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| Eveleth, Kyle and Joseph Michael Sommers. "The Art of Adaptation: An interview with p. craig russell." The Artistry of Neil Gaiman. Finding Light in the Shadows. Eds. Joseph Michael Sommers and Kyle Eveleth. Critical Approaches to Comics Artists. Jackson: Univ. Press of Mississippi, 2019. 251–62. |
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| Fahle, Oliver. "Die Simpsons und der Fernseher." »Previously on …«. Zur Ästhetik der Zeitlichkeit neuerer TV-Serien. Eds. Arno Meteling, Isabell Otto and Gabriele Schabacher. Mediologie. München: Fink, 2010. 231–42. |
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| Fahr, Svenja. "Comics im Mittelalter – Mittelalter in Comics: Zur verbildlichung des sagenstoffs von dietrich von bern." Graphisches Erzählen. Neue Perspektiven auf Literaturcomics. Eds. Florian Trabert, Mara Stuhlfauth-Trabert and Johannes Waßmer. Bielefeld: Transcript, 2015. 263–82. |
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| Falgas, Julien. "Et si tous les fans ne laissaient pas de trace: Le cas d’un feuilleton de bande dessinée numérique inspiré par les séries télévisées." Études de communication 47 2016. Accessed 22 Aug. 2020. <https://journals.openedition.org/edc/6674>. |
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| Falgas, Julien. "Not All Fans Leave a Trace: The case of a digital comic serial inspired by television series." French Perspectives on Media, Participation and Audiences. Ed. Céline Ségur. New York [etc.]: Palgrave Macmillan, 2020. 149–64. |
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| Faubert, Patrick. "Back and forth and forward: Metareference in recent film adaptations." Journal of Adaptation in Film & Performance 7. (2014): 159–68. |
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| Faulstich, Werner. "Wuthering Heights." Die Erotik des Blicks. Studien zu Filmästhetik und Unterhaltungskultur. Eds. Werner Faulstich, et al. München: Fink, 2008. 39–64. |
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| Faure-Godbert, Sylvaine. "Maîtres anciens de Nicolas Mahler (d’après Thomas Bernhard): L’art à l’épreuve de la caricature." Studia Universitatis Babeş-Bolyai – Philologia 62. (2017): 57–72. |
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| Fawcett, Christina and Steven Kohm. "Carceral violence at the intersection of madness and crime in Batman: Arkham Asylum and Batman: Arkham City." Crime, Media, Culture 16. (2020): 265–85. |
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| Fazli, Sabina. "Aspects of Victorian Serial Publication in Neo-Victorian Fiction: the glass books of the dream eaters and the league of extraordinary gentlemen." Convergence Culture Reconsidered. Media – Participation – Environments. Eds. Claudia Georgi and Brigitte Johanna Glaser. Göttinger Schriften zur Englischen Philologie. Göttingen: Universitätsverl. Göttingen, 2015. 123–38. |
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| Feickert, Sabrina. "»Then We Will Fight in the Shade«: Sparta, comedy and coming to terms with the fearsome otherness." Humour and Laughter in History. Transcultural Perspectives. Eds. Elisabeth Cheauré and Regine Nohejl. Bielefeld: Transcript, 2014. 119–36. |
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| Feil, Franca. "Kawaii Snow White and an Umbrella Called “Dornröschen”: Manga adaptations of grimms’ fairy tales." International Journal of Comic Art 20. (2018): 98–117. |
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| Ferguson, Christine. "Illustrating the Abyss: An interview with catherine anyango on heart of darkness." Drawn from the Classics. Essays on Graphic Adaptations of Literary Works. Eds. Stephen E. Tabachnick and Esther Bendit Saltzman. Jefferson, London: McFarland, 2015. 194–204. |
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| Ferrari, Fulvio. "Looking at the hero: beowulf and graphic novels in the 21st century." Linguistica e Filologia 37. (2017): 189–202. |
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| Ferstl, Paul. "Novel-Based Comics." Comics as a Nexus of Cultures. Essays on the Interplay of Media, Disciplines and International Perspectives. Eds. Mark Berninger, Jochen Ecke and Gideon Haberkorn. Critical Explorations in Science Fiction and Fantasy. Jefferson, London: McFarland, 2010. 60–69. |
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| Figueira, Dorothy. "Guts and Glory: Representations of history in indian comic books." Comic und Literatur. Konstellationen. Ed. Monika Schmitz-Emans. linguae & litterae. Berlin u. Boston: de Gruyter, 2012. 167–84. |
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| de Figueiredo, Camila Augusta Pires. "Hollywood goes Graphic: The intermedial transposition of graphic novels to films." Thesis Mestre em Estudos Literários. Universidade Federal de Minas Gerais, 2010. |
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| Finet, Nicolas and Jacques Tardi. Le livre d’Adèle. Tournai: Casterman, 2010. |
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| Finlayson, J. Caitlin. "The Boundaries of Genre: Translating shakespeare in antony johnston and brett weldele's julius." Teaching the Graphic Novel. Ed. Stephen E. Tabachnick. Options for Teaching. New York: The Modern Language Assoc. of America, 2009. 188–99. |
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| Fischer, Susanna. "Astro Boy – Vorbild der japanischen Roboter-Forschung? Von sena hideakis kurzgeschichte atomu no ko zum öffentlichen diskurs der frage." Magisterarbeit M.A. Goethe-Universität Frankfurt a.M. 2010. |
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| Fisher, Mark. "Gothic Oedipus: Subjectivity and capitalism in christopher nolan’s batman begins." ImageTexT 2. 2 2006. Accessed 9 Dec. 2009. <http://www.english.ufl. ... t/archives/v2_2/fisher/>. |
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| Fitch, Alex. "Gotham City and the Gothic literary and architectural traditions." Studies in Comics 8. (2017): 205–25. |
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| Fitzsimmons, Phil. "A Rebirth of Myth and Monster: An old sign in a new framework." Myth & Symbol 4. (2007): 49–56. |
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| Flanagan, Martin. "Teen Trajectories in Spider-Man and Ghost World." Film and Comic Books. Eds. Ian Gordon, Mark Jancovich and Matthew P. McAllister. Jackson: Univ. Press of Mississippi, 2007. 137–59. |
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| Flanagan, Martin, Andrew Livingstone, and Mike McKenny. The Marvel Studios Phenomenon: Inside a transmedia universe. New York: Bloomsbury Academic, 2016. |
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| Fleming, James R. "Incommensurable Ontologies and the Return of the Witness in Neil Gaiman's 1602." ImageTexT 4. 1 2008. Accessed 9 Dec. 2009. <http://www.english.ufl. ... /archives/v4_1/fleming/>. |
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| Forni, Kathleen. Beowulf’s Popular Afterlife in Literature, Comic Books, and Film. Routledge Studies in Medieval Literature and Culture. London, New York: Routledge, 2018. |
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| Forry, Diana. "Belonging: The struggle of two worlds and identity." Africology 11. 9 2018. Accessed 9 Jun. 2022. <http://www.jpanafrican. ... .9-special-17-Forry.pdf>. |
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| Foster, Caitlin. "Marvel vs. DC: Mergers, acquisitions and corporate rebranding in the new millennium." Cinephile 9. (2013): 12–19. |
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| Fotis, Matthew. "Call It (Friendo): Flipism and folklore in no country for old men and the dark knight." Riddle Me This, Batman! Essays on the Universe of the Dark Knight. Eds. Kevin K. Durand and Mary K. Leigh. Jefferson, London: McFarland, 2011. 201–16. |
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| Fournier, Virginie. "L’extase dans l’asservissement, de Réage à Crepax." Pop en stock 2013. Accessed 29 Nov. 2015. <http://popenstock.ca/do ... ssement-de-reage-crepax>. |
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| Frahm, Ole. "Am Nullpunkt der Comics." Reddition 26. (2009): 21–22. |
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| Frahm, Ole. "Wer ist Superman? Mythos und materialität einer populären figur." Szenarien des Comic. Helden und Historien im Medium der Schriftbildlichkeit. Eds. Stefanie Diekmann and Matthias Schneider. Berlin: SuKuLTuR, 2005. 34–49. |
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| Frahm, Ole. "Die Geschichte meines Lebens: Comicversionen von helen kellers berühmter autobiographie." Graphisches Erzählen. Neue Perspektiven auf Literaturcomics. Eds. Florian Trabert, Mara Stuhlfauth-Trabert and Johannes Waßmer. Bielefeld: Transcript, 2015. 65–86. |
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| Francis, Catherine. "Tank Girl." 1999. Accessed 10 Aug. 2009. <http://www.armageddon.org/~sanvean/tankgirl.html>. |
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| Frank, Ursula. "Paul Auster's “City of glass”: The novel and a graphic mystery (sekundarstufe ii)." Englisch betrifft uns (1999): 14–21. |
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| Franke-Penski, Udo. "»Faster, Pussycat, Kill!«: Amazonen im modernen action-film." Amazonen – Kriegerische Frauen. Eds. Udo Franke-Penski and Heinz-Peter Preußer. Würzburg: Königshausen & Neumann, 2010. |
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| Frankel, Valerie Estelle. Empowered: The symbolism, feminism, and superheroism of wonder woman. Sunnyvale: LitCrit, 2015. |
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| Frankel, Valerie Estelle. The Avengers Face Their Dark Sides: Mastering the myth-making behind the marvel superheroes. Sunnyvale: LitCrit, 2015. |
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| Frankel, Valerie Estelle. "Seeking Safe Haven: Shelter and self-protection from afterlife to avengers: age of ultron." At Home in the Whedonverse. Essays on Domestic Place, Space and Life. Ed. Juliette C. Kitchens. Jefferson: McFarland, 2017. 68–86. |
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| Freeman, Matthew. "Up, Up and Across: Superman, the second world war and the historical development of transmedia storytelling." Historical Journal of Film, Radio and Television 35. (2015): 215–39. |
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| Freiberg, Freda. "Akira and the Postnuclear Sublime." Hibakusha Cinema. Hiroshima, Nagasaki and the Nuclear Image in Japanese Film. Ed. Mick Broderick. London, New York: Kegan Paul Int. 1996. 91–102. |
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| Frenzel, Martin. "Tarzans Rückkehr in den Neunzigern: Über dschungelträume, archetypen und das geschäft mit dem mythos." Comic Almanach (1993): 152–57. |
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| Friant-Kessler, Brigitte. "Unidentified Graphic Objects? Eccentricity and graphic afterlives in contemporary british graphic novels (martin rowson; bryan talbot)." Leaves 6 2018. Accessed 15 Jan. 2021. <https://climas.u-bordea ... brigitte-friant-kessler>. |
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| Friant-Kessler, Brigitte and Sandra Lasne. "La Lettre, l’esprit et l’image: tristram shandy de martin rowson entre texte(s), contexte(s) et hors-texte(s)." Bulletin de la Société d’Études Anglo-Américaines des XVIIe et XVIIIe Siècles 62. (2006): 241–60. |
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| Friederich, Ute. "Komik – Comic: Komische elemente in den texten franz kafkas und ihre bildliche umsetzung in verschiedenen comic-adaptionen." M.A. Magisterarbeit. Universität Bonn, 2009. |
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| Friedmann, Jonathan L. "Who Was Naamah? insights from robert crumb’s the book of genesis illustrated." Journal of Religion and Popular Culture 31. (2019): 167–76. |
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| Friedmann, Joachim. "Some Times Good Guys Don’t Wear White: Lupin iii." Ga-netchū! The Manga Anime Syndrome. Eds. Hans-Peter Reichmann and Stephan von der Schulenburg. Frankfurt am Main: Deutsches Filmmuseum/Deutsches Filminstitut, 2008. 226–33. |
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| Friedmann, Joachim. "Sometimes Good Guys Don't Wear White: Lupin iii." Ga-netchū! Das Manga Anime Syndrom. Eds. Hans-Peter Reichmann and Stephan von der Schulenburg. Frankfurt am Main: Deutsches Filmmuseum/Deutsches Filminstitut, 2008. 226–33. |
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| Friedrich, Andreas. "Der Amerikanische Traum und sein Schatten: Superman, batman und ihre filmischen metamorphosen." Superhelden zwischen Comic und Film. Eds. Thomas Koebner, et al. Film-Konzepte. München: edition text + kritik, 2007. 23–50. |
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| Friedrich, Hans-Edwin. "Frank Miller’s Sin City: Transformationsprozesse zwischen graphic novel und film." Übersetzung und Film. Das Kino als Translationsmedium. Eds. Ulrich Meurer and Maria Oikonomou. Bielefeld: Transcript, 2012. 87–106. |
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| Friedrich, Andreas and Andreas Rauscher. "Amazing Adventures: Zur einführung." Superhelden zwischen Comic und Film. Eds. Thomas Koebner, et al. Film-Konzepte. München: edition text + kritik, 2007. 3–10. |
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| Friese, Kim. "Gattungsspezifische Merkmale und Strukturen des Historischen Romans und des Entwicklungsromans im Manga »Vagabond«." Lehramt Staatsexamensarbeit. Universität zu Köln, 2014. |
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| Frohlich, Dennis Owen. "Evil Must Be Punished: Apocalyptic religion in the television series death note." Journal of Media and Religion 11. (2012): 141–55. |
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| Frome, Jonathan. "Snow White: Critics and criteria for the animated feature film." Quarterly Review of Film and Video 30. (2013): 462–73. |
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| Frye, Mitch. "Dracula in Comic Books." Dracula in Visual Media. Film, Television, Comic Book and Electronic Game Appearances, 1921–2010. Eds. John Edgar and Browning and Caroline Joan (Kay) Picart. Jefferson, London: McFarland, 2010. 237–62. |
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| Fu, Albert S. "Fear of a black Spider-Man: Racebending and the colour-line in superhero (re)casting." Journal of Graphic Novels and Comics 6. (2015): 269–83. |
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| Fubara-Manuel, Irene. "Revolting Animation: The hierarchy of masculinities in the representation of race and male same-sex desire in adult cartoons." Networking Knowledge 10. 3 2017. Accessed 9 Mar. 2022. <https://ojs.meccsa.org. ... etknow/article/view/517>. |
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| Fugelso, Karl. "Dante as Sam Spade: Seymour chwast’s adaptation of the commedia." The Year’s Work in Medievalism 27 2012. Accessed 13 May. 2020. <https://sites.google.co ... binet/27%20Fugelsox.pdf>. |
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| Fugelso, Karl. "A Mickey Mouse Inferno: Medievalist legacies and the marketing of the middle ages." The Year’s Work in Medievalism 33 2018. Accessed 7 Jun. 2020. <https://drive.google.co ... 4fA52CB9A2LteRmgU380B8q>. |
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| Furlong, Robert and Christophe Cassiau-Haurie. "Comic Books, Politics, and Manipulation: The case of repiblik zanimo, the first comic strip and book in creole." International Journal of Comic Art 12. (2010): 150–58. |
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| Gabriel, Nicole, Bogna Kazur, and Kai Matuszkiewicz. "Reconsidering Transmedia(l) Worlds." Convergence Culture Reconsidered. Media – Participation – Environments. Eds. Claudia Georgi and Brigitte Johanna Glaser. Göttinger Schriften zur Englischen Philologie. Göttingen: Universitätsverl. Göttingen, 2015. 163–94. |
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| Gal, Ana G. "The Social Modes of Heroization and Vilification in Stoker’s Dracula, a Graphic Novel by Roy Thomas and Dick Giordano." International Journal of Comic Art 12. (2010): 200–14. |
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| Galella, Donatella. "‘Superman/Sidekick’ white storytellers and black lives in the fortress of solitude (2014)." Reframing the Musical. Race, Culture, and Identity. Ed. Sarah Whitfield. London: Red Globe, 2019. 3–16. |
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| Gallagher, Mark. "Batman in East Asia." Many More Lives of the Batman. Eds. Roberta E. Pearson, William Uricchio and Will Brooker. London: BFI Palgrave, 2015. 88–106. |
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| Gallo, Simona. "Re-canonizing the Shanhaijing in the world (literature): the myth, the play and the comic book." Asia Pacific Translation and Intercultural Studies. |
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| Gamache, Geneviève. "A transcultural comic series caught between nationalism and globalisation." Journal of Graphic Novels and Comics (2018): 1–13. |
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| Gangnes, Madeline B. "Static action, silent sound: Translating visual techniques from manga to film in katsuhiro ōtomo’s akira." Studies in Comics 5. (2014): 155–85. |
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| Gardner, Jared. "Film + Comics: A multimodal romance in the age of transmedial convergence." Storyworlds across Media. Toward a Media-Conscious Narratology. Eds. Jared Gardner and Jan-Noël Thon. Frontiers of Narrative. Lincoln: Univ. of Nebraska Press, 2014. 193–210. |
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| Garrett, Greg. "Comics and the Bible: reinterpretation and mythic understanding." Society of Biblical Literature Forum 5. 1 2007. Accessed 14 Mar. 2022. <https://www.sbl-site.or ... icle.aspx?ArticleId=613>. |
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| Gaschler, Peter M. "Der weite Weg nach Smallville: Supermans filmische suche hat ein ende." Das Science Fiction Jahr 8. (2009): 246–57. |
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| Gaspers, Nicolas. "Berlin als hybride Projektionsfläche von Gestalt, Raum und Zeit im Comic." Berlin: Bilder einer Metropole in erzählenden Medien für Kinder und Jugendliche. Ed. Sabine Planka. Würzburg: Königshausen & Neumann, 2018. 373–98. |
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| Gaudreault, André and Philippe Marion. "Transécriture and Narrative Mediatics: The stakes of intermediality." A Companion to Literature and Film. Eds. Robert Stam and Alessandra Raengo. Companions in Cultural Studies. Oxford: Blackwell, 2004. 58–70. |
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| Gayles, Jonathan. "Black Macho and the Myth of the Superwoman Redux: Masculinity and misogyny in blade." Journal of Popular Culture 45. (2012): 284–300. |
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| Gebauer, Carla. "Frank Millers 300 – Modern rezensierte Helden der Antike." helden. heroes. héros. 2 2014. Accessed 21 Nov. 2014. |
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| Geczy, Adam and Vicki Karaminas. "‘Daddy’s Lil Monster’: suicide squad, third-wave feminism and the pornification and queering of harley quinn." Film, Fashion {&} Consumption 8. (2019): 171–88. |
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| Added by: joachim 12/10/2021, 11:55 |
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| Geeraert, Dustin. "‘There’s no going back’ the dark knight and balder’s descent to hel." From Iceland to the Americas. Vinland and historical imagination. Eds. Tim William Machan and Jón Karl Helgason. Manchester Medieval Literature and Culture. Manchester, New York: Manchester Univ. Press, 2020. 215–35. |
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| Gelly, Christophe. "Nestor Burma, de Léo Malet à Jacques Tardi, via Jacques-Daniel Norman: 120, rue de la gare (1946) [sic] et ses adaptations." Bande dessinée et adaptation. Littérature, cinéma, TV. Eds. Benoît Mitaine, David Roche and Isabelle Schmitt-Pitiot. Littératures. Clermont-Ferrand: Presses Univ. Blaise Pascal, 2015. 121–36. |
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| Gencarella, Stephen Olbrys. "Thunder without rain: Fascist masculinity in amc’s the walking dead." Horror Studies 7. (2016): 125–46. |
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| Gentzler, Edwin. Translation and Rewriting in the Age of Post-Translation Studies. New Perspectives in Translation and Interpreting Studies. London, New York: Routledge, 2017. |
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| Geoffroy-Menoux, Sophie. "Enki Bilal’s Intermedial Fantasies: From comic book nikopol trilogy to film immortals (ad vitam)." Film and Comic Books. Eds. Ian Gordon, Mark Jancovich and Matthew P. McAllister. Jackson: Univ. Press of Mississippi, 2007. 268–83. |
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| Geraffo, Monica. "No tights, no flights: Constructing the wardrobe of television superheroes." Film, Fashion {&} Consumption 10. (2021): 233–50. |
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| Geraghty, Lincoln. "“Realities … blending as one!”: film texts and intertexts in the star trek/x-men crossover comics." Extrapolation 28. (2007): 108–19. |
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| Geraghty, Lincoln, ed. The Smallville Chronicles: Critical essays on the television series. Lanham: Scarecrow, 2011. |
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| Geraghty, Lincoln. "Transmedia Character Building: Textual crossovers in the star wars universe." Star Wars and the History of Transmedia Storytelling. Eds. Sean A. Guynes and Dan A. Hassler-Forest. Transmedia. Amsterdam: Amsterdam Univ. Press, 2018. 117–28. |
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| Gerling, Vera Elisabeth. "Übersetzung von Bild und Text: Nicolas mahler und peter sloterdijk auf der suche nach dem wesentlichen in der kleine prinz von antoine de saint-exupéry." Tausend Bilder und eins. Comic als ästhetische Praxis in der postmigrantischen Gesellschaft. Eds. Angela Weber and Katharina Moritzen. Bielefeld: Transcript, 2017. 262–71. |
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