| Ballhausen, Thomas and Günter Krenn. "Politik der Feindschaft: Notizen zum dunkelsten aller ritter." Comic. Film. Helden. Heldenkonzepte und medienwissenschaftliche Analysen. Ed. Barbara Kainz. Wien: Löcker, 2009. 53–65. |
 
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| Balzer, Jens. "“Hully Gee, I’m a Hieroglyphe” – Mobilizing the Gaze and the Invention of Comics in New York City, 1895." Comics and the City. Urban Space in Print, Picture and Sequence. Eds. Jörn Ahrens and Arno Meteling. London, New York: Continuum, 2010. 19–31. |
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| Balzer, Jens. "The Roses of Coconino: Reading the shōjo in krazy kat." Reading Manga. Local and Global Perceptions of Japanese Comics. Eds. Jaqueline Berndt and Steffi Richter. Mitteldeutsche Studien zu Ostasien. Leipzig: Leipziger Universitätsverlag, 2006. 167–77. |
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| Balzer, Jens. "Maus quält Katze, Hund kommt immer zu spät: Rückkehr zur zwangswiederholung mit und ohne sherrie levine." Übung, ein Stück Papier zu halten. Festschrift für Kathrin Hoffmann-Curtius zum 60. Geburtstag. Eds. Maike Christadler and Hilla Frübis. Marburg: Jonas Verl. 1997. 20–27. |
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| Balzer, Jens. "Wer hat an der Uhr gedreht? Gefälschtes Gedächtnis, stillstehende Zeit: Über einige motive in den comics von miyazaki hayao, moebius und chris ware." Szenarien des Comic. Helden und Historien im Medium der Schriftbildlichkeit. Eds. Stefanie Diekmann and Matthias Schneider. Berlin: SuKuLTuR, 2005. 144–56. |
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| Balzer, Jens. "Dies ist keine Bildergeschichte: Über michel foucault, rené magritte und george herrimans krazy kat-comics." Theorien des Comics. Ein Reader. Eds. Barbara Eder, Elisabeth Klar and Ramón Reichert. Kultur- und Medientheorie. Bielefeld: Transcript, 2011. 187–202. |
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| Balzer, Jens. "Rüpel, Mäuse, Superhelden: Wie max und moritz zu den urgestalten der comics wurden." Wilhelm Busch. Das Genie des Humors. Sein Leben, seine Kunst, seine Epoche. Ed. Benedikt Erenz. Hamburg: Zeitverl. Bucerius, 2007. 60–66. |
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| Balzer, Jens. "Träumender Taucher: Martin tom dieck." Mutanten. Die deutschsprachige Comic-Avantgarde der 90er Jahre. Ed. Christian Gasser. Ostfildern-Ruit: Hatje Cantz, 1999. 30–31. |
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| Balzer, Jens. "Ungleichzeitige Gegenwart. Über das Erzählen im Comic.." Mutanten. Die deutschsprachige Comic-Avantgarde der 90er Jahre. Ed. Christian Gasser. Ostfildern-Ruit: Hatje Cantz, 1999. 19–23. |
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| Balzer, Jens. "Wam – Clonk – Chomp – Zow – Bop: On the physics of sound in the comics." Comic Meets Theatre. Eds. Annegret Hahn and Berit Schuck. Berlin: Theater der Zeit, 2006. 124–27. |
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| Balzer, Jens. "Wam – Clonk – Chomp – Zow – Bop: Zur physik des geräuschs in den comics." Comic Meets Theatre. Eds. Annegret Hahn and Berit Schuck. Berlin: Theater der Zeit, 2006. 108–15. |
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| Balzer, Jens. "Der Horizont bei Herriman: Zeit und zeichen zwischen zeitzeichen und zeichenzeit." Ästhetik des Comic. Eds. Michael Hein, Michael Hüners and Torsten Michaelsen. Berlin: Erich Schmidt, 2002. 143–52. |
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| Balzer, Jens. "Hemd voller Hieroglyphen: Zur revision der bild-text-beziehungen im frühen comic." Bildtext – Textbild. Probleme der Rede über Text-Bild-Hybride. Eds. Dirck Linck and Stefanie Rentsch. Rombach Cultura. Freiburg im Breisgau: Rombach, 2007. 117–54. |
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| Balzer, Jens and Jens R. Nielsen. "Die Wahrheit über Shelby." Lexikon der Comics. Ed. Marcus Czerwionka. Meitingen: Corian, 1992. |
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| Balzer, Jens. "Welches Bild? Welche Bewegung? Über einige Bezüge zwischen Chronophotographie und frühen Comics." Die Mobilisierung des Sehens. Zur Vor- und Frühgeschichte des Films in Literatur und Kunst. Ed. Harro Segeberg. Mediengeschichte des Films. München: Fink, 1996. 279–93. |
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| Bamberger, W. C. "The Near-Awakening of Diana Prince." The Ages of Wonder Woman. Essays on the Amazon Princess in Changing Times. Ed. Joseph J. Darowski. Jefferson: McFarland, 2013. 117–25. |
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| Bamberger, W. C. "Social Justice and Silver Age Superheroes." The Ages of the Justice League. Essays on America’s Greatest Superheroes in Changing Times. Ed. Joseph J. Darowski. London: McFarland, 2017. 50–57. |
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| Banco, Lindsey Michael. "Graphic Bombs: Scientific knowledge and the manhattan project in comic books." The Palgrave Handbook of Twentieth and Twenty-First Century Literature and Science. Eds. Neel Ahuja, et al. Palgrave Handbooks of Literature and Science. New York [etc.]: Palgrave Macmillan, 2020. 577–95. |
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| Bandel, Jan-Frederik. "Surfing Surfaces: Der europäische pop-comic der sechziger jahre." Fantasie und Aufklärung. Historische Miniaturen. Hamburg: Textem, 2011. 155–67. |
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| Banhold, Lars. "»Yet Always Must it Love Sweet Music More«: Zur funktion von musik in v for vendetta." Bildlaute & laute Bilder. Zur ›Audiovisualität‹ von Bilderzählungen. Ed. Christian A. Bachmann. Bochum: Ch.A. Bachmann, 2014. 129–47. |
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| Banhold, Lars and David Freis. "Von postmodernen Katzen, abwesenden Katzen und Dinosaurier reitenden Banditen: Medienästhetik, distribution und medialer kontext von webcomics." Comics intermedial. Eds. Christian A. Bachmann, Véronique Sina and Lars Banhold. Bochum: Ch.A. Bachmann, 2012. 159–77. |
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| Banhold, Lars. "Authentifizierung und Narration in Reinhard Kleists Cash – I See a Darkness." Comic und Literatur. Konstellationen. Ed. Monika Schmitz-Emans. linguae & litterae. Berlin u. Boston: de Gruyter, 2012. 119–35. |
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| Banita, Georgiana. "Chris Ware and the Pursuit of Slowness." The Comics of Chris Ware. Drawing is a Way of Thinking. Eds. David M. Ball and Martha B. Kuhlman. Jackson: Univ. Press of Mississippi, 2010. 177–90. |
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| Banita, Georgiana. "Cosmopolitan Suspicion: Comics journalism and graphic silence." Transnational Perspectives on Graphic Narratives. Comics at the Crossroads. Eds. Shane Denson, Christina Meyer and Daniel Stein. New York: Bloomsbury, 2013. 49–66. |
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| Banita, Georgiana. "A Thousand Plateaus: Mining entropy in days of destruction, days of revolt." The Comics of Joe Sacco. Journalism in a Visual World. Ed. Daniel Worden. Critical Approaches to Comics Artists. Jackson: Univ. Press of Mississippi, 2015. 101–22. |
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| Baraniak-Hirata, Zuzanna and Agata Włodarczyk. "Bending Gender in Japanese Arts: Queering girls culture, takarazuka revue and boys’ love manga." Ambiguous Selves. Contesting Gender Binaries in Literature, Film and the Media. Eds. Barbara Braid, Ewa Glapka and Malwina Siemiątkowska. Newcastle upon Tyne: Cambridge Scholars Publ. 2019. 295–316. |
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| Barbee, Christopher. "The Silver Age Legion: Adventure into the classics." Teenagers from the Future. Essays on the Legion of Super-Heroes. Ed. Timothy Callahan. Sequart Journal. Edwardsville: Sequart Research & Literacy Organization, 2008. 49–58. |
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| Barber, Christie, Mio Bryce, and Jason Davis. "The Making of Killer Cuties." Anime and Philosophy. Wide Eyed Wonder. Eds. Josef Steiff and Tristan D. Tamplin. Popular Culture and Philosophy. Chicago: Open Court, 2010. 13–25. |
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| Barbieri, Daniele. "Scrivere per immagini: Dino battaglia tra letteratura e fumetto." Écrire et traduire pour les enfants. Voix, images et mots/Writing and Translating for Children. Voices, Images and Texts. Eds. Elena Di Giovanni, Chiara Elefante and Roberta Pederzoli. Recherches comparatives sur le livre et le multimédia d’enfances. Bern [etc.]: Peter Lang, 2010. |
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| Barbieri, Daniele. "Zeit und Rhythmus in der Bilderzählung." Ästhetik des Comic. Eds. Michael Hein, Michael Hüners and Torsten Michaelsen. Berlin: Erich Schmidt, 2002. 125–42. |
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| Barker, Martin. "Seeing how far you can see: On being a ‘fan’ of 2000 ad." Reading Audiences. Young people and the media. Ed. David Buckingham. Manchester, New York: Manchester Univ. Press, 1993. 159–83. |
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| Barker, Martin. "Taking the Extreme Case: Understanding a fascist fan of judge dredd." Trash Aesthetics. Popular Culture and its Audience. Eds. Deborah Cartmell, et al. London: Pluto, 1997. 14–30. |
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| Barker, Martin. "Jackie and the Problem of Romance." A Comics Studies Reader. Eds. Jeet Heer and Kent Worcester. Jackson: Univ. Press of Mississippi, 2009. 190–206. |
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| Barker, Martin. "Fredric Wertham—The Sad Case of the Unhappy Humanist." Pulp Demons. International Dimensions of the Postwar Anti-Comics Campaign. Ed. John A. Lent. Madison [etc.]: Fairleigh Dickinson Univ. Press, 1999. 215–33. |
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| Barker, Martin. "Getting a Conviction: Or, how the british horror comics campaign only just succeeded." Pulp Demons. International Dimensions of the Postwar Anti-Comics Campaign. Ed. John A. Lent. Madison [etc.]: Fairleigh Dickinson Univ. Press, 1999. 69–92. |
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| Barkman, Adam. "Should Athena Really Wear Pink? Japanese manga, european mythology and ultimate reality." Manga and Philosophy. Fullmetal Metaphysician. Eds. Josef Steiff and Adam Barkman. Popular Culture and Philosophy. Chicago: Open Court, 2010. 69–80. |
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| Barkman, Adam. "Did Santa Die on the Cross?." Anime and Philosophy. Wide Eyed Wonder. Eds. Josef Steiff and Tristan D. Tamplin. Popular Culture and Philosophy. Chicago: Open Court, 2010. 105–19. |
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| Barkman, Adam. "Superman: From Anti-Christ to Christ-Type." Superman and Philosophy. What Would the Man of Steel Do? Ed. Mark D. White. Blackwell Philosophy and Pop Culture. Chichester: Wiley-Blackwell, 2013. 111–20. |
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| Barnes, Rex. "The Implied Spider-Man: Transcreating religious imagery and meaning in spider-man: india." The Assimilation of Yogic Religions through Pop Culture. Ed. Paul G. Hackett. Lanham [etc.]: Rowman & Littlefield, 2017. 197–217. |
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| Barnes, Spencer. "On the Use of Encapsulation, Parity, and Visual Storytelling in Graphic Medicine." Health Humanities in Application. Eds. Christian Riegel and Katherine M. Robinson. Sustainable Development Goals. New York [etc.]: Palgrave Macmillan, 2023. 265–86. |
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| Barnet, Tully and Ben Kooyman. "The Cure Has Killed Us All: Dramatizing medical ethics through zombie and period fiction tropes in the new deadwardians." The Walking Med. Zombies and The Medical Image. Eds. Lorenzo Servitje and Sherryl Vint. Graphic Medicine. University Park: Penn State Univ. Press, 2016. |
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| Barnett, Stuart. "Astérix and the Dream of Autochthony." Son of Classics and Comics. Eds. George Kovacs and C. W. Marshall. Classical Presences. New York: Oxford Univ. Press, 2016. 131–42. |
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| Baroni, Raphaël. "Le suspense dans le feuilleton littéraire et dans la bande dessinée." Bédé, ciné, pub et art. D’un média à l’autre. Eds. Philippe Kaenel and Gilles Lugrin. Gollion: Infolio, 2007. 141–65. |
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| Barr, Mike W. "Batman in Outer Space." Batman Unauthorized. Vigilantes, Jokers, and Heroes in Gotham City. Eds. Dennis O’Neil and Leah Wilson. Smart Pop. Dallas: Benbella Books, 2008. 127–36. |
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| Barr, Terry. "Teaching Maus to a Holocaust Class." Teaching the Graphic Novel. Ed. Stephen E. Tabachnick. Options for Teaching. New York: The Modern Language Assoc. of America, 2009. 76–83. |
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| Barrera-Vidal, Albert. "La BD en Communauté française de Belgique. Essai de présentation systématique." Belgien im Blick: Interkulturelle Bestandsaufnahmen – Regards croisés sur la Belgique contemporaine – Blikken op België: Interculturele Beschouwingen. Ed. Anne Begenat-Neuschäfer. Belgien im Fokus. Frankfurt am Main [etc.]: Peter Lang, 2007. 271–302. |
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| Barrera-Vidal, Albert. "Selbstbilder und Fremdbilder in der frankophonen Bande dessinée Belgiens am Beispiel Deutschlands." Comic und Jugendliteratur in Belgien von ihren Anfängen bis heute. Ed. Anne Begenat-Neuschäfer. Belgien im Fokus. Frankfurt am Main [etc.]: Peter Lang, 2008. 121–52. |
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| Barrera-Vidal, Albert. "Le Moyen Âge dans la bande dessinée." Bilderwelten – Textwelten – Comicwelten. Romanistische Begegnungen mit der Neunten Kunst. Eds. Frank Leinen and Guido Rings. München: Meidenbauer, 2007. 25–43. |
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| Barrera-Vidal, Albert. "Comics und Sprachunterricht." Comics. Katalog der Comics-Ausstellung im Münchner Stadtmuseum vom 2. März bis 6. Mai 1974. Ed. Reinhold C. Reitberger. München: Icon, 1974. |
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| Barris, Jeremy. "Plato, Spider-Man and the Meaning of Life." Comics as Philosophy. Ed. Jeff McLaughlin. Jackson: Univ. Press of Mississippi, 2005. 63–83. |
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| Bartley, Aryn. "Staging Cosmopolitanism: The transnational encounter in joe sacco’s footnotes in gaza." Transnational Perspectives on Graphic Narratives. Comics at the Crossroads. Eds. Shane Denson, Christina Meyer and Daniel Stein. New York: Bloomsbury, 2013. 67–82. |
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| Bartosch, Sebastian. "Genre und Comic." Filmwissenschaftliche Genreanalyse. Eine Einführung. Eds. Markus Kuhn, Irina Scheidgen and Nicola Valeska Weber. De Gruyter Studium. Berlin: de Gruyter, 2013. 381–408. |
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| Bartra, Armando. "Dawn, Noon, and Dusk of a Tumultuous Narrative: The evolution of mexican comic art." Cartooning in Latin America. Ed. John A. Lent. Cresskill: Hampton, 2005. 253–78. |
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| Bartual, Roberto. "Architecture and comics: citizens of no place." The Comics Grid. Journal of Comics Scholarship. Year One. Ed. Ernesto F. Priego Ramirez. London: The Comics Grid Digital First Editions, 2012. 190–92. |
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| Bartual, Roberto. "Creation versus interpretation in To Boil a Bear." The Comics Grid. Journal of Comics Scholarship. Year One. Ed. Ernesto F. Priego Ramirez. London: The Comics Grid Digital First Editions, 2012. 90–92. |
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| Bartual, Roberto. "Gasoline Alley, 22 April 1934." The Comics Grid. Journal of Comics Scholarship. Year One. Ed. Ernesto F. Priego Ramirez. London: The Comics Grid Digital First Editions, 2012. 20–23. |
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| Bartual, Roberto. "Inner Focalization: A child’s game." The Comics Grid. Journal of Comics Scholarship. Year One. Ed. Ernesto F. Priego Ramirez. London: The Comics Grid Digital First Editions, 2012. 46–48. |
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| Bartual, Roberto. "John Byrne’s White on White." The Comics Grid. Journal of Comics Scholarship. Year One. Ed. Ernesto F. Priego Ramirez. London: The Comics Grid Digital First Editions, 2012. 62–64. |
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| Bartual, Roberto. "Peanuts, 5 October 1950." The Comics Grid. Journal of Comics Scholarship. Year One. Ed. Ernesto F. Priego Ramirez. London: The Comics Grid Digital First Editions, 2012. 8–9. |
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| Baru. "The Working Class and Comics: A french cartoonist’s perspective." History and Politics in French-Language Comics and Graphic Novels. Ed. Mark McKinney. Jackson: Univ. Press of Mississippi, 2008. 239–58. |
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| Baschiera, Stefano. "The Thickness of the Panel: Narrative stratification and complexification in azzarello’s 100 bullets." Cinema e fumetto. Cinema and comics. Eds. Leonardo Quaresima, Laura Ester Sangalli and Federico Zecca. Udine: Forum, 2009. 367–80. |
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| Baskind, Samantha. "A Conversation with Miriam Katin." The Jewish Graphic Novel. Critical Approaches. Eds. Samantha Baskind and Ranen Omar-Sherman. New Brunswick: Rutgers Univ. Press, 2008. 237–43. |
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| Baskind, Samantha. "Joe Kubert’s Yossel: April 19, 1943: Faith and art history’s precedents." Comics and Sacred Texts. Reimagining Religion and Graphic Narratives. Eds. Assaf Gamzou and Ken Koltun-Fromm. Jackson: Univ. Press of Mississippi, 2018. 193–210. |
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| Baskind, Samantha. "Picturing “The Holiest Thing”: Joe kubert’s children of the warsaw ghetto." Visualizing Jewish Narrative. Jewish Comics and Graphic Novels. Ed. Derek Parker Royal. New York: Bloomsbury Academic, 2016. 171–84. |
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| Basu, Lopamudra. "The Graphic Memoir in a State of Exception: Transformations of the personal in art spiegelman’s in the shadow of no towers." Drawing from Life. Memory and Subjectivity in Comic Art. Ed. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013. 163–84. |
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| Bateman, John A., Annika Beckmann, and Rocio Varela. "From Empirical Studies to Visual Narrative Organization: Exploring page composition." Empirical Comics Research. Digital Multimodal and Cognitive Methods. Eds. Alexander Dunst, Jochen Laubrock and Janina Wildfeuer. Routledge Advances in Comics Studies. London, New York: Routledge, 2018. 127–53. |
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| Battis, Jes. "The Kryptonite Closet: Silence and queer." The Smallville Chronicles. Critical Essays on the Television Series. Ed. Lincoln Geraghty. Lanham [etc.]: Rowman & Littlefield, 2011. 45–64. |
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| Bauer, Gerd. "Wie liest man einen Collageroman? Zu Max Ernsts ›La femme 100 têtes‹." Max Ernst. Illustrierte Bücher und druckgraphische Werke. Die Sammlung Hans Bollinger. Köln: Wienand, 1989. 51–73. |
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| Bauer, Matthias. "(Don’t) Say Yes to Another Excess: Ang lees transformation der hulk-legende." Ang Lee. Ed. Matthias Bauer-Funke. Film-Konzepte. München: edition text + kritik, 2007. 81–96. |
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| Bauer, Gero. "Hope and Kinship in AMC’s »The Walking Dead«." Ethik in Serie. Eds. Cordula Brand and Simon Meisch. 2nd ed. Materialien zur Ethik in den Wissenschaften. Tübingen: Tübingen Library Publ. 2018. 121–32. |
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| Bauer, Heike. "Comics, Graphic Narratives, and Lesbian Lives." The Cambridge Companion to Lesbian Literature. Ed. Jodie Medd. Cambridge Companions to Literature. Cambridge [etc.]: Cambridge Univ. Press, 2015. 219–36. |
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| Baumann, Uwe. "»Populäre Inszenierung des Grauens«: Attila und die hunnen-einfälle im modernen geschichts-comic." Die Völkerwanderung. Mythos – Forschung – Vermittlung. Eds. Peter Geiss and Konrad Vössing. Wissenschaft und Lehrerbildung. Bonn: Bonn Univ. Press, 2021. 183–229. |
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| Baumgärtner, Alfred Clemens. "Der Bilderbogen für Kinder in Deutschland." Das Bilderbuch. Geschichte und Entwicklung des Bilderbuchs von de Anfängen bis zur Gegenwart. Eds. Klaus Doderer and Helmut Müller. Weinheim, Basel: Beltz, 1973. 67–98. |
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