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| Arrouye, Jean. "Le Vagabond des Limbes pourfendeur de mythes." Mythe et bande dessinée. Eds. Danielle Corrado and Viviane Alary. Littératures. Clermont-Ferrand: Presses Univ. Blaise Pascal, 2006. 81–94. |
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| Ault, Donald. "“Cutting Up” Again Part II: Lacan on barks on lacan." Comics & Culture. Analytical and Theoretical Approaches to Comics. Eds. Anne Magnussen and Hans-Christian Christiansen. Copenhagen: Museum Tusculanum, 2000. 123–40. |
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| Auraix-Jonchière, Pascale. "Lilith dans Nosferatu de Druillet (2001)." Mythe et bande dessinée. Eds. Danielle Corrado and Viviane Alary. Littératures. Clermont-Ferrand: Presses Univ. Blaise Pascal, 2006. 259–69. |
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| Austin, Sara. "Understanding Rhetoric, Understanding Genre: A rhetorical genre studies approached writing course." Teaching Graphic Novels in the English Classroom. Pedagogical Possibilities of Multimodal Literacy Engagement. Ed. Alissa Burger. New York [etc.]: Palgrave Macmillan, 2018. 29–41. |
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| Austin, Hailey J. "If She Be Worthy: Performance of female masculinity and toxic geek masculinity in jason aaron’s thor: the goddess of thunder." Superheroes and Masculinity. Unmasking the Gender Performance of Heroism. Eds. Sean Parson and J. L. Schatz. Lanham [etc.]: Rowman & Littlefield, 2019. 29–45. |
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| Aúz García, Rocío A. and Tobias Lotter. "Superman in Mekka: Botschaften und rezeption des islamischen superhelden comics." Comics – Bilder, Stories und Sequenzen in religiösen Deutungskulturen. Eds. Jörn Ahrens, Frank Thomas Brinkmann and Nathanael Riemer. Wiesbaden: Springer VS, 2015. 235–54. |
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| Avventi, Carlo. "Filme ohne Augenzwinkern: Zur wertevermittlung in hayao miyazakis werk." Comics und Animationsfilme. Eds. Klaus Maiwald and Petra Josting. Jahrbuch Medien im Deutschunterricht. München: kopaed, 2010. 158–75. |
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| Ax, Wolfram. "Die Lorbeeren Caesars: Oder: vom sieg der gallischen über die römische rhetorik." Asterix und seine Zeit. Die große Welt des kleinen Galliers. München: C.H. Beck, 2001. 128–42. |
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| Babic, Annessa Ann. "Wonder Woman as Patriotic Icon: The amazon princess for the nation and femininity." Comics as History, Comics as Literature. Roles of the Comic Book in Scholarship, Society, and Entertainment. Ed. Annessa Ann Babic. Madison [etc.]: Fairleigh Dickinson Univ. Press, 2014. 93–106. |
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| Babilas, Dorota. "Her Majesty’s Own Murderer? Queen victoria and jack the ripper in popular fiction." Crime Scenes. Modern Crime Fiction in an International Context. Eds. Urszula Elias and Agnieszka Sienkiewicz-Charlish. Gdańsk Transatlantic Studies in British and North American Culture. Frankfurt am Main [etc.]: Peter Lang, 2014. 213–28. |
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| Baccolini, Raffaella and Federico Zanettin. "The Language of Trauma: Art spiegelman’s maus and its translations." Comics in Translation. Ed. Federico Zanettin. Manchester: St. Jerome, 2008. 99–132. |
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| Bachmann, Christian A. "Bildlaute und laute(r) Bilder: Onomatopöien, sprechblasen und andere »audio-visuelle« darstellungsmittel in comics und bildergeschichten – zur einführung." Bildlaute & laute Bilder. Zur ›Audiovisualität‹ von Bilderzählungen. Ed. Christian A. Bachmann. Bochum: Ch.A. Bachmann, 2014. 7–24. |
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| Bachmann, Christian A. "Radio(-)Comics: Stichproben in einem feld transsensorischer intermedialität." Comics intermedial. Eds. Christian A. Bachmann, Véronique Sina and Lars Banhold. Bochum: Ch.A. Bachmann, 2012. 199–216. |
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| Bachmann, Rebecca. "All of Your Choices Matter: Charakterbildungsrelevante entscheidungen in videospielen am beispiel von telltales the walking dead." Vom Binge Watching zum Binge Thinking. Untersuchungen im Wechselspiel zwischen Wissenschaften und Popkultur. Eds. Martin Böhnert and Paul Reszke. Bielefeld: Transcript, 2019. |
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| Added by: joachim 19/03/2019, 19:27 |
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| Bachmann, Christian A. " In der Bastardzone: Hybridität als schnittstelle von kinder- und jugendmedienforschung und comicforschung am beispiel der serien big little books und weltliteratur für junge leser." Schnittstellen der Kinder- und Jugendmedienforschung. Aktuelle Positionen und Perspektiven. Eds. Ute Dettmar, Caroline Roeder and Ingrid Tomkowiak. Stuttgart: Metzler, 2019. |
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| Bachmann, Christian A. "Der Comic als Labor semiotischer Interpiktorialitätsforschung: Paul karasiks und david mazzucchellis city of glass." Interpiktorialität. Theorie und Geschichte der Bild-Bild-Bezüge. Ed. Guido Isekenmeier. Bielefeld: Transcript, 2013. 299–318. |
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| Bachmann, Christian A. "Bilderbuch und Comic im Dialog: Paul kirchners und guy billouts geschichten über busse – ein fallbeispiel." Die Welt im Bild erfassen. Multidisziplinäre Perspektiven auf das Bilderbuch. Eds. Tobias Kurwinkel, Corinna Norrick-Rühl and Philipp Schmerheim. Kinder- und Jugendliteratur intermedial. Würzburg: Königshausen & Neumann, 2020. |
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| Last edited by: joachim 29/12/2021, 13:23 |
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| Bachmann, Christian A. "Das Nachleben von Wilhelm Buschs ›Virtuosen‹: Zur darstellungstradition eines musiker-stereotyps und seiner rezeption im comic um 1900." Farbe, Klang, Reim, Rhythmus. Interdisziplinäre Zugänge zur Musik im Bilderbuch. Eds. Lars Oberhaus and Mareile Oetken. Bielefeld: Transcript, 2017. 101–26. |
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| Bachmann, Michael. "Gesten des Dokumentarischen zwischen Comic und Film." Transmediale Genre-Passagen. Interdisziplinäre Perspektiven. Eds. Ivo Ritzer and Peter W. Schulze. Neue Perspektiven der Medienästhetik. Wiesbaden: Springer VS, 2016. 237–51. |
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| Bachmann, Christian A. "Von Masken und Mäusen: Zu masken in superhelden- und autobiographischen comics." Masken. Eds. Kurt Röttgers and Monika Schmitz-Emans. Essen: Blaue Eule, 2009. 210–32. |
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| Added by: joachim 18/07/2012, 13:04 |
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| Bachmann, Christian A. "»V for Victory!« – »V for Vegetable!«: Über superman, donald duck und andere gärtner des zweiten weltkrieges." Gärten. Eds. Kurt Röttgers and Monika Schmitz-Emans. Essen: Blaue Eule, 2011. 143–55. |
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| Bachmann, Christian A. "Nackte Helden und »Faschingsbarbarossas«: ›hypertrophe‹ bärte und ›hypertrophe‹ zeichen – zu bärten im comic." Anything Grows. 15 Essays zur Geschichte, Ästhetik und Bedeutung des Bartes. Eds. Jörg Scheller and Alexander Schwinghammer. Stuttgart: Franz Steiner, 2014. 207–28. |
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| Bachmann, Christian A. "Comic und Comicbuch." Literatur, Buchgestaltung und Buchkunst. Ein Kompendium. Ed. Monika Schmitz-Emans. Berlin u. Boston: de Gruyter, 2019. 574–86. |
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| Bachmann, Christian A. "Chris Wares labyrinthische Comics." Labyrinthe als Texte – Texte als Labyrinthe. Eds. Monika Schmitz-Emans and Christian A. Bachmann. forum texte + projekte. Bochum: Ch.A. Bachmann, 2009. 157–62. |
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| Bachmann, Christian A. "Superhelden." Metzler Lexikon moderner Mythen. Figuren, Konzepte, Ereignisse. Eds. Stephanie Wodianka and Juliane Ebert. Stuttgart: Metzler, 2014. 352–56. |
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| Bachmayer, Eva. "»Gequälter Engel«: Das frauenbild in den pornografischen comics." Nippons neue Frauen. Eds. Ruth Linhart and Fleur Wöss. rororo sachbuch. Reinbek bei Hamburg: Rowohlt, 1990. 205–25. |
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| Bachmayer, Eva. "»Gequälter Engel« – Das Frauenbild in den erotischen Comics in Japan: Versuch einer psychoanalytischen und feministischen interpretation." Aspekte japanischer Comics. Eds. Megumi Maderdonner and Eva Bachmayer. Beiträge zur Japanologie. Wien: Inst. f. Japanologie, Univ. Wien, 1986. 95–223. |
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| Backe, Hans-Joachim. "Vom Yellow Kid zu Super Mario: Zum verhältnis von comics und computerspielen." Comics intermedial. Eds. Christian A. Bachmann, Véronique Sina and Lars Banhold. Bochum: Ch.A. Bachmann, 2012. 143–57. |
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| Backe, Hans-Joachim. "The League of Extraordinary Gentlemen as (Cultural) History." Geschichte im Comic. Befunde – Theorien – Erzählweisen. Ed. Bernd Dolle-Weinkauff. Berlin: Ch.A. Bachmann, 2018. 189–208. |
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| Backe, Hans-Joachim. "Narrative Feedback: Computer games, comics, and the james bond franchise." The Cultures of James Bond. Eds. Joachim Frenk and Christian Krug. Trier: Wissenschaftlicher Verlag Trier, 2011. 221–33. |
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| Backe, Hans-Joachim. "Alan Moores League of Extraordinary Gentlemen: Comics als/über/durch literaturgeschichte." Literaturgeschichte und Bildmedien. Eds. Achim Hölter and Monika Schmitz-Emans. Hermeia. Heidelberg: Synchron, 2015. 293–310. |
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| Added by: joachim 22/05/2016, 14:09 |
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| Backe, Hans-Joachim. "Preachers, Butchers, Politicians, or: The Gravitational Pull of Liminal Superheroes." Breaking the Panel! Comics as a Medium. Eds. Rebecca Klütsch, Sina A. Nitzsche and Stefan Schlensag. masteRResearch. Berlin [etc.]: LIT, 2015. 21–36. |
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| Backe, Hans-Joachim. "Politrickery: Brian k. vaughans meta-politik." Comics & Politik. Comics & Politics. Ed. Stephan Packard. Bochum: Ch.A. Bachmann, 2014. 443–60. |
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| Backe, Hans-Joachim. "Transformation und Aneignung: Literarische prätexte in moores und gibbons’ watchmen." Comic und Literatur. Konstellationen. Ed. Monika Schmitz-Emans. linguae & litterae. Berlin u. Boston: de Gruyter, 2012. 187–202. |
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| Backe, Hans-Joachim. "Writing as medium of the Unspeakable: Written language as an expression of the ephemeral in literary comics and digital games." Schrift und Graphisches im Vergleich. Eds. Monika Schmitz-Emans, Linda Simonis and Simone Sauer-Kretschmer. Bielefeld: Aisthesis, 2019. 485–96. |
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| Backus, Madeline and Ken Koltun-Fromm. "Writing the Sacred in Craig Thompson’s Habibi." Comics and Sacred Texts. Reimagining Religion and Graphic Narratives. Eds. Assaf Gamzou and Ken Koltun-Fromm. Jackson: Univ. Press of Mississippi, 2018. 5–24. |
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| Bacon-Smith, Camille and Tyrone Yarborough. "Batman: The Ethnography." The Many Lives of the Batman. Critical Approaches to a Superhero and his Media. Eds. Roberta E. Pearson and William Uricchio. London, New York: Routledge, 1991. 90–116. |
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| Bader, Birgit. "Comics – »Glück« der Unglücklichen." Zwischen Utopie und heiler Welt. Zur Realismusdebatte in Kinder- und Jugendmedien. Ed. Charlotte Oberfeld. Studien zur Kinder- und Jugendmedien-Forschung. Frankfurt am Main: Haag + Herchen, 1978. 137–58. |
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| Baetens, Jan. "Alfred Hitchcock’s Rear Window as “Cineromanzo”." Comics Studies Here and Now. Ed. Frederick Luis Aldama. Routledge Advances in Comics Studies. London: Routledge, 2018. 90–101. |
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| Baetens, Jan. "Un exemple de collaboration interartistique: Élégie à michel-ange de sandrine willems et marie-françoise plissart." L’hétérogénéité du visuel. T. 3: Intermédialité visuelle. Eds. Sémir Badir and Nathalie Roelens. Limoges: Presses Univ. de Limoges, 2008. |
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| Baetens, Jan. "The Postwar Drawn Novel." The Cambridge History of the Graphic Novel. Eds. Jan Baetens, Hugo Frey and Stephen E. Tabachnick. The Cambridge Companions to Philosophy, Religion and Culture. Cambridge [etc.]: Cambridge Univ. Press, 2018. 75–91. |
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| Baetens, Jan. "The Photo-Graphic Novel: Hybridization and genre theory." The Cultural Dynamics of Generic Change in Contemporary Fiction. Theoretical Frameworks, Genres and Model Interpretations. Eds. Michael Basseler, Ansgar Nünning and Christine Schwanecke. Trier: Wissenschaftlicher Verlag Trier, 2013. 147–62. |
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| Baetens, Jan and Mieke Bleyen. "Photo Narrative, Sequential Photography, Photonovels." Intermediality and Storytelling. Eds. Marina Grishakova and Marie-Laure Ryan. Narratologia. Berlin u. New York: de Gruyter, 2010. 165–82. |
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| Baetens, Jan. "Graphic novels." The Cambridge History of the American Novel. Eds. Leonard Cassuto, Clare Virginia Eby and Benjamin Reiss. Cambridge [etc.]: Cambridge Univ. Press, 2011. 1137–53. |
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| Baetens, Jan. "Dominique Goblet: The list principle and the meaning of form." Graphic Subjects. Critical Essays on Autobiography and Graphic Novels. Ed. Michael A. Chaney. Wisconsin Studies in Autobiography. Madison: Univ. of Wisconsin Press, 2011. 76–92. |
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| Baetens, Jan. "Nederlandse literatuur en strips (met enkele uitstapjes naar de film)." Internationale neerlandistiek: een vak in beweging. Eds. Jane Fenoulhet and Jan Renkema. Lage Landen Studies. Gent: Academia, 2010. 255–68. |
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| Baetens, Jan and Hugo Frey. "The Graphic Novel." The Cambridge Companion to the Novel. Ed. Eric Bulson. Cambridge Companions to Literature. Cambridge [etc.]: Cambridge Univ. Press, 2018. 238–53. |
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| Baetens, Jan and Hugo Frey. "Graphic Novels and the First World War." Teaching Representations of the First World War. Eds. Debra Rae Cohen and Douglas Higbee. New York: The Modern Language Assoc. of America, 2017. 277–83. |
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| Baetens, Jan and Hugo Frey. "Continued Comics: The new ‘blake and mortimer’ as an example of continuation in european series." The Edinburgh Companion to Contemporary Narrative Theories. Eds. Zara Dinnen and Robyn Warhol. Edinburgh Companions to Literature and the Humanities. Edinburgh: Edinburgh University Press, 2018. 215–26. |
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| Baetens, Jan. "« Bandes dessinées écrites »: La question des rapports texte/image en bande dessinée à la lumière du château d’olivier deprez (olivier deprez, le château de kafka)." Déconstruire l’image. Ed. Christophe Genin. Esthétique. Paris: Publications de la Sorbonne, 2011. 37–50. |
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| Baetens, Jan. "Adapting and displaying multiple temporalities: What became of trollope’s john caldigate and maupassant’s boule de suif in simon grennan’s dispossession and dino battaglia’s contes et nouvelles de guerre?." Transforming Anthony Trollope. Dispossession, Victorianism and Nineteenth-Century Word and Image. Eds. Simon Grennan and Laurence Grove. Studies in European Comics and Graphic Novels. Leuven: Leuven Univ. Press, 2015. 15–32. |
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| Baetens, Jan and Pascal Lefèvre. "Texts and Images." The French Comics Theory Reader. Eds. Ann Miller and Bart Beaty. Studies in European Comics and Graphic Novels. Leuven: Leuven University Press, 2014. 183–90. |
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| Baetens, Jan and Pascal Lefèvre. "The Work and its Surround." The French Comics Theory Reader. Eds. Ann Miller and Bart Beaty. Studies in European Comics and Graphic Novels. Leuven: Leuven University Press, 2014. 191–202. |
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| Baetens, Jan. "L’adaptation, une stratégie d’écrivain ?." Bande dessinée et adaptation. Littérature, cinéma, TV. Eds. Benoît Mitaine, David Roche and Isabelle Schmitt-Pitiot. Littératures. Clermont-Ferrand: Presses Univ. Blaise Pascal, 2015. 41–60. |
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| Baetens, Jan and Charlotte Pylyser. "Comics and Time." The Routledge Companion to Comics. Eds. Frank Bramlett, Roy T. Cook and Aaron Meskin. London, New York: Routledge, 2016. 303–10. |
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| Baetens, Jan. "The Photographic Novel." Handbook of Intermediality. Literature – Image – Sound – Music. Ed. Gabriele Rippl. Handbooks of English and American Studies. Berlin: de Gruyter, 2015. 219–39. |
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| Baetens, Jan and Steven Surdiacourt. "How to ‘Read’ Images with Texts: The graphic novel case." The SAGE Handbook of Visual Research Methods. Eds. Eric Margolis and Luc Pauwels. Thousand Oaks [etc.]: Sage, 2011. 590–600. |
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| Baetens, Jan and Steven Surdiacourt. "European Graphic Narratives: Toward a cultural and mediological history." From Comic Strips to Graphic Novels. Contributions to the Theory and History of Graphic Narrative. Eds. Daniel Stein and Jan-Noël Thon. Narratologia. Berlin u. Boston: de Gruyter, 2013. 347–62. |
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| Baetens, Jan. "A Cultural Approach to Nonnarrative Graphic Novels: A case study from flanders." Teaching the Graphic Novel. Ed. Stephen E. Tabachnick. Options for Teaching. New York: The Modern Language Assoc. of America, 2009. 281–87. |
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| Baetens, Jan. "Other Non-Fiction." The Cambridge Companion to the Graphic Novel. Ed. Stephen E. Tabachnick. Cambridge Companions to Literature. Cambridge [etc.]: Cambridge Univ. Press, 2017. 130–43. |
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| Baetens, Jan. "Not Telling, but Retelling: From raymond queneau’s exercises in style to matt madden’s 99 ways to tell a story and back." Drawn from the Classics. Essays on Graphic Adaptations of Literary Works. Eds. Stephen E. Tabachnick and Esther Bendit Saltzman. Jefferson, London: McFarland, 2015. 235–48. |
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| Baetens, Jan. "Uncaging and Reframing Martin Vaughn-James’s The Cage." Drawing from Life. Memory and Subjectivity in Comic Art. Ed. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013. 67–85. |
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| Baetens, Jan. "Revealing Traces: A new theory of graphic enunciation." The Language of Comics. Word and Image. Eds. Robin Varnum and Christina T. Gibbons. Studies in Popular Culture. Jackson: Univ. Press of Mississippi, 2001. 145–55. |
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| Baetens, Jan. "Simultanéité: Pour une approche plurielle du simultané dans correspondance de peeters-plissart." Jules Romains et les écritures de la simultanéité. Galsworthy, Musil, Döblin, Dos Passos, Valéry, Simon, Butor, Peeters, Plissart. Ed. Dominique Viart. UL3, Travaux et recherches. Villeneuve d’Ascq: Presses Univ. du Septentrion, 1996. 293–303. |
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| Bahners, Patrick. "»Danke für die Extratinte!«: Bild und erzählung, weißraum und schwarzflächen bei krazy kat." Das erzählende und das erzählte Bild. Eds. Alexander Honold and Ralf Simon. eikones. München: Fink, 2010. 87–126. |
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| Bahr, David. "Choreographing Time: Art spiegelman’s present, past(s) and the craft of creative non fiction comics." American Creative Non-Fiction. Ed. Jay Ellis. Critical Insights. Englewood Cliffs: Salem Pr. 2015. 196–212. |
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| Bahr, David. "Outside the Box: Teaching graphic narrative in the multicultural community college." Class, Please Open Your Comics. Essays on Teaching with Graphic Narratives. Ed. Matthew L. Miller. Jefferson: McFarland, 2015. 51–61. |
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| Bailey, Beth. "Sex as a Weapon: Underground comix and the paradox of liberation." Imagine Nation. The American Counterculture of the 1960's and 70's. Eds. Peter Braunstein and Michael William Doyle. London, New York: Routledge, 2002. 305–24. |
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| Bainbridge, Jason. "“I am New York” – Spider-Man, New York City, and the Marvel Universe." Comics and the City. Urban Space in Print, Picture and Sequence. Eds. Jörn Ahrens and Arno Meteling. London, New York: Continuum, 2010. 163–79. |
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| Bainbridge, Jason. "“You were the world’s first superhero”: Marvel studio’s superheroes, law and the pursuit of justice." Assembling the Marvel Cinematic Universe. Essays on the Social, Cultural and Geopolitical Domains. Eds. Julian C. Chambliss, William Svitavsky and Daniel Fandino. Jefferson: McFarland, 2018. 150–67. |
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| Bainbridge, Jason. "‘Worlds Within Worlds’: The role of superheroes in the marvel and dc universes." The Contemporary Comic Book Superhero. Ed. Angela Ndalianis. Routledge Research in Cultural and Media Studies. London, New York: Routledge, 2009. 64–85. |
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| Bainbridge, Jason and Craig Norris. "Hybrid Manga: Implications for the global knowledge economy." Manga. An Anthology of Global and Cultural Perspectives. Ed. Toni Johnson-Woods. London, New York: Continuum, 2010. 235–52. |
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| Baker, Bill. "The Essential Sequential Steampunk: A modest survey of the genre within the comic book medium." Steampunk. Eds. Ann VanderMeer and Jeff VanderMeer. San Francisco: Tachyon, 2008. 359–68. |
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| Bakker, Freek. "Hanuman im indischen Animationsfilm und die Entwicklungen im Hinduismus." Weltentwürfe im Comic/film. Mensch, Gesellschaft, Religion. Eds. Theresia Heimerl and Christian Wessely. Religion, Film und Medien. Marburg: Schüren, 2018. 83–97. |
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| Bal, Mieke. "Aestheticizing Catastrophe." Reading Charlotte Salomon. Eds. Michael P. Steinberg and Monica Bohm-Duchen. Ithaca: Cornell Univ. Press, 2005. 167–93. |
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| Balisch, Faith. "Lynn Johnston's »Theratoons«: Extending the Limits of the Comic Strip." Images and Imagery. Frames, Borders, Limits – Interdisciplinary Perspectives. Eds. Leslie Boldt-Irons, Corrado Federici and Ernesto Virgulti. Studies of Themes and Motifs in Literature. New York [etc.]: Peter Lang, 2005. 241–54. |
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| Ball, David M. "World Literature." The Cambridge History of the Graphic Novel. Eds. Jan Baetens, Hugo Frey and Stephen E. Tabachnick. The Cambridge Companions to Philosophy, Religion and Culture. Cambridge [etc.]: Cambridge Univ. Press, 2018. 591–608. |
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| Ball, David M. "Chris Ware’s Failures." The Comics of Chris Ware. Drawing is a Way of Thinking. Eds. David M. Ball and Martha B. Kuhlman. Jackson: Univ. Press of Mississippi, 2010. 45–61. |
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| Ball, David M. "Allusive Confessions: The literary lives of alison bechdel’s fun home." Drawing from Life. Memory and Subjectivity in Comic Art. Ed. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013. 3–25. |
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| Ball, David M. "Comics Against Themselves: Chris ware’s graphic narratives as literature." The Rise of the American Comics Artist. Creators and Contexts. Eds. Paul Williams and James Lyons. Jackson: Univ. Press of Mississippi, 2010. 103–23. |
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| Ballesteros, Antonio. "L’assassin multiple comme mythe moderne: from hell d’alan moore et eddie campbell." Mythe et bande dessinée. Eds. Danielle Corrado and Viviane Alary. Littératures. Clermont-Ferrand: Presses Univ. Blaise Pascal, 2006. 323–34. |
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| Ballhausen, Thomas. "Die zwei Spuren der Zauberflöte: Von liebeskinds märchen zu russells comicadaption." Mozart im Kino. Ed. Günter Krenn. Edition Film + Text. Wien: Filmarchiv Austria, 2006. 102–17. |
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| Added by: joachim 18/07/2011, 23:31 |
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