| Schneider, Christian W. Framing Fear: The gothic mode in graphic literature. ELCH - Studies in English Literary and Cultural History. Trier: Wissenschaftlicher Verlag Trier, 2014. |
 
|
| Last edited by: joachim 31/08/2021, 13:51 |
|
| Schneider, Christian W. "‘Nothing ever ends’: Facing the apocalypse in watchmen." Alan Moore and the Gothic Tradition. Ed. Matthew J. A. Green. Manchester, New York: Manchester Univ. Press, 2013. 84–102. |
|
| Added by: joachim 22/06/2014, 11:43 |
|
| Schopp, Andrew. "Interrogating the Manipulation of Fear: v for vendetta, batman begins, good night, and good luck, and america’s “war on terror”." The War on Terror and American Popular Culture. September 11 and Beyond. Eds. Andrew Schopp and Matthew B. Hill. Madison [etc.]: Fairleigh Dickinson Univ. Press, 2009. 259–86. |
|
| Last edited by: joachim 06/04/2014, 10:30 |
|
| Schüwer, Martin. "The UFOs Have Landed: Parodie amerikanischer pop-mythologie im comic jack b. quick." Praxis Englisch 4. (2010): 34–38. |
|
| Added by: joachim 05/09/2013, 00:11 |
|
| Shadrack, Jasmine. "V versus Hollywood: A discourse on polemic thievery." Studies in Comics 2. (2011): 195–205. |
|
| Last edited by: joachim 03/12/2012, 19:58 |
|
| Sharkey, Rodney. "From Hell or Hollywood, or Ripper In Pieces: How hollywood slashed the script." Reconstruction 2. 2 2002. Accessed 31 Jul. 2009. <http://reconstruction.e ... ues/022/revFromHell.htm>. |
|
| Last edited by: joachim 09/02/2010, 10:45 |
|
| Sheridan, Claire. "Radical coterie and the idea of sole survival in St Leon, Frankenstein and Watchmen." Alan Moore and the Gothic Tradition. Ed. Matthew J. A. Green. Manchester, New York: Manchester Univ. Press, 2013. 179–94. |
|
| Added by: joachim 22/06/2014, 12:11 |
|
| Simmons, David. "‘Nothing too heavy or too light’: Negotiating moore’s tom strong and the academic establishment." Studies in Comics 2. (2011): 57–67. |
|
| Last edited by: joachim 03/12/2012, 19:26 |
|
| Singer, Marc. "Unwrapping The Birth Caul: Word, performance, and image in the comics text." International Journal of Comic Art 6. (2004): 236–49. |
|
| Last edited by: joachim 05/04/2012, 07:12 |
|
| Singer, Marc. "Dark Genesis: Falls from language and returns to eden from ‘pog’ to promethea." Studies in Comics 2. (2011): 93–104. |
|
| Last edited by: joachim 03/12/2012, 19:38 |
|
| Singer, Marc. Breaking the Frames: Populism and prestige in comics studies. World Comics and Graphic Nonfiction. Austin: Univ. of Texas Press, 2019. |
|
| Last edited by: joachim 13/05/2019, 14:14 |
|
| Singer, Marc. "Unwrapping the Birth Caul." Alan Moore. Portrait of an Extraordinary Gentleman. Eds. smoky man and Gary Spencer Millidge. Leigh-on-Sea: Abiogenesis, 2003. 41–46. |
|
| Added by: joachim 15/08/2009, 00:19 |
|
| Skoble, Aeon J. "Superhero Revisionism in Watchmen and The Dark Knight Returns." Superheroes and Philosophy. Truth, Justice, and the Socratic Way. Eds. Tom Morris and Matt Morris. Popular Culture and Philosophy. Chicago: Open Court, 2005. 29–41. |
|
| Last edited by: joachim 07/09/2010, 12:09 |
|
| Smida, Megan Alice. "(Re)Telling Ripper in Alan Moore’s From Hell: History and narrative in the graphic novel." Thesis Master of Arts. University of Dayton, 2010. |
|
| Last edited by: joachim 13/02/2017, 14:53 |
|
| Smith, Matthew J. "Lost [and Found] Girls: Teaching a college course in alan moore." SANE journal 1. 2 2011. Accessed 11 Jul. 2016. <http://digitalcommons.unl.edu/sane/vol1/iss2/3>. |
|
| Added by: joachim 11/07/2016, 11:24 |
|
| Smith, Craig. "Motion comics: Modes of adaptation and the issue of authenticity." Animation Practice, Process & Production 1. (2012): 357–78. |
|
| Last edited by: joachim 12/12/2013, 14:23 |
|
| Smith, Michael. "Embracing Dionysius in Alan Moore’s Swamp Thing." Studies in the Novel 47. (2015): 365–80. |
|
| Added by: joachim 25/04/2016, 08:14 |
|
| Smith, Craig. "Motion Comics: The emergence of a hybrid medium." Writing Visual Culture 7 2015. Accessed 28 Sept. 2016. <http://www.herts.ac.uk/ ... 00791/wvc-dc7-smith.pdf>. |
|
| Added by: joachim 28/09/2016, 00:57 |
|
| Smith, Matthew J. "Auteur Criticism: The re-visionary works of alan moore." Critical Approaches to Comics and Graphic Novels. Theories and Methods. Eds. Matthew J. Smith and Randy Duncan. London, New York: Routledge, 2012. 178–88. |
|
| Last edited by: joachim 11/03/2014, 17:09 |
|
| Sobel, Marc. "Alan Moore’s Lost Treasures: ‘the bowing machine’." Comics Forum 2012. Accessed 12 Apr. 2013. <http://comicsforum.org/ ... -machine-by-marc-sobel/>. |
|
| Last edited by: joachim 12/04/2013, 18:01 |
|
| Sobel, Marc. "Alan Moore’s Lost Treasures: ‘the hasty smear of my smile …’." Comics Forum 2012. Accessed 12 Apr. 2013. <http://comicsforum.org/ ... my-smile-by-marc-sobel/>. |
|
| Last edited by: joachim 12/04/2013, 18:01 |
|
| Sommers, Joseph Michael. "When “One Bad Day” Becomes One Dark Knight: Love, madness, and obsession in the adaptation of the killing joke into christopher nolan’s the dark knight." Sexual Ideology in the Works of Alan Moore. Critical Essays on the Graphic Novels. Eds. Todd E. Comer and Joseph Michael Sommers. Jefferson, London: McFarland, 2012. 40–51. |
|
| Added by: joachim 05/04/2012, 10:04 |
|
| Song, Ho-Rim. "Text’s Resistance to Being Interpreted: Unconventional relationship between text and reader in watchmen." Practicing Science Fiction. Critical Essays on Writing, Reading and Teaching the Genre. Eds. Karen Hellekson, et al. Jefferson, London: McFarland, 2010. 117–29. |
|
| Last edited by: joachim 21/07/2022, 05:23 |
|
| de Sousa Caetano, Joana Catarina. "Memories are Forever: Transhumanism and cultural memory in v for vendetta, oblivion and the giver." Via Panorâmica 5 2016. Accessed 21 Oct. 2021. <https://ojs.letras.up.p ... hp/VP/article/view/3009>. |
|
| Last edited by: joachim 22/10/2021, 00:40 |
|
| Spanakos, Tony. "Super-Vigilantes and the Keene Act." Watchmen and Philosophy. A Rorschach Test. Ed. Mark D. White. The Blackwell Philosophy and Pop Culture Series. Hoboken: Wiley, 2009. 33–46. |
|
| Last edited by: joachim 20/12/2009, 01:14 |
|
| Spanjers, Rik. "The Killing Joke: The joker’s laughter and resistance." Master’s Thesis University of Amsterdam, 2010. |
|
| Added by: joachim 14/03/2015, 18:46 |
|
| St. Onge, Ruth-Ellen. "Crime, Adaptation and Collective Guilt: Alan moore and eddie campbell’s from hell." Revue de recherche en civilisation américaine 5 2015. Accessed 19 Jan. 2017. <https://rrca.revues.org/684>. |
|
| Last edited by: joachim 09/09/2019, 20:34 |
|
| Stewart, Bhob. "Dave Gibbons: Pebbles in a landscape." The Comics Journal (1987): 97–103. |
|
| Last edited by: joachim 13/10/2013, 23:26 |
|
| Stewart, Bhob. "Synchronicity and Symmetry." The Comics Journal (1987): 89–95. |
|
| Added by: joachim 13/10/2013, 16:50 |
|
| Stribling, Samuel Charles Stuart. "Dr. Manhattan’s Pathos: Synchronic and diachronic experience in comic books and architecture." Thesis Master of Architecture. University of Cincinnati, 2009. |
|
| Added by: joachim 22/06/2011, 13:35 |
|
| Strobel, Ricarda. "Text und Bild im Comic." Bild und Text im Dialog. Ed. Klaus Dirscherl. PINK. Passau: Wissenschaftsverl. Rothe, 1993. 377–95. |
|
| Added by: joachim 27/08/2009, 01:27 |
|
| Suhr, Karl. "Play within a play and the doppelganger: Visual application of narrative devices in two graphic novels." Scan. Journal of media arts culture 6. 1 2009. Accessed 2 Oct. 2009. <http://scan.net.au/scan ... play.php?journal_id=128>. |
|
| Added by: joachim 02/10/2009, 01:30 |
|
| Sulmicki, Maciej. "The author as the antiquarian: Selling victorian culture to readers of neo-victorian novels and steampunk comics." Otherness 2. 1 2011. Accessed 18 Sept. 2013. <http://www.otherness.dk ... .1/6.MaciejSulmicki.pdf>. |
|
| Added by: joachim 25/08/2020, 10:39 |
|
| Sulmicki, Maciej. "Two Tales of One City: Neo-victorian london in alan moore’s from hell and peter ackroyd’s dan leno and the limehouse golem." Zeszyty Naukowe Uczelni Vistula – Vistula University Working Papers 58. (2018): 31–43. |
|
| Added by: joachim 13/08/2020, 21:58 |
|
| Sulmicki, Maciej. "Studies in Madness: Reality and subjectivity in alan moore’s providence, ambrose bierce’s “an inhabitant of carcosa” and robert w. chambers’ “the repairer of reputations”." Zeszyty Naukowe Uczelni Vistula 65. (2019): 36–45. |
|
| Last edited by: joachim 26/01/2021, 10:28 |
|
| Sulmicki, Maciej. "‘And All Right, We Need a Woman’: Victimised heroines and heroic victims in alan moore's quasi-victorian graphic novels." Cultural Excavation and Formal Expression in the Graphic Novel. Eds. Jonathan C. Evans and Thomas Giddens. At the Interface, Probing the Boundaries. Oxford: Inter-Disciplinary Pr. 2013. 173–83. |
|
| Added by: joachim 20/10/2021, 11:12 |
|
| Summers, Tim. "‘Sparks of Meaning’: Comics, music and alan moore." Journal of the Royal Musical Association 140. (2015): 121–62. |
|
| Last edited by: joachim 07/09/2016, 08:55 |
|
| Szawerna, Michał. "Superpower corruption – the blended universe of Watchmen by Alan Moore, Dave Gibbons, and John Higgins." Papers and Studies in Axiological Linguistics. Philologica Wratislaviensia: Acta et Studia. Wrocław: Wydawnictwo Wyższej Szkoły Filologicznej we Wrocławiu, 2011. 87–101. |
|
| Last edited by: joachim 27/09/2019, 14:54 |
|
| Tantimedh, Adi. "Alan Moore: Inside “The Black Dossier”." Comic Book Resources 2007. Accessed 22 Sept. 2015. <https://www.cbr.com/ala ... side-the-black-dossier/>. |
|
| Added by: joachim 22/09/2015, 08:11 |
|
| Taylor, Aaron. "The Continuing Adventures of the “Inherently Unfilmable” Book: Zack snyder’s watchmen." Cinema Journal 56. (2017): 125–31. |
|
| Added by: joachim 02/02/2022, 19:46 |
|
| Taylor, Matthew. "Ozymandias the Dreamer: watchmen and alexander the great." Son of Classics and Comics. Eds. George Kovacs and C. W. Marshall. Classical Presences. New York: Oxford Univ. Press, 2016. 201–14. |
|
| Added by: joachim 20/06/2020, 00:39 |
|
| Teiwes, Jack. "A Man of Steel (by any other name): Adaptation and continuity in alan moore’s “superman”." ImageTexT 5. 4 2011. Accessed 12 Mar. 2013. <http://www.english.ufl. ... t/archives/v5_4/teiwes/>. |
|
| Last edited by: joachim 12/03/2013, 01:51 |
|
| Tembo, Kwasu. "Sons of Lilith: The portrayal and characterization of women in the apocryphal comics of neil gaiman, alan moore, and grant morrison." Corpus Mundi 1. 2 2020. Accessed 17 Jan. 2021. <https://corpusmundi.com ... php/cmj/article/view/14>. |
|
| Last edited by: joachim 17/01/2021, 16:37 |
|
| Terjesen, Andrew. "I'm Just a Puppet Who Can See the Strings: Dr. manhattan as a stoic sage." Watchmen and Philosophy. A Rorschach Test. Ed. Mark D. White. The Blackwell Philosophy and Pop Culture Series. Hoboken: Wiley, 2009. 137–53. |
|
| Last edited by: joachim 20/12/2009, 01:16 |
|
| Terranova, Joel T. "Art of Killing: The literary merits of johnny the homicidal maniac." International Journal of Comic Art 10. (2008): 451–67. |
|
| Added by: Deleted user 18/11/2009, 16:31 |
|
| Thomas, Paul L. "Adventures in genre! Rethinking genre through comics/graphic novels." Journal of Graphic Novels and Comics 2. (2011): 187–201. |
|
| Added by: joachim 08/12/2011, 00:36 |
|
| Thomson, Iain. "Deconstructing the Hero." Comics as Philosophy. Ed. Jeff McLaughlin. Jackson: Univ. Press of Mississippi, 2005. 100–29. |
|
| Last edited by: joachim 06/08/2009, 08:54 |
|
| Thoss, Jeff. "From Penny Dreadful to Graphic Novel: Alan moore and kevin o’neill’s genealogy of comics in the league of extraordinary gentlemen." Belphégor 13. 1 2015. Accessed 16 May. 2016. <https://belphegor.revues.org/624>. |
|
| Last edited by: joachim 16/05/2016, 00:16 |
|
| Thoss, Jeff. "Der Comic als Archiv der Populärkultur: Alan moore und kevin o’neills ›materialsammlung‹ black dossier." Ästhetik des Gemachten. Interdisziplinäre Beiträge zur Animations- und Comicforschung. Eds. Hans-Joachim Backe, et al. Berlin u. Boston: de Gruyter, 2018. 285–304. |
|
| Last edited by: joachim 03/10/2018, 12:57 |
|
| Thouret, Clotilde. "Traveling possible worlds in graphic narratives: The example of watchmen (alan moore and dave gibbons)." Neohelicon 40. (2013): 461–74. |
|
| Added by: joachim 05/02/2016, 16:31 |
|
| Tinker, Emma. "Identity and Form in Alternative Comics, 1967–2007." Thesis PhD. University College London, 2008. |
|
| Last edited by: joachim 24/09/2013, 09:36 |
|
| Tolja, Gorana. "Urban Palimpsests of London in Alan Moore and Eddie Campbell’s From Hell (1989–1996)." International Journal of Comic Art 16. (2014): 253–67. |
|
| Added by: joachim 04/08/2015, 10:04 |
|
| Tondro, Jason. "Angel Passage: An edition. lyrics by alan moore." International Journal of Comic Art 5. (2003): 392–424. |
|
| Last edited by: joachim 29/01/2010, 01:07 |
|
| Tondro, Jason. Superheroes of the Round Table: Comics connections to medieval and renaissance literature. Jefferson, London: McFarland, 2011. |
|
| Last edited by: joachim 09/08/2017, 15:01 |
|
| Torner, Evan. "The Poles of Wantonness: Male asexuality in alan moore’s film adaptations." Sexual Ideology in the Works of Alan Moore. Critical Essays on the Graphic Novels. Eds. Todd E. Comer and Joseph Michael Sommers. Jefferson, London: McFarland, 2012. 111–23. |
|
| Added by: joachim 25/04/2012, 15:55 |
|
| Tribunella, Eric L. "Literature for Us “Older Children”: lost girls, seduction fantasies, and the reeducation of adults." Journal of Popular Culture 25. (2012): 628–48. |
|
| Added by: joachim 02/06/2012, 13:03 |
|
| Trinkwitz, Joachim. "Die vierte Dimension: Wissensdiskurse und imagination in alan moores und eddie campbells from hell." Comics & Naturwissenschaften. Ed. Clemens Heydenreich. yellow. Schriften zur Comicforschung. Berlin: Ch.A. Bachmann, 2019. 69–93. |
|
| Added by: joachim 13/09/2019, 11:29 |
|
| Tyrrell, Thomas. "“I didn’t say it. Milton said it. And he was blind”: Alan moore, neil gaiman and paradise lost." The Luminary 7 2016. Accessed 23 Mar. 2021. <https://www.lancaster.a ... sue%207/Article%202.pdf>. |
|
| Last edited by: joachim 23/03/2021, 17:15 |
|
| Van Ness, Sara J. Watchmen as Literature: A critical study of the graphic novel. Jefferson, London: McFarland, 2010. |
|
| Last edited by: joachim 11/08/2018, 11:40 |
|
| Vanderbeke, Dirk and Marie Vanderbeke. "Graphic Dystopia: watchmen (moore/gibbons, 1986–1987) and v for vendetta (moore/lloyd, 1982–1989)." Dystopia, Science Fiction, Post-Apocalypse. Classics – New Tendencies – Model Interpretations. Eds. Eckart Voigts and Alessandra Boller. Trier: Wissenschaftlicher Verlag Trier, 2015. 201–20. |
|
| Added by: joachim 04/12/2015, 11:26 |
|
| Varis, Essi. "A Frame of You: Construction of characters in graphic novels." Licentiate Thesis. University of Jyväskylä, 2013. |
|
| Added by: joachim 21/08/2017, 17:01 |
|
| Vayo, Lloyd Isaac. "I Remain Your Own: Epistolamory in “the new adventures of fanny hill”." Sexual Ideology in the Works of Alan Moore. Critical Essays on the Graphic Novels. Eds. Todd E. Comer and Joseph Michael Sommers. Jefferson, London: McFarland, 2012. 189–200. |
|
| Added by: joachim 07/05/2012, 09:21 |
|
| Veith, Natalie. "Distorted Voices: Counter-narratives in the works of alan moore." Magisterarbeit M.A. Johann Wolfgang Goethe-Universität, 2013. |
|
| Last edited by: joachim 03/08/2014, 22:21 |
|
| Veith, Natalie. "Othering Voices and the Voice of the Other: The depiction of joseph merrick in from hell." Spaces Between: Gender, Diversity, and Identity in Comics. Eds. Nina Eckhoff-Heindl and Véronique Sina. Wiesbaden: Springer VS, 2020. 95–107. |
|
| Last edited by: joachim 12/08/2020, 16:11 |
|
| Veith, Natalie. "“Remarkable, the view here, isn't it?”: Totalising views and diverted gazes in the league of extraordinary gentlemen." Victorian Ideologies in Contemporary British Cultures. Eds. Christina Flotmann-Scholz and Anna Lienen. anglistik & englischunterricht. Heidelberg: Winter, 2019. 91–112. |
|
| Last edited by: joachim 12/08/2020, 16:56 |
|
| Veith, Natalie. "The (In)Significance of Queen Victoria in Neo-Victorian Comics." Realms of Royalty. New Directions in Researching Contemporary European Monarchies. Eds. Christina Jordan and Imke Polland. Bielefeld: Transcript, 2020. 193–210. |
|
| Last edited by: joachim 12/08/2020, 16:45 |
|
| Venezia, Tony. "Archives, Alan Moore, and the Historio-Graphic Novel." International Journal of Comic Art 12. (2010): 183–99. |
|
| Added by: joachim 10/11/2010, 02:49 |
|
| Venezia, Tony. "Seduction of the Innocent: v for vendetta as gothic (graphic) novel." Gothic Bastards. Genre, Innovation and Contemporary Fictions. Eds. Fred Botting and Catherine Spooner. Manchester, New York: Manchester Univ. Press, 2015. |
|
| Added by: joachim 04/08/2014, 17:19 |
|
| Venezia, Tony. "10th April, 1999, Conway Hall, Red Lion Square: snakes and ladders, occult cartography and radical nostalgia." Comic Book Geographies. Ed. Jason Dittmer. Media Geography at Mainz. Stuttgart: Franz Steiner, 2014. 41–58. |
|
| Last edited by: joachim 27/06/2014, 09:42 |
|
| Venezia, Tony. "‘Soap opera of the paranormal’: Surreal englishness and postimperial gothic in the bojeffries saga." Alan Moore and the Gothic Tradition. Ed. Matthew J. A. Green. Manchester, New York: Manchester Univ. Press, 2013. 21–41. |
|
| Added by: joachim 22/06/2014, 11:28 |
|
| Venezia, Tony. "Big Numbers, Small Moments." The Comics Grid. Journal of Comics Scholarship. Year One. Ed. Ernesto F. Priego Ramirez. London: The Comics Grid Digital First Editions, 2012. 24–26. |
|
| Last edited by: joachim 21/01/2013, 00:10 |
|
| Vogl, Peter. Hollywood Justice: Selbstjustiz im amerikanischen film, 1915–2015. Frankenthal: Mühlbeyer Filmbuchverl. 2016. |
|
| Added by: joachim 04/08/2018, 12:17 |
|
| The Mindscape of Alan Moore. 2003. |
|
| Last edited by: joachim 09/07/2014, 22:46 |
|
| Waites, Peter. On the Boundaries of Watchmen: Paratextual narratives across media. Uppsala: Uppsala Universitet, 2015. |
|
| Last edited by: joachim 11/08/2018, 16:01 |
|
| Walbrühl, Dirk. "Der Comicroman und seine Wegbereiter: Watchmen, Maus und From Hell." Prinzip Synthese: Der Comic. Eds. Mathis Bicker, Ute Friederich and Joachim Trinkwitz. Edition Kritische Ausgabe. Bonn: Weidle, 2011. 33–37. |
|
| Added by: joachim 19/10/2011, 01:22 |
|
| Wandtke, Terrence R. The Comics Scare Returns: The contemporary resurgence of horror comics. Comics Studies Monograph. Rochester: RIT, 2019. |
|
| Last edited by: joachim 23/05/2022, 11:14 |
|
| Wanzo, Rebecca. "The Normative Broken: Melinda gebbie, feminist comix, and child sexuality temporalities." American Literature 90. (2018): 347–75. |
|
| Last edited by: joachim 17/09/2018, 13:45 |
|
| Ward, Arthur. "Free Will and Foreknowledge: Does jon really know what laurie will do next, and can she do otherwise?." Watchmen and Philosophy. A Rorschach Test. Ed. Mark D. White. The Blackwell Philosophy and Pop Culture Series. Hoboken: Wiley, 2009. 125–35. |
|
| Last edited by: joachim 20/12/2009, 01:18 |
|
| Warwick, Alexandra. "Blood and Ink: Narration and the whitechapel murders." Jack the Ripper. Media, Culture, History. Eds. Alexandra Warwick and Martin Willis. Manchester, New York: Manchester Univ. Press, 2007. 71–87. |
|
| Added by: joachim 27/06/2013, 18:02 |
|
| Wegner, Phillip E. "Alan Moore, “Secondary Literacy,” and the Modernism of the Graphic Novel." ImageTexT 5. 3 2010. Accessed 4 Oct. 2010. <http://www.english.ufl. ... t/archives/v5_3/wegner/>. |
|
| Added by: joachim 04/10/2010, 11:46 |
|
| Wegner, Phillip E. "Alan Moore, “Secondary Literacy”, and the Modernism of the Graphic Novel." Shockwaves of Possibility. Essays on Science Fiction, Globalization, and Utopia. Ralahine Utopian Studies. Bern [etc.]: Peter Lang, 2014. 171–82. |
|
| Last edited by: joachim 16/05/2016, 00:51 |
|
| Wehmeyer, Sven-Eric. "One Man Against the System: Die katastrophenphantasien von alan moore, weltbester comic-autor." Das Science Fiction Jahr (2005): 879–98. |
|
| Last edited by: joachim 22/06/2014, 12:33 |
|
| West, Joel. "Having a Bad Day: Explorations of good and evil in alan moore’s the killing joke." Journal of Humanities, Arts and Social Science 4. (2020): 94–98. |
|
| Last edited by: joachim 03/08/2022, 16:41 |
|
| White, Mark D., ed. Watchmen and Philosophy: A rorschach test. Blackwell Philosophy and Pop Culture. Hoboken: Wiley, 2009. |
|
| Last edited by: joachim 30/08/2016, 13:23 |
|
| White, Mark D. "The Virtues of Nite Owl's Potbelly." Watchmen and Philosophy. A Rorschach Test. Ed. Mark D. White. The Blackwell Philosophy and Pop Culture Series. Hoboken: Wiley, 2009. 79–90. |
|
| Last edited by: joachim 20/12/2009, 01:19 |
|
| White-Schwoch, Travis and David N. Rapp. "Comprehending Comics and Graphic Novels: watchmen as a case for cognition." SANE journal 1. 2 2011. Accessed 11 Jul. 2016. <http://digitalcommons.unl.edu/sane/vol1/iss2/2>. |
|
| Last edited by: joachim 30/05/2019, 17:00 |
|
| Whitson, Roger. "Panelling Parallax: The fearful symmetry of william blake and alan moore." ImageTexT 3. 2 2007. Accessed 9 Dec. 2009. <http://www.english.ufl. ... /archives/v3_2/whitson/>. |
|
| Last edited by: joachim 11/08/2018, 11:41 |
|
| Whittaker, Jason. "From Hell: Blake and evil in popular culture." Blake, Modernity and Popular Culture. Ed. Steve Clark. New York [etc.]: Palgrave Macmillan, 2007. 192–204. |
|
| Last edited by: joachim 12/08/2020, 14:59 |
|
| Whitted, Qiana J. "Of Slaves and Other Swamp Things: Black southern history as comic book horror." Comics and the U.S. South. Eds. Brannon Costello and Qiana J. Whitted. Jackson: Univ. Press of Mississippi, 2012. 187–213. |
|
| Last edited by: joachim 16/03/2017, 19:23 |
|
| Wiater, Stanley and Stephen R. Bissette. "Alan Moore: Bard of the new order." Comic Book Rebels. Conversations with the Creators of the New Comics. Eds. Stanley Wiater and Stephen R. Bissette. New York: Donald I. Fine, 1993. 161–73. |
|
| Last edited by: joachim 17/02/2017, 11:42 |
|
| Williams, Jeff. "Culture, Theory, and Graphic Fiction." Dissertation Ph.D. Texas Tech University, 1999. |
|
| Last edited by: joachim 05/02/2012, 15:41 |
|
| Williams, Mark P. "Speculative Resistance in Lost Girls." Alluvium 2017. Accessed 27 Mar. 2017. <https://www.alluvium-jo ... sistance-in-lost-girls/>. |
|
| Added by: joachim 27/03/2017, 13:46 |
|
| Wilson, Aimee Armande. "A Century of Reading Time: From modernist novels to contemporary comics." Popular Modernism and Its Legacies. From Pop Literature to Video Games. Ed. Scott Ortolano. 2017. 231–45. |
|
| Last edited by: joachim 05/05/2021, 01:20 |
|
| Winterton, Ian. "Yeti vs. The Bloodsuckers: Alan moore interviewed." Interzone (1994): 28–30. |
|
| Added by: joachim 22/06/2014, 12:29 |
|
| Wiseman-Trowse, Nathan. "Marvel or Miracle: (re)placing the original in alan moore’s marvelman." Critical Engagements 3. (2009): 51–72. |
|
| Last edited by: joachim 24/03/2012, 20:39 |
|
| Witholt, Thomas. "By Whose Account? Reading and writing histories in the league of extraordinary gentlemen." Graphic History. Essays on Graphic Novels And/As History. Ed. Richard Iadonisi. Newcastle upon Tyne: Cambridge Scholars Publ. 2012. 144–61. |
|
| Added by: joachim 12/03/2013, 21:57 |
|
| Wolf-Meyer, Matthew. "The World Ozymandias Made: Utopias in the superhero comic, subculture, and the conservation of difference." Journal of Popular Culture 36. (2003): 497–517. |
|
| Last edited by: joachim 06/04/2013, 10:08 |
|
| Wolfreys, Julian. "London Khoragraphic." ImageTexT 1. 2 2005. Accessed 10 Dec. 2009. <http://www.english.ufl. ... archives/v1_2/wolfreys/>. |
|
| Last edited by: joachim 27/10/2015, 22:03 |
|
| Wolk, Douglas. "Alan Moore: The house of the magus." Reading Comics. How Graphic Novels Work and What They Mean. Cambridge: Da Capo, 2007. 228–57. |
|
| Added by: joachim 28/04/2013, 16:13 |
|
| Wood, Daniel. "The Times They Are A-Changin’: The passage of time as an agent of change in zack snyder’s film adaptation of watchmen." Colloquy 20 2010. Accessed 19 Jan. 2017. <http://artsonline.monas ... _december_2010/wood.pdf>. |
|
| Added by: joachim 19/01/2017, 03:33 |
|
