. L. Schatz. Lexington, 2018, S. 33–48.  
Last edited by: joachim 22 Aug 2018 16:57:55 Europe/Berlin Pop. 0%
Andrae, Thomas: Carl Barks and the Disney Comic Book. Unmasking the Myth of Modernity. (Great Comics Artists.) Jackson: Univ. Press of Mississippi, 2006. (306 S.)  
Last edited by: joachim 21 Feb 2016 14:41:33 Europe/Berlin Pop. 0%
De Angelis, Richard: "Of Mice and Vermin. Animals as Absent Referent in Art Spiegelman’s Maus." In: International Journal of Comic Art 7.1 (2005), S. 230–249.  
Last edited by: joachim 01 Oct 2011 12:03:48 Europe/Berlin Pop. 0%
Baker, Steve: Picturing the Beast. Animals, Identity, and Representation. 2. Aufl. Urbana, Chicago: Univ. of Illinois Press, 2001. (242 S.)  
Added by: joachim 19 May 2012 11:38:07 Europe/Berlin Pop. 0%
Bradley, Noelle P. "Masks That Reveal. Social Inequality in J.-J. Grandville’s Les Métamorphoses du Jour (1828–1829)." In: International Journal of Comic Art 8.1 (2006), S. 1–16.  
Last edited by: joachim 02 May 2013 17:21:44 Europe/Berlin Pop. 0%
Brown, Joshua: "Of Mice and Memory." In: Oral History Review 16.1 (1988), S. 91–109.  
Added by: joachim 10 Sep 2009 10:09:08 Europe/Berlin Pop. 0%
Brown, Lisa: "The Speaking Animal. Nonhuman Voices in Comics." In: Speaking for Animals. Hrsg. v. Margo DeMello. (Routledge Advances in Sociology, 80.) Jefferson, London: McFarland, 2013, S. 73–77.  
Last edited by: joachim 02 Jun 2017 09:59:59 Europe/Berlin Pop. 0%
Canemaker, John: Felix. The Twisted Tale of the World’s Most Famous Cat. New York: Pantheon, 1991. (178 S.)  
Last edited by: joachim 09 Nov 2015 22:03:38 Europe/Berlin Pop. 0%
Chaney, Michael A. "Animal Subjects of the Graphic Novel." In: College Literature 38.3 (2011), S. 129–149.  
Added by: joachim 07 Oct 2011 14:51:11 Europe/Berlin Pop. 0%
---: "Animal Subjects of the Graphic Novel." In: Drawing from Life. Memory and Subjectivity in Comic Art. Hrsg. v. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013, S. 44–66.  
Added by: joachim 28 Jul 2014 09:44:40 Europe/Berlin Pop. 0%
Cheilan, Liliane: "Fantomate ou comment parle le chien d’un (Petit) Vampire." In: Belphégor 6.1 (2006), (14. Febr. 2013)  
Last edited by: Deleted user 06 Jan 2015 09:47:40 Europe/Berlin Pop. 0%
Chute, Hillary: "Literal Forms. Narrative Structures in Maus." In: Indy Magazine Winter (2005), (4. Apr. 2008)  
Last edited by: joachim 12 Jan 2013 11:43:40 Europe/Berlin Pop. 0%
---: "“The Shadow of a Past Time”. History and Graphic Representation in Maus." In: Twentieth Century Literature 52 (2006), S. 199–230.  
Last edited by: joachim 20 Jan 2013 20:26:40 Europe/Berlin Pop. 0%
Cointot, Chantal: "Approximate Author-ity. Self-Crafting “Le Bec” and Other Trondheimian Masks." In: Image [&] Narrative 19.3 (2018), S. 16–33, (21. Febr. 2019)  
Added by: joachim 21 Feb 2019 19:44:09 Europe/Berlin Pop. 0%
Crisóstomo Gálvez, Raquel: Maus d’Art Spiegelman. Una dissociació de rols a través de la genealogia semiòtica de gats i ratolins a la literatura, la novel•la gràfica i la cultura visual.(Tesi Doctoral), Universitat Pompeu Fabra, Departament d’Humanitats 2011 (350 S.).  
Last edited by: joachim 27 Mar 2014 01:00:20 Europe/Berlin Pop. 0%
Darilek, Marion: "Gezeichnete Tiere. Transfers und Transformationen von Erzählmustern und Wissensbeständen aus Tierepos und Fabel in Benjamin Renners Fuchs-Comic Le Grand Méchant Renard." In: Literaturwissenschaftliches Jahrbuch 59 (2018), S. 257–288.  
Added by: joachim 05 Mar 2019 16:42:53 Europe/Berlin Pop. 0%
Denoyelle, Corinne: "Le Roman de Renart en bandes dessinées. Des ambiguïtés de l’anthropomorphisme animalier." In: Le Moyen Âge en bulles. Hrsg. v. Aurélie Reusser-Elzingre und Alain Corbellari. Gollion: Infolio, 2014, S. 165–180.  
Added by: joachim 05 Mar 2019 16:53:56 Europe/Berlin Pop. 0%
Doherty, Thomas: "Art Spiegelman’s Maus. Graphic Art and the Holocaust." In: American Literature 68 (1996), S. 69–84.  
Last edited by: joachim 02 Jul 2011 16:28:17 Europe/Berlin Pop. 0%
Ewert, Jeanne C. "Reading Visual Narrative. Art Spiegelman's Maus." In: Narrative 8 (2000), S. 87–103.  
Last edited by: joachim 04 Nov 2009 01:42:10 Europe/Berlin Pop. 0%
Frahm, Ole: Figurale Darstellung im Comic, untersucht am Beispiel von Art Spiegelmans ›Maus‹. M.A. (Magisterarbeit), Universität Hamburg 1997 (154 S.).  
Added by: joachim 21 Dec 2010 15:53:14 Europe/Berlin Pop. 0%
---: Genealogie des Holocaust. Art Spiegelmans MAUS – A Survivor’s Tale. München: Fink, 2006. (301 S.)  
Last edited by: joachim 20 Jan 2013 22:14:38 Europe/Berlin Pop. 0%
---: "Im Schatten der Vergangenheit. Tiermetaphern als Darstellungsmittel des Holocaust und ihre Dekonstruktion in Art Spiegelmans MAUS." In: Die Zoologie der Träume. Studien zum Tiermotiv in der Literatur der Moderne. Hrsg. v. Dorothee Römhild. Opladen: Westdeutscher Verl. 1999, S. 222–244.  
Last edited by: joachim 19 Aug 2009 10:20:34 Europe/Berlin Pop. 0%
---: Lebendige Masken. Die Darstellung rassifizierter Identitäten in Art Spiegelmans Comic MAUS.(Magisterarbeit), Universität Hamburg 1997 (154 S.).  
Last edited by: joachim 13 Jun 2014 16:40:45 Europe/Berlin Pop. 0%
Furlong, Robert und Christophe Cassiau-Haurie: "Comic Books, Politics, and Manipulation. The Case of Repiblik Zanimo, the First Comic Strip and Book in Creole." In: International Journal of Comic Art 12.2–3 (2010), S. 150–158.  
Added by: joachim 12 Jun 2011 01:59:38 Europe/Berlin Pop. 0%
Gibson, Mel: "“Badgers? We don’t need no steenkin’ badgers!”. Talbot’s Grandville, Anthropomorphism and Multiculturalism." In: Representing Multiculturalism in Comics and Graphic Novels. Hrsg. v. Carolene Ayaka und Ian Hague. (Routledge Research in Cultural and Media Studies, 68.) London, New York: Routledge, 2014, S. 83–95.  
Last edited by: joachim 01 Sep 2016 16:37:05 Europe/Berlin Pop. 0%
Gould, Stephen Jay: "A Biological Homage to Mickey Mouse." In: The Panda's Thumb. More Reflections in Natural History. 1992.  
Last edited by: joachim 28 Feb 2010 18:44:39 Europe/Berlin Pop. 0%
---: "[Mickey Mouse]." In: Der Daumen des Panda. Betrachtungen zur Naturgeschichte. Basel: Birkhäuser, 1987.  
Last edited by: joachim 28 Feb 2010 18:46:44 Europe/Berlin Pop. 0%
---: "Mickey Mouse Meets Konrad Lorenz." In: Natural History 88.5 (1979), S. 30–36.  
Last edited by: joachim 28 Feb 2010 18:43:32 Europe/Berlin Pop. 0%
Groensteen, Thierry: Animaux en cases. Une histoire critique de la bande dessinée animalière. Paris: Futuropolis, 1987. (223 S.)  
Last edited by: joachim 22 Sep 2016 23:39:43 Europe/Berlin Pop. 0%
Hatfield, Charles: "The Presence of the Artist. Kim Deitch’s Boulevard of Broken Dreams vis-a-vis the Animated Cartoon." In: ImageTexT 1.1 (2004), (20. Okt. 2009)  
Added by: joachim 20 Oct 2009 17:47:34 Europe/Berlin Pop. 0%
Herman, David: "Storyworld/Umwelt. Nonhuman Experiences in Graphic Narratives." In: SubStance 40.1 (2011), S. 156–181.  
Added by: joachim 25 Jan 2013 21:03:16 Europe/Berlin Pop. 0%
---: "Toward a Zoonarratology. Storytelling and Species Difference in Animal Comics." In: Narrative, Interrupted. The Plotless, the Disturbing and the Trivial in Literature. Hrsg. v. Markku Lehtimäki, Laura Karttunen und Maria Mäkelä. Berlin u. Boston: de Gruyter, 2012, S. 93–119.  
Added by: joachim 05 Jan 2014 14:59:37 Europe/Berlin Pop. 0%
Holzapfel, Hartmut: "Die Ente ist Mensch geworden. Anatiden und andere Humanoiden im Barks’schen Universum." In: Hasenfuß und Löwenherz. Tiere und Tierwesen in der phantastischen Kinder- und Jugendliteratur. Hrsg. v. Maren Bonacker. (Schriftenreihe und Materialien der Phantastischen Bibliothek Wetzlar, 99.) Wetzlar: Phantastische Bibliothek Wetzlar, 2011, S. 183–214.  
Last edited by: joachim 08 Oct 2012 15:42:02 Europe/Berlin Pop. 0%
Horsman, Yasco: "Of Flipbooks and Funny Animals. Chris Ware’s Quimby the Mouse." In: Compact Cinematics. The Moving Image in the Age of Bit-Sized Media. Hrsg. v. Pepita Hesselberth und Maria Poulaki. New York: Bloomsbury, 2017, S. 153–165.  
Last edited by: joachim 20 Mar 2017 18:25:56 Europe/Berlin Pop. 0%
Hutcheon, Linda: "Literature Meets History. Counter-Discoursive “Comix”." In: Anglia 117 (1999), S. 4–14.  
Last edited by: joachim 21 Oct 2011 14:36:30 Europe/Berlin Pop. 0%
Huyssen, Andreas: "Von Mauschwitz in die Catskills und zurück. Art Spiegelmans Holocaust-Comic »Maus«." In: Bilder des Holocaust. Literatur – Film – Bildende Kunst. Hrsg. v. Manuel Köppen und Klaus R. Scherpe. (Literatur – Kultur – Geschlecht, 10.) Köln, Weimar, Wien: Böhlau, 1997, S. 171–189.  
Last edited by: joachim 02 Jul 2011 16:42:01 Europe/Berlin Pop. 0%
Kaplan, Arie: From Krakow to Krypton. Jews and Comic Books. Philadelphia: The Jewish Publication Society, 2008. (225 S.)  
Last edited by: joachim 02 Jun 2013 20:09:43 Europe/Berlin Pop. 0%
Kaufmann, Daniela: Der intellektuelle Witz im Comic. George Herrimans Krazy Kat. (Reihe Habilitationen, Dissertationen und Diplomarbeiten, 20.) Graz: Grazer Universitätsverlag, 2008. (138 S.)  
Last edited by: joachim 06 Jan 2013 00:10:04 Europe/Berlin Pop. 0%
---: "Tierische Tatsachen. Zur Verschränkung von Schicksal und Charakter im Tiercomic." In: Der dokumentarische Comic. Reportage und Biografie. Hrsg. v. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2013, S. 275–300.  
Added by: joachim 07 Mar 2014 10:57:35 Europe/Berlin Pop. 0%
Keen, Suzanne: "Fast Tracks to Narrative Empathy. Anthropomorphism and Dehumanization in Graphic Narratives." In: SubStance 40.1 (2011), S. 135–155.  
Last edited by: joachim 15 Jul 2019 01:17:12 Europe/Berlin Pop. 0%
Kolář, Stanislav: "Animal Imagery in Kosinski’s The Painted Bird and Spiegelman’s Maus." In: Theory and Practice in English Studies 2 (2004), (14. Aug. 2013)  
Added by: joachim 14 Aug 2013 10:39:35 Europe/Berlin Pop. 0%
Kunkel, Alexander: Heinrich Kley (1863–1945). Leben und Werk. Weimar: VDG, 2010. (448 S.)  
Last edited by: joachim 05 Dec 2011 01:56:20 Europe/Berlin Pop. 0%
Lamarre, Thomas: "Speciesism, Part I. Translating Races into Animals in Wartime Animation." In: Mechademia 3 (2008), S. 75–95.  
Added by: joachim 05 Jan 2012 17:17:23 Europe/Berlin Pop. 0%
---: "Speciesism, Part II. Tezuka Osamu and the Multispecies Ideal." In: Mechademia 5 (2010), S. 51–85.  
Added by: joachim 18 Feb 2011 19:44:42 Europe/Berlin Pop. 0%
---: "Speciesism, Part III. Neoteny and the Politics of Life." In: Mechademia 6 (2011), S. 110–136.  
Added by: joachim 05 Jan 2012 14:31:26 Europe/Berlin Pop. 0%
Lawrence, Elizabeth A. "In the Mick of Time. Reflections on Disney’s Ageless Mouse." In: Journal of Popular Culture 20.2 (1986), S. 65–72.  
Last edited by: joachim 02 Jun 2017 10:05:56 Europe/Berlin Pop. 0%
Levi, Antonia: "The Werewolf in the Crested Kimono. The Wolf-Human Dynamic in Anime and Manga." In: Mechademia 1 (2006), S. 145–160.  
Last edited by: joachim 27 Jul 2010 00:14:52 Europe/Berlin Pop. 0%
Matloob Haghanikar, Taraneh: "The Character in the Mask. An Analysis of Mask in Art Spiegelman’s Maus." In: Good Grief! Children and Comics. Hrsg. v. Michelle Abate und Joe Sutliff Sanders. Columbus: Ohio State University Libraries, 2016, S. 121–144.  
Added by: joachim 14 Sep 2016 16:49:03 Europe/Berlin Pop. 0%
Meier, Albert: "Walt Disneys animierte Bären." In: Motive des Films. Ein kasuistischer Fischzug. Hrsg. v. Christine N. Brinckmann, Britta Hartmann und Ludger Kaczmarek. Marburg: Schüren, 2012, S. 116–119.  
Added by: joachim 21 Feb 2013 18:37:25 Europe/Berlin Pop. 0%
Montealegre Iturra, Jorge: "Chile’s Pepo, Much More Than a Condorito." In: Cartooning in Latin America. Hrsg. v. John A. Lent. Cresskill: Hampton, 2005, S. 171–174.  
Added by: joachim 19 Aug 2009 10:19:15 Europe/Berlin Pop. 0%
Näpel, Oliver: Auschwitz im Comic. Die Abbildung unvorstellbarer Zeitgeschichte. (Zeitgeschichte – Zeitverständnis, 4.) Berlin [etc.]: LIT, 1998. (109 S.)  
Last edited by: joachim 07 Jun 2013 00:27:03 Europe/Berlin Pop. 0%
Nayak-Guercio, Aparna: "The project of Liberation and the projection of national identity; France, literature and politics, 1944–1945." In: Contemporary French and Francophone Studies 10 (2006), S. 195–204.  
Added by: joachim 20 Aug 2009 13:39:17 Europe/Berlin Pop. 0%
Nayar, Pramod K. "The Postcolonial Gothic. Munnu, Graphic Narrative and the Terrors of the Nation." In: Rupkatha Journal 8.1 (2016), S. 2–12.  
Last edited by: joachim 22 Mar 2017 12:23:03 Europe/Berlin Pop. 0%
Orzechowski, Simone: "Milou, Idéfix et Rantanplan. Les acolytes canins des personnages emblématiques de la bande dessinée francophone." In: Mensch-Tier-Beziehungen in den frankophonen Kulturen, Literaturen und Medien. Les relations entre homme et animal dans les cultures, littératures, et médias francophones. Hrsg. v. Doris G. Eibl und Christoph Vatter. (Saarbrücker Beiträge zur Vergleichenden Literatur- und Kulturwissenschaft, 85.) Würzburg: Königshausen & Neumann, 2017.  
Added by: joachim 21 Aug 2017 22:40:48 Europe/Berlin Pop. 0%
Pandel, Hans-Jürgen: "Mauschwitz." In: Geschichte lernen 37 (1994), S. 61–65.  
Added by: joachim 15 Nov 2011 01:23:22 Europe/Berlin Pop. 0%
Parson, Sean: "Ain’t No Thing Like Me, Except Me. Rocket Raccoon, Cyborg Queerness, and Toxic-Masculinity." In: Superheroes and Critical Animal Studies. The Heroic Beasts of Total Liberation. Hrsg. v. Sean Parson und J. L. Schatz. Lexington, 2018, S. 151–168.  
Last edited by: joachim 22 Aug 2018 17:38:17 Europe/Berlin Pop. 0%
Pietzcker, Frank: Symbol und Wirklichkeit im Werk Wilhelm Buschs. Die versteckten Aussagen seiner Bildergeschichten. (Europäische Hochschulschriften, Reihe 1: Deutsche Sprache und Literatur, 1832.) Frankfurt am Main [etc.]: Peter Lang, 2002. (174 S.)  
Last edited by: joachim 24 Sep 2009 23:13:00 Europe/Berlin Pop. 0%
Pigot, Pierre: "Dans l’enfer du dessin animé." In: L’assassinat de Mickey Mouse. Trois essais en disneylogie. (Travaux pratiques.) Paris: Presses Univ. de France, 2011, S. 71–123.  
Added by: joachim 26 Jul 2012 11:44:26 Europe/Berlin Pop. 0%
---: "Univers palmipède." In: L’assassinat de Mickey Mouse. Trois essais en disneylogie. (Travaux pratiques.) Paris: Presses Univ. de France, 2011, S. 125–179.  
Added by: joachim 26 Jul 2012 11:33:48 Europe/Berlin Pop. 0%
Platthaus, Andreas: "Comics nach Auschwitz. Art Spiegelman und ›Maus‹." In: Im Comic vereint. Eine Geschichte der Bildgeschichte. Berlin: Fest, 1998, S. 269–294.  
Added by: joachim 28 Jul 2010 17:44:32 Europe/Berlin Pop. 0%
---: "Entenhausener Dramaturgie. Wie uns Comics illusionieren." In: Comics, Mangas, Graphic Novels. Hrsg. v. Heinz Ludwig Arnold und Andreas C. Knigge. (Text + Kritik Sonderband.) München: edition text + kritik, 2009, S. 57–73.  
Last edited by: joachim 23 Mar 2016 16:10:21 Europe/Berlin Pop. 0%
Quesenberry, Krista: "Intersectional and non-human self-representation in women’s autobiographical comics." In: Journal of Graphic Novels and Comics 8.5 (2017), S. 417–432.  
Last edited by: joachim 07 Sep 2017 11:28:51 Europe/Berlin Pop. 0%
Ribière, Mireille: "Maus. A Survivor’s Tale by Art Spiegelman. A second-hand narrative in comic-book form." In: Time, Narrative & the Fixed Image. Temps, narration & image fixe. Hrsg. v. Mireille Ribière und Jan Baetens. (Faux Titre, 208.) Amsterdam [etc.]: Rodopi, 2001, S. 131–143.  
Last edited by: joachim 15 Oct 2011 19:36:03 Europe/Berlin Pop. 0%
Richter, Gerhard: "Holocaust und Katzenjammer. Lektüreprotokolle zu Art Spiegelmans Comic Maus." In: Kulturelle Repräsentationen des Holocaust in Deutschland und den Vereinigten Staaten. Hrsg. v. Klaus L. Berghahn, Jürgen Fohrmann und Helmut J. Schneider. (German Life and Civilization, 38.) New York [etc.]: Peter Lang, 2002, S. 111–145.  
Last edited by: joachim 11 Apr 2011 20:08:19 Europe/Berlin Pop. 0%
---: "Holocaust und Katzenjammer. Lektüreprotokolle zu Art Spiegelmans Comic »Maus«." In: Ästhetik des Ereignisses. Sprache – Geschichte – Medium. München: Fink, 2005, S. 23–47.  
Added by: joachim 14 Nov 2010 11:07:48 Europe/Berlin Pop. 0%
Rittelmeyer, Christian: Was sollen Kinder lesen. Kriterien, Beispiele, Empfehlungen. Stuttgart [etc.]: Kohlhammer, 2009. (195 S.)  
Added by: joachim 30 Dec 2009 08:04:46 Europe/Berlin Pop. 0%
Rosen, Alan C. "The Language of Survival. English as Metaphor in Spiegelman's Maus." In: Prooftexts 15 (1995), S. 249–262.  
Last edited by: joachim 30 Aug 2009 18:53:12 Europe/Berlin Pop. 0%
Rosenberg, Pnina: "Mickey Mouse in Gurs – Humour, Irony and Criticism in Works of Art Produced in the Gurs Internment Camp." In: Rethinking History 6 (2002), S. 273–292.  
Last edited by: joachim 21 Oct 2011 14:24:01 Europe/Berlin Pop. 0%
Rothberg, Michael P. "“We Were Talking Jewish”. Art Spiegelman's Maus as “Holocaust” Production." In: Contemporary Literature 35 (1994), S. 661–687.  
Last edited by: joachim 20 Oct 2009 17:32:07 Europe/Berlin Pop. 0%
---: "“We Were Talking Jewish”. Art Spiegelman’s Maus as “Holocaust” Production." In: Considering Maus. Approaches to Art Spiegelman’s “Survivor's tale” of the Holocaust. Hrsg. v. Deborah R. Geis. Tuscaloosa: Univ. of Alabama Press, 2003, S. 137–158.  
Last edited by: joachim 02 Oct 2011 17:44:30 Europe/Berlin Pop. 0%
Santa, Angels: "A la recherche de l’enfant. L’adaptation des Trois Mousquetaires en bande dessinée." In: De l’écrit à l’écran. Littératures populaires : mutations génériques, mutations médiatiques. Hrsg. v. Jacques Migozzi. Limoges: Presses Univ. de Limoges, 2000, S. 513–522.  
Added by: joachim 13 Jul 2011 09:58:36 Europe/Berlin Pop. 0%
Schmitt, Christoph: "»Voß un Haas« zwischen den Fronten. Abenteuerliche Zeitreise serieller Zeichenfiguren eines mecklenburgischen Volkskalenders." In: Homo narrans. Studien zur populären Erzählkultur. Festschrift für Siegfried Neumann zum 65. Geburtstag. Hrsg. v. Christoph Schmitt. (Rostocker Beiträge zur Volkskunde und Kulturgeschichte, 1.) Münster: Waxmann, 1999, S. 303–324.  
Added by: joachim 19 Oct 2009 22:22:01 Europe/Berlin Pop. 0%
Schwarz, Kai-Steffen: "Zur Rezeption von Art Spiegelmans MAUS in den deutschen Medien. Grenze der Strips oder Jahrhundertwerk?" In: Comics Anno 3 (1995), S. 241–249.  
Last edited by: joachim 29 Jul 2013 15:38:39 Europe/Berlin Pop. 0%
Selby, Andrew et al. "Chris Ware. The Smartest Kid on Earth." In: International Journal of the Book 5.3 (2008), S. 15–24.  
Added by: joachim 02 Oct 2009 20:50:11 Europe/Berlin Pop. 0%
Staub, Michael E. "The Shoah Goes On and On. Remembrance and Representation in Art Spiegelman’s Maus." In: Melus 20.3 (1995), S. 32–46.  
Last edited by: joachim 10 May 2019 12:25:08 Europe/Berlin Pop. 0%
Stein, Daniel: "Zu den Potenzialen einer kulturwissenschaftlichen grafischen Literaturwissenschaft. Ein Analysevorschlag am Beispiel von Jeremy Loves Graphic Novel Bayou." In: Closure 3 (2016), S. 4–22, (29. Dez. 2016)  
Last edited by: joachim 08 Dec 2017 18:40:42 Europe/Berlin Pop. 0%
Taubert, Janin: Lachen über[M]Auschwitz? Formen und Funktionen des Komischen in Art Spiegelmans Comix ›Maus. Die Geschichte eines Überlebenden‹. München: Grin, 2009. (72 S.)  
Added by: joachim 02 Nov 2011 14:25:44 Europe/Berlin Pop. 0%
in ‘t Veld, Laurike: The Representation of Genocide in Graphic Novels. Considering the Role of Kitsch. (Palgrave Studies in Comics and Graphic Novels.) New York [etc.]: Palgrave Macmillan, 2019. (230 S.)  
Last edited by: joachim 11 Feb 2019 00:45:49 Europe/Berlin Pop. 0%
Widiss, Benjamin: "Autobiography with Two Heads. Quimby the Mouse." In: The Comics of Chris Ware. Drawing is a Way of Thinking. Hrsg. v. David M. Ball und Martha B. Kuhlman. Jackson: Univ. Press of Mississippi, 2010, S. 159–173.  
Last edited by: joachim 29 Jul 2014 14:59:13 Europe/Berlin Pop. 0%
Willmott, Glenn: "Cat People." In: Modernism/Modernity 17.4 (2010), S. 839–856.  
Added by: joachim 04 Sep 2013 18:24:55 Europe/Berlin Pop. 0%
Witek, Joseph: Comic Books as History. The Narrative Art of Jack Jackson, Art Spiegelman, and Harvey Pekar. (Studies in popular culture.) Jackson: Univ. Press of Mississippi, 1989.  
Added by: joachim 09 Jun 2013 09:50:50 Europe/Berlin Pop. 0%
---: "Imagetext, or, Why Art Spiegelman Doesn't Draw Comics." In: ImageTexT 1.1 (2004), (28. Juli 2009)  
Last edited by: joachim 28 Jul 2009 10:15:40 Europe/Berlin Pop. 0%
Wolk, Douglas: "Charles Burns and Art Spiegelman. Draw Yourself Raw." In: Reading Comics. How Graphic Novels Work and What They Mean. Cambridge: Da Capo Press, 2007, S. 336–346.  
Added by: joachim 08 May 2013 15:18:56 Europe/Berlin Pop. 0%
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