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| Barker, Kim. "Holy blurring of core copyright principles, Batmobile!." Graphic Justice. Intersections of Comics and Law. London, New York: Routledge, 2015. 19–35. |
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| Barker, Martin. "Fredric Wertham—The Sad Case of the Unhappy Humanist." Pulp Demons. International Dimensions of the Postwar Anti-Comics Campaign. Ed. John A. Lent. Madison [etc.]: Fairleigh Dickinson Univ. Press, 1999. 215–33. |
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| Barker, Cory, Chris Ryan, and Myc Wiatrowski, eds. Mapping Smallville: Critical essays on the series and its characters. Jefferson, London: McFarland, 2014. |
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| Barker, Martin and Roger Sabin. "‘Doonesbury does Iraq’: Garry trudeau and the politics of an anti-war strip." Journal of Graphic Novels and Comics 3. (2012): 127–42. |
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| Barrier, Michael. Funnybooks: The improbable glories of the best american comic books. Berkeley: Univ. of California Press, 2014. |
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| Bartlett, Myke. "A Mirror to Changing Times: x-men and x2." Screen Education (2010): 111–15. |
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| Bartley, Aryn. "Staging Cosmopolitanism: The transnational encounter in joe sacco’s footnotes in gaza." Transnational Perspectives on Graphic Narratives. Comics at the Crossroads. Eds. Shane Denson, Christina Meyer and Daniel Stein. New York: Bloomsbury, 2013. 67–82. |
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| Bartosch, Sebastian. "Understanding comics’ mediality as an actor-network: Some elements of translation in the works of brian fies and dylan horrocks." Journal of Graphic Novels and Comics 7. (2016): 242–53. |
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| Bartosch, Sebastian and Andreas Stuhlmann. "Reconsidering adaptation as translation: The comic in between." Studies in Comics 4. (2013): 59–74. |
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| Bartual, Roberto. "Architecture and comics: citizens of no place." The Comics Grid. Journal of Comics Scholarship. Year One. Ed. Ernesto F. Priego Ramirez. London: The Comics Grid Digital First Editions, 2012. 190–92. |
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| Bartual, Roberto. "Gasoline Alley, 22 April 1934." The Comics Grid. Journal of Comics Scholarship. Year One. Ed. Ernesto F. Priego Ramirez. London: The Comics Grid Digital First Editions, 2012. 20–23. |
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| Bartual, Roberto. "Inner Focalization: A child’s game." The Comics Grid. Journal of Comics Scholarship. Year One. Ed. Ernesto F. Priego Ramirez. London: The Comics Grid Digital First Editions, 2012. 46–48. |
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| Bartual, Roberto. "John Byrne’s White on White." The Comics Grid. Journal of Comics Scholarship. Year One. Ed. Ernesto F. Priego Ramirez. London: The Comics Grid Digital First Editions, 2012. 62–64. |
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| Bartual, Roberto. "Peanuts, 5 October 1950." The Comics Grid. Journal of Comics Scholarship. Year One. Ed. Ernesto F. Priego Ramirez. London: The Comics Grid Digital First Editions, 2012. 8–9. |
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| Baschiera, Stefano. "The Thickness of the Panel: Narrative stratification and complexification in azzarello’s 100 bullets." Cinema e fumetto. Cinema and comics. Eds. Leonardo Quaresima, Laura Ester Sangalli and Federico Zecca. Udine: Forum, 2009. 367–80. |
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| Basile, Emanuele. "Maus: Questioni di narrabilità storica." Fictions 9. (2010): 81–98. |
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| Baskind, Samantha. "Plain Dealing Women: Lois lane and the origin of the comic book heroine – a conversation with laura siegel larson." Journal of Graphic Novels and Comics 9. (2018): 634–44. |
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| Baskind, Samantha. The Warsaw Ghetto in American Art and Culture. University Park: Penn State Univ. Press, 2018. |
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| Baskind, Samantha. "A Conversation with Miriam Katin." The Jewish Graphic Novel. Critical Approaches. Eds. Samantha Baskind and Ranen Omar-Sherman. New Brunswick: Rutgers Univ. Press, 2008. 237–43. |
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| Baskind, Samantha. "Joe Kubert’s Yossel: April 19, 1943: Faith and art history’s precedents." Comics and Sacred Texts. Reimagining Religion and Graphic Narratives. Eds. Assaf Gamzou and Ken Koltun-Fromm. Jackson: Univ. Press of Mississippi, 2018. 193–210. |
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| Baskind, Samantha. "Picturing “The Holiest Thing”: Joe kubert’s children of the warsaw ghetto." Visualizing Jewish Narrative. Jewish Comics and Graphic Novels. Ed. Derek Parker Royal. New York: Bloomsbury Academic, 2016. 171–84. |
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| Basu, Lopamudra. "The Graphic Memoir in a State of Exception: Transformations of the personal in art spiegelman’s in the shadow of no towers." Drawing from Life. Memory and Subjectivity in Comic Art. Ed. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013. 163–84. |
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| Bateman, John A. and Francisco O. D. Veloso. "The semiotic resources of comics in movie adaptation: Ang lee’s hulk (2003) as a case study." Studies in Comics 4. (2013): 135–58. |
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| Batkin, Jane. Identity in Animation: A journey into self, difference, culture, and the body. London, New York: Routledge, 2017. |
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| Bauer, Heike. "Tangles: An interview with sarah leavitt." Studies in Comics 6. (2015): 329–37. |
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| Bauer, Gero. "Hope and Kinship in AMC’s »The Walking Dead«." Ethik in Serie. Eds. Cordula Brand and Simon Meisch. 2nd ed. Materialien zur Ethik in den Wissenschaften. Tübingen: Tübingen Library Publ. 2018. 121–32. |
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| Bauer, Heike. "Comics, Graphic Narratives, and Lesbian Lives." The Cambridge Companion to Lesbian Literature. Ed. Jodie Medd. Cambridge Companions to Literature. Cambridge [etc.]: Cambridge Univ. Press, 2015. 219–36. |
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| Baurin, Camille. "Le metacomic: La réflexivité dans le comic book de super-héros contemporain." Thèse de doctorat Université de Poitiers, 2012. |
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| Bavlnka, Timothy. "Superheroes and Shamanism: Magic and participation in the comics of grant morrison." Thesis Master of Arts. Bowling Green State Univ. Popular Culture, 2011. |
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| Bavlnka, Timothy. "The Joke’s On Him: Shamanism, literary magic, and the textualization of grant morrison, heath ledger, and the joker." Intensities: The Journal of Cult Media 5 2013. Accessed 2 Jul. 2016. <https://intensitiescult ... e-joker-tim-bavlnka.pdf>. |
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| Beach, Sarah. "Robin Hood and Green Arrow: Outlaw bowmen in the modern urban landscape." Robin Hood in Popular Culture. Violence, Transgression, and Justice. Ed. Thomas Hahn. Cambridge: D.S. Brewer, 2000. 21–28. |
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| Beadling, Laura L. "Imaging Internment: Teaching miné okubo’s citizen 13660 as a work of comics in the contact zone." SANE journal 1. 1 2010. Accessed 5 Jan. 2011. <http://digitalcommons.unl.edu/sane/vol1/iss1/5>. |
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| Beadling, Laura L. "Twin Turns: Art spiegelman’s in the shadow of no towers and history." Graphic History. Essays on Graphic Novels And/As History. Ed. Richard Iadonisi. Newcastle upon Tyne: Cambridge Scholars Publ. 2012. 37–54. |
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| Beard, Jim, ed. Gotham City 14 Miles: 14 essays on why the 1960s batman tv series matters. Sequart Journal. Edwardsville: Sequart Research & Literacy Organization, 2010. |
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| Beard, Becky. "Aunt Harriet’s Film Decency League." Gotham City 14 Miles. 14 Essays on Why the 1960s Batman TV Series Matters. Ed. Jim Beard. Sequart Journal. Edwardsville: Sequart Research & Literacy Organization, 2010. 84–96. |
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| Beard, Jim. "“Giant Lighted Lucite Map of Gotham City”: An introduction." Gotham City 14 Miles. 14 Essays on Why the 1960s Batman TV Series Matters. Ed. Jim Beard. Sequart Journal. Edwardsville: Sequart Research & Literacy Organization, 2010. 1–5. |
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| Beard, Jim. "Such a Character: A dissection of two sub-species of chiroptera homo sapiens." Gotham City 14 Miles. 14 Essays on Why the 1960s Batman TV Series Matters. Ed. Jim Beard. Sequart Journal. Edwardsville: Sequart Research & Literacy Organization, 2010. 56–75. |
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| Beard, David and Kate Vo Thi-Beard. "Comic Fans and Convergence Culture: Community of readers in the master of kung fu." Harlot 2 2009. Accessed 13 Nov. 2023. <https://harlotofthearts ... rlot/article/view/26/17>. |
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| Beaty, Bart. "All our Innocences: Fredric wertham, mass culture and the rise of the media effects paradigm, 1940–1972." Thesis Doctor of Philosophy. McGiIl University, 1999. |
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| Beaty, Bart. Comics Versus Art. Toronto, Buffalo, London: Univ. of Toronto Press, 2012. |
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| Beaty, Bart. "Selective Mutual Reinforcement in the Comics of Chester Brown, Joe Matt, and Seth." Graphic Subjects. Critical Essays on Autobiography and Graphic Novels. Ed. Michael A. Chaney. Wisconsin Studies in Autobiography. Madison: Univ. of Wisconsin Press, 2011. 247–59. |
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| Beaty, Bart, Nick Sousanis, and Benjamin Woo. "Two Per Cent of What? Constructing a corpus of typical american comic books." Empirical Comics Research. Digital Multimodal and Cognitive Methods. Eds. Alexander Dunst, Jochen Laubrock and Janina Wildfeuer. Routledge Advances in Comics Studies. London, New York: Routledge, 2018. 27–42. |
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| Beaty, Bart and Benjamin Woo. The Greatest Comic Book of All Time: Symbolic capital and the field of american comic books. Palgrave Studies in Comics and Graphic Novels. New York [etc.]: Palgrave Macmillan, 2016. |
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| Beauchamp, Monte, ed. The Life and Times of R. Crumb: Comments from contemporaries. New York: St. Martin’s Press, 1998. |
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| Beauchamp, Monte. "Mark Schultz: Keeper of the flame." Classic Comics Illustrators. Frank Frazetta, Russ Heath, Burne Hogarth, Russ Manning, Mark Schultz. The Comics Journal Library. Seattle: Fantagraphics, 2005. 78–101. |
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| Beaudoin, Maria. "Creating a Maxximum Narratology: “the maxx”, comic books, and narrative theory." Images and Imagery. Frames, Borders, Limits – Interdisciplinary Perspectives. Eds. Leslie Boldt-Irons, Corrado Federici and Ernesto Virgulti. Studies of Themes and Motifs in Literature. New York [etc.]: Peter Lang, 2005. 199–212. |
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| Becattini, Alberto. "Baker of Cheesecake: An appreciation of matt baker, good girl artist surpreme." Matt Baker. The Art of Glamour. Eds. Jim Amash and Eric Nolen-Weathington. Raleigh: TwoMorrows, 2012. 36–65. |
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