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| Adams, Jeff. Documentary Graphic Novels and Social Realism. Cultural Interactions. Oxford [etc.]: Peter Lang, 2008. |
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| Adams, Jeff. "The pedagogy of the image text: Nakazawa, sebald and spiegelman recount social traumas." Discourse 29.(2008): 35–49. |
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| Anderson, John C. and Bradly Katz. "Read Only Memory. Maus and Its Marginalia on CD-Rom." Considering Maus. Approaches to Art Spiegelman’s “Survivor's tale” of the Holocaust. Ed. Deborah R. Geis. Tuscaloosa: Univ. of Alabama Press, 2003. 159–74. |
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| De Angelis, Richard. "Of Mice and Vermin: Animals as absent referent in art spiegelman’s maus." International Journal of Comic Art 7.(2005): 230–49. |
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| Bahr, David. "Choreographing Time: Art spiegelman’s present, past(s) and the craft of creative non fiction comics." American Creative Non-Fiction. Ed. Jay Ellis. Critical Insights. Englewood Cliffs: Salem Pr, 2015. 196–212. |
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| Banita, Georgiana and Lee Konstantinou, eds. Artful Breakdowns: The comics of art spiegelman. Tom Inge Series on Comics Artists. Jackson: Univ. Press of Mississippi, 2023. |
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| Basu, Lopamudra. "The Graphic Memoir in a State of Exception: Transformations of the personal in art spiegelman’s in the shadow of no towers." Drawing from Life. Memory and Subjectivity in Comic Art. Ed. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013. 163–84. |
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| Bedenbecker, Karina. "Im Schatten keiner Türme: Art spiegelmans künstlerisch-literarische auseinandersetzung mit dem terroranschlag 9/11." Krieg und Literatur / War and Literature 25.(2019): 7–46. |
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| Berlatsky, Eric. "The Limits of Postmodern Memory: Kundera’s the book of laughter and forgetting and spiegelman’s maus." 2009. Accessed 4 February. 2012. <http://www.vanderbilt.e ... center/pdfs/BERLAT1.PDF>. |
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| Blank, Juliane. "The Appeal of the Real: Representations of ›authentic‹ dreams in comics." Mediating the Dream / Les genres et médias du rêve. Eds. Bernard Dieterle and Manfred Engel. Cultural Dream Studies. Würzburg: Königshausen & Neumann, 2020. 511–40. |
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| Bock, Marek. "Die Darstellung des Holocaust im Comic: Maus, Die Suche, Auschwitz, Yossel." Bachelorarbeit BA. RWTH Aachen, 2009. |
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| Bosmaijan, Hamida. "The Orphaned Voice in Art Spiegelman’s Maus I & II." Literature and Psychology 44.(1998): 1–22. |
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| Bray, Patrick M. "Aesthetics in the Shadow of No Towers: Reading virilio in the twenty-first century." Yale French Studies 114.(2008): 4–17. |
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| Brodzki, Bella. "Breakdowns and Breakthroughs: Looking for art in young spiegelman." Graphic Subjects. Critical Essays on Autobiography and Graphic Novels. Ed. Michael A. Chaney. Wisconsin Studies in Autobiography. Madison: Univ. of Wisconsin Press, 2011. 51–58. |
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| Budick, Emily Miller. "Forced Confessions: The case of art spiegelman’s maus." Prooftexts 21.(2001): 379–98. |
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| Cavalieri, Joey, Gary Groth, and Kim Thompson. "Art Spiegelman and Françoise Mouly." The New Comics. Interviews from the pages of The Comics Journal. Eds. Gary Groth and Robert Fiore. New York: Berkley, 1988. 185–203. |
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| Charlson, Joshua L. "Framing the Past: Postmodernism and the making of reflective memory in art spiegelman’s maus." Arizona Quarterly 57.(2001): 91–120. |
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| Chivington, Lauren Elyse. "The Girl, the Man, and the Maus Holocaust narratives in controversial media." International Journal of Comic Art 20.(2018): 615–48. |
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| Cho, Jennifer. "Touching Pasts In The Shadow of No Towers: 9/11 and art spiegelman’s comix of memory." Avant Garde Critical Studies 25.(2010): 201–11. |
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| Cho, Jennifer. "Touching Pasts In The Shadow of No Towers: 9/11 and art spiegelman’s comix of memory." The Popular Avant-Garde. Ed. Renée M. Silverman. Avant-Garde Critical Studies. Amsterdam [etc.]: Rodopi, 2010. 201–11. |
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| Choate, Gilbert. "James Joyes, Picasso, Stravinsky, and Spiegelman." Alternative Media 10.(1978): 5–7. |
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| Chun, Christian W. "Critical Literacies and Graphic Novels for English-Language Learners: Teaching maus." Journal of Adolescent & Adult Literacy 53.(2009): 144–53. |
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| Chute, Hillary. "Literal Forms: Narrative structures in maus." Indy Magazine Winter 2005. Accessed 4 April. 2008. <http://web.archive.org/ ... r_2005/chute/index.html>. |
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| Chute, Hillary. "“The Shadow of a Past Time”: History and graphic representation in maus." Twentieth Century Literature 52.(2006): 199–230. |
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| Chute, Hillary. "Temporality and Seriality in Spiegelman’s In the Shadow of No Towers." American Periodicals 17.(2007): 228–44. |
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| Chute, Hillary. "Comics as Archives: Metametamaus." emisférica 9.1–2 2012. Accessed 15 April. 2016. <http://hemisphericinsti ... en/e-misferica-91/chute>. |
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| Chute, Hillary. Disaster Drawn: Visual witness, comics, and documentary form. Cambridge: Harvard Univ. Press, 2016. |
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| Chute, Hillary, ed. Maus Now: Selected writing. New York: Pantheon, 2022. |
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| Cioffi, Frank L. "Disturbing Comics: The disjunction of word and image in the comics of andrzej mleczko, ben katchor, r. crumb, and art spiegelman." The Language of Comics. Word and Image. Eds. Robin Varnum and Christina T. Gibbons. Studies in Popular Culture. Jackson: Univ. Press of Mississippi, 2001. 97–122. |
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| Claudio, Esther. "Ergodic texts: In the Shadow of No Towers." The Comics Grid. Journal of Comics Scholarship. Year One. Ed. Ernesto F. Priego Ramirez. London: The Comics Grid Digital First Editions, 2012. 10–12. |
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| Cogan, Brian. "Art Spiegelman’s Maus: A Survivor’s Tale." The Graphic Novel. Ed. Gary Hoppenstand. Critical Insights. Englewood Cliffs: Salem Pr, 2014. 69–81. |
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| Copley, Jessica. "Modes of Representing the Holocaust: A discussion of the use of animation in art spiegelman’s maus and oryl yadin and sylvie bringas’s silence." Opticon1826 9 2010. Accessed 25 July. 2013. <http://www.opticon1826.com/article/view/opt.091003>. |
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| Couser, G. Thomas. Memoir: An introduction. New York: Oxford Univ. Press, 2012. |
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| Crisóstomo Gálvez, Raquel. "Maus d’Art Spiegelman: Una dissociació de rols a través de la genealogia semiòtica de gats i ratolins a la literatura, la novel•la gràfica i la cultura visual." Tesi Doctoral Universitat Pompeu Fabra, 2011. |
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| Dauber, Jeremy. "Modern Marvels: Jewish adventures in the graphic novel." Let's Talk About It! 2004. Accessed 26 April. 2009. |
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| Davo, Yves. "Art Spiegelman : de l’outrenoir à l’outrebiographie dans In the Shadow of No Towers." E-rea 9.1 2011. Accessed 26 January. 2015. <http://erea.revues.org/2117>. |
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| Delannoy, Pierre Alban. "L’instabilité stylistique d’Art Spiegelman." MEI (2007): 207–19. |
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| Donn, Katharina. "‘Icons of a more Innocent Age’? Graphic narratives after 9/11." Frightful Witnessing. The Rhetoric and (Re)Presentation of Fear, Horror and Terror. Eds. Beth A. Kattelman and Magdalena Hodalska. Oxford: Inter-Disciplinary Pr, 2014. |
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| Dunker, Axel. "»Time Flies«: Mediale selbstreflexität in art spiegelmans holocaust-comic maus." Der Holocaust und die Künste. Medialität und Authentizität von Holocaust-Darstellungen in Literatur, Film, Video, Malerei, Denkmälern, Comic und Musik. Ed. Matías Martínez. Schrift und Bild in Bewegung. Bielefeld: Aisthesis, 2004. 79–98. |
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| Eaglestone, Robert. "Madness or Modernity? The holocaust in two anglo-american comics." Rethinking History 6.(2002): 319–30. |
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| Eakin, Paul John. How Our Lives Become Stories: Making selves. Ithaca: Cornell Univ. Press, 1999. |
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| Eakin, Paul John. "Reading Comics: Art spiegelman on cd-rom." Graphic Subjects. Critical Essays on Autobiography and Graphic Novels. Ed. Michael A. Chaney. Wisconsin Studies in Autobiography. Madison: Univ. of Wisconsin Press, 2011. 13–16. |
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| Earle, Harriet E. H. Comics, Trauma, and the New Art of War. Jackson: Univ. Press of Mississippi, 2017. |
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| Elmwood, Victoria A. "“Happy, Happy, Ever After” The transformation of trauma between the generations in art spiegelman’s maus: a survivor's tale." Biography 27.(2004): 691–720. |
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| Engelmann, Jonas. Wurzellose Kosmopoliten: Von luftmenschen, golems und jüdischer popkultur. Mainz: Ventil, 2016. |
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| Espiritu, Karen. "‘Putting Grief into Boxes’: Trauma and the crisis of democracy in art spiegelman’s in the shadow of no towers." Review of Education, Pedagogy, and Cultural Studies 28.(2006): 179–201. |
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| Etter, Lukas. Distinctive Styles and Authorship in Alternative Comics. Anglia. Berlin u. Boston: de Gruyter, 2020. |
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| Findlay, Laura. "In the Shadow of No Towers: The anxiety of expression and images of past trauma in art spiegelman’s graphic novel." Studies in Comics 5.(2014): 187–203. |
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| Forget, Tom. Art Spiegelman. The Library of Graphic Novelists. New York: Rosen, 2005. |
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| Frahm, Ole. "Figurale Darstellung im Comic, untersucht am Beispiel von Art Spiegelmans ›Maus‹." Magisterarbeit M.A. Universität Hamburg, 1997. |
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| Frahm, Ole. "Lebendige Masken: Die darstellung rassifizierter identitäten in art spiegelmans comic maus." Magisterarbeit Universität Hamburg, 1997. |
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| Frahm, Ole. "Das weiße M. Zur Genealogie von MAUS(CHWITZ)." Überlebt und unterwegs. Jüdische Displaced Persons im Nachkriegsdeutschland. Jahrbuch zur Geschichte und Wirkung des Holocaust. Frankfurt am Main: Campus, 1997. 303–40. |
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| Frahm, Ole. Genealogie des Holocaust: Art spiegelmans maus – a survivor’s tale. München: Fink, 2006. |
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| Frahm, Ole. "“These papers had too many memories. So I burned them” Genealogical remembrance in art spiegelman's maus. a survivors tale." The Graphic Novel. Ed. Jan Baetens. Symbolae Facultatis Litterarum Lovaniensis. Series D: Litteraria. Leuven: Leuven Univ. Press, 2001. 61–78. |
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| Frahm, Ole. "Art Spiegelman, der inhaftierte Künstler Ein versuch über die grenzen souveräner performanz." Übung, ein Stück Papier zu halten. Festschrift für Kathrin Hoffmann-Curtius zum 60. Geburtstag. Eds. Maike Christadler and Hilla Frübis. Marburg: Jonas Verl, 1997. 28–36. |
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| Frahm, Ole and Michael Hein. "Hilflose Täter: Was auschwitz in einigen comic-geschichten verloren hat." Comic Almanach (1993): 90–105. |
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| Frahm, Ole and Michael Hein. "MAUS." Lexikon der Comics. Ed. Marcus Czerwionka. Meitingen: Corian, 1992. |
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| Frahm, Ole. "Dreierlei Schwarz: Art spiegelmans und elein fleiss’ interpretationen des 11. september ’01." Narrative des Entsetzens. Künstlerische, mediale und intellektuelle Deutungen des 11. September 2001. Ed. Matthias N. Lorenz. Film – Medium – Diskurs. 2004. 169–82. |
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| Frahm, Ole. "Im Schatten der Vergangenheit. Tiermetaphern als Darstellungsmittel des Holocaust und ihre Dekonstruktion in Art Spiegelmans MAUS." Die Zoologie der Träume. Studien zum Tiermotiv in der Literatur der Moderne. Ed. Dorothee Römhild. Opladen: Westdeutscher Verl, 1999. 222–44. |
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| Freitag, Kornelia. "Die Verarbeitung des Holocaust im Comic Die bilderwelt des art spiegelman ." Jüdische Literatur und Kultur in Großbritannien und den USA nach 1945. Ed. Beate Neumeier. Jüdische Kultur. München: Harassowitz, 1998. 171–88. |
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