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Bliss, Jennifer Anderson. "Redrawing History: Visual Postmemory in Tardi’s 120, rue de la Gare." Mosaic 49. (2016): 73–92. Added by: joachim (8/26/16, 3:43 PM) Last edited by: joachim (9/10/17, 4:40 PM) |
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| Resource type: Journal Article Language: en: English Peer reviewed DOI: 10.1353/mos.2016.0004 BibTeX citation key: Bliss2016 Email resource to friend View all bibliographic details  |
Categories: General Keywords: "120 rue de la Gare", Adaptation, France, Identity, Literature, Malet. Léo, Tardi. Jacques, War Creators: Bliss Collection: Mosaic |
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| Attachments | URLs https://www.jstor.org/stable/44030497 |
| Abstract |
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This essay explores ways in which Tardi’s adaptation marks the otherwise apolitical narrative with historical indicators. Through the comics medium and the prolific use of shifting signifiers and monikers, the text grapples with the uneasy notion of a national identity threatened by Nazi occupation and the legacy of WWII.
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