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Keller, James R. V For Vendetta As Cultural Pastiche: A critical study of the graphic novel and film. Jefferson, London: McFarland, 2008. Added by: joachim (20/07/2009, 01:34) Last edited by: joachim (06/04/2014, 10:01) |
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| Resource type: Book Language: en: English ID no. (ISBN etc.): 0786434678 BibTeX citation key: Keller2008 Email resource to friend View all bibliographic details  |
Categories: General Keywords: "V for Vendetta", Adaptation, Film adaptation, Lloyd. David, Moore. Alan, United Kingdom Creators: Keller Publisher: McFarland (Jefferson, London) |
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The 2005 James McTeigue and Wachowski Brothers film V for Vendetta represents a postmodern pastiche, a collection of fragments pasted together from the original Moore and Lloyd graphic novel of the same name, along with numerous allusions to literature, history, cinema, music, art, politics, and medicine. Paralleling the graphic novel, the film simultaneously reflects a range of authorial contributions and influences. This work examines in detail the intersecting texts of V for Vendetta. Subjects include the alternative dimensions of the cinematic narrative, represented in the film's conspicuous placement of the painting The Lady of Shalott in V’s home; the film’s overt allusions to the AIDS panic of the 1980s; and the ways in which antecedent narratives such as Terry Gilliam’s Brazil, Huxley’s Brave New World, and Bradbury’s Fahrenheit 451 represent shadow texts frequently crossing through the overall V for Vendettanarrative.
Table of Contents Introduction: Shadow Texts, Superstrings, and Parallel Universes 1 1. Tyranny and the Powder Treason 17 Bibliography 229 Added by: joachim Last edited by: joachim |