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| Arnold, Markus. "La violence et l’intermédialité en bande dessinée: Usages et significations du hors-champ, de l’entr’images, de la photographie dans l’œuvre du dessinateur hippolyte." Figures de l’Art (2017): 183–204. |
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| Balzer, Jens. "Welches Bild? Welche Bewegung? Über einige Bezüge zwischen Chronophotographie und frühen Comics." Die Mobilisierung des Sehens. Zur Vor- und Frühgeschichte des Films in Literatur und Kunst. Ed. Harro Segeberg. Mediengeschichte des Films. München: Fink, 1996. 279–93. |
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| Bremmer, Magnus. "Out of Site: Photography, writing, and displacement in leslie scalapino’s the tango." The Future of Text and Image. Collected Essays on Literary and Visual Conjunctures. Eds. Ofra Amihay and Lauren Walsh. Newcastle upon Tyne: Cambridge Scholars Publ. 2012. 169–98. |
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| Chaplin, Elizabeth. "The Photo Diary as an Autoethnographic Method." The SAGE Handbook of Visual Research Methods. Eds. Eric Margolis and Luc Pauwels. Thousand Oaks [etc.]: Sage, 2011. 241–62. |
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| Cook, Roy T. "Drawings of Photographs in Comics." Journal of Aesthetics and Art Criticism 70. (2012): 129–38. |
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| Cook, Roy T. "Judging a Comic Book by its Cover: Marvel comics, photo-covers, and the objectivity of photography." Image [&] Narrative 16. 2 2015. Accessed 3 Sept. 2015. <http://www.imageandnarr ... rative/article/view/805>. |
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| Dicker, Barnaby. "Dryden Goodwin in Conversation with Barnaby Dicker." Animation 4. (2009): 303–20. |
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| Eggers, Christoph. Das Dunkel durchdringen, das uns umgibt: Die fotografie im werk von w.g. sebald. Frankfurter Forschungen zur Kultur- und Sprachwissenschaft. Frankfurt am Main [etc.]: Peter Lang, 2011. |
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| Ernst, Nina. "Authenticity in Graphic Memoirs: Two nordic examples." Image [&] Narrative 16. 2 2015. Accessed 3 Sept. 2015. <http://www.imageandnarr ... rative/article/view/814>. |
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| Fjellestad, Danuta. "Nesting – Braiding – Weaving: Photographic interventions in three contemporary american novels." Handbook of Intermediality. Literature – Image – Sound – Music. Ed. Gabriele Rippl. Handbooks of English and American Studies. Berlin: de Gruyter, 2015. 193–218. |
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| Hillenbach, Anne-Kathrin. "Eine wahre Geschichte: Vom erzählerischen potential der photo-panels in der comicreihe der fotograf." Erzählen im Comic. Beiträge zur Comicforschung. Eds. Otto Brunken and Felix Giesa. Bochum: Ch.A. Bachmann, 2013. 293–300. |
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| Kittner, Alma-Elisa. Visuelle Autobiographien: Sammeln als selbstentwurf bei hannah höch, sophie calle und annette messager. Bielefeld: Transcript, 2009. |
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| Knaller, Susanne. "Bilder einer Geschichte. Bilder zu einer Geschichte: Visualisierung und narrativisierung von literatur in fotografie und comic." Literaturgeschichte und Bildmedien. Eds. Achim Hölter and Monika Schmitz-Emans. Hermeia. Heidelberg: Synchron, 2015. 259–72. |
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| Kreuzer, Stefanie. "Die durchwanderte Zeit in den Foto-Text-Arbeiten Hamish Fultons." Zum Zeitvertreib. Strategien – Institutionen – Lektüren – Bilder. Eds. Alexander Karschnia, et al. Bielefeld: Aisthesis, 2005. |
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| Kunz Westerhoff, Dominique. "La photographie au révélateur littéraire: De denis roche à anne-marie garat." Études de Lettres (2013): 183–204. |
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| Langford, Rachael. "Photography, Belgian colonialism and Hergé’s Tintin au Congo." Journal of Romance Studies 8. (2008): 77–89. |
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| Leslie, Esther. "Loops and joins: Muybridge and the optics of animation." Early Popular Visual Culture 11. (2013): 28–40. |
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| MacLaine, Brent. "Photofiction as Family Album: David galloway, paul theroux, and anita brookner." Mosaic 24. (1991): 131–49. |
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| Magilow, Daniel. "People of the (Photographically-Illustrated) Book: On roman vishniac's »polish jews: a pictorial record«." Transmedialität. Zur Ästhetik paraliterarischer Verfahren. Eds. Urs Meyer, Roberto Simanowski and Christoph Zeller. Göttingen: Wallstein, 2006. 203–23. |
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| Maynard, Patrick. "The Time It Takes." The Graphic Novel. Ed. Jan Baetens. Symbolae Facultatis Litterarum Lovaniensis. Series D: Litteraria. Leuven: Leuven Univ. Press, 2001. 191–210. |
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| McBride, Patrizia. "Narrative Resemblance: The production of truth in the modernist photobook of weimar germany." New German Critique 39. (2012): 169–97. |
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| Miller, Ann. "Teulé’s Gens de France: Retelling the fait divers and reframing the evidence." French Cultural Studies 12. (2001): 319–32. |
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| Olsza, Małgorzata. "Photography as a Mirror in Alison Bechdel’s Graphic Memoir Are You My Mother?: A Comic Drama." Image [&] Narrative 20. 3 2019. Accessed 29 Feb. 2020. <http://www.imageandnarr ... ative/article/view/2293>. |
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| Pedri, Nancy. "When Photographs Aren’t Quite Enough: Reflections on photography and cartooning in le photographe." ImageTexT 6. 1 2011. Accessed 7 May. 2012. <http://www.english.ufl. ... xt/archives/v6_1/pedri/>. |
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| Picado, Benjamim. "Aspectos da Discursividade Visual de um Jornalismo Gráfico: Enunciação narrativa e testemunho visual em le photographe." Brazilian Journalism Research 1. (2015): 180–203. |
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| Saltzman, Lisa. Daguerreotypes: Fugitive subjects, contemporary objects. Chicago: Univ. of Chicago Press, 2015. |
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| Schmitz-Emans, Monika. "Eine andere Art zu erzählen: Literarische text-photo-kombinationen und die frage nach ihrem ›realismus‹." Medialer Realismus. Ed. Daniela Gretz. Rombach Wissenschaften, Reihe Litterae. Freiburg im Breisgau: Rombach, 2011. 271–93. |
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| Stanton, Domna C. "Photau(gyno)graphy: The work of joanne leonard." Graphic Subjects. Critical Essays on Autobiography and Graphic Novels. Ed. Michael A. Chaney. Wisconsin Studies in Autobiography. Madison: Univ. of Wisconsin Press, 2011. 200–05. |
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| von Steinaecker, Thomas. Literarische Foto-Texte: Zur funktion der fotografien in den texten rolf dieter brinkmanns, alexander kluges und w.g. sebalds. Bielefeld: Transcript, 2007. |
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| Suehiro, Madoka. "Die Welt der Technobilder: Flusser und die technocodes in der visuellen kultur japans." Technobilder und Kommunikologie. Die Medientheorie Vilém Flussers. Eds. Oliver Fahle, Michael Hanke and Andreas Ziemann. Berlin: Parerga, 2009. 221–36. |
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| Tison, Hélène. "Loss, Revision, Translation: Re-membering the father’s fragmented self in alison bechdel’s graphic memoir fun home: a family tragicomic." Studies in the Novel 47. (2015): 346–64. |
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| Watson, Julia. "Autographic Disclosures and Genealogies of Desire in Alison Bechdel’s Fun Home." Graphic Subjects. Critical Essays on Autobiography and Graphic Novels. Ed. Michael A. Chaney. Wisconsin Studies in Autobiography. Madison: Univ. of Wisconsin Press, 2011. 123–56. |
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| Weidenmann, Bernd. "Foto oder Zeichnung? Zur problematik des bildes im dokumentarischen comic." Comics Anno (1991): 26–41. |
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| Welch, Edward and John Perivolaris. "The place of the Republic: Space, territory and identity around and after charlie hebdo." French Cultural Studies 27. (2016): 279–92. |
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| Werner, Susanne. "Grafien des Comic: Der comic als aufschreibesystem der grafischen kulturtechniken des 19. jahrhunderts." Diplomarbeit Dipl. Kulturwiss. Bauhaus-Universität Weimar, 2004. |
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| Weston, Daniel. "The spatial supplement: Landscape and perspective in w.g. sebald’s the rings of saturn." Cultural Geographies 18. (2011): 171–86. |
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| Wetzel, Michael. "Mit den Dinos in Wonderland: Die aufhebung der physikalischen ordnung von lewis carroll über die comics bis hin zur digitalen animation." Komik • Medien • Gender. Ergebnisse des Kasseler Komik-Kolloquiums. Ed. Friedrich W. Block. Kulturen des Komischen. Bielefeld: Aisthesis, 2006. |
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| Yoshimura, Kazuma. "Manga is the Face: Manga, photography and portraiture." Ga-netchū! The Manga Anime Syndrome. Eds. Hans-Peter Reichmann and Stephan von der Schulenburg. Frankfurt am Main: Deutsches Filmmuseum/Deutsches Filminstitut, 2008. 198–207. |
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| Yoshimura, Kazuma. "Manga ist Gesicht: Manga, fotografie und porträtbild." Ga-netchū! Das Manga Anime Syndrom. Eds. Hans-Peter Reichmann and Stephan von der Schulenburg. Frankfurt am Main: Deutsches Filmmuseum/Deutsches Filminstitut, 2008. 198–207. |
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