| Agland, Jamie. "Madness and Masculinity in the Caricatures of the Regency Crisis, 1788–89." Drawing the Line. Using Cartoons as Historical Evidence. Eds. Richard Scully and Marian Quartly. Clayton: Monash Univ. ePress, 2009. |
 
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| Agosta-Ives, Valérie. "Salomon Assus (1850–1919): Humoristic postcards as a powerful visual medium transcending ethnic and gender issues in early 1900s’ french algeria." International Journal of Comic Art 11. (2009): 113–34. |
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| Ahmed, Maaheen. "Moebius, Gir, Giraud, Gérard: Self-visualizations." International Journal of Comic Art 11. (2009): 421–31. |
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| Ahrens, Jörn. "A History of Violence: David cronenberg, die graphic novel und die repräsentation der gewalt." Comic. Film. Helden. Heldenkonzepte und medienwissenschaftliche Analysen. Ed. Barbara Kainz. Wien: Löcker, 2009. 125–37. |
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| Alaniz, José. "Masculinity and the Superhero in Post-Soviet Russian Comics." International Journal of Comic Art 11. (2009): 396–425. |
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| Alary, Viviane. "The Spanish Tebeo." European Comic Art 2. (2009): 253–76. |
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| Aldama, Frederick Luis. A User’s Guide to Postcolonial and Latino Borderland Fiction. Austin: Univ. of Texas Press, 2009. |
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| Aldama, Frederick Luis. Your Brain on Latino Comics: From gus arriola to los bros hernandez. Cognitive Approaches to Literature and Culture. Austin: Univ. of Texas Press, 2009. |
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| Allen, Chadwick. "Tonto on Vacation, or How to Be an Indian Lawyer." Canadian Review of American Studies 39. (2009): 139–61. |
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| Alspaugh, Leann Davis. "Treading Upon the Shroud: Martin rowson’s graphic novel version of tristram shandy." The Shandean 20. (2009): 131–46. |
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| Anderson, Mark. "Oshii Mamoru’s Patlabor 2: Terror, theatricality, and exceptions that prove the rule." Mechademia 4. (2009): 75–109. |
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| Apostolidès, Jean-Marie. The Metamorphoses of Tintin, or, Tintin for Adults. Palo Alto: Stanford Univ. Press, 2009. |
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| Arnold, Heinz Ludwig and Andreas C. Knigge, eds. Comics, Mangas, Graphic Novels. Text + Kritik Sonderbände. München: edition text + kritik, 2009. |
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| Arp, Robert. "Hooded Justice and Captain Metropolis: The ambiguously gay duo." Watchmen and Philosophy. A Rorschach Test. Ed. Mark D. White. The Blackwell Philosophy and Pop Culture Series. Hoboken: Wiley, 2009. 185–96. |
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| Atkinson, Paul. "Movements within Movements: Following the line in animation and comic books." Animation 4. (2009): 265–81. |
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| Atkinson, Paul. "The Time of Heroes: Narrative, progress, and eternity in miracleman." The Contemporary Comic Book Superhero. Ed. Angela Ndalianis. Routledge Research in Cultural and Media Studies. London, New York: Routledge, 2009. 44–63. |
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| Aune, Mark G. "Teaching the Graphic Travel Narrative." Teaching the Graphic Novel. Ed. Stephen E. Tabachnick. Options for Teaching. New York: The Modern Language Assoc. of America, 2009. 223–29. |
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| Ayala Garcia, Patricia. "Comic Books and the Experience of Self-Fulfillment: A study with high school students." Diss. Ed.D. Columbia University, 2009. |
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| Azuma, Hiroki. Otaku: Japan’s database animals. Minneapolis: Univ. of Minnesota Press, 2009. |
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| Bachmann, Christian A. "Von Masken und Mäusen: Zu masken in superhelden- und autobiographischen comics." Masken. Eds. Kurt Röttgers and Monika Schmitz-Emans. Essen: Blaue Eule, 2009. 210–32. |
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| Bachmann, Christian A. "Chris Wares labyrinthische Comics." Labyrinthe als Texte – Texte als Labyrinthe. Eds. Monika Schmitz-Emans and Christian A. Bachmann. forum texte + projekte. Bochum: Ch.A. Bachmann, 2009. 157–62. |
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| Badman, Derik A. "Comics studies: Resources for scholarly research." College & Research Libraries News 70. (2009): 574–82. |
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| Baetens, Jan. "How Many is Multi? On the example of photo narrative, high and low." Image [&] Narrative 10. 3 2009. Accessed 1 Jun. 2013. <http://www.imageandnarr ... tive/article/view/37/22>. |
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| Baetens, Jan. "Littérature et bande dessinée: Enjeux et limites." Cahiers de Narratologie 16 2009. Accessed 1 Jun. 2013. <http://narratologie.revues.org/974>. |
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| Baetens, Jan and Thomas van Parys. "The Surrogates: Science-fiction as macguffin." Quaderns de Filologia 14 2009. Accessed 29 May. 2016. <https://ojs.uv.es/index ... /article/view/4011/3653>. |
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| Baetens, Jan. "A Cultural Approach to Nonnarrative Graphic Novels: A case study from flanders." Teaching the Graphic Novel. Ed. Stephen E. Tabachnick. Options for Teaching. New York: The Modern Language Assoc. of America, 2009. 281–87. |
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| Bainbridge, Jason. "‘Worlds Within Worlds’: The role of superheroes in the marvel and dc universes." The Contemporary Comic Book Superhero. Ed. Angela Ndalianis. Routledge Research in Cultural and Media Studies. London, New York: Routledge, 2009. 64–85. |
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| Baker, Anthony D. "Chris Ware’s Postmodern Pictographic Experiments." Teaching the Graphic Novel. Ed. Stephen E. Tabachnick. Options for Teaching. New York: The Modern Language Assoc. of America, 2009. 111–19. |
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| Ballhausen, Thomas. "Die Liebe am Ende (der Zeiten): Adaptive strategien und begehrenskonzepte in a boy and his dog." Reddition 26. (2009): 23–27. |
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| Ballhausen, Thomas and Günter Krenn. "Politik der Feindschaft: Notizen zum dunkelsten aller ritter." Comic. Film. Helden. Heldenkonzepte und medienwissenschaftliche Analysen. Ed. Barbara Kainz. Wien: Löcker, 2009. 53–65. |
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| Barker, Martin. "Jackie and the Problem of Romance." A Comics Studies Reader. Eds. Jeet Heer and Kent Worcester. Jackson: Univ. Press of Mississippi, 2009. 190–206. |
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| Barnes, David. "Time in the Gutter: Temporal structures in watchmen." KronoScope 9. (2009): 51–60. |
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| Barr, Terry. "Teaching Maus to a Holocaust Class." Teaching the Graphic Novel. Ed. Stephen E. Tabachnick. Options for Teaching. New York: The Modern Language Assoc. of America, 2009. 76–83. |
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| Baschiera, Stefano. "The Thickness of the Panel: Narrative stratification and complexification in azzarello’s 100 bullets." Cinema e fumetto. Cinema and comics. Eds. Leonardo Quaresima, Laura Ester Sangalli and Federico Zecca. Udine: Forum, 2009. 367–80. |
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| de la Batelière, Jean-Loup. Comment Hergé a créé Tintin au Congo. Bédéstory, 2009. |
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| Beard, David and Kate Vo Thi-Beard. "Comic Fans and Convergence Culture: Community of readers in the master of kung fu." Harlot 2 2009. Accessed 13 Nov. 2023. <https://harlotofthearts ... rlot/article/view/26/17>. |
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| Bearden-White, Roy. "Closing the Gap: Examining the invisible sign in graphic narratives." International Journal of Comic Art 11. (2009): 347–62. |
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| Becker, Richard A. "The Crisis of Confidence in Comics Adaptations: Why comics are so rarely faithfully adapted to the big screen." International Journal of Comic Art 11. (2009): 436–56. |
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| Becker, Thomas. "Genealogie der autobiografischen Graphic Novel: Zur feldsoziologischen analyse intermedialer strategien gegen ästhetische normalisierungen." Comics. Zur Theorie und Geschichte eines populärkulturellen Mediums. Eds. Stephan Ditschke, Katerina Kroucheva and Daniel Stein. Bielefeld: Transcript, 2009. 239–64. |
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| Becker, Thomas. "Vom Bubblegum zum Holocaust: Art spiegelmans maus." Mediale Erregungen? Autonomie und Aufmerksamkeit im Literatur- und Kulturbetrieb der Gegenwart. Eds. Markus Joch, et al. Tübingen: Niemeyer, 2009. 309–30. |
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| op de Beeck, Nathalie. "Autobifictionalography: Making do in lynda barry's one hundred demons." Teaching the Graphic Novel. Ed. Stephen E. Tabachnick. Options for Teaching. New York: The Modern Language Assoc. of America, 2009. 163–71. |
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| Beez, Jigal. "Cartoons as Pop Idols: The “sani star search” contest in tanzania." International Journal of Comic Art 11. (2009): 281–93. |
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| Beez, Jigal. "Stupid Hares and Margarine: Early swahili comics." Cartooning in Africa. Ed. John A. Lent. Cresskill: Hampton, 2009. |
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| Behringer, Marco. Der Holocaust in Sprechblasen: Erinnerung im comic. Marburg: Tectum, 2009. |
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| Berlatsky, Eric. "Lost in the Gutter: Within and between frames in narrative and narrative theory." Narrative 17. (2009): 162–87. |
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| Berndt, Jaqueline. "Shōjo global: Japanische mädchenmanga zwischen kitsch und kritik." kjl&m 61. (2009): 32–38. |
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| Berndt, Jaqueline. "Manga and ‘Manga’: Contemporary japanese comics and their dis/similarities with hokusai manga." Civilisation of Evolution, Civilisation of Revolution. Metamorphoses in Japan 1900–2000. Eds. Arkadiusz Jabłoński, Stanisław Meyer and Morita Kōji. Kraków: Muzeum Sztuki i Techniki Japońskiej Manggha, 2009. 210–22. |
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| Berse, Gerald. Accessed 19 Feb. 2013. The Unofficial Handbook of Marvel Comics Creators German Edition. [Online]. Available: http://www.marvelguide.de/. |
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| Bertin, Jean-Marie. "Press Cartoons in France: A short history." International Journal of Comic Art 11. (2009): 231–71. |
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| Bierly, Steve R. Stronger Than Spinach: The secret appeal of the famous studios popeye cartoons. Duncan: BearManor Media, 2009. |
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| Bigelow, Susan J. "Technologies of Perception: Miyazaki in theory and practice." Animation 4. (2009): 55–75. |
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| Bitz, Michael. Manga High: Literacy, identity, and coming of age in an urban high school. Cambridge: Harvard Education Pr. 2009. |
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| Black, James Eric. "Amoozin’ but Confoozin’: Comic strips as a voice of dissent in the 1950s." ETC. A Review of General Semantics 66. (2009). |
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| Blatt, Ari J. "The interphototextual dimension of Annie Ernaux and Marc Marie’s L’usage de la photo." Word & Image 25. (2009): 46–55. |
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| Blume, Otto-Michael. "A nos amours …: Die emotionen titeufs beschreiben." Der Fremdsprachliche Unterricht. Französisch 43. (2009): 10–13. |
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| Blume, Otto-Michael. "Au bord de l'éclatement: Beziehungsgeflechte in der bd »no limits« analysieren." Der Fremdsprachliche Unterricht. Französisch 43. (2009): 30–35. |
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| Bock, Marek. "Die Darstellung des Holocaust im Comic: Maus, Die Suche, Auschwitz, Yossel." Bachelorarbeit BA. RWTH Aachen, 2009. |
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| Bohrmann, Thomas. "»Aus großer Kraft folgt große Verantwortung«: Superhelden im kino." Handbuch Theologie und Populärer Film. Eds. Thomas Bohrmann, Werner Veith and Stephan Zöller. Paderborn: Schöningh, 2009. 199–212. |
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| Boillat, Alain. "La figuration du mouvement dans les dessins de presse et albums illustrés signés « O’Galop »: Des images en séries (culturelles)." 1895 59 2009. Accessed 3 Sept. 2013. <http://1895.revues.org/3915>. |
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| Bonesteel, Michael. "Henry Darger’s Search for the Grail in the Guise of a Celestial Child." Third Person. Authoring and Exploring Vast Narratives. Eds. Pat Harrigan and Noah Wardrip-Fruin. Cambridge, London: MIT Press, 2009. 253–66. |
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| Botshon, Lisa and Melinda Plastas. "Homeland In/Security: A discussion and workshop on teaching marjane satrapi’s persepolis." Feminist Teacher 20. (2009): 1–14. |
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| Botzakis, Stergios. "Adult Fans of Comic Books: What they get out of reading." Journal of Adolescent & Adult Literacy 53. (2009): 50–59. |
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| Bowman, Michael, Cristine N. Paschild, and Kimberly Willson-St. Clair. "How the dark horse came in: Portland state university library acquires dark horse comics archives." College & Research Libraries News 70. (2009): 570–72. |
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| Boy, Florie. "Les femmes dans la bande dessinée d’auteur depuis les années 1970: Itinéraires croisés : claire bretécher, chantal montellier et marjane satrapi." Diplôme national de master Mémoire Master. Université Lyon II Lumière, 2009. |
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| Breccia, Patricia. "Remembrances of My Father, Alberto Breccia." International Journal of Comic Art 11. (2009): 80–89. |
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| Brems, Elke. "Noise and Nostalgia: The literary identities of brussels in contemporary dutch literature." The Modern Language Review 104. (2009): 120–32. |
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| Bresler, Liora. "University Faculty as Intellectual Entrepreneurs: Vision, experimental learning, and animation." Visual Arts Research 35. (2009): 12–23. |
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| Bricco, Elisa. "Biografie finzionali tra racconto e fumetto: Arno bertina e stéphane levallois." Nuova corrente 56. (2009): 243–64. |
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| Bridges, Elizabeth. "Bridging the Gap: A literacy-oriented approach to teaching the graphic novel der erste frühling." Die Unterrichtspraxis/Teaching German 42. (2009): 152–61. |
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| Brie, Stephen. "The struggle to survive without spandex in Harvey Pekar’s American Splendor." Critical Engagements 3. (2009): 73–90. |
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| Brienza, Casey E. "Books, Not Comics: Publishing fields, globalization, and japanese manga in the united states." Publishing Research Quarterly 25. (2009): 101–17. |
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| Brienza, Casey E. "Paratexts in Translation: Reinterpreting “manga” for the united states." International Journal of the Book 6. (2009): 13–20. |
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| von Brincken, Jörg. "Ganz schön gewaltige Bilder: Zack snyder’s film 300." Medienobservationen 2009. Accessed 20 Feb. 2014. <http://www.medienobserv ... no_pdf/brincken_300.pdf>. |
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| Brinkmann, Frank Thomas. "Comics und Religion." Popkultur und Religion. Best of …. Ed. Harald Schroeter-Wittke. POPKULT. Jena: IKS Garamond, 2009. 271–90. |
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| Broderick, Mick. "Superflat Eschatology: Renewal and religion in anime." Animation Studies 2009. Accessed 29 Aug. 2011. <http://journal.animatio ... -superflat-eschatology/>. |
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| Broderick, Mick. "Making things new: Regeneration and transcendence in anime." The End All Around Us. Apocalyptic Texts and Popular Culture. Eds. John Walliss and Kenneth G. C. Newport. London, Oakville: Equinox, 2009. 120–47. |
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| Brown, Sarah Annes. "“Shaping Fantasies”: Responses to shakespeare’s magic in popular culture." Shakespeare 5. (2009): 162–76. |
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| Brunner, Miriam. Manga – Die Faszination der Bilder: Darstellungsmittel und motive. München: Fink, 2009. |
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| Brunner, Edward. "The Comics as Outsider’s Text: Teaching r. crumb and underground comix." Teaching the Graphic Novel. Ed. Stephen E. Tabachnick. Options for Teaching. New York: The Modern Language Assoc. of America, 2009. 137–46. |
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| Bruno, Franklin. "An Interview with Peter Blegvad: “i’m a dilettante, ‘polymorphously perverse,’ a perpetual amateur”." The Believer (2009). |
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| Bruttmann, Tal. "The Holocaust through Comic Books." Re-examining the Holocaust through Literature. Eds. Aukje Kluge and Benn E. Williams. Newcastle upon Tyne: Cambridge Scholars Publ. 2009. 173–200. |
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| Brysbaert, Xavier. "Le théâtre chez Marc-Antoine Mathieu." Mémoire Master. EESI Angoulême / UFR lettres et langues Poitiers, 2009/2010. |
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| Buhle, Paul. "Eco-Comics, Then and Now." Capitalism Nature Socialism 20. (2009): 68–73. |
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| Buhle, Paul. "Wisconsin’s Comic Art: From underground to the forefront." The Wisconsin Magazine of History 92. (2009): 42–53. |
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| Bukatman, Scott. "Secret Identity Politics." The Contemporary Comic Book Superhero. Ed. Angela Ndalianis. Routledge Research in Cultural and Media Studies. London, New York: Routledge, 2009. 109–25. |
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| Buljan, Katharine. "The Uncanny and the Robot in the Astro Boy Episode “Franken”." Animation Studies 2009. Accessed 29 Aug. 2011. <http://journal.animatio ... -boy-episode-“franken”/>. |
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| Burnett, Andrew. "Mad Genetics: Sinister side of biological mastery." X-Men and Philosophy. Astonishing Insight and Uncanny Argument in the Mutant X-Verse. Eds. Rebecca Housel and J. Jeremy Wisnewski. Blackwell Philosophy and Pop Culture. Hoboken: Wiley, 2009. 53–65. |
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| Burt, Stephen. "Poems About Superheroes." Michigan Quarterly Review 48. (2009). |
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| Butler, Matthew and Lucie Joschko. "Final Fantasy or The Incredibles: Ultra-realistic animation, aesthetic engagement and the uncanny valley." Animation Studies 2009. Accessed 29 Aug. 2011. <http://journal.animatio ... asy-or-the-incredibles/>. |
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| Campbell, Joseph. "Bridge of Bronze: Using shanower’s age of bronze in the contemporary literature classroom." Atenea 29. (2009): 135. |
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| Campbell, Bruce. ¡Viva la historieta! Mexican comics, nafta, and the politics of globalization. Jackson: Univ. Press of Mississippi, 2009. |
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| Carpenter, Stanford W. "Black Lightning’s Story." Third Person. Authoring and Exploring Vast Narratives. Eds. Pat Harrigan and Noah Wardrip-Fruin. Cambridge, London: MIT Press, 2009. 275–86. |
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| Carrier, David. "Caricature." A Comics Studies Reader. Eds. Jeet Heer and Kent Worcester. Jackson: Univ. Press of Mississippi, 2009. 105–15. |
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| Carter, James Bucky. "Teaching Watchmen in the Wake of 9/11." Teaching the Graphic Novel. Ed. Stephen E. Tabachnick. Options for Teaching. New York: The Modern Language Assoc. of America, 2009. 99–108. |
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| Casey, Jim. "Silver Age comics." The Routledge Companion to Science Fiction. Eds. Mark Bould, et al. London, New York: Routledge, 2009. 123–33. |
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| Casey, Jay. "‘What’s So Funny?’: The finding and use of soldier cartoons from the world wars as historical evidence." Drawing the Line. Using Cartoons as Historical Evidence. Eds. Richard Scully and Marian Quartly. Clayton: Monash Univ. ePress, 2009. |
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| Cavallaro, Dani. Anime and Memory: Aesthetic, cultural and thematic perspectives. Jefferson, London: McFarland, 2009. |
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| Cavallaro, Dani. The Art of Studio Gainax: Experimentation, style and innovation at the leading edge of anime. Jefferson, London: McFarland, 2009. |
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| Chaney, Michael A. "Is There an African American Graphic Novel?." Teaching the Graphic Novel. Ed. Stephen E. Tabachnick. Options for Teaching. New York: The Modern Language Assoc. of America, 2009. 69–75. |
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| Chang, Jeff. "Morrie Turner and the Kids: The story of the man responsible for bringing color to the black-and-white pages of the sunday comics." The Believer (2009). |
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