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Delisle, Philippe. Hergé, Franquin, le chevalier et le missionnaire: BD franco-belge, politique et religion. Mémoire vive. Montrouge: PLG, 2023. |
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Delporte, Julie. La bédé-réalité: La bande dessinée autobiographique à l’heure des technologies numériques. Colosse/Essai. Montréal: Vincent Girard, 2011. |
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Deluchey, Guy. Ich, Tarzan: Wie er wurde, was er ist. München: Knesebeck, 2011. |
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Deman, J. Andrew. The Margins of Comics: The Construction of Woman, Minorities and the Geek in Graphic Narrative. Toronto: Nuada, 2015. |
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Deman, J. Andrew. The Claremont Run: Subverting Gender in the X-Men. World Comics and Graphic Nonfiction. Austin: Univ. of Texas Press, 2023. |
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Demos, T. J. Dara Birnbaum: Technology/Transformation: Wonder Woman. One Work. Cambridge, London: MIT Press, 2010. |
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Demsky, Jeffrey. Nazi and Holocaust Representations in Anglo-American Popular Culture, 1945–2020: Irreverent Remembrance. Palgrave Studies in Cultural Heritage and Conflict. New York [etc.]: Palgrave Macmillan, 2022. |
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Dencker, Klaus Peter. Optische Poesie: Von den prähistorischen Schriftzeichen bis zu den digitalen Experimenten der Gegenwart. Berlin u. New York: de Gruyter, 2011. |
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Deneyer, François. Petites histoires originales: Un voyage parmi les planches originales de la bande dessinée. Bruxelles: Éd. Musée Jijé, 2016. |
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Denison, Rayna and Rachel Mizsei-Ward, eds. Superheroes on World Screens. Jackson: Univ. Press of Mississippi, 2015. |
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Denscher, Bernhard. Humor vor dem Untergang: Tobias Seicherl – Comics zur Zeitgeschichte 1930 bis 1933. Wien: Österreichischer Bundesverl. 1983. |
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Denson, Shane, Christina Meyer, and Daniel Stein, eds. Transnational Perspectives on Graphic Narratives: Comics at the Crossroads. New York: Bloomsbury, 2013. |
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Deprêtre, Évelyne and German A. Duarte, eds. Transmédialité, Bande dessinée & Adaptation. Graphèmes. Clermont-Ferrand: Presses Univ. Blaise Pascal, 2019. |
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Derbel, Emira. Iranian Women in the Memoir: Comparing Reading Lolita in Tehran and Persepolis (1) and (2). Newcastle upon Tyne: Cambridge Scholars Publ. 2017. |
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DeTora, Lisa and Jodi Cressman, eds. Graphic Embodiments: Perspectives on Health and Embodiment in Graphic Narratives. Leuven: Leuven Univ. Press, 2021. |
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Devlin, Tom, ed. Drawn & Quarterly: Twenty-Five Years Of Contemporary Cartooning, Comics, And Graphic Novels. Montreal: Drawn & Quarterly, 2015. |
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Dewey, Donald. The Art of Ill Will: The Story of American Political Cartoons. New York, London: New York Univ. Press, 2007. |
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Dibiasi, Alexander. Wolverine wird Abgeordneter: Zum politischen Potential von Comicverfilmungen. Filmwissenschaft. Berlin [etc.]: LIT, 2012. |
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DiPaolo, Marc, ed. Working-Class Comic Book Heroes: Class Conflict and Populist Politics in Comics. Jackson: Univ. Press of Mississippi, 2018. |
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Ditschke, Stephan, Katerina Kroucheva, and Daniel Stein, eds. Comics: Zur Geschichte und Theorie eines populärkulturellen Mediums. Kultur- und Medientheorie. Bielefeld: Transcript, 2009. |
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Dittmer, Jason, ed. Comic Book Geographies. Media Geography at Mainz. Stuttgart: Franz Steiner, 2014. |
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Dittmer, Jason and Daniel Bos. Popular Culture, Geopolitics, and Identity. Human Geography in the Twenty-First Century. Issues and Applications. 2nd ed. Lanham [etc.]: Rowman & Littlefield, 2019. |
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Dittrich, Iris. Wayang Kulit: Mythos und Provokation im indonesischen Schattentheater. Europäische Hochschulschriften: Reihe 30, Theater-, Film- und Fernsehwissenschaften. Frankfurt am Main [etc.]: Peter Lang, 2001. |
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Dixon, Wheeler Winston and Richard Graham. A Brief History of Comic Book Movies. New York [etc.]: Palgrave Macmillan, 2017. |
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Dobbs, G. Michael. Escape! How Animation Broke into the Mainstream in the 1990s. Duncan: BearManor Media, 2007. |
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Doderer, Klaus, ed. Lexikon der Kinder- und Jugendliteratur: Personen-, Länder- und Sachartikel zu Geschichte und Gegenwart der Kinder- und Jugendliteratur. 3rd ed. 4 vols. Weinheim, Basel: Beltz, 1995. |
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von Dœtinchem, Dagmar and Klaus Hartung. Zum Thema Gewalt in Superhelden-Comics. Basis Theorie. Berlin: Basis, 1974. |
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Doetsch, Marietheres. Comics und ihre jugendlichen Leser. Meisenheim am Glan: Anton Hain, 1958. |
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Doherty, Brian. Dirty Pictures: How an Underground Network of Nerds, Feminists, Geniuses, Bikers, Potheads, Printers, Intellectuals, and Art School Rebels Revolutionized Art and Invented Comix. New York: Abrams, 2022. |
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Dohm, Annekatrin. Historisches Lernen an Comics, untersucht an Art Spiegelmans Maus. Oldenburger Vor-Drucke. Oldenburg: ZpB, 1999. |
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Dolle-Weinkauff, Bernd. Comics. Geschichte einer populären Literaturform in Deutschland seit 1945. Weinheim, Basel: Beltz, 1990. |
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Dolle-Weinkauff, Bernd. Comics made in Germany: 60 Jahre Comics aus Deutschland 1947–2007. Gesellschaft für das Buch. Wiesbaden: Harassowitz, 2008. |
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Dolle-Weinkauff, Bernd, ed. Geschichte im Comic: Befunde – Theorien – Erzählweisen. Berlin: Ch.A. Bachmann, 2018. |
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Dolle-Weinkauff, Bernd and Dietrich Grünewald, eds. Studien zur Geschichte des Comic[u]. Berlin: Ch.A. Bachmann, 2022. |
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Domsch, Sebastian, Dan A. Hassler-Forest, and Dirk Vanderbeke, eds. Handbook of Comics and Graphic Narratives. Handbooks of English and American Studies. Berlin u. Boston: de Gruyter, 2021. |
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Donadon, Lia Roxana. Mafalda: Quinos Comicstrip als Gesellschaftskritik im Argentinien der 1960er und 70er Jahre. Siegen Research in Graphic Narrative. Siegen: Universi, 2021. |
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Dong, Lan, ed. Teaching Comics and Graphic Narratives: Essays on Theory, Strategy and Practice. Jefferson, London: McFarland, 2012. |
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Donnelly, Liza. Funny Ladies: The New Yorker’s Greatest Women Cartoonists and Their Cartoons. Amherst: Prometheus, 2005. |
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Dony, Christophe, Tanguy Habrand, and Gert Meesters, eds. La bande dessinée en dissidence / Comics in Dissent: Alternative, indépendance, auto-édition / Alternative, Independence, Self-Publishing. ACME. Liège: Presses Univ. de Liège, 2014. |
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Dooley, Dennis and Gary Engle, eds. Superman at Fifty: The Persistence of a Legend. Cleveland: Octavia, 1987. |
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Dooley, Michael and Steven Heller, eds. The Education of a Comics Artist: Visual Narrative in Cartoons, Graphic Novels, and Beyond. New York: Allworth Pr. 2005. |
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Dopico, Pablo. El cómic underground español, 1970–1980. Cuadernos Arte Cátedra. Madrid: Cátedra, 2005. |
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Dorfman, Ariel. Der einsame Reiter und Babar, König der Elefanten: Von harmlosen Helden in unseren Köpfen. Rororo. Reinbek bei Hamburg: Rowohlt, 1988. |
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Dorfman, Ariel and Manuel Jofré. Superman y sus amigos del alma. Buenos Aires: Editorial Galerna, 1974. |
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Dorfman, Ariel and Armand Mattelart. Para leer al Pato Donald: Comunicacion de masa y colonialismo. Mexico: Siglo XXI Ed. 1972. |
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Dorfman, Ariel and Armand Mattelart. Walt Disneys »Dritte Welt«: Massenkommunikation und Kolonialismus bei Micky Maus und Donald Duck. Basis Theorie. Berlin: Basis, 1977. |
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Dorfman, Ariel and Armand Mattelart. How to Read Donald Duck: Imperialist Ideology in the Disney Comic. trans. David Kunzle. 4th ed. London: Pluto, 2019. |
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Douglas, Allen and Fedwa Malti-Douglas. Arab Comic Strips: Politics of an Emerging Mass Culture. Arab & Islamic Studies. Bloomington: Indiana Univ. Press, 1994. |
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Douvry, Jean-François. Rendez-Vous 120, Rue de la Gare: Autopsie einer Adaption. Zürich: Edition Moderne, 1996. |
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Douvry, Jean-François and Jean-Pierre Mercier. Macherot: Une monographie. Bulles dingues. Saint-Egrève: Mosquito, 1999. |
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Doyle, Richard. The Illustrated Letters of Richard Doyle to His Father, 1842–1843. Ed. Grant F. Scott. Athens: Ohio Univ. Press, 2016. |
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Drechsel, Wiltrud Ulrike, Jörg Funhoff, and Michael Hoffmann. Massenzeichenware. Die gesellschaftliche und ideologische Funktion des Comics. edition suhrkamp. Frankfurt am Main: Suhrkamp, 1975. |
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Drees, Anne. Das Dokumentarische im Animationsfilm: Die Erweiterung dokumentarischer Darstellungsmöglichkeiten durch die Animation in Vincent Paronnauds und Marjane Satrapis Persepolis (2007) und Ari Folmans Waltz with Bashir (2008). München: Grin, 2011. |
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Dryden, Jane and Mark D. White, eds. Green Lantern and Philosophy: No Evil Shall Escape this Book. Blackwell Philosophy and Pop Culture. Hoboken: Wiley, 2011. |
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Duda, Heather L. The Monster Hunter in Modern Popular Culture. Jefferson, London: McFarland, 2008. |
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Duffy, Damian and John Jennings, eds. Out of Sequence: Underrepresented Voices in American Comics. Seattle: Univ. of Washington Press, 2009. |
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Duke, Sarah. Biographical Sketches of Cartoonists & Illustrators in the Swann Collection of the Library of Congress. Arlington: ComicsDC, 2012. |
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Duncan, Randy and Matthew J. Smith. The Power of Comics: History, Form and Culture. London, New York: Continuum, 2009. |
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Duncan, Randy and Matthew J. Smith, eds. Icons of the American Comic Book: From Captain America to Wonder Woman. Greenwood Icons. Vol. 1–2. Santa Barbara: Greenwood, 2013. |
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Duncan, Randy, Michael Ray Taylor, and David Stoddard. Creating Comics as Journalism, Memoir and Nonfiction. London, New York: Routledge, 2016. |
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Duncombe, Stephen. Notes from Underground: Zines and the Politics of Alternative Culture. 3rd ed. Bloomington: Microcosm, 2008. |
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Dunn, Jeff and Adam Palmer. The Soul of Spider-Man[u]: Unexpected Spiritual Insights Found in the Legendary Super-Hero Series[u]. Ventura: Regal, 2010. |
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Dunst, Alexander, Jochen Laubrock, and Janina Wildfeuer, eds. Empirical Comics Research: Digital, Multimodal, and Cognitive Methods. Routledge Advances in Comics Studies. London, New York: Routledge, 2018. |
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Durand, Kevin K. and Mary K. Leigh, eds. Riddle Me This, Batman! Essays on the Universe of the Dark Knight. Jefferson, London: McFarland, 2011. |
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Dürrenmatt, Jacques. Bande dessinée et littérature. Études de littérature des XXe et XXIe siècles. Paris: Classiques Garnier, 2013. |
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Dycus, Dallas J. Chris Ware’s Jimmy Corrigan: Honing the Hybridity of the Graphic Novel. Newcastle upon Tyne: Cambridge Scholars Publ. 2012. |
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Dyer, Ben, ed. Supervillains and Philosophy: Sometimes, Evil Is Its Own Reward. Popular Culture and Philosophy. Chicago: Open Court, 2009. |
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Dyer, Harry T. Designing the Social: Unpacking Social Media Design and Identity. Cultural Studies and Transdisciplinarity in Education. Singapor: Springer Singapore, 2020. |
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Dyson, Anne Haas. Writing Superheroes: Contemporary Childhood, Popular Culture, and Classroom Literacy. New York: Teachers College Pr. 1997. |
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Eakin, Paul John. How Our Lives Become Stories: Making Selves. Ithaca: Cornell Univ. Press, 1999. |
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Earle, Harriet E. H. Comics, Trauma, and the New Art of War. Jackson: Univ. Press of Mississippi, 2017. |
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Earle, Monalesia. Writing Queer Women of Color: Representation and Misdirection in Contemporary Fiction and Graphic Narratives[u]. Jefferson: McFarland, 2019. |
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Earle, Harriet E. H. Comics: An Introduction. London, New York: Routledge, 2021. |
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Earle, Harriet E. H. and Martin Lund, eds. Identity and History in Non-Anglophone Comics. Global Perspectives in Comics Studies. London, New York: Routledge, 2023. |
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Easton, Lee and Richard Harrison. Secret Identity Reader: Essays on Sex, Death and the Superhero. Hamilton: Wolsak and Wynn, 2010. |
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Eckard, Sandra, ed. Comic Connections: Analyzing Hero and Identity. Lanham [etc.]: Rowman & Littlefield, 2017. |
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