| Adkinson, Cary D. "The Amazing Spider-Man and the Evolution of the Comics Code: A case study in cultural criminology." Journal of Criminal Justice and Popular Culture 15.3 2008. Accessed 16 July. 2022. <https://jcjpc.org/s/1-Adkinson-2008-ldr7.pdf>. |
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| Angel, Christina C. "The Hermeneutics of Spider-Man: What is peter parker doing in elizabethan england?." Web-Spinning Heroics. Critical Essays on the History and Meaning of Spider-Man. Eds. Robert Moses Peaslee and Robert G. Weiner. Jefferson, London: McFarland, 2012. 74–80. |
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| Bagge, Peter. "Spider-Man Sucks." The Best American Comics Criticism. Ed. Ben Schwartz. Seattle: Fantagraphics, 2010. 117–21. |
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| Bainbridge, Jason. "Spider-Man, The Question and the Meta-Zone Exception, objectivism and the comics of steve ditko." Law Text Culture 16.(2012): 217–42. |
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| Bainbridge, Jason. "“I am New York” – Spider-Man, New York City, and the Marvel Universe." Comics and the City. Urban Space in Print, Picture and Sequence. Eds. Jörn Ahrens and Arno Meteling. London, New York: Continuum, 2010. 163–79. |
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| Barnes, Rex. "The Implied Spider-Man: Transcreating religious imagery and meaning in spider-man: india." The Assimilation of Yogic Religions through Pop Culture. Ed. Paul G. Hackett. Lanham [etc.]: Rowman & Littlefield, 2017. 197–217. |
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| Barris, Jeremy. "Plato, Spider-Man and the Meaning of Life." Comics as Philosophy. Ed. Jeff McLaughlin. Jackson: Univ. Press of Mississippi, 2005. 63–83. |
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| Berger, Arthur Asa. "Marvel Language: The comic book and reality." ETC. A Review of General Semantics 29.(1972): 169–80. |
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| Berlatsky, Eric and Sika Dagbovie-Mullins. "The Mixed-Race Child Within: Psychoanalyzing race, trauma, vermin, and spider-man." American Imago 77.(2020): 569–601. |
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| Bevin, Phillip. "Spider-Man and Batman, Disordered Minds Friendship through difference." Web-Spinning Heroics. Critical Essays on the History and Meaning of Spider-Man. Eds. Robert Moses Peaslee and Robert G. Weiner. Jefferson, London: McFarland, 2012. 134–44. |
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| Biwas-Diener, Robert. "Positive Psychology of Peter Parker." The Psychology of Superheroes. An Unauthorized Exploration. Eds. Robin S. Rosenberg and Jennifer Canzoneri. Psychology of Popular Culture. Dallas: Benbella Books, 2008. 65–74. |
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| Blumberg, Arnold T. "‘The Night Gwen Stacy Died’: The end of innocence and the birth of the bronze age." Reconstruction 3.4 2003. Accessed 20 January. 2011. <http://reconstruction.e ... issues/034/blumberg.htm>. |
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| Blumberg, Arnold T. "“The Night Gwen Stacy Died”: The end of innocence and the “last gasp of the silver age”." International Journal of Comic Art 8.(2006): 197–211. |
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| Brühwiler, Claudia Franziska. "“A is A”: Spider-man, ayn rand, and what man ought to be." PS: Political Science and Politics 47.(2014): 90–93. |
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| Carter, James Bucky. "Ultimate Spider-Man and Student-Generated Classics: Using graphic novels and comics to produce authentic voice and detailed, authentic texts." Building Literacy Connections with Graphic Novels. Page by Page, Panel by Panel. Ed. James Bucky Carter. Urbana: National Council of Teachers of English, 2007. 145–56. |
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| Carter, David Ray. "Reinterpreting Myths in Spider-Man: The Animated Series." Web-Spinning Heroics. Critical Essays on the History and Meaning of Spider-Man. Eds. Robert Moses Peaslee and Robert G. Weiner. Jefferson, London: McFarland, 2012. 210–21. |
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| Carter, James Bucky. "Teaching Peter Parker’s Ghosts of Milton: Anxiety of influence, the trace, and platonic knowing in ultimate spider-man volume 1." Web-Spinning Heroics. Critical Essays on the History and Meaning of Spider-Man. Eds. Robert Moses Peaslee and Robert G. Weiner. Jefferson, London: McFarland, 2012. 63–68. |
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| Chelebourg, Christian. Les Écofictions: Mythologies de la fin du monde. Réflexions faites. Bruxelles: Les Impressions Nouvelles, 2012. |
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| Cunningham, Phillip L. "Donald Glover for Spider-Man." Web-Spinning Heroics. Critical Essays on the History and Meaning of Spider-Man. Eds. Robert Moses Peaslee and Robert G. Weiner. Jefferson, London: McFarland, 2012. 22–28. |
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| Currie, David. Ditko Shrugged: The uncompromising life of the artist behind spider-man and the rise of marvel comics. Neshannock: Hermes, 2019. |
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| Da-Silva, Elidiomar Ribeiro, et al.. "Marvel and DC Characters Inspired by Arachnids." The Comics Grid 4.11 2014. Accessed 20 June. 2016. <http://doi.org/10.5334/cg.aw>. |
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| Davé, Shilpa. "Spider-Man India: Comic books and the translating/transcreating of american cultural narratives." Transnational Perspectives on Graphic Narratives. Comics at the Crossroads. Eds. Shane Denson, Christina Meyer and Daniel Stein. New York: Bloomsbury, 2013. 127–44. |
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| Donn, Katharina. "‘Icons of a more Innocent Age’? Graphic narratives after 9/11." Frightful Witnessing. The Rhetoric and (Re)Presentation of Fear, Horror and Terror. Eds. Beth A. Kattelman and Magdalena Hodalska. Oxford: Inter-Disciplinary Pr, 2014. |
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| Donoso Munita, José Agustín and Mariano Alejandro Penafiel Durruty. "Transmedial Transduction in the Spider-Verse." Palabra Clave 20.(2017): 763–87. |
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| Drucker, Aaron. "Spider-Man: MENACE!!! Stan lee, censorship and the 100-issue revolution." Web-Spinning Heroics. Critical Essays on the History and Meaning of Spider-Man. Eds. Robert Moses Peaslee and Robert G. Weiner. Jefferson, London: McFarland, 2012. 90–100. |
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| Duggan, Jennifer. "Traumatic Origins: Orphanhood and the superhero." Good Grief! Children and Comics. Eds. Michelle Abate and Joe Sutliff Sanders. Columbus: Ohio State University Libraries, 2016. 47–67. |
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| Dunn, Jeff and Adam Palmer. The Soul of Spider-Man unexpected spiritual insights found in the legendary super-hero series. Ventura: Regal, 2010. |
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| Edwards, Emily D. "Women’s Pleasures Watching Spider-Man’s Journeys." Web-Spinning Heroics. Critical Essays on the History and Meaning of Spider-Man. Eds. Robert Moses Peaslee and Robert G. Weiner. Jefferson, London: McFarland, 2012. 177–86. |
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| Evans, Stephen C. "Why Should Superheroes Be Good? Spider-man, the x-men, and kierkegaard's double danger." Superheroes and Philosophy. Truth, Justice, and the Socratic Way. Eds. Tom Morris and Matt Morris. Popular Culture and Philosophy. Chicago: Open Court, 2005. 161–76. |
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| Flanagan, Martin. "Teen Trajectories in Spider-Man and Ghost World." Film and Comic Books. Eds. Ian Gordon, Mark Jancovich and Matthew P. McAllister. Jackson: Univ. Press of Mississippi, 2007. 137–59. |
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| Flanagan, Martin. "“Continually in the Making”: Spider-man’s new york." Web-Spinning Heroics. Critical Essays on the History and Meaning of Spider-Man. Eds. Robert Moses Peaslee and Robert G. Weiner. Jefferson, London: McFarland, 2012. 40–52. |
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| Flegel, Monica and Judith Leggatt. Superhero Culture Wars: Politics, marketing, and social justice in marvel comics. Bloomsbury Comics Studies. New York: Bloomsbury Academic, 2021. |
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| Fu, Albert S. "Fear of a black Spider-Man: Racebending and the colour-line in superhero (re)casting." Journal of Graphic Novels and Comics 6.(2015): 269–83. |
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| Gianola, Gabriel and Janine Coleman. "The Gwenaissance: Gwen stacy and the progression of women in comics." Gender and the Superhero Narrative. Eds. Michael Goodrum, Tara Prescott and Philip Smith. Jackson: Univ. Press of Mississippi, 2018. 251–84. |
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| Hanley, Richard. "The Perfectibility of Spider-Man." Webslinger. Unauthorized Essays on Your Friendly Neighborhood Spider-Man. Eds. Gerry Conway and Leah Wilson. Smart Pop. Dallas: Benbella Books, 2006. 55–72. |
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| Harris, Emma A. "“I’m always angry”: Super-hydes and the appropriation of edward hyde in superhero films." Neo-Victorian Villains. Adaptations and Transformations in Popular Culture. Ed. Benjamin Poore. Neo-Victorian Series. Leiden: Brill, 2017. |
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| Helvie, Forrest C. "The Loss of the Father: Trauma theory and the birth of spider-man." Web-Spinning Heroics. Critical Essays on the History and Meaning of Spider-Man. Eds. Robert Moses Peaslee and Robert G. Weiner. Jefferson, London: McFarland, 2012. 146–53. |
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| Herman, Janique. "An Interrogation of Morality, Power and Plurality as Evidenced in Superhero Comic Books A postmodernist perspective." Thesis MA. 2013. |
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| Hock, Claus Arne. "Die Darstellung des 11. Septembers in amerikanischen Comics." 1. Staatsexamensarbeit Universität Magdeburg, 2010. |
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| Holderman, Lisa. "Hegemonic Implications of Science in Popular Media: Science narratives and representations of physics in the spider-man film trilogy." Web-Spinning Heroics. Critical Essays on the History and Meaning of Spider-Man. Eds. Robert Moses Peaslee and Robert G. Weiner. Jefferson, London: McFarland, 2012. 53–62. |
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| Added by: joachim 9/22/12, 4:19 PM |
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| von Holzen, Aleta-Amirée. "If They Only Knew: Die doppelidentität maskierter superhelden zwischen täuschung und authentizität." Jahrbuch der Gesellschaft für Kinder- und Jugendliteraturforschung 2019. Accessed 12 January. 2020. <http://www.gkjf.de/wp-c ... 9_91-104_B7d_Holzen.pdf>. |
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| Hudson, Rick. "The Sinister Six: Anti-villains in an anti-heroic narrative." Web-Spinning Heroics. Critical Essays on the History and Meaning of Spider-Man. Eds. Robert Moses Peaslee and Robert G. Weiner. Jefferson, London: McFarland, 2012. 128–33. |
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| Johnsen, Derek. "Will the Real Wolverine Please Stand Up? Marvel’s mutation from monthlies to movies." Film and Comic Books. Eds. Ian Gordon, Mark Jancovich and Matthew P. McAllister. Jackson: Univ. Press of Mississippi, 2007. 64–86. |
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| Johnson, Fred and Janine J. Darragh. "Poverty Lines: Visual depictions of poverty and social class realities in comics." Teaching Comics Through Multiple Lenses. Critical Perspectives. Ed. Crag Hill. London, New York: Routledge, 2017. 113–31. |
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| Kaplan, Richard L. "Spider-Man in Love: A psychoanalytic interpretation." Journal of Popular Culture 44.(2011): 291–313. |
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| Kawa, Abraham. "The Universe She Died In: The death and lives of gwen stacy." International Journal of Comic Art 8.(2006): 212–33. |
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| Kelleter, Frank and Daniel Stein. "Autorisierungspraktiken seriellen Erzählens: Zur gattungsentwicklung von superheldencomics." Populäre Serialität: Narration – Evolution – Distinktion. Zum seriellen Erzählen seit dem 19. Jahrhundert. Ed. Frank Kelleter. Bielefeld: Transcript, 2012. 259–90. |
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| Kremer, Nick. "This Is Not Your Forefather’s Thor: Using comics to make mythology meaningful." SANE journal 1.1 2010. Accessed 5 January. 2011. <http://digitalcommons.unl.edu/sane/vol1/iss1/4>. |
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| Lang, Jeffrey and Patrick Trimble. "Whatever Happened to the Man of Tomorrow? An examination of the american monomyth and the comic book superhero." Journal of Popular Culture 22.(1988): 157–73. |
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| Leaver, Tama. "Artificial Mourning: The spider-man trilogy and september 11th." Web-Spinning Heroics. Critical Essays on the History and Meaning of Spider-Man. Eds. Robert Moses Peaslee and Robert G. Weiner. Jefferson, London: McFarland, 2012. 154–64. |
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| Lee, Peter. "Have Great Power, Greatly Irresponsible Intergenerational conflict in 1960s amazing spider-man." Web-Spinning Heroics. Critical Essays on the History and Meaning of Spider-Man. Eds. Robert Moses Peaslee and Robert G. Weiner. Jefferson, London: McFarland, 2012. 29–39. |
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| Added by: joachim 9/22/12, 3:56 PM |
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| Locke, Simon. "With Great Power Comes Changing Representations: From radiation to genetics in the origin of spider-man." Handbook of Popular Culture and Biomedicine. Knowledge in the Life Sciences as Cultural Artefact. Eds. Arno Görgen, German Alfonso Nunez and Heiner Fangerau. Cham: Springer, 2019. 259–70. |
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| McDermott, Mark R. "Finding the Milieu of the Spider-Man Music LPs." Web-Spinning Heroics. Critical Essays on the History and Meaning of Spider-Man. Eds. Robert Moses Peaslee and Robert G. Weiner. Jefferson, London: McFarland, 2012. 222–33. |
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| Added by: joachim 10/9/12, 1:40 PM |
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| McGowan, Matthew and Jeremy Short. "Spider-Management: A critical examination of the business world of spider-man." Web-Spinning Heroics. Critical Essays on the History and Meaning of Spider-Man. Eds. Robert Moses Peaslee and Robert G. Weiner. Jefferson, London: McFarland, 2012. 113–18. |
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| McWilliams, Ora C. S. "Who is afraid of a black Spider(-Man)?." Transformative Works and Cultures 13 2013. Accessed 19 June. 2013. <http://journal.transfor ... wc/article/view/455/355>. |
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| McWilliams, Ora C. S. "The Incorrigible Aunt May." Web-Spinning Heroics. Critical Essays on the History and Meaning of Spider-Man. Eds. Robert Moses Peaslee and Robert G. Weiner. Jefferson, London: McFarland, 2012. 187–94. |
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| Molotiu, Andrei. "Abstract Form: Sequential dynamism and iconostasis in abstract comics and steve ditko’s amazing spider-man." Critical Approaches to Comics and Graphic Novels. Theories and Methods. Eds. Matthew J. Smith and Randy Duncan. London, New York: Routledge, 2012. 84–100. |
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| Mondello, Salvatore. "Spider-Man: Superhero in the liberal tradition." Journal of Popular Culture 10.(1976): 232–38. |
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| Nair, Kartik. "Plummeting to the Pavement: The fall of the body in spider-man." Terror and the Cinematic Sublime. Essays on Violence and the Unrepresentable in Post-9/11 Films. Eds. Todd E. Comer and Lloyd Isaac Vayo. Jefferson, London: McFarland, 2013. 15–28. |
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| Ndalianis, Angela. Neo-Baroque Aesthetics and Contemporary Entertainment. Cambridge, London: MIT Press, 2004. |
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| Neuhaus, Stefan. "Allegorien der Macht: Batman (1989/1992) und spider-man (2002)." Der fantastische Film. Ed. Oliver Jahraus. 2005. 111–28. |
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| Neuhaus, Stefan. "Die zwei Türme: spider-man und der 11. september." Narrative des Entsetzens. Künstlerische, mediale und intellektuelle Deutungen des 11. September 2001. Ed. Matthias N. Lorenz. Film – Medium – Diskurs. 2004. 105–16. |
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| O’Connell, Sean. With Great Power: How spider-man conquered hollywood during the golden age of comic book blockbusters. Lanham: Applause, 2022. |
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| O’Donnell, Casey. "Games Are Not Convergence: spider-man 3, game design and the lost promise of digital production and convergence." Web-Spinning Heroics. Critical Essays on the History and Meaning of Spider-Man. Eds. Robert Moses Peaslee and Robert G. Weiner. Jefferson, London: McFarland, 2012. 234–48. |
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| O’Rourke, Dan and Pravin A. Rodrigues. "The “Transcreation” of a Mediated Myth: Spider-man in india." The Amazing Transforming Superhero! Essays on the Revision of Characters in Comic Books, Film and Television. Jefferson, London: McFarland, 2007. 112–28. |
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| Oropeza, B. J. "“Behold! The Hero has Become Like One of Us” The perfectly imperfect spider–man." The Gospel According to Superheroes. Religion and Popular Culture. Ed. B. J. Oropeza. New York [etc.]: Peter Lang, 2005. 127–44. |
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| Packard, Stephan. "Superior Unreliability: Thoughts on narrators in comics on the occasion of spider-man 2012/13." Comics Forum 2013. Accessed 31 August. 2013. <http://comicsforum.org/ ... 213-by-stephan-packard/>. |
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| Palumbo, Donald. "The Marvel Comics Group’s Spider-Man is an Existentialist Super-Hero; or “Life has no Meaning without my latest Marvels!”." Journal of Popular Culture 17.(1983): 67–82. |
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| Peaslee, Robert Moses. "Superheroes, “Moral Economy,” and the “Iron Cage” Morality, alienation and the super-individual." Super/Heroes. From Hercules to Superman. Eds. Wendy Haslem, Angela Ndalianis and Chris Mackie. Washington: New Academia Publishing, 2007. 37–50. |
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| Peaslee, Robert Moses. "Spidey Meets Freud: Central psychoanalytic motifs in spider-man and spider-man 2." Web-Spinning Heroics. Critical Essays on the History and Meaning of Spider-Man. Eds. Robert Moses Peaslee and Robert G. Weiner. Jefferson, London: McFarland, 2012. 195–208. |
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| Added by: joachim 10/9/12, 1:32 PM |
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| Peaslee, Robert Moses and Robert G. Weiner, eds. Web-Spinning Heroics: Critical essays on the history and meaning of spider-man. Jefferson, London: McFarland, 2012. |
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| Pineda, Antonio and Jesus Jimenez‐Varea. "Popular Culture, Ideology, and the Comics Industry Steve ditko’s objectivist spider‐man." Journal of Popular Culture 46.(2013): 1156–76. |
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| Rae, Neil and Jonathan Gray. "When Gen-X Met the X-Men: Retextualizing comic book film reception." Film and Comic Books. Eds. Ian Gordon, Mark Jancovich and Matthew P. McAllister. Jackson: Univ. Press of Mississippi, 2007. 86–100. |
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| Richardson, Niall. "The Gospel According to Spider-Man." Journal of Popular Culture 37.(2004): 694–703. |
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| Last edited by: joachim 12/7/11, 3:53 PM |
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| Royal, Derek Parker. "Strategies of Narration in Jeph Loeb and Tim Sale’s Spider-Man: Blue." Web-Spinning Heroics. Critical Essays on the History and Meaning of Spider-Man. Eds. Robert Moses Peaslee and Robert G. Weiner. Jefferson, London: McFarland, 2012. 81–88. |
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| Sanford, Jonathan J., ed. Spider-Man and Philosophy: The web of inquiry. Blackwell Philosophy and Pop Culture. Hoboken: Wiley, 2012. |
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| Saunders, Ben. Do The Gods Wear Capes? Spirituality, fantasy, and superheroes. New Directions in Religion and Literature. London, New York: Continuum, 2011. |
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| Scott, Cord. "Anti-Heroes: Spider-man and the punisher." Web-Spinning Heroics. Critical Essays on the History and Meaning of Spider-Man. Eds. Robert Moses Peaslee and Robert G. Weiner. Jefferson, London: McFarland, 2012. 120–27. |
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| Smith, Andrew A. "J. Jonah Jameson—Hero or Villain? Spider-man’s nemesis hard to pigeonhole." Web-Spinning Heroics. Critical Essays on the History and Meaning of Spider-Man. Eds. Robert Moses Peaslee and Robert G. Weiner. Jefferson, London: McFarland, 2012. 101–12. |
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| Söll, Änne and Friedrich Weltzien. "Spider-Mans Heldenmaske: Kampf um männlichkeit im superhelden-genre." Männlichkeit als Maskerade. Kulturelle Inszenierungen vom Mittelalter bis zur Gegenwart. Eds. Claudia Benthien and Inge Stephan. Literatur – Kultur – Geschlecht. Köln, Weimar, Wien: Böhlau, 2003. 296–315. |
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| Stein, Daniel. "Of Transcreations and Transpacific Adaptations: Investigating manga versions of spider-man." Transnational Perspectives on Graphic Narratives. Comics at the Crossroads. Eds. Shane Denson, Christina Meyer and Daniel Stein. New York: Bloomsbury, 2013. 145–62. |
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| Stein, Daniel. "Spoofin’ Spidey—Rebooting the Bat: Immersive story worlds and the narrative complexities of video spoofs in the era of the superhero blockbuster." Film Remakes, Adaptations and Fan Productions. Remake/Remodel. Eds. Kathleen Loock and Constantine Verevis. New York [etc.]: Palgrave Macmillan, 2012. 231–47. |
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| Stephens, C. M. "Spider-Man: An enduring legend." A Necessary Fantasy? The Heroic Figure in Children’s Popular Culture. Eds. Dudley Jones and Tony Watkins. Children’s Literature and Culture. New York: Garland, 2000. 251–66. |
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| Vaillancourt, Luc. "Spider-Man: Turn Off the Dark: Intermédialité et identité du superhéros." Mythologies du superhéros. Histoire, physiologie, géographie, intermédialités. Eds. François-Emmanuël Boucher, Sylvain David and Maxime Prévost. ACME. Liège: Presses Univ. de Liège, 2014. 221–34. |
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| Vaz, Marc Cotta. Hinter der Maske von Spider-Man: Ein geheimer blick hinter die kulissen. Stuttgart: Dino, 2002. |
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| Added by: joachim 5/23/11, 3:14 AM |
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| Walsh, John, Shawn Martin, and Jennifer St. Germain. "The Spider’s Web: An analysis of fan mail from amazing spider-man, 1963–1995." Empirical Comics Research. Digital Multimodal and Cognitive Methods. Eds. Alexander Dunst, Jochen Laubrock and Janina Wildfeuer. Routledge Advances in Comics Studies. London, New York: Routledge, 2018. 62–84. |
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| Walton, David. "Weaving Webs and True Lies: Revisiting kraven’s last hunt through the lens of brooklyn dreams." Web-Spinning Heroics. Critical Essays on the History and Meaning of Spider-Man. Eds. Robert Moses Peaslee and Robert G. Weiner. Jefferson, London: McFarland, 2012. 70–73. |
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| Added by: joachim 9/24/12, 2:16 AM |
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| Weiner, Robert G. "Sequential Art and Reality: Yes, virginia, there is a spider-man." International Journal of Comic Art 11.(2009): 457–77. |
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| Weiner, Robert G. and Shelley E. Barba. "Obama and Spider-Man: A meta-data media analysis of an unlikely pairing." The Iconic Obama, 2007–2009. Essays on Media Representations of the Candidate and New President. Eds. Nicholas Yanes and Derrais Carter. Jefferson, London: McFarland, 2012. 113–27. |
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| Added by: joachim 6/11/12, 9:19 AM |
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| Weiner, Robert G. "Three Stories, Three Movies and the Romances of Mary Jane and Spider-Man." Web-Spinning Heroics. Critical Essays on the History and Meaning of Spider-Man. Eds. Robert Moses Peaslee and Robert G. Weiner. Jefferson, London: McFarland, 2012. 166–76. |
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| Added by: joachim 10/9/12, 1:20 PM |
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| Weinstein, Simcha. Up, Up, and Oy Vey! How jewish history, culture, and values shaped the comic book superhero. Baltimore: Leviathan Press, 2006. |
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| Last edited by: joachim 6/5/13, 4:25 PM |
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| Wörther, Matthias. "Horror, Komik, Supermänner Das genrekino des sam raimi." Handbuch Theologie und Populärer Film. Eds. Thomas Bohrmann, Werner Veith and Stephan Zöller. Paderborn: Schöningh, 2009. 149–62. |
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| Added by: joachim 10/29/11, 7:56 PM |
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| Yin, Philippa B. "Structural and Psychological Aspects of the Spider Woman Symbol in Kiss of the Spider Woman." Journal of the Fantastic in the Arts 1.(1988): 65–82. |
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| Last edited by: joachim 2/23/12, 4:20 PM |
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