| Moore, Alan. 25,000 Years of Erotic Freedom. New York: Abrams, 2009. |
 
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| Moore, Alan and Dave Sim. "Correspondence: From Hell." Alan Moore. Portrait of an Extraordinary Gentleman. Eds. smoky man and Gary Spencer Millidge. Leigh-on-Sea: Abiogenesis, 2003. 303–45. |
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| Morton, Drew, ed. After Midnight: watchmen after watchmen. Jackson: Univ. Press of Mississippi, 2022. |
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| Moulthrop, Stuart. "See the Strings: Watchmen and the under-language of media." electronic book review 2011. Accessed 13 Jan. 2014. <http://www.electronicbo ... ead/firstperson/mammoth>. |
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| Moulthrop, Stuart. "See the Strings: watchmen and the under-language of media." Third Person. Authoring and Exploring Vast Narratives. Eds. Pat Harrigan and Noah Wardrip-Fruin. Cambridge, London: MIT Press, 2009. 287–302. |
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| Muñoz, Joaquin. "“I Think About That Story A Lot, Actually”: v for vendetta and philosophy in a community college reading course." Comic Connections. Reflecting on Women in Popular Culture. Ed. Sandra Eckard. Comic Connections. Lanham [etc.]: Rowman & Littlefield, 2018. 121–34. |
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| Murray, Christopher. "Alan Moore: The making of a graphic novelist." The Cambridge History of the Graphic Novel. Eds. Jan Baetens, Hugo Frey and Stephen E. Tabachnick. Cambridge [etc.]: Cambridge Univ. Press, 2018. 219–34. |
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| Murray, Christopher. "‘These are not our Promised Resurrections’: Unearthing the uncanny in alan moore’s a small killing, from hell, and a disease of language." Alan Moore and the Gothic Tradition. Ed. Matthew J. A. Green. Manchester, New York: Manchester Univ. Press, 2013. 215–34. |
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| Murray, Christopher. "Signals from Airstrip One: The british invasion of mainstream american comics." The Rise of the American Comics Artist. Creators and Contexts. Eds. Paul Williams and James Lyons. Jackson: Univ. Press of Mississippi, 2010. 31–45. |
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| Narcisi, Lara. "‘A Stronger Loving World’?: destruction, compassion, and megalomaniacs in alan moore’s watchmen." Imagining the End. Interdisciplinary Perspectives on the Apocalypse. Eds. Thomas E. Bishop and Jeremy R. Strong. Oxford: Inter-Disciplinary Pr. 2015. 83–97. |
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| Narcisi, Lara. "The Apocalypse Is Here, Again: Moral ambiguities and human failings in watchmen." A Critical Approach to the Apocalypse. Eds. Alexandra Simon-López and Heidi Yeandle. Oxford: Inter-Disciplinary Pr. 2013. 141–50. |
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| Nevett, Chad. "The Smartest Man in the Morgue: watchmen and “twelve notes on the mystery story”." Minutes to Midnight. Twelve Essays on Watchmen. Ed. Richard Bensam. Sequart Journal. Edwardsville: Sequart Research & Literacy Organization, 2010. 38–51. |
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| Nevins, Jess. "Helden und Monster." 2003. Accessed 21 May. 2013. <http://www.heldenundmonster.de/>. |
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| Nevins, Jess. Heroes & Monsters: The unofficial companion to the league of extraordinary gentlemen. Austin: MonkeyBrain, 2003. |
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| Nevins, Jess. A Blazing World: The unofficial companion to the league of extraordinary gentlemen, volume two. Austin: MonkeyBrain, 2004. |
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| Nevins, Jess. Impossible Territories: The unofficial companion to the league of extraordinary gentlemen: the black dossier. Austin: MonkeyBrain, 2008. |
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| Nevins, Jess. "Annotations to League of Extraordinary Gentlemen Volume III Chapter One a.k.a. Century:1910." 2011. Accessed 16 Aug. 2013. <http://jessnevins.com/a ... ns/1910annotations.html>. |
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| Nevins, Jess. "Annotations to League of Extraordinary Gentlemen Volume III Chapter Two, a.k.a. Century: 1969." 2011. Accessed 16 Aug. 2013. <http://jessnevins.com/a ... ns/1969annotations.html>. |
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| Nevins, Jess. "Annotations to League of Extraordinary Gentlemen Volume III Chapter Three, a.k.a. Century: 2009." 2012. Accessed 16 Aug. 2013. <http://jessnevins.com/a ... ns/2009annotations.html>. |
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| Nevins, Jess. "Annotations to League of Extraordinary Gentlemen: Nemo’s Heart of Ice." 2013. Accessed 16 Aug. 2013. <http://jessnevins.com/annotations/heartofice.html>. |
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| Nisley, Clara. "V for Vendetta as Philosophy: Victory through the virtues of anarchy." The Palgrave Handbook of Popular Culture as Philosophy 2021. Accessed 11 Jan. 2024. <https://doi.org/10.1007/978-3-319-97134-6_97-1>. |
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| Nuttall, Alex. "Rorschach: When telling the truth is wrong." Watchmen and Philosophy. A Rorschach Test. Ed. Mark D. White. The Blackwell Philosophy and Pop Culture Series. Hoboken: Wiley, 2009. 91–99. |
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| Ó Méalóid, Pádraig. Poisoned Chalice: The extremely long and incredibly complex story of marvelman (and miracleman). Poisoned Chalice, 2018. |
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| O’Malley, Seamus. "Speculative History, Speculative Fiction: Alan moore and eddie campbell’s from hell." Graphic History. Essays on Graphic Novels And/As History. Ed. Richard Iadonisi. Newcastle upon Tyne: Cambridge Scholars Publ. 2012. 162–83. |
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| de Oliveira, Alysson Tadeu Alves. "Prisões que escolhemos para viver." Orson 5 2013. Accessed 12 Sept. 2014. <http://orson.ufpel.edu. ... 02_alysson_oliveira.pdf>. |
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| Olson, Melissa. "The Hero and the Apocalypse in Watchmen and Buffy the Vampire Slayer: Season 8." International Journal of Comic Art 13. (2011): 417–31. |
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| Oppolzer, Markus. "Gothic Liminality in V for Vendetta." Alan Moore and the Gothic Tradition. Ed. Matthew J. A. Green. Manchester, New York: Manchester Univ. Press, 2013. 103–17. |
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| Ott, Brian L. "The Visceral Politics of V for Vendetta: On political affect in cinema." Critical Studies in Media Communication 27. (2010): 39–54. |
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| Pagello, Federico. "Space as History: watchmen and the urban imagery in superhero comics." Cinéma & Cie 10. (2011): 63–73. |
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| Paik, Peter Y. From Utopia to Apocalypse: Science fiction and the politics of catastrophe. Minneapolis: Univ. of Minnesota Press, 2010. |
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| Parkin, Lance. The Pocket Essential Alan Moore. 2nd ed. Harpenden: Pocket Essentials, 2009. |
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| Parkin, Lance. "Doctor Who and the Genesis of Alan Moore." Comics Forum 2012. Accessed 13 Apr. 2013. <http://comicsforum.org/ ... -moore-by-lance-parkin/>. |
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| Parkin, Lance. "Alan Moore and The League of Extraordinary Gentlemen." The Oxonian Review 26. 3 2013. Accessed 1 Jul. 2014. <http://www.oxonianrevie ... xtraordinary-gentlemen/>. |
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| Parkin, Lance. Magic Words: The extraordinary life of alan moore. London: Aurum, 2013. |
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| Pedro Sebastião, Sónia. The Hyper-Narcissus and the Collective Individualism: X-men and watchmen super-hero conception. Culture and the Making of Worlds: Milan, 7—9 Oct, 2010. |
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| Pellitteri, Marco. "Alan Moore, Watchmen and some notes on the ideology of superhero comics." Studies in Comics 2. (2011): 81–91. |
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| Peters, Jefferson M. "Alan Moore (1953– )." British Fantasy and Science Fiction Writers Since 1960. Ed. Darren Harris-Fain. Dictionary of Literary Biography. Farmington Hills: Thomson/Gale, 2002. 312–20. |
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| Petrovic, Paul. "The Culturally Constituted Gaze: Fetishizing the feminine from alan moore and dave gibbons’s watchmen to zack snyder’s watchmen." ImageTexT 5. 4 2011. Accessed 12 Mar. 2013. <http://www.english.ufl. ... archives/v5_4/petrovic/>. |
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| Petrovic, Paul. "“It Came Out of Nothing Except Our Love”: Queer desire and transcendental love in promethea." Sexual Ideology in the Works of Alan Moore. Critical Essays on the Graphic Novels. Eds. Todd E. Comer and Joseph Michael Sommers. Jefferson, London: McFarland, 2012. 163–76. |
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| Petty, James. "Violent lives, ending violently? Justice, ideology and spectatorship in watchmen." Graphic Justice. Intersections of Comics and Law. Ed. Thomas Giddens. London, New York: Routledge, 2015. 147–63. |
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| Phillips, Gene. "Blotting out Reality: Questioning rorschach." Minutes to Midnight. Twelve Essays on Watchmen. Ed. Richard Bensam. Sequart Journal. Edwardsville: Sequart Research & Literacy Organization, 2010. 64–73. |
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| Piatti-Farnell, Lorna. "‘For God’s sake, cover yourself’: Sexual violence, disrupted histories, and the gendered politics of patriotism in watchmen." Journal of Graphic Novels and Comics 8. (2017): 238–51. |
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| Pietrzak-Franger, Monika. "Envisioning the Ripper’s Visions: Adapting myth in alan moore and eddie campbell’s from hell." Neo-Victorian Studies 2. 2 2009/2010. Accessed 17 Sept. 2013. <http://www.neovictorian ... er%20with%20CAUTION.pdf>. |
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| Pietrzak-Franger, Monika. "Intermedialitäts- und Adaptionsprozesse in grafischer Literatur." Übersetzen und Rahmen. Praktiken medialer Transformationen. Eds. Claudia Benthien and Gabriele Klein. München: Fink, 2017. 89–101. |
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| Pilinovsky, Helen. "Body as Wonderland: Alice’s graphic iteration in lost girls." Alice beyond Wonderland. Essays for the Twenty-First Century. Ed. Cristopher Hollingsworth. Iowa City: Univ. of Iowa Press, 2009. 175–98. |
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| Pimlott, Shaun. Accessed 6 Oct. 2009. Alan Moore Interview Index. [Online]. Available: http://www.shaunpimlottdesign.co.uk/alanmoore/. |
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| Polak, Kate. Ethics in the Gutter: Empathy and historical fiction in comics. Studies in Comics and Cartoons. Columbus: Ohio State Univ. Press, 2017. |
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| Polley, Jason S. "Watching the Watchmen, Mediating the Mediators." Literature Compass 10. 8 2013. Accessed 14 Jun. 2019. <https://onlinelibrary.w ... /abs/10.1111/lic3.12076>. |
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| Post, Marco R. S. "R for Reason Gone Rampant? The intricate interplay between madness and rationality in the graphic novel v for vendetta." International Journal of Comic Art 16. (2014): 339–66. |
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| Powell, Anna. "Jack the Ripper’s Bodies-without-Organs: Affect and psychogeography under the scalpel in from hell." Irish Journal of Gothic and Horror Studies 7 2009. Accessed 15 Aug. 2010. <https://irishgothichorr ... 2018/03/anna-powell.pdf>. |
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| Power, Aidan. "Invasion of the Brit-Snatchers: National identity in contemporary science fiction cinema." British Science Fiction Film and Television. Critical Essays. Eds. Thomas Hochscherf and James Leggott. Critical Explorations in Science Fiction and Fantasy. Jefferson, London: McFarland, 2011. 143–55. |
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| Prince, Michael J. "Alan Moore’s America: The liberal individual and american identities in watchmen." Journal of Popular Culture 44. (2011): 815–30. |
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| Prince, Michael J. "The magic of patriarchal oppression in Alan Moore and Eddie Campbell’s From Hell." Journal of Graphic Novels and Comics 8. (2017): 252–63. |
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| Quiring, Björn. "“A Fiction That We Must Inhabit” – Sense Production in Urban Spaces According to Alan Moore and Eddie Campbell’s From Hell." Comics and the City. Urban Space in Print, Picture and Sequence. Eds. Jörn Ahrens and Arno Meteling. London, New York: Continuum, 2010. 199–213. |
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| Rantala, Oskari. "Hetkien punahehkuiset kopiot: Toistuvat ruudut sarjakuvaromaanissa watchmen." Tarkastelen pro gradu. University of Jyväskylä, 2014. |
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| Rantala, Oskari. "Superhuman Cognitions, Fourth Dimension and Speculative Comics Narrative: Panel repetition in watchmen and from hell." Fafnir 3. 4 2016. Accessed 9 Mar. 2017. <http://journal.finfar.o ... watchmen-and-from-hell/>. |
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| Ratto, Casey M. "Not Superhero Accessible: The temporal stickiness of disability in superhero comics." Disability Studies Quarterly 37. 2 2017. Accessed 25 Apr. 2019. <http://dsq-sds.org/article/view/5396>. |
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| Ray, Alice. "Who translates the Watchmen? (re)traduire les héros marginaux d’alan moore." TranscUlturAl 8. 2 2016. Accessed 23 Nov. 2016. <https://ejournals.libra ... p/TC/article/view/27479>. |
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| Rehak, Bob. "Adapting Watchmen after 9/11." Cinema Journal 51. (2011): 154–59. |
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| Reid, Britanny. "Destroyer and Preserver: Monstrous intertextuality in watchmen." Monstrous Manifestations. Realities and Imaginings of the Monstrous. Eds. Agnieszka Stasiewicz-Bieńkowska and Karen Graham. At the Interface. Oxford: Inter-Disciplinary Pr. 2013. 87–94. |
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| Reynolds, Richard. Super Heroes. A Modern Mythology. Studies in Popular Culture. 2nd ed. Jackson: Univ. Press of Mississippi, 1994. |
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| Reynolds, James. "‘KILL ME SENTIMENT’: v for vendetta and comic-to-film adaptation." Journal of Adaptation in Film & Performance 2. (2009): 121–36. |
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| Ricca, Brad. "‘I fashioned a prison that you could not leave’: The gothic imperative in the castle of otranto and ‘for the man who has everything’." Alan Moore and the Gothic Tradition. Ed. Matthew J. A. Green. Manchester, New York: Manchester Univ. Press, 2013. 159–78. |
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| Ricker, Aaron. "Sex Magic, Kabbalah, and Feminist Imagination in Alan Moore’s Promethea." ImageTexT 9. 1 2017. Accessed 11 Aug. 2018. <http://www.english.ufl. ... t/archives/v9_1/ricker/>. |
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| Rioux, Philippe. "Performing Alan Moore: Mise et remises en scène de soi." Pop en stock 2014. Accessed 29 Nov. 2015. <http://popenstock.ca/do ... remises-en-scene-de-soi>. |
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| Risko, Guy Andre. "“Does Doctor Manhattan Think?” Alan moore’s the watchmen and a ‘great books’ curriculum in the early college setting." Teaching Graphic Novels in the English Classroom. Pedagogical Possibilities of Multimodal Literacy Engagement. Ed. Alissa Burger. New York [etc.]: Palgrave Macmillan, 2018. 103–16. |
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| Ritchie, William. "At Play Amidst the Strangeness and Charm: watchmen and the philosophy of science." Minutes to Midnight. Twelve Essays on Watchmen. Ed. Richard Bensam. Sequart Journal. Edwardsville: Sequart Research & Literacy Organization, 2010. 52–63. |
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| Roberts, Adam. The History of Science Fiction. Palgrave Histories of Literature. 2nd ed. New York [etc.]: Palgrave Macmillan, 2016. |
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| Robertson, Benjamin J. "Incommensurate Nostalgias: Changin’ times in watchmen." Write in Tune. Contemporary Music in Fiction. Eds. Erich Hertz and Jeffrey Roessner. New York: Bloomsbury, 2014. |
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| Robichaud, Christopher. "The Superman Exists, and He's American: Morality in the face of absolute power." Watchmen and Philosophy. A Rorschach Test. Ed. Mark D. White. The Blackwell Philosophy and Pop Culture Series. Hoboken: Wiley, 2009. 5–17. |
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| Robinson, Michael G. "Alan Moore and Dave Gibbons’ Watchmen." The Graphic Novel. Ed. Gary Hoppenstand. Critical Insights. Englewood Cliffs: Salem Pr. 2014. 94–107. |
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| Rocha, James and Mona Rocha. "From Hell as Philosophy: Ripping through structural violence." The Palgrave Handbook of Popular Culture as Philosophy 2023. Accessed 11 Jan. 2024. <https://doi.org/10.1007/978-3-319-97134-6_93-2>. |
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| Romero-Jódar, Andrés. "A hammer to shape reality: Alan moore’s graphic novels and the avant-gardes." Studies in Comics 2. (2011): 39–56. |
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| Romero-Jódar, Andrés. The Trauma Graphic Novel. London, New York: Routledge, 2017. |
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| Romero-Jódar, Andrés. "Epic and Alienating: Reading alan moore’s graphic novels with bertolt brecht’s theatre." Minchō Magazine (2018). |
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| Romero-Jódar, Andrés. "Greek Romance, Alternative History and Political Trauma in Alan Moore and Dave Gibbons’ Watchmen." Trauma and Romance in Contemporary British Literature. Eds. Jean-Michel Ganteau and Susana Onega. Routledge Studies in Contemporary Literature. London, New York: Routledge, 2013. 181–99. |
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| Rosen, Elizabeth K. Apocalyptic Transformation: Apocalypse and the postmodern imagination. Lanham [etc.]: Lexington, 2008. |
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| Round, Julia. "London’s Calling: Alternate worlds and the city as superhero in contemporary british-american comics." International Journal of Comic Art 10. (2008): 24–31. |
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| Round, Julia. "We Share Our Mothers’ Health: Temporality and the gothic in comic book landscapes." Comic Book Geographies. Ed. Jason Dittmer. Media Geography at Mainz. Stuttgart: Franz Steiner, 2014. 127–40. |
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| Round, Julia. "From Hell." Icons of the American Comic Book. From Captain America to Wonder Woman. Eds. Randy Duncan and Matthew J. Smith. Greenwood Icons. Santa Barbara: Greenwood, 2013. 287–94. |
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| Round, Julia. "“Be vewy vewy quiet. We’re hunting wippers”: A barthesian analysis of the construction of fact and fiction in alan moore and eddie campbell’s from hell." The Rise and Reason of Comics and Graphic Literature. Critical Essays on the Form. Eds. Joyce Goggin and Dan A. Hassler-Forest. Jefferson, London: McFarland, 2010. 188–201. |
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| Round, Julia. "Medium, Spirits and Embodiment in Voice of the Fire." Alan Moore and the Gothic Tradition. Ed. Matthew J. A. Green. Manchester, New York: Manchester Univ. Press, 2013. 235–53. |
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| Round, Julia. "Gothic and the Graphic Novel." A New Companion to the Gothic. Ed. David Punter. Chichester: Wiley-Blackwell, 2012. 335–49. |
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| Rutherford, Lara. "Victorian Genres at Play: Juvenile fiction and the league of extraordinary gentlemen." Neo-Victorian Studies 5. 1 2012. Accessed 17 Sept. 2013. <http://www.neovictorian ... 05-1-6%20Rutherford.pdf>. |
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| Salanova Garrosa, Daniel. "A vueltas con la novela gráfica: Rasgos genéricos y estudio en from hell de allan [sic] moore." Historia, memoria y sociedad en el Género Negro. Literatura, cine, televisión y cómic. Eds. Javier Sánchez Zapatero and Álex Martín Escribá. Santiago de Compostela: Andavira, 2013. 453–60. |
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| Sanderson, Peter. "Bringing Light to the World: watchmen from hiroshima to manhattan." Minutes to Midnight. Twelve Essays on Watchmen. Ed. Richard Bensam. Sequart Journal. Edwardsville: Sequart Research & Literacy Organization, 2010. 109–31. |
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| Sandifer, Philip. The Last War in Albion: The early work of alan moore and grant morrison. Vol. 1. o.O. Eruditorum, 2016. |
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| Schechter, Russell. "Kat and Maus." Communication Research 16. (1989): 552–62. |
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| Scheller, Jörg. "Philanthrokapitalheroismus: Der unternehmer im superheldenfilm." Medialität und Menschenbild. Eds. Jens Eder, Joseph Imorde and Maike Sarah Reinerth. Media Convergence / Medienkonvergenz. Berlin: de Gruyter, 2012. 219–34. |
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| Last edited by: joachim 05/12/2013, 16:36 |
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| Schmalzer, Matthew. "Framing Super-Vision: Panoptic vision and controlling frames in alan moore and dave gibbons’ watchmen." ImageTexT 10. 1 2018. Accessed 17 Jan. 2021. <https://imagetextjourna ... -dave-gibbons-watchmen/>. |
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| Added by: joachim 17/01/2021, 17:45 |
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