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| Balzer, Jens. "Montage und Piktogramm: Comics aus arcade und raw." Schreibheft (1998): 55–56. |
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| Balzer, Jens and Christian Gasser. "Entgrenzung und Ornament: In der schule von gary panter." Schreibheft (1998): 79–80. |
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| Banks, Amanda Carson and Elizabeth E. Wein. "Folklore and the Comic Book: The traditional meets the popular." New Directions in Folklore 2 1998. Accessed 21 Mar. 2010. <https://scholarworks.iu ... ndif/article/view/19861>. |
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| Barker, Martin and Kate Brooks. Knowing Audiences: Judge dredd, its friends, fans, and foes. Luton: Univ. of Luton Press, 1998. |
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| Beaty, Bart. "Rising to the Surface: Martin tom Dieck." The Comics Journal (1998): 29–33. |
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| Beauchamp, Monte, ed. The Life and Times of R. Crumb: Comments from contemporaries. New York: St. Martin’s Press, 1998. |
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| Bechdel, Alison. The Indelible Alison Bechdel: Confessions, comix and miscellaneous dykes to watch out for. Ithaca: Firebrand Books, 1998. |
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| Berg, Stephan. "Die Zerstreuungen des Zeichners. Alexander Roobs Bildroman." Kunstforum international (1998): 260–69. |
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| Berndt, Jaqueline. "»Verkunstung« des Comics. Wo japanische Kunstwissenschaft und Mangastudien sich bislang begegnen." Thesis. Wissenschaftliche Zeitschrift der Bauhaus-Universität Weimar (1998): 52–73. |
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| Bertho-Lavenir, Catherine. "Pourquoi ces menhirs ? Les métamorphoses du mythe celtique." Ethnologie française 28. (1998): 303–11. |
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| Blackmore, Tim. "McCay’s McChanical Muse: Engineering comic strip dreams." Journal of Popular Culture 32. (1998): 15–38. |
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| Bollinger, Tim. "Comics in the Antipodes: A low art in a low place." Nga Pakiwaituhi o Aotearoa. New Zealand Comics. Ed. Dylan Horrocks. 2nd ed. Auckland: Hicksville Pr. 2000. |
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| Bosmaijan, Hamida. "The Orphaned Voice in Art Spiegelman’s Maus I & II." Literature and Psychology 44. (1998): 1–22. |
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| Charnay, Thierry. "Le sens de la lecture ou le plaisir du verbe." Ethnologie française 28. (1998): 350–59. |
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| Chavanne, Renaud. "Jérémiah Ou Vingt ans de politique." Critix (1998): 25–44. |
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| Ciment, Gilles. "Des comics au musical: Un genre translatif." La Transécriture. Pour une théorie de l’adaptation. Littérature, cinéma, bande dessinée, théâtre, clip. Ed. Thierry Groensteen. Québec: Éd. Nota bene, 1998. 187–214. |
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| Clark, Alan. Dictionary of British Comic Artists, Writers, and Editors. London: British Library, 1998. |
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| Coale, Mark. Breaking the Panels: Over 75 short interviews from around the comics industry. Colora: O-Goshi Studios, 1998. |
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| Coupe, W. A. "Cartoons of the Third Reich: The use of political cartoons in nazi propaganda." History Today 48. (1998): 26–32. |
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| Daniels, Les. Superman: The complete history. the life and times of the man of steel. San Francisco: Chronicle Books, 1998. |
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| Davenport, Christian. "The Brother Might be Made of Steel, But He Sure Ain't Super…Man." Other Voices: The (e)Journal of Cultural Criticism 1. 2 1998. Accessed 14 Aug. 2009. <http://www.othervoices. ... 2/cdavenport/steel.html>. |
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| Detje, Robin. "Irgendwo in der Tiefe gibt es ein Licht: Postfeministische ornamentik bei anke feuchtenberger." Schreibheft (1998): 135–36. |
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| Dierick, Charles and Pascal Lefèvre, eds. Forging a New Medium: The comic strip in the nineteenth century. Brussels: VUB Univ. Press, 1998. |
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| Dolle-Weinkauff, Bernd. "Comic strip als Bänkelsang: Zu bildgeschichte und comic im werk janoschs." Janosch. Katalog, mit einer vorläufigen Bibliographie seiner bisher erschienenen Bücher. Eds. Axel Feuß and Andreas J. Meyer. Gifkendorf: Merlin, 1998. 60–73. |
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| Dolle-Weinkauff, Bernd. "Crime Fiction im Comic der 90er Jahre: Frank millers sin city." Unterhaltungsliteratur der achtziger und neunziger Jahre. Eds. Dieter Petzold and Eberhard Späth. Erlanger Forschungen, Reihe A. Erlangen: Universitätsbund, 1998. 103–18. |
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| Donovan, Ellen Butler. "The Primacy of Pictures: Reading george dardess’s foreign exchange." Children’s Literature Association Quarterly 23. (1998): 194–201. |
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| Eyferth, Konrad. Comic-Interviews. Hamburg: Zwerchfell, 1998. |
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| Fernández L’Hoeste, Héctor D. "From Mafalda to Boogie: The city and argentine humor." Imagination Beyond Nation. Latin American Popular Culture. Eds. Eva Bueno and Terry Caesar. Pittsburgh: Univ. of Pittsburgh Press, 1998. 81–106. |
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| Fernández L’Hoeste, Héctor D. "De Mafalda a Boogie: La ciudad y el humor argentino." Selected Proceedings of the First International Conference on Hispanic Humor. Ed. Paul W. Seaver. Potomac: Scripta Humanistica, 1998. 142–52. |
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| Feuerhahn, Nelly. "Astérix et les pirates: Une esthetique du naufrage pour rire." Ethnologie française 28. (1998): 337–49. |
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| Fishbaugh, Brent. "Moore and Gibbons’s Watchmen: Exact personification of science." Extrapolation 39. (1998): 189–99. |
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| Fletcher, Robert P. "Visual Thinking and the Picture Story in The History of Henry Esmond." PMLA 113. (1998): 379–94. |
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| Foster, John. "A Social History of Australia as Seen Through its Children’s Comic Books." Journal of Australian Studies 22. (1998): 165–72. |
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| Freitag, Kornelia. "Die Verarbeitung des Holocaust im Comic: Die bilderwelt des art spiegelman ." Jüdische Literatur und Kultur in Großbritannien und den USA nach 1945. Ed. Beate Neumeier. Jüdische Kultur. München: Harassowitz, 1998. 171–88. |
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| Gasser, Christian. "Inferno im Sandkasten: Gespräch mit gary panter." Schreibheft (1998): 93–96. |
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| Gill, Tom. "Transformational Magic: Some japanese super-heroes and monsters." The Worlds of Japanese Popular Culture. Gender, Shifting Boundaries and Global Cultures. Ed. Dolores Martinez. Contemporary Japanese Society. Cambridge [etc.]: Cambridge Univ. Press, 1998. 33–55. |
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| Gilley, Jennifer and Stephen Burnett. "Deconstructing and Reconstructing Pittsburgh’s Man of Steel: Reading joe magarac against the context of the 20th-century steel industry." Journal of American Folklore 111. (1998): 392–408. |
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| Gordon, Ian. Comic Strips and Consumer Culture, 1890–1945. Washington, London: Smithsonian Institution Press, 2002. |
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| Gordon, Ian. "From The Bulletin to Comics: Comic art in australia, 1890–1950." Bonzer. Australian Comics, 1900s–1990s. Ed. Annette Shiell. Redhill South: Elgua Media, 1998. |
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| Goulart, Ron. "Comic Book Noir." The Big Book of Noir. Eds. Ed Gorman, Lee Server and Martin H. Greenberg. New York: Carroll & Graf, 1998. 337–45. |
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| Gravett, Paul. "The Cartoonist's Progress: The inventors of the comics in great britain." Forging a New Medium. The Comic Strip in the Nineteenth Century. Eds. Charles Dierick and Pascal Lefèvre. Brussels: VUB Univ. Press, 1998. 79–104. |
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| Griffin, Jane K. "A Brief Glossary of Comic Book Terminology." Serials Review 24. (1998): 71–76. |
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| Grigsby, Mary. "Sailormoon: Manga (Comics) and Anime (Cartoon) Superheroine Meets Barbie: Global entertainment commodity comes to the united states." Journal of Popular Culture 32. (1998): 59–80. |
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| Groensteen, Thierry. "Ein erster Blumenstrauß von Zwängen: Die spielregeln von oubapo." Schreibheft (1998): 182–202. |
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| Groensteen, Thierry. "Töpffer, the Originator of the Modern Comic Strip." Forging a New Medium. The Comic Strip in the Nineteenth Century. Eds. Charles Dierick and Pascal Lefèvre. Brussels: VUB Univ. Press, 1998. 105–14. |
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| Hahn, Joel. "A Librarian’s Guide to DC Comics." Serials Review 24. (1998): 65–78. |
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| Hamann, Volker. Tardi Bibliographie 1970 bis 1998. Reddition Sonderheft. Barmstedt: Ed. Alfons, 1998. |
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| Harper, Morten. 139 grunner til å låne tegneserier: Aktuelle kvalitetsserier på norsk, dansk, svensk og engelsk for barn, ungdom og voksne. Oslo: Biblioteksentralen, 1998. |
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| Harper, Morten. Rutenes hemmelighet. Tegneserien i og utenfor rutene. Bø i Telemark: Telemark tegneserieverksted, 1998. |
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| Harvey, Robert C. The Genius of Winsor McCay. Columbus: Ohio State University Libraries, 1998. |
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| Hayes, Melinda K. "Vampiri Europeana: Comics." 1998. Accessed 8 Feb. 2011. <http://www-lib.usc.edu/ ... dah/eurovamp/comics.htm>. |
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| Hecke, Helene. "Gefahr im Verzug!? Comics auf dem Prüfstand der Justiz." tv diskurs (1998): 39–45. |
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| Herkman, Juha. Sarjakuvan kieli ja mieli. Tampere: Vastapaino, 1998. |
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| Horrocks, Dylan, ed. Nga Pakiwaituhi o Aotearoa: New zealand comics. 2nd ed. Auckland: Hicksville Pr. 2000. |
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| Horrocks, Dylan. "A Letter from Hicksville: Why i love new zealand comics." Nga Pakiwaituhi o Aotearoa. New Zealand Comics. Ed. Dylan Horrocks. 2nd ed. Auckland: Hicksville Pr. 2000. |
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| Inness, Sherrie A. Tough Girls: Women warriors and wonder women in popular culture. Feminist Cultural Studies, the Media, and Political Culture. Philadelphia: Univ. of Pennsylvania Press, 1998. |
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| Jäger, Thomas. Die Bilderzählung: Narrative strukturen in zyklen des 18. und 19. jahrhunderts – von tiepolo und goya bis rethel. Studien zur internationalen Architektur- und Kunstgeschichte. Petersberg: Imhof, 1998. |
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| Jarvis, Eric. "The Comic strip Pogo and the Issue of Race." Studies in Popular Culture 21. (1998): 85–94. |
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| Kaindl, Klaus. "Sprache und Bild in der Comicübersetzung." Mediendiskurse. verbal-Workshop Graz 1996. Eds. Bernhard Kettemann, Martin Stegu and Hartmut Stöckl. Sprache im Kontext. Frankfurt am Main [etc.]: Peter Lang, 1998. 93–105. |
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| Kauffmann, Judith. "Astérix: Les jeux de l’humour et du temps." Ethnologie française 28. (1998): 327–36. |
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| Kinsella, Sharon. "Japanese Subculture in the 1990s: otaku and the amateur manga movement." Journal of Japanese Studies 24. (1998): 289–316. |
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| Klimek, Julia. "Art Spiegelman's Maus: Drawing out the implications of witnessing in a father/son relationship." Mit den Augen eines Kindes. Children in the holocaust. Children in exile. Children under fascism. Ed. Viktoria Hertling. Amsterdam [etc.]: Rodopi, 1998. 192–206. |
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| Klorman, Renee. "Confessions, Comix, and Miscellaneous Alison Bechdel." Off Our Backs 28. (1998): 1–7. |
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| Krümmel, Clemens. "Notizen zur sequentiellen Bilderzählung in Alexander Roobs »Theorie des Bildromans«." CS – VI. Bildroman. Darmstadt: Häusser, 1998. 13–27. |
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| Kunzle, David. "Róger Sánchez's “Humor Erótico” and the Semana Cómica: A sexual revolution in sandinista nicaragua?." Latin American Perspectives 25. (1998): 89–120. |
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| Kunzle, David. "Precursors in American Weeklies to the American Newspaper Comic Strip: A long gestation and a transoceanic cross-breeding." Forging a New Medium. The Comic Strip in the Nineteenth Century. Eds. Charles Dierick and Pascal Lefèvre. Brussels: VUB Univ. Press, 1998. 157–86. |
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| LaCapra, Dominick. "’Twas the Night Before Christmas: Art spiegelman’s maus." History and Memory After Auschwitz. Ithaca: Cornell Univ. Press, 1998. 139–79. |
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| Lavin, Michael R. "A Librarian’s Guide to Dark Horse Comics." Serials Review 24. (1998): 76–93. |
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| Lavin, Michael R. "A Librarian’s Guide to Image Comics." Serials Review 24. (1998): 79–92. |
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| Lavin, Michael R. "A Librarian’s Guide to Marvel Comics." Serials Review 24. (1998): 47–63. |
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| Lavin, Michael R. "Comic Books and Graphic Novels for Libraries: What to buy." Serials Review 24. (1998): 31–45. |
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| Lavin, Michael R. "Comic Books and Libraries." Serials Review 24. (1998): 35–36. |
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| Lavin, Michael R. "Comic books and libraries: Introduction." Serials Review 24. (1998): 35–36. |
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| Lavin, Michael R. "Comic books and libraries: Part ii." Serials Review 24. (1998): 29. |
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| Lavin, Michael R. "Comic books and libraries: Part iii." Serials Review 24. (1998): 74–75. |
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| Lavin, Michael R. "Comics Publishers in Decline: A tale of two companies." Serials Review 24. (1998): 94–106. |
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| Lavin, Michael R. "Women in Comic Books." Serials Review 24. (1998): 93–100. |
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| Lefèvre, Pascal. "Flemish Comic Strips Today." The Low Countries (1998): 247–52. |
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| Lent, John A. "Comics in the Philippines, Singapore, and Indonesia." Humor. International Journal of Humor Research 11. (1998): 65–78. |
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| Lenthall, Bruce. "Outside the Panel – Race in America's Popular Imagination: Comic strips before and after world war ii." Journal of American Studies 32. (1998): 39–61. |
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| Levi, Antonia. "The New American Hero: Made in Japan." The Soul of Popular Culture: Looking at Contemporary Heroes, Myths, and Monsters. Ed. Mary Lynn Kittelson. Chicago: Open Court, 1998. 68–83. |
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| Lewis, David. "Oops! Colin mcnaughton and “knowingness”." Children’s Literature in Education 29. (1998): 59–68. |
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| Liss, Andrea. Trespassing Through Shadows: Memory, photography, and the holocaust. Minneapolis: Univ. of Minnesota Press, 1998. |
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| Lohse, Gerhard. "Ironie, Caesar und Asterix." Der altsprachliche Unterricht Latein, Griechisch 41. (1998): 54–65. |
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| Maas, Nop. "The Archaeology of the Dutch Comic Strip." Forging a New Medium. The Comic Strip in the Nineteenth Century. Eds. Charles Dierick and Pascal Lefèvre. Brussels: VUB Univ. Press, 1998. 49–78. |
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| Macdonald, Amanda. "Bande dessinée: The self-consciously double genre." Australian Journal of French Studies 35. (1998): 101–22. |
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| Maguet, Frédéric. "Astérix, un mythe ? Mythogénèse et amplification d’un stéréotype culturel." Ethnologie française 28. (1998): 317–26. |
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| Maguet, Frédéric and Henriette Touillier-Feyrabend. "Astérix : un objet d’étude légitime ?." Ethnologie française 28. (1998): 293–95. |
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| Martin, Jean-Philippe. "La Romance de la momie." Critix (1998): 57–63. |
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| Martin, Antonio. "Notes on the Birth of the Comics in Spain, 1873–1900." Forging a New Medium. The Comic Strip in the Nineteenth Century. Eds. Charles Dierick and Pascal Lefèvre. Brussels: VUB Univ. Press, 1998. 129–56. |
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| Meier, Annelis. "Linguistica testuale, pragmatica e semantica dell’umorismo: Una lettura di fumetti italiani." Dissertation Dr. Universität Zürich, 1998. |
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