| Abbott, Stacey. "It (Re-)Started with a Girl: The creative interplay between tv and comics in angel: after the fall." The Literary Angel. Essays on Influences and Traditions Reflected in the Joss Whedon Series. Eds. AmiJo Comeford and Tamy Burnett. Jefferson, London: McFarland, 2010. 221–32. |
 
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| Abraham, Yamila. "Boys’ Love Thrives in Conservative Indonesia." Boys’ Love Manga. Essays on the Sexual Ambiguity and Cross-Cultural Fandom of the Genre. Eds. Antonia Levi, Mark McHarry and Dru Pagliassotti. Jefferson, London: McFarland, 2010. 44–55. |
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| Ackermann, Kira. Der Antiheld in Westerncomics der franko-belgischen Schule. München: AVM, 2010. |
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| Adams, Sam. "Charles Burns." A.V. Club 2010. Accessed 12 May. 2013. <http://www.avclub.com/a ... es/charles-burns,47913/>. |
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| Ahmed, Meena. "Exploring the Dimensions of Political Cartoons: A case study of pakistan." International Journal of Comic Art 12. (2010): 525–42. |
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| Added by: joachim 19/06/2011, 16:29 |
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| Ahmed, Maaheen. "Fallen Angels and Shattered Skies: Rejected conventions in yslaire’s could 99 (xxe ciel)." International Journal of Comic Art 12. (2010): 103–23. |
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| Ahrens, Jörn. "The Father’s Art of Crime: Igort’s 5 is the perfect number." International Journal of Comic Art 12. (2010): 192–208. |
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| Added by: joachim 12/06/2011, 09:54 |
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| Ahrens, Jörn. "The Ordinary Urban: 100 bullets and the clichés of mass culture." Comics and the City. Urban Space in Print, Picture and Sequence. Eds. Jörn Ahrens and Arno Meteling. London, New York: Continuum, 2010. 214–28. |
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| Added by: joachim 25/03/2010, 00:39 |
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| Ahrens, Jörn and Arno Meteling, eds. Comics and the City: Urban space in print, picture and sequence. London, New York: Continuum, 2010. |
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| Aiken, Katherine. "Superhero History: Using comic books to teach u.s. history." OAH Magazine of History 24. (2010): 41–47. |
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| Last edited by: joachim 27/04/2010, 07:52 |
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| Akatsuka, Neal K. "Uttering the Absurd, Revaluing the Abject: Femininity and the disavowal of homosexuality in transnational boys’ love manga." Boys’ Love Manga. Essays on the Sexual Ambiguity and Cross-Cultural Fandom of the Genre. Eds. Antonia Levi, Mark McHarry and Dru Pagliassotti. Jefferson, London: McFarland, 2010. 159–76. |
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| Alaniz, José. Komiks: Comic art in russia. Jackson: Univ. Press of Mississippi, 2010. |
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| Last edited by: joachim 28/07/2014, 17:10 |
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| Aldama, Frederick Luis, ed. Multicultural Comics: From zap to blue beetle. Cognitive Approaches to Literature and Culture. Austin: Univ. of Texas Press, 2010. |
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| Last edited by: joachim 08/12/2012, 17:52 |
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| Aldama, Frederick Luis. "Multicultural Comics Today: A brief introduction." Multicultural Comics. From Zap to Blue Beetle. Ed. Frederick Luis Aldama. Austin: Univ. of Texas Press, 2010. 1–25. |
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| Added by: joachim 12/12/2012, 15:26 |
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| Aldama, Frederick Luis. "Characters in Comic Books." Characters in Fictional Worlds. Understanding Imaginary Beings in Literature, Film, and Other Media. Eds. Ralf Schneider, Fotis Jannidis and Jens Eder. Revisionen. Berlin: de Gruyter, 2010. 318–28. |
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| Amash, Jim. Carmine Infantino: Penciler publisher provocateur. Raleigh: TwoMorrows, 2010. |
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| Andelman, Bob. "“A Great Bamboozler”: Howard chaykin on will eisner." The Best American Comics Criticism. Ed. Ben Schwartz. Seattle: Fantagraphics, 2010. 104–13. |
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| Andrae, Thomas. "Funnyman, Jewish Masculinity, and the Decline of the Superhero." Siegel and Shusters Funnyman. The First Jewish Superhero, from the Creators of Superman. Eds. Thomas Andrae and Mel Gordon. Port Townsend: Feral House, 2010. 49–85. |
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| Andrae, Thomas. "The Jewish Superhero." Siegel and Shusters Funnyman. The First Jewish Superhero, from the Creators of Superman. Eds. Thomas Andrae and Mel Gordon. Port Townsend: Feral House, 2010. 38–48. |
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| Andrae, Thomas and Mel Gordon, eds. Siegel and Shusters Funnyman: The first jewish superhero, from the creators of superman. Port Townsend: Feral House, 2010. |
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| Angenot, Marc. "Basil Zaharoff et la guerre du Chaco: La tintinisation de la géopolitique des années 1930." Études littéraires 46. (2010): 47–63. |
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| Apostolidès, Jean-Marie. Dans la peau de Tintin. Réflexions faites. Bruxelles: Les Impressions Nouvelles, 2010. |
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| Armour, William S. "Representations of the Masculine in Tagame Gengoroh’s Ero SM Manga." Asian Studies Review 34. (2010): 443–66. |
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| Last edited by: joachim 24/07/2011, 13:51 |
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| Atkinson, Paul. "The graphic novel as metafiction." Studies in Comics 1. (2010): 107–25. |
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| Avventi, Carlo. "Filme ohne Augenzwinkern: Zur wertevermittlung in hayao miyazakis werk." Comics und Animationsfilme. Eds. Klaus Maiwald and Petra Josting. Jahrbuch Medien im Deutschunterricht. München: kopaed, 2010. 158–75. |
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| Bachmann, Michael. Der abwesende Zeuge: Autorisierungsstrategien in darstellungen der shoah. Mainzer Forschungen zu Drama und Theater. Tübingen: Francke, 2010. |
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| Backe, Hans-Joachim. Under the Hood: Die verweisstruktur der watchmen. yellow. Schriften zur Comicforschung. Bochum: Ch.A. Bachmann, 2010. |
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| Badman, Derik A. "Talking, Thinking, and Seeing in Pictures: Narration, focalization, and ocularization in comics narratives." International Journal of Comic Art 12. (2010): 91–111. |
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| Added by: joachim 12/06/2011, 01:01 |
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| Baetens, Jan. "Bruxelles, une forme culturelle médiatique." Formules (2010): 17–26. |
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| Added by: joachim 12/11/2019, 11:00 |
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| Baetens, Jan. "Strip, série, séquence." Transatlantica 1 2010. Accessed 4 Nov. 2010. <http://transatlantica.revues.org/4921>. |
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| Baetens, Jan. "What Are Comics (Once More, but Never Enough …)?." Cinéma & Cie 10. (2010): 13–20. |
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| Added by: joachim 27/12/2013, 17:53 |
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| Baetens, Jan. Pour le roman-photo. Réflexions faites. Bruxelles: Les Impressions Nouvelles, 2017. |
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| Last edited by: joachim 11/02/2018, 16:32 |
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| Baetens, Jan and Mieke Bleyen. "Photo Narrative, Sequential Photography, Photonovels." Intermediality and Storytelling. Eds. Marina Grishakova and Marie-Laure Ryan. Narratologia. Berlin u. New York: de Gruyter, 2010. 165–82. |
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| Last edited by: joachim 22/11/2012, 00:57 |
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| Baetens, Jan. "Nederlandse literatuur en strips (met enkele uitstapjes naar de film)." Internationale neerlandistiek: een vak in beweging. Eds. Jane Fenoulhet and Jan Renkema. Lage Landen Studies. Gent: Academia, 2010. 255–68. |
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| Bagge, Peter. "Spider-Man Sucks." The Best American Comics Criticism. Ed. Ben Schwartz. Seattle: Fantagraphics, 2010. 117–21. |
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| Added by: joachim 30/10/2010, 02:12 |
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| Bahners, Patrick. "»Danke für die Extratinte!«: Bild und erzählung, weißraum und schwarzflächen bei krazy kat." Das erzählende und das erzählte Bild. Eds. Alexander Honold and Ralf Simon. eikones. München: Fink, 2010. 87–126. |
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| Last edited by: joachim 18/11/2010, 18:34 |
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| Bainbridge, Jason. "“I am New York” – Spider-Man, New York City, and the Marvel Universe." Comics and the City. Urban Space in Print, Picture and Sequence. Eds. Jörn Ahrens and Arno Meteling. London, New York: Continuum, 2010. 163–79. |
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| Added by: joachim 25/03/2010, 00:18 |
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| Bainbridge, Jason and Craig Norris. "Hybrid Manga: Implications for the global knowledge economy." Manga. An Anthology of Global and Cultural Perspectives. Ed. Toni Johnson-Woods. London, New York: Continuum, 2010. 235–52. |
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| Ball, David M. "Chris Ware’s Failures." The Comics of Chris Ware. Drawing is a Way of Thinking. Eds. David M. Ball and Martha B. Kuhlman. Jackson: Univ. Press of Mississippi, 2010. 45–61. |
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| Last edited by: joachim 29/07/2014, 14:22 |
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| Ball, David M. and Martha B. Kuhlman, eds. The Comics of Chris Ware: Drawing is a way of thinking. Jackson: Univ. Press of Mississippi, 2010. |
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| Last edited by: joachim 16/05/2010, 15:48 |
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| Ball, David M. "Comics Against Themselves: Chris ware’s graphic narratives as literature." The Rise of the American Comics Artist. Creators and Contexts. Eds. Paul Williams and James Lyons. Jackson: Univ. Press of Mississippi, 2010. 103–23. |
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| Ballhausen, Thomas. "Stählernes Insektenzeitalter: Zu tardis und legrands der kakerlakenkiller." Reddition 27. (2010): 46–49. |
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| Balzer, Jens. "“Hully Gee, I’m a Hieroglyphe” – Mobilizing the Gaze and the Invention of Comics in New York City, 1895." Comics and the City. Urban Space in Print, Picture and Sequence. Eds. Jörn Ahrens and Arno Meteling. London, New York: Continuum, 2010. 19–31. |
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| Added by: joachim 24/03/2010, 01:08 |
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| Balzer, Jens and Lambert Wiesing. Outcault: Die erfindung des comic. yellow. Schriften zur Comicforschung. Bochum: Ch.A. Bachmann, 2010. |
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| Added by: joachim 10/09/2014, 13:45 |
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| Banita, Georgiana. "Chris Ware and the Pursuit of Slowness." The Comics of Chris Ware. Drawing is a Way of Thinking. Eds. David M. Ball and Martha B. Kuhlman. Jackson: Univ. Press of Mississippi, 2010. 177–90. |
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| Barber, Christie, Mio Bryce, and Jason Davis. "The Making of Killer Cuties." Anime and Philosophy. Wide Eyed Wonder. Eds. Josef Steiff and Tristan D. Tamplin. Popular Culture and Philosophy. Chicago: Open Court, 2010. 13–25. |
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| Barbieri, Daniele. "Disegni che parlano: Il fumetto tra oralità e scrittura." Fictions 9. (2010): 15–30. |
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| Last edited by: joachim 18/04/2017, 11:39 |
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| Barbieri, Daniele. "Scrivere per immagini: Dino battaglia tra letteratura e fumetto." Écrire et traduire pour les enfants. Voix, images et mots/Writing and Translating for Children. Voices, Images and Texts. Eds. Elena Di Giovanni, Chiara Elefante and Roberta Pederzoli. Recherches comparatives sur le livre et le multimédia d’enfances. Bern [etc.]: Peter Lang, 2010. |
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| Added by: joachim 04/03/2011, 19:24 |
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| Barkman, Adam. "Should Athena Really Wear Pink? Japanese manga, european mythology and ultimate reality." Manga and Philosophy. Fullmetal Metaphysician. Eds. Josef Steiff and Adam Barkman. Popular Culture and Philosophy. Chicago: Open Court, 2010. 69–80. |
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| Added by: joachim 01/08/2012, 17:33 |
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| Barkman, Adam. "Did Santa Die on the Cross?." Anime and Philosophy. Wide Eyed Wonder. Eds. Josef Steiff and Tristan D. Tamplin. Popular Culture and Philosophy. Chicago: Open Court, 2010. 105–19. |
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| Barry, Lynda. Picture This. Montreal: Drawn & Quarterly, 2010. |
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| Last edited by: joachim 06/11/2014, 09:02 |
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| Bartlett, Myke. "A Mirror to Changing Times: x-men and x2." Screen Education (2010): 111–15. |
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| Added by: joachim 09/01/2014, 16:20 |
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| Bartual, Roberto. "William Hogarth’s A Harlot’s Progress: The beginnings of a purely pictographic sequential language." Studies in Comics 1. (2010): 83–105. |
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| Last edited by: joachim 27/12/2015, 09:40 |
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| Basile, Emanuele. "Maus: Questioni di narrabilità storica." Fictions 9. (2010): 81–98. |
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| Last edited by: joachim 31/05/2017, 09:44 |
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| Baumann, Roland. "Remember !: La bande dessinée belge francophone et la guerre de 1940–1945." Textyles (2010): 171–85. |
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| Added by: joachim 25/10/2013, 11:38 |
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| Bautista, Daniel. "Comic Book Realism: Form and genre in junot díaz’s the brief wondrous life of oscar wao." Journal of the Fantastic in the Arts 21. (2010): 41–53. |
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| Added by: joachim 07/12/2014, 18:53 |
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| Beadling, Laura L. "Imaging Internment: Teaching miné okubo’s citizen 13660 as a work of comics in the contact zone." SANE journal 1. 1 2010. Accessed 5 Jan. 2011. <http://digitalcommons.unl.edu/sane/vol1/iss1/5>. |
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| Added by: joachim 05/01/2011, 22:34 |
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| Beard, Jim, ed. Gotham City 14 Miles: 14 essays on why the 1960s batman tv series matters. Sequart Journal. Edwardsville: Sequart Research & Literacy Organization, 2010. |
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| Added by: joachim 12/11/2010, 15:31 |
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| Beard, Becky. "Aunt Harriet’s Film Decency League." Gotham City 14 Miles. 14 Essays on Why the 1960s Batman TV Series Matters. Ed. Jim Beard. Sequart Journal. Edwardsville: Sequart Research & Literacy Organization, 2010. 84–96. |
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| Added by: joachim 14/11/2010, 11:15 |
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| Beard, Jim. "“Giant Lighted Lucite Map of Gotham City”: An introduction." Gotham City 14 Miles. 14 Essays on Why the 1960s Batman TV Series Matters. Ed. Jim Beard. Sequart Journal. Edwardsville: Sequart Research & Literacy Organization, 2010. 1–5. |
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| Added by: joachim 14/11/2010, 10:53 |
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| Beard, Jim. "Such a Character: A dissection of two sub-species of chiroptera homo sapiens." Gotham City 14 Miles. 14 Essays on Why the 1960s Batman TV Series Matters. Ed. Jim Beard. Sequart Journal. Edwardsville: Sequart Research & Literacy Organization, 2010. 56–75. |
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| Added by: joachim 14/11/2010, 11:11 |
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| Bearden-White, Roy. "Inheriting Trauma in Chris Ware’s Jimmy Corrigan: The Smartest Kid on Earth." International Journal of Comic Art 12. (2010): 354–66. |
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| Added by: joachim 27/09/2013, 22:22 |
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| Beaty, Bart. "‘C'est pas du tout ce que tu penses’: Improvisational narrative strategies in ruppert and mulot's la maison close." European Comic Art 3. (2010): 81–103. |
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| Added by: joachim 30/09/2010, 01:53 |
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| Beaty, Bart. "Interview of Jessica Abel and Matt Madden." Transatlantica 1 2010. Accessed 4 Nov. 2010. <http://transatlantica.revues.org/4917>. |
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| Added by: joachim 04/11/2010, 02:00 |
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| Beaty, Bart. "Introduction." Transatlantica 1 2010. Accessed 4 Nov. 2010. <http://transatlantica.revues.org/4938>. |
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| Last edited by: joachim 04/11/2010, 01:31 |
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| Beaty, Bart. "The Recession and the American Comic Book Industry: From inelastic cultural good to economic integration." Popular Communication 8. (2010): 203–07. |
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| Last edited by: joachim 01/04/2012, 22:16 |
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| Beauvais, Clémentine. "“A Nightmare Land, A Place of Death”: An exploration of the moon as a motif in hergé’s destination moon (1953) and explorers on the moon (1954)." Children’s Literature in Education 41. (2010): 251–59. |
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| Added by: joachim 14/08/2010, 13:05 |
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| Becker, Thomas. "Enki Bilal’s Woman Trap: Reflections on authorship under the shifting boundaries between order and terror in the cities." Comics and the City. Urban Space in Print, Picture and Sequence. Eds. Jörn Ahrens and Arno Meteling. London, New York: Continuum, 2010. 265–78. |
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| Added by: joachim 25/03/2010, 01:16 |
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| Becker, Thomas. "Fieldwork in aesthetics: On comics’ social legitimacy." Comics Worlds and the World of Comics. Towards Scholarship on a Global Scale. Ed. Jaqueline Berndt. Global Manga Studies. Kyoto: International Manga Research Center, Kyoto Seika University, 2010. 110–22. |
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| Last edited by: joachim 25/06/2011, 09:48 |
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| Becker, Michael and Gerald Berse, eds. HIT Comics: Der ultimative führer durch das bsv-chaos. HIT Chronik. Selbstverl. 2010. |
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| Last edited by: joachim 19/02/2013, 16:47 |
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| Becker, Thomas. "Graphic Novel – eine ›illegitime‹ Medienkombination?." Der neue Wettstreit der Künste. Legitimation und Dominanz im Zeichen der Intermedialität. Eds. Uta Degner and Norbert Christian Wolf. Bielefeld: Transcript, 2010. 167–86. |
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| Added by: joachim 20/09/2010, 10:59 |
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| Becker, Thomas. "Comic – eine illegitime Kunst? Sozioanalyse der lust an einem hybriden medium." Struktur und Geschichte der Comics. Beiträge zur Comicforschung. Ed. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2010. 309–26. |
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| Added by: joachim 08/06/2010, 01:48 |
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| Bell, Blake. Fire & Water: Bill everett, the sub-mariner and the birth of marvel comics. Seattle: Fantagraphics, 2010. |
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| Added by: joachim 24/05/2013, 23:51 |
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| Bennett, Juda and Cassandra Jackson. "Graphic Whiteness and the Lessons of Chris Ware’s Jimmy Corrigan." ImageTexT 5. 1 2010. Accessed 1 Feb. 2010. <http://www.english.ufl. ... s/v5_1/bennett-jackson/>. |
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| Added by: Deleted user 02/02/2010, 01:40 |
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| Bensam, Richard, ed. Minutes to Midnight: Twelve essays on watchmen. Sequart Journal. Edwardsville: Sequart Research & Literacy Organization, 2010. |
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| Added by: joachim 12/11/2010, 16:03 |
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| Bensam, Richard. "Obsolete Models a Specialty: An introduction." Minutes to Midnight. Twelve Essays on Watchmen. Ed. Richard Bensam. Sequart Journal. Edwardsville: Sequart Research & Literacy Organization, 2010. 1–7. |
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| Added by: joachim 13/11/2010, 23:46 |
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| Berenstein, Ofer. "Changes in the Representation of Publicly Elected American Officials in American Mainstream Comic-Books (1937–1979)." Thesis Master. Bar-Ilan University, 2010. |
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| Added by: joachim 02/11/2011, 20:10 |
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| Berger, Alan L. "Michael Chabon’s The Amazing Adventures of Kavalier & Clay: The return of the golem." Studies in American Jewish Literature 29. (2010): 80–89. |
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| Last edited by: joachim 02/03/2014, 08:44 |
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| Berman, Margaret Fink. "Imagining an Idiosyncratic Belonging: Representing disability in chris ware’s “building stories”." The Comics of Chris Ware. Drawing is a Way of Thinking. Eds. David M. Ball and Martha B. Kuhlman. Jackson: Univ. Press of Mississippi, 2010. 191–205. |
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| Last edited by: joachim 29/07/2014, 14:24 |
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| Berndt, Jaqueline, ed. Comics Worlds and the World of Comics: Towards scholarship on a global scale. Global Manga Studies. Kyoto: International Manga Research Center, Kyoto Seika University, 2010. |
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| Added by: joachim 14/06/2017, 12:49 |
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| Berndt, Jaqueline. "Introduction: Attempts at cross-cultural comics studies." Comics Worlds and the World of Comics. Towards Scholarship on a Global Scale. Ed. Jaqueline Berndt. Global Manga Studies. Kyoto: International Manga Research Center, Kyoto Seika University, 2010. 5–16. |
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| Added by: joachim 25/01/2011, 00:32 |
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| Berndt, Jaqueline. "‘Real’ Manga: Diversity, hybridity, relationalities." Shinjigen. Manga hyōgen no genzai. Manga Realities. Exploring the Art of Japanese Comics Today. Eds. Yasuko Furuichi and Mito Geijutsukan. Tōkyō: Kokusai Kōryū Kikin, 2010. 203–09. |
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| Last edited by: joachim 29/08/2013, 16:54 |
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| Berninger, Mark. "Workshop II: Comics in School." Comics as a Nexus of Cultures. Essays on the Interplay of Media, Disciplines and International Perspectives. Eds. Mark Berninger, Jochen Ecke and Gideon Haberkorn. Critical Explorations in Science Fiction and Fantasy. Jefferson, London: McFarland, 2010. 245–52. |
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| Last edited by: joachim 10/12/2010, 01:23 |
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| Berninger, Mark. "Workshop III: Teaching Comics and Literary Studies—Neil Gaiman and Charles Vess’ “A Midsummer Night’s Dream”." Comics as a Nexus of Cultures. Essays on the Interplay of Media, Disciplines and International Perspectives. Eds. Mark Berninger, Jochen Ecke and Gideon Haberkorn. Critical Explorations in Science Fiction and Fantasy. Jefferson, London: McFarland, 2010. 253–64. |
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| Last edited by: joachim 10/12/2010, 01:25 |
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| Berninger, Mark, Jochen Ecke, and Gideon Haberkorn, eds. Comics as a Nexus of Cultures: Essays on the interplay of media, disciplines and international perspectives. Critical Explorations in Science Fiction and Fantasy. Jefferson, London: McFarland, 2010. |
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| Last edited by: joachim 12/12/2010, 02:18 |
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| Berthou, Benoît. "La bande dessinée franco-belge: Quelle industrie culturelle ?." Textyles (2010): 43–57. |
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| Added by: joachim 04/10/2013, 11:10 |
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| Bétan, Julien, ed. Alan Moore: Tisser l’invisible. La bibliothèque des miroirs-BD. Lyon: Les moutons électriques, 2010. |
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| Last edited by: joachim 09/10/2014, 10:19 |
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| Birge, Sarah. "No Life Lessons Here: Comics, autism, and empathetic scholarship." Disability Studies Quarterly 30. 1 2010. Accessed 17 May. 2019. <http://dsq-sds.org/article/view/1067>. |
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| Added by: joachim 17/05/2019, 18:00 |
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| Birkmeyer, Jens. "Bildersuche nach dem Krieg: Eignet sich der holocaust-comic die suche für den deutschunterricht?." kjl&m 62. (2010): 56–63. |
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| Added by: joachim 10/12/2010, 19:11 |
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| Bitz, Michael. "Manga and the Motivated High Schoolers." SANE journal 1. 1 2010. Accessed 15 Dec. 2010. <http://digitalcommons.unl.edu/sane/vol1/iss1/2>. |
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| Added by: joachim 15/12/2010, 01:59 |
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| Bitz, Michael. When Commas Meet Kryptonite: Classroom lessons from the comic book project. Language and Literacy. New York: Teachers College Pr. 2010. |
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| Last edited by: joachim 08/02/2015, 15:09 |
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| Blair, M. M. "“She Should Just Die in a Ditch”: Fan reactions to female characters in boys’ love manga." Boys’ Love Manga. Essays on the Sexual Ambiguity and Cross-Cultural Fandom of the Genre. Eds. Antonia Levi, Mark McHarry and Dru Pagliassotti. Jefferson, London: McFarland, 2010. 110–25. |
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| Last edited by: joachim 13/02/2017, 12:30 |
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| Blake, Brandy Ball. "Watchmen: The graphic novel as trauma fiction." ImageTexT 5. 1 2010. Accessed 1 Feb. 2010. <http://www.english.ufl. ... xt/archives/v5_1/blake/>. |
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| Last edited by: Deleted user 01/02/2010, 14:06 |
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| Blank, Juliane. "Alles ist zeigbar? Der comic als medium der wissensvermittlung nach dem iconic turn." KulturPoetik 10. (2010): 214–33. |
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| Blankenship, Anne. "Catholic American Citizenship: Prescriptions for children from treasure chest of fun and fact (1946–1963)." Graven Images. Religion in Comic Books & Graphic Novels. Eds. A. David Lewis and Christine Hoff Kraemer. London, New York: Continuum, 2010. |
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| Added by: joachim 27/08/2011, 12:29 |
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| Blin-Rolland, Armelle. "Narrative Techniques in Tardi’s Le Der des ders and Voyage au bout de la nuit." European Comic Art 3. (2010): 23–36. |
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| Last edited by: joachim 26/02/2016, 19:03 |
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| Boatright, Michael D. "Graphic Journeys: Graphic novels’ representations of immigrant experiences." Journal of Adolescent & Adult Literacy 53. (2010): 468–76. |
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| Last edited by: joachim 01/06/2014, 20:36 |
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| Boerman-Cornell, William. "History Is Relatives: Educational affordances of the graphic novel in the magical life of long tack sam." International Journal of Comic Art 12. (2010): 147–56. |
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| Last edited by: joachim 20/12/2018, 11:44 |
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| Boillat, Alain, ed. Les cases à l’écran: Bande dessinée et cinéma en dialogue. L’Équinoxe. Chêne-Bourg: Georg, 2010. |
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| Last edited by: joachim 19/09/2015, 13:57 |
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| Bolte, Rike. "Die Quadratur der Inka-Eier im Entennest oder wer oder wen provoziert Pato Donald? Der lateinamerikanische comic als transkulturelles und autonomes medium einer marginalisierten moderne. eine einführung." Struktur und Geschichte der Comics. Beiträge zur Comicforschung. Ed. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2010. 257–88. |
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| Added by: joachim 08/06/2010, 01:40 |
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