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Beaty, Bart. Comics Versus Art. Toronto, Buffalo, London: Univ. of Toronto Press, 2012. |
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Berndt, Jaqueline. "Manga als Kunst: Zur Sprache des Comic in der Bildenden Kunst der 90er Jahre." Referate des 10. Deutschsprachigen Japanologentages vom 9. bis 12. Oktober 1996 in München. Eds. Ulrich Apel, Josef Holzapfel and Peter Pörtner. München: Japan-Zentrum der Ludwig-Maximilians-Universität, 1997. 336–41. |
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Brandl, Mark Staff. "Panels, Covers, and Viewers: My Mongrels of Painting, Installation, and Comics." International Journal of Comic Art 9. (2007): 43–57. |
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Cassel, Valerie. "Between a Bedrock and a Nuclear Power Plant." Splat Boom Pow! The Influence of Cartoons in Contemporary Art. Ed. Valerie Cassel. Houston: Contemporary Arts Museum Houston, 2003. 17–29. |
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Christofori, Ralf. "Auge in Auge: Anime, Manga und Malerei bei Amano Yoshitaka." Ga-netchū! Das Manga Anime Syndrom. Eds. Hans-Peter Reichmann and Stephan von der Schulenburg. Frankfurt am Main: Deutsches Filmmuseum/Deutsches Filminstitut, 2008. 186–97. |
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Collins, Bradford R. "Dick Tracy and the Case of Warhol’s Closet: A Psychoanalytic Detective Story." American Art 15. (2001): 54–79. |
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Collins, Bradford R. "Modern Romance: Lichtenstein’s Comic Book Paintings." American Art 17. (2003): 61–85. |
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Cowart, David and Bradford R. Collins. "Through the Looking-Glass: Reading Warhol’s Superman." American Imago 53. (1996): 107–37. |
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Crawford, Holly. "Temporary Bedfellows: Claes Oldenburg, Maurice Tuchman and Disney." Artistic Bedfellows. Histories, Theories, and Conversations in Collaborative Art Practices. Ed. Holly Crawford. Lanham: University Press of America, 2008. 187–98. |
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Demsky, Jeffrey. Nazi and Holocaust Representations in Anglo-American Popular Culture, 1945–2020: Irreverent Remembrance. Palgrave Studies in Cultural Heritage and Conflict. New York [etc.]: Palgrave Macmillan, 2022. |
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Etter, Lukas and Gabriele Rippl. "“Don’t laugh – this ain’t the funny pages” Comics und bildende Kunst (Alain Séchas, Raymond Pettibon)." Interpiktorialität. Theorie und Geschichte der Bild-Bild-Bezüge. Ed. Guido Isekenmeier. Bielefeld: Transcript, 2013. 261–80. |
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Monnet, Livia. "“Such is the Contrivance of the Cinematograph”: Dur(anim)ation, Modernity, and Edo Culture in Tabaimo's Animated Installations." Cinema Anime. Critical Engagements with Japanese Animation. Ed. Steven T. Brown. New York [etc.]: Palgrave Macmillan, 2006. 189–225. |
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Parkinson, Gavin, ed. "Reassessing René Magritte’s Période Vache: From Louis Forton’s Pieds Nickelés to Georges Bataille." Surrealism, Science Fiction, and Comics. Liverpool: Liverpool Univ. Press, 2015. 82–103. |
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Pfarr, Ulrich. "Comics als Mythologie der Moderne. Mythen in einer rationalisierten Welt." Funny Cuts. Cartoons und Comics in der zeitgenössischen Kunst. Ed. Kassandra Nakas. Bielefeld: Kerber, 2004. 104–129. |
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Whiting, Cécile. "Borrowed Spots: The Gendering of Comic Books, Lichtenstein’s Paintings, and Dishwasher Detergents." American Art 6. (1992): 9–35. |
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