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Ask Nunes, Denise. "The Toxic Heroine in Nausicaä of the Valley of the Wind." Dialogues between Media. Ed. Paul Ferstl. The Many Languages of Comparative Literature. Berlin u. Boston: de Gruyter, 2021. 83–94. |
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Austin, Carolyn F. "The Endurance of Ash: Melancholia and the Persistance of the Material in Charlotte Salomon’s Leben? Oder Theater?." Biography 31. (2008): 103–32. |
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Avery-Natale, Edward. "An Analysis of Embodiment among Six Superheroes in DC Comics." Social Thought and Research 32. (2013): 71–106. |
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Baetens, Jan. "La main parlante." Image [&] Narrative 5. 1 2004. Accessed 4Jan. 2011. <http://www.imageandnarr ... rmance/baetens_main.htm>. |
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Baldanzi, Jessica. Bodies and Boundaries in Graphic Fiction: Reading Female and Nonbinary Characters. Routledge Studies in Gender, Sexuality, and Comics. London, New York: Routledge, 2023. |
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Balinisteanu, Tudor. "Goddess Cults in Techno-Worlds: Tank Girl and the Borg Queen." Journal of Feminist Studies in Religion 28. (2012): 5–24. |
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Baumann, Kristina. "Der schaumgeborene Superheld: Barack Obama zwischen Comic-Kultur, Mythos und body politics." kritische berichte 39. (2011): 82–91. |
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Baur, Uwe. "Superman – Asterix: Mythisierte Körperbilder im seriellen Comic." Zagreber Germanistische Beiträge 13. (2004): 149–58. |
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Beerman, Ruth J. "The body unbound: Empowered, heroism and body image." Journal of Graphic Novels and Comics 3. (2012): 201–13. |
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Berndt, Frauke. "Über die ästhetische Erziehung des Menschen oder: Von Schiller zu Magneto." Figurationen (2011): 81–99. |
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Berndt, Jaqueline. "Un/sichtbare Nacktheit. Zur kulturellen und ästhetischen Spezifik japanischer Comics." Nacktheit. Ästhetische Inszenierungen im Kulturvergleich. Ed. Kerstin Gernig. Literatur – Kultur – Geschlecht. Kleine Reihe. Köln, Weimar, Wien: Böhlau, 2002. 327–48. |
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Bird, Lawrence. "States of Emergency: Urban Space and the Robotic Body in the Metropolis Tales." Mechademia 3. (2008): 127–48. |
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Boillat, Alain. "La figuration du mouvement dans les dessins de presse et albums illustrés signés « O’Galop »: Des images en séries (culturelles)." 1895 59 2009. Accessed 3Sep. 2013. <http://1895.revues.org/3915>. |
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Brammsen, Laura. "Wissensformat Comic – Darstellungen des Menstruationszyklus in Werken von Julie Doucet, Lisa Frühbeis und Liv Strömquist." Kieler Blätter zur Volkskunde 53. (2021): 49–79. |
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Brillenburg Wurth, Kiene, Sara Rosa Espi, and Inge van de Ven. "Visual Text and Media Divergence: Analogue literary writing in a digital age." European Journal of English Studies 17. (2013): 92–108. |
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Brooker, Will. "Hero of the beach: Flex Mentallo at the end of the worlds." Journal of Graphic Novels and Comics 2. (2011): 25–37. |
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Brookes, Gareth. "Materiality and metalepsis in handmade small press alternative comics." Studies in Comics 14. (2023): 239–62. |
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Brown, Jeffrey A. "Supermoms? Maternity and the monstrous-feminine in superhero comics." Journal of Graphic Novels and Comics 2. (2011): 77–87. |
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Brown, Jeffrey A. Super Bodies: Comic Book Illustration, Artistic Styles, and Narrative Impact. World Comics and Graphic Nonfiction. Austin: Univ. of Texas Press, 2023. |
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Bukatman, Scott. "Boys in the Hoods: Glossing the Urban Superhero." Iconics 5. (2000): 42–50. |
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Bukatman, Scott. "The Boys in the Hoods: A Song of the Urban Superhero (2000)." Matters of Gravity. Special Effects and Supermen in the 20th Century. Durham: Duke Univ. Press, 2003. 184–223. |
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Bukatman, Scott. "X-Bodies: The Torment of the Mutant Superhero (1994)." Matters of Gravity. Special Effects and Supermen in the 20th Century. Durham: Duke Univ. Press, 2003. 48–78. |
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Bukatman, Scott. "Comics and the Critique of Chronophotography, or ‘He Never Knew When It Was Coming!’." Animation 1. (2006): 83–103. |
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Bukatman, Scott. "Secret Identity Politics." The Contemporary Comic Book Superhero. Ed. Angela Ndalianis. Routledge Research in Cultural and Media Studies. London, New York: Routledge, 2009. 109–25. |
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Bukatman, Scott. "X-Bodies (The Torment of the Mutant Superhero)." Uncontrollable Bodies. Testimonies of Identity and Culture. Eds. Rodney Sappington and Tyler Stallings. Seattle: The Bay Pr. 1994. 92–129. |
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Burch, Rebecca L. and Laura Johnsen. "Captain Dorito and the bombshell: Supernormal stimuli in comics and film." Evolutionary Behavioral Sciences (2019). |
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Burnett, Andrew. "Mad Genetics: Sinister Side of Biological Mastery." X-Men and Philosophy. Astonishing Insight and Uncanny Argument in the Mutant X-Verse. Eds. Rebecca Housel and J. Jeremy Wisnewski. Blackwell Philosophy and Pop Culture. Hoboken: Wiley, 2009. 53–65. |
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Callahan, David. "Rotting, Blistered, Staggering Bodies and the Last of Ethnicity." Body and Text. Cultural Transformations in New Media Environments. Eds. David Callahan and Anthony Barker. Second Language Learning and Teaching – Issues in Literature and Culture. Cham: Springer, 2019. 33–47. |
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Camp, Lisa D. "‘Time to ride the monster train’: Multiplicity, the Midnighter and the threat to hegemonic superhero masculinity." Journal of Graphic Novels and Comics 8. (2017): 464–79. |
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Carter, James Bucky. "“There’ll Be Others Converging”: Fighting American, The Other, and “Governing” Bodies." International Journal of Comic Art 6. (2004): 364–75. |
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Cascarino, Adrien. "X-Men : la puissance de la défaillance, entre infirmité et post-humanité." Recherches germaniques (2022): 61–78. |
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Cashell, Kieran and John Scaggs. "Transvestite Logic: Pat Mills and Kevin O’Neill’s Marshal Law and the Superhero Genre." Iowa Journal of Cultural Studies 6. (2005): 8–35. |
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Chaney, Michael A. "Animal Subjects of the Graphic Novel." College Literature 38. (2011): 129–49. |
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Chaney, Michael A. "Animal Subjects of the Graphic Novel." Drawing from Life. Memory and Subjectivity in Comic Art. Ed. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013. 44–66. |
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Chateau-Canguilhem, Johann. "Érotismes du corps augmenté dans la bande dessinée: Le Déclic, Ghost in the Shell, Druuna." Captures 4. 2 2019. Accessed 3Mar. 2020. <http://www.revuecaptures.org/node/3979/>. |
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Chiu, Monica. Show Me Where It Hurts: Manifesting Illness and Impairment in Graphic Pathography. Graphic Medicine. University Park: Penn State Univ. Press, 2024. |
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Christiansen, Steen. "Hyper Attention Blockbusters: Christopher Nolan’s Batman Trilogy." Akademisk kvarter 7 2013. Accessed 8Sep. 2014. <http://www.akademiskkva ... tentionBlockbusters.pdf>. |
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Chute, Hillary. "Comics Form and Narrating Lives." Profession (2011): 107–17. |
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Clark, Rebecca. "Good grief: Notes on (re)animating Thomas Hoccleve in comics." postmedieval 8. (2017): 479–99. |
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Clark, Vicky A. "The Power of Suggestion … … The Suggestion of Power." Comic Release. Negotiating Identity for a New Generation. Eds. Vicky A. Clark and Barbara Bloemink. New York: D.A.P. 2002. 26–42. |
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Clausberg, Karl. "Sichtbar gerollte Stimmen – Organprojektionen als Sekundärwerkzeuge für bildliche Sprechakte." Erzählen im Comic. Beiträge zur Comicforschung. Eds. Otto Brunken and Felix Giesa. Bochum: Ch.A. Bachmann, 2013. 163–98. |
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Comer, Todd E. "Body Politics: Unearthing an Embodied Ethics in V for Vendetta." Sexual Ideology in the Works of Alan Moore. Critical Essays on the Graphic Novels. Eds. Todd E. Comer and Joseph Michael Sommers. Jefferson, London: McFarland, 2012. 100–10. |
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Costello, Brannon. "Randall Kenan Beyond the Final Frontier: Science Fiction, Superheroes, and the South in A Visitation of Spirits." The Southern Literary Journal 43. (2010): 125–50. |
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Coughlan, David. "The Naked Hero and Model Man: Costumed Identity in Comic Book Narratives." Heroes of Film, Comics and American Culture. Essays on Real and Fictional Defenders of Home. Ed. Lisa M. De Tora. Jefferson, London: McFarland, 2009. 234–52. |
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Couser, Thomas G. "Is There a Body in This Text? Embodiment in Graphic Somatography." a/b: Auto/Biography Studies 33. (2018): 347–73. |
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Cremins, Brian. "Bodies, Transfigurations, and Bloodlust in Edie Fake’s Graphic Novel Gaylord Phoenix." Journal of Medical Humanities 34. (2013): 301–13. |
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Davis-McElligatt, Joanna. "Body Schemas." The Comics Journal 2012. Accessed 6Jun. 2023. <https://www.tcj.com/body-schemas/>. |
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Dawe, Ian. "American Splendor and the universal grotesque." Studies in Comics 4. (2013): 43–58. |
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De Dauw, Esther. Hot Pants and Spandex Suits: Gender Representation in American Superhero Comic Books. New Brunswick: Rutgers Univ. Press, 2021. |
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DeTora, Lisa and Jodi Cressman, eds. Graphic Embodiments: Perspectives on Health and Embodiment in Graphic Narratives. Leuven: Leuven Univ. Press, 2021. |
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Diamond, Aidan Dubhain. "‘I pledge you!’: Disability, monstrosity and sacrifice in Wytches." Studies in Comics 8. (2018): 171–86. |
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Dokou, Christina. "Fantastic 4-Body-ings: Ideal Grotesqueness in the Comic-Book Culture." The Future of Flesh. A Cultural Survey of the Body. Eds. Zoe Detsi-Diamanti, Katerina Kitsi-Mitakou and Effie Yiannopoulou. New York [etc.]: Palgrave Macmillan, 2009. 133–54. |
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Domsch, Sebastian. "Embodying Narrative, Staging Icons: The Liminal Space of Embodied Performance." Beyond Narrative. Exploring Narrative Liminality and Its Cultural Work. Eds. Sebastian M. Herrmann, Katja Kanzler and Stefan Schubert. Edition Kulturwissenschaft. Bielefeld: Transcript, 2022. 217–32. |
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Dubbati, Barkuzar. "The Woman in Hijab as a Freak: Super(Muslim)woman in Deena Mohamed’s Webcomic Qahera." Journal of Graphic Novels and Comics 8. (2017): 433–49. |
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Dutel, Jérôme. "Le corps double ou doublé: De quelques reprises de Strange Case of Dr. Jekyll & Mr. Hyde." Les Langages du corps dans la bande dessinée. Eds. Isabelle Guillaume, et al. Mouvements des Savoirs. Paris: L’Harmattan, 2015. |
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Earle, Harriet E. H. "The Whites of their Eyes: Implied Violence and Double Frames in Blazing Combat and The ‘Nam." Comics Forum 2015. Accessed 15May. 2015. <http://comicsforum.org/ ... e-nam-by-harriet-earle/>. |
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Eckhoff-Heindl, Nina. Comics begreifen: Ästhetische Erfahrung durch visuell-taktiles Erzählen in Chris Wares Building Stories. Bild+Bild. Berlin: Reimer, 2023. |
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El Refaie, Elisabeth. "Of men, mice, and monsters: Body images in David Small’s Stitches: A Memoir." Journal of Graphic Novels and Comics 3. (2012): 55–67. |
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Ernst, Nina. "Det tecknade jaget – två berättarstrategier i den självbiografiska serieromanen." De tecknade seriernas språk. Uttryck och form. Ed. David Gedin. Nacka: Gedin & Balzamo, 2017. 123–40. |
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Fall, Juliet J. "Embodied geographies, naturalised boundaries, and uncritical geopolitics in La Frontière Invisible." Environment and Planning D: Society and Space 24. (2006): 653–69. |
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Fall, Juliet J. "Put Your Body on the Line: Autobiographical Comics, Empathy and Plurivocality." Comic Book Geographies. Ed. Jason Dittmer. Media Geography at Mainz. Stuttgart: Franz Steiner, 2014. 91–108. |
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Farrant, Finola. Crime, Prisons and Viscous Culture: Adventures in Criminalized Identities. New York [etc.]: Palgrave Macmillan, 2016. |
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Fein, Ofer and Asa Kasher. "How to do things with words and gestures in comics." Journal of Pragmatics 26. (1996): 793–808. |
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Feuer, Menachem. "Everybody is a Star: The Affirmation of Freaks and Schlemiels through Caricature in the Comics of Drew and Josh Friedman." Melus 32. (2007): 75–101. |
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Fink, Marty. "It Gets Fatter: Graphic Fatness and Resilient Eating in Mariko and Jillian Tamaki’s Skim." Fat Studies 2. (2013): 132–46. |
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Flannigan-Saint-Aubin, Arthur. "The Male Body and Literary Metaphors for Masculinity." Theorizing Masculinities. Eds. Harry Brod and Michael Kaufman. Research on Men and Masculinities. Thousand Oaks [etc.]: Sage, 1994. 239–58. |
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Gandolfo, Amadeo and Pablo Turnes. "Memoria, Archivos y Ausencias en Dora de Ignacio Minaverry." Transposition, Migration und KörperGrenzen in der Romania. Eds. Mariana Maia Simoni, Berit Callsen and Jasmin Wrobel. Romania Viva. Berlin [etc.]: Peter Lang, 2024. 167–90. |
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Gaucher, Julie. "Le corps dans Blast de Manu Larcenet." Les Langages du corps dans la bande dessinée. Eds. Isabelle Guillaume, et al. Mouvements des Savoirs. Paris: L’Harmattan, 2015. |
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Gibbons, Sarah. "‘I don’t exactly have quiet, pretty powers’: Flexibility and alterity in Ms. Marvel." Journal of Graphic Novels and Comics 8. (2017): 450–63. |
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Grant, Pat. "Bodies on the Boards: Materiality and movement in the production of comic books and graphic novels." PhD Thesis. Macquarie University, 2014. |
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Green, Matthew J. A. "‘Keep it Gothic, Man’: Gothic and Graphic Medicine in Ian Williams’s The Bad Doctor." Gothic Studies 25. (2023): 280–99. |
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Grennan, Simon. A Theory of Narrative Drawing. Palgrave Studies in Comics and Graphic Novels. New York [etc.]: Palgrave Macmillan, 2017. |
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Groensteen, Thierry. "Mattotti: Corps et graphes." Neuvième art (2003): 58–61. |
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Guillaume, Isabelle. "Corporéité et subversion dans Fun Home d’Alison Bechdel." Les Langages du corps dans la bande dessinée. Eds. Isabelle Guillaume, et al. Mouvements des Savoirs. Paris: L’Harmattan, 2015. |
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Guillaume, Isabelle, et al., eds. Les Langages du corps dans la bande dessinée. Mouvements des Savoirs. Paris: L’Harmattan, 2015. |
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Hack, Brian E. "Weakness Is a Crime: Captain America and the Eugenic Ideal in Early Twentieth-Century America." Captain America and the Struggle of the Superhero. Critical Essays. Ed. Robert G. Weiner. Jefferson, London: McFarland, 2009. 79–89. |
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Hagener, Malte. "Digital/digitus: Die Geste in den Pixar-Animationsfilmen." Ästhetik des Gemachten. Interdisziplinäre Beiträge zur Animations- und Comicforschung. Eds. Hans-Joachim Backe, et al. Berlin u. Boston: de Gruyter, 2018. 11–26. |
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Hague, Ian. Comics and the Senses: A Multisensory Approach to Comics and Graphic Novels. Routledge Research in Cultural and Media Studies. London, New York: Routledge, 2014. |
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Haslem, Wendy, Elizabeth MacFarlane, and Sarah Richardson, eds. Superhero Bodies: Identity, Materiality, Transformation. Routledge Advances in Comics Studies. London, New York: Routledge, 2019. |
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Heggs, Dan. "Cyberpsychology and Cyborgs." Cyberpsychology. Eds. Ángel J. Gordo-López and Ian Parker. London, New York: Routledge, 1999. 184–201. |
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Heinricy, Shana. "Take a Ride on the Catbus." Anime and Philosophy. Wide Eyed Wonder. Eds. Josef Steiff and Tristan D. Tamplin. Popular Culture and Philosophy. Chicago: Open Court, 2010. 3–11. |
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Herman, Peter. "We Are the Walking Dead: Robert Kirkman’s Zombies and Buddhist Body Image." Implicit Religion 17. 4 2014. Accessed 14Feb. 2018. <https://journals.equino ... p/IR/article/view/26250>. |
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Hoffmann, Torsten. "Das nicht, bitte das nicht! Körperdarstellung in Comicversionen von Schnitzlers Fräulein Else und Kafkas Die Verwandlung." Graphisches Erzählen. Neue Perspektiven auf Literaturcomics. Eds. Florian Trabert, Mara Stuhlfauth-Trabert and Johannes Waßmer. Bielefeld: Transcript, 2015. 43–64. |
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Horstkotte, Silke and Nancy Pedri. "The Body at Work: Subjectivity in Graphic Memoir." Subjectivity across Media. Interdisciplinary and Transmedial Perspectives. Eds. Maike Sarah Reinerth and Jan-Noël Thon. Routledge Research in Cultural and Media Studies. London, New York: Routledge, 2017. 77–91. |
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Ito, Kinko. "The Touching and the Sensual in Japanese Ladies’ Comics: An Interview with Asako Shiomi." International Journal of Comic Art 10. (2008): 186–98. |
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Jones, Jessica E. "Spatializing Sexuality in Jaime Hernandez’s Locas." Aztlán. A Journal of Chicano Studies 34. (2009): 35–64. |
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Kerns, Susan Santha. "Discordance, duplicity, and desire: Conjoined twins in Dame Darcy’s Meat Cake." Journal of Graphic Novels and Comics 8. (2017): 494–506. |
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Klar, Elisabeth. "Der Körper und seine strukturelle Parodie in Literatur und Comic, gezeigt anhand von erotischen Literaturadaptationen." Diplomarbeit Mag.phil. Universität Wien, 2012. |
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Klar, Elisabeth. "Kreuz, Körper, Kritter und Gender." Journal of Austrian Studies 55. (2022): 41–63. |
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Klar, Elisabeth. "Wir sind alle Superhelden! Über die Eigenart des Körpers im Comic – und über die Lust an ihm." Theorien des Comics. Ein Reader. Eds. Barbara Eder, Elisabeth Klar and Ramón Reichert. Kultur- und Medientheorie. Bielefeld: Transcript, 2011. 219–36. |
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Klar, Elisabeth. "Die Darstellung des Körpers in Zeit und Raum in den autobiografischen Migrationserzählungen des Sammelbandes Paroles sans papiers." Der dokumentarische Comic. Reportage und Biografie. Ed. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2013. 357–68. |
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Klein, Sheri. "Breaking the Mold With Humor: Images of Women in the Visual Media." Art Education 46. (1993): 60–65. |
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Klimke, Annemarie. "“I’ll break the lock gently so no one will hear me!”: Stabilisierung und Subversion von heteronormativen Körperdarstellungen Wonder Womans in ausgewählten Comics." M.A. Masterarbeit. Universität Potsdam, 2018. |
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Koch, Christina Maria. "Comic-Grotesque Metamorphoses: Boundaries between Illness and Health in Ken Dahl’s Monsters." Comics an der Grenze. Sub/Versionen von Form und Inhalt. Eds. Matthias Harbeck, Linda-Rabea Heyden and Marie Schröer. Berlin: Ch.A. Bachmann, 2017. 149–64. |
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Kovan, Sarah B. and Derek R. Soled. "A Disembodied Dementia: Graphic Medicine and Illness Narratives." Journal of Medical Humanities 44. (2023): 227–44. |
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Kukkonen, Karin. "Space, Time, and Causality in Graphic Narratives: An Embodied Approach." From Comic Strips to Graphic Novels. Contributions to the Theory and History of Graphic Narrative. Eds. Daniel Stein and Jan-Noël Thon. Narratologia. Berlin u. Boston: de Gruyter, 2013. 49–66. |
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Lador, Pierre Yves. "Wanda, Gulliver et les autres." Body Extensions. Art, Photography, Film, Comic, Fashion. Ed. Claudia Pantellini. Stuttgart: Arnold, 2004. 125–30. |
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Lador, Pierre Yves. "Wanda, Gulliver und die anderen." Body Extensions. Art, Photography, Film, Comic, Fashion. Ed. Claudia Pantellini. Stuttgart: Arnold, 2004. 124–29. |
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Landon, Richard. "A Half-Naked Muscleman in Trunks: Charles Atlas, Superheroes, and Comic Book Masculinity." Journal of the Fantastic in the Arts 18. (2007): 200–16. |
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Added by: joachim 7/14/11, 12:08 AM |
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