| [anon.]. "Racism in Children’s Books: Tintin in the Congo." Journal of Blacks in Higher Education (2007): 14. |
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| Alexandru, Maria-Sabina Draga. "Narrative Exploration against Mentality Issues: Indirect education for multiculturalism in tintin." Representing Multiculturalism in Comics and Graphic Novels. Eds. Carolene Ayaka and Ian Hague. Routledge Research in Cultural and Media Studies. London, New York: Routledge, 2014. 163–76. |
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| Algoud, Albert, ed. L’Archipel Tintin. Réflexions faites. Bruxelles: Les Impressions Nouvelles, 2012. |
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| Algoud, Albert. Dictionnaire amoureux de Tintin. Dictionnaire amoureux. Paris: Plon, 2016. |
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| Last edited by: joachim 6/6/17, 3:00 PM |
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| Algoud, Albert. "Et la lumière fut …: Un personnage intermittent, séraphin lampion." L’archipel Tintin. Ed. Albert Algoud. Réflexions faites. Bruxelles: Les Impressions Nouvelles, 2012. 95–108. |
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| Angenot, Marc. "Basil Zaharoff et la guerre du Chaco: La tintinisation de la géopolitique des années 1930." Études littéraires 46.(2010): 47–63. |
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| Apostolidès, Jean-Marie. "Tintin and the Family Romance." Children’s Literature 13.(1985): 94–108. |
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| Apostolidès, Jean-Marie. Tintin et le mythe du surenfant. Bruxelles: Moulinsart, 2003. |
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| Apostolidès, Jean-Marie. Les métamorphoses de Tintin. Champs. Paris: Flammarion, 2006. |
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| Apostolidès, Jean-Marie. "Hergé and the Myth of the Superchild." Yale French Studies 111.(2007): 45–57. |
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| Apostolidès, Jean-Marie. The Metamorphoses of Tintin, or, Tintin for Adults. Palo Alto: Stanford Univ. Press, 2009. |
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| Apostolidès, Jean-Marie. Dans la peau de Tintin. Réflexions faites. Bruxelles: Les Impressions Nouvelles, 2010. |
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| Apostolidès, Jean-Marie. Lettre à Hergé. Réflexions faites. Bruxelles: Les Impressions Nouvelles, 2013. |
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| Apostolidès, Jean-Marie. "Dans le ventre de La Licorne: L’organisation du monde de tintin." L’archipel Tintin. Ed. Albert Algoud. Réflexions faites. Bruxelles: Les Impressions Nouvelles, 2012. 51–94. |
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| Augereau, Pierre-Louis. Hergé au pays des tarots: Une lecture symbolique, ésotérique et alchimique des aventures de tintin. Collection l'or bleu. Le Coudray-Macouard: Cheminements, 1999. |
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| Badot, Étienne. La clé alchimique de l’œuvre d’Hergé. Hyères: La Pierre Philosophale, 2011. |
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| Baetens, Jan. Hergé écrivain. Champs. Paris: Flammarion, 2010. |
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| Baetens, Jan. "From Black & White to Color and Back: What does it mean (not) to use color?." College Literature 38.(2011): 111–28. |
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| Bär, Iris Andrea. "Historiker im »Bilderdschungel«: Zwischen »comicgeschichte« und »geschichte im comic«." Magisterarbeit M.A. Universität Münster, 1999. |
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| Barbieri, Daniele. "Tintin et la ligne claire." Tintin, Hergé et la «Belgité». Ed. Anna Soncini Fratta. BelŒil. Bologna: CLUEB, 1994. 261–76. |
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| Bartlett, Myke. "The Adventures of Tintin: Drawn into motion." Screen Education (2012): 8–17. |
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| de la Batelière, Jean-Loup. Comment Hergé a créé Tintin au Congo. Bédéstory, 2009. |
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| Beauvais, Clémentine. "“A Nightmare Land, A Place of Death” An exploration of the moon as a motif in hergé’s destination moon (1953) and explorers on the moon (1954)." Children’s Literature in Education 41.(2010): 251–59. |
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| Added by: joachim 8/14/10, 1:05 PM |
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| Begenat-Neuschäfer, Anne. "Bild und Text im belgischen Comic." Comic und Jugendliteratur in Belgien von ihren Anfängen bis heute. Ed. Anne Begenat-Neuschäfer. Belgien im Fokus. Frankfurt am Main [etc.]: Peter Lang, 2008. 3–36. |
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| Last edited by: joachim 7/29/09, 5:15 PM |
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| Bentahar, Ziad. "Tintin in the Arab World and Arabic in the World of Tintin." Alternative Francophone 1.5 2012. Accessed 1 January. 2018. <https://journals.librar ... p/af/article/view/12250>. |
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| Last edited by: joachim 1/1/18, 11:53 AM |
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| Boillat, Alain and Françoise Revaz. "« La porte s’ouvre subitement et … (voir page 12) »: La bande dessinée au seuil du magazine." Belphégor 14 2016. Accessed 24 August. 2020. <https://journals.openedition.org/belphegor/708>. |
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| Last edited by: joachim 8/24/20, 5:16 PM |
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| Boisacq, Marie-Jeanne. "Le Congo de Tintin." Literator 16.1 1995. Accessed 8 January. 2018. <http://www.literator.or ... erator/article/view/600>. |
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| Last edited by: joachim 1/8/18, 1:55 AM |
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| Bonfand, Alain and Jean-Luc Marion. Hergé: Tintin le terrible ou l’alphabet des richesses. Pluriel Lettres. 2nd ed. Paris: Hachette, 2006. |
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| Last edited by: joachim 10/4/14, 2:21 PM |
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| Boudreau, Solange. Le temps dans la lecture d’une bande dessinée. Enseignement du français au primaire. Montréal: Ville-Marie, 1983. |
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| Butler, Betsy. "Tintin As An Unproductive Journalist, But A Wholesome Hero." Communication Booknotes Quarterly 44.(2013): 49–62. |
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| Carpi, Daniela. "«Tintin in the New world»: Révision d’un mythe." Tintin, Hergé et la «Belgité». Ed. Anna Soncini Fratta. BelŒil. Bologna: CLUEB, 1994. 137–50. |
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| Last edited by: Okwuchi Mba 2/11/20, 8:04 PM |
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| Castells i Talens, Antoni. "Cómic, cultura y política Detrás de la máscara de tintín." La Palabra y el Hombre (2012): 45–51. |
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| Cerbelaud, Dominique. "Le héros christique." L’archipel Tintin. Ed. Albert Algoud. Réflexions faites. Bruxelles: Les Impressions Nouvelles, 2012. 35–50. |
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| Chanda, Anurima. "How Do the French have Fun in India: A study of representations in tintin and asterix." Rupkatha Journal on Interdisciplinary Studies in Humanities 7.(2015): 179. |
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| Chanson, Philippe. Tintin au Congo, c’est quand même un peu gros! Une relecture critique de l’imagerie nègre en perspective créole. Cartigny: Tribune libre, 1995. |
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| Chelebourg, Christian. Les Écofictions: Mythologies de la fin du monde. Réflexions faites. Bruxelles: Les Impressions Nouvelles, 2012. |
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| Cooke, Rod. "Corroding the Canon in Tintin and the Naturalist Novel." European Comic Art 3.(2010): 145–67. |
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| Cuntz, Michael. "Die Ketten der Sängerin: Zu hergés les bijoux de la castafiore." Akteur-Medien-Theorie. Eds. Tristan Thielmann, Erhard Schüttpelz and Peter Gendolla. Science Studies. Bielefeld: Transcript, 2011. |
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| Deharde, Kristine and Simone Lück-Hildebrandt. "Ciel, mes fiches! Schreibanleitungen zu einer »Tintin«-BD." Der Fremdsprachliche Unterricht. Französisch 42.(2008): 26–33. |
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| Delay, Nancy. "Milou et l’enfance de l’homme." Tintin, Hergé et la «Belgité». Ed. Anna Soncini Fratta. BelŒil. Bologna: CLUEB, 1994. 181–202. |
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| Last edited by: Okwuchi Mba 6/3/20, 12:09 PM |
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| Delesse, Catherine. "Accents étrangers et régionaux: Le cas des séries astérix et tintin et leurs traductions anglaises." Ateliers. Cahiers de la Maison de la Recherche 31.(2004): 113–26. |
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| Added by: joachim 12/2/12, 5:38 PM |
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| Delesse, Catherine. "Proper Names, Onomastic Puns and Spoonerisms Some aspects of the translation of the astérix and tintin comic series, with special reference to english." Comics in Translation. Ed. Federico Zanettin. Manchester: St. Jerome, 2008. |
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| Last edited by: joachim 9/21/09, 10:12 PM |
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| Denis, Benoît. "Hergé–Simenon, Thirties." From Art Nouveau to Surrealism. Belgian Modernity in the Making. Eds. Nathalie Aubert, Pierre-Philippe Fraiture and Patrick McGuinness. London: Legenda, 2007. 110–27. |
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| Denis, Benoît. "De l’Afrique a l’Amérique: L’odyssée mentale des héros chez hergé et céline." Tintin, Hergé et la «Belgité». Ed. Anna Soncini Fratta. BelŒil. Bologna: CLUEB, 1994. 75–88. |
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| Last edited by: Okwuchi Mba 2/11/20, 7:41 PM |
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| Eggert, Barbara Margarethe. "Talking (of) Dogs: Überlegungen zu (dys)funktionalen transspezies-dialogen zwischen hunden und menschen im comic am beispiel von tim und struppi und den peanuts." Tierstudien (2019): 174–80. |
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| Elefante, Chiara. "Les formes du comique dans les aventures de Tintin." Tintin, Hergé et la «Belgité». Ed. Anna Soncini Fratta. BelŒil. Bologna: CLUEB, 1994. 219–46. |
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| Last edited by: Okwuchi Mba 2/11/20, 8:07 PM |
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| Etter, Lukas. "Transatlantic Comics: Tintin and superman crossing the pond." Handbook of Transatlantic American Studies. Ed. Julia Straub. Berlin u. New York: de Gruyter, 2016. 292–309. |
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| Last edited by: joachim 5/28/18, 8:52 AM |
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| Faeti, Antonio. " L’Aventurier de l’aurore." Tintin, Hergé et la «Belgité». Ed. Anna Soncini Fratta. BelŒil. Bologna: CLUEB, 1994. 15–24. |
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| Last edited by: Okwuchi Mba 1/4/22, 10:02 AM |
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| Farr, Michael. Auf den Spuren von Tim und Struppi. Carlsen-Comics. Reinbek bei Hamburg: Carlsen, 2006. |
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| Farr, Michael. The Adventures of Hergé, Creator of Tintin. San Francisco: Last Gasp, 2008. |
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| Farr, Michael. Tim & Co.. Reinbek bei Hamburg: Carlsen, 2009. |
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| Faubert, Patrick. "Back and forth and forward: Metareference in recent film adaptations." Journal of Adaptation in Film & Performance 7.(2014): 159–68. |
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| Ferrari, Silvio. "«Les bijoux de la Castafiore» De métaphores en métaplasmes la langue en «marche»." Tintin, Hergé et la «Belgité». Ed. Anna Soncini Fratta. BelŒil. Bologna: CLUEB, 1994. 203–18. |
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| Filc, Dani. "Tintin and Corto Maltese: The european adventurer meets the colonial other." European Comic Art 13.(2020): 95–121. |
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| Fillitz, Thomas. "Populärkultur und Kongo: Zwischen der bande dessinée von hergé und den bildern von chéri samba." Medien & Zeit 16.(2001): 22–30. |
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| Fontaine, Jacques. Hergé chez les initiés. Paris: Dervy, 2001. |
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| Frahm, Ole. "Goldstein und der geheimnisvolle Jude: Antisemitische stereotype in hergés tim und struppi." Kultur & Gespenster (2008): 169–84. |
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| Frahm, Ole. "Der Authentizitäts-Fetisch: Hergés biographie eines hundes." Der dokumentarische Comic. Reportage und Biografie. Ed. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2013. 63–74. |
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| Frahm, Ole and Michael Hein. "Tintin." Lexikon der Comics. Ed. Marcus Czerwionka. Meitingen: Corian, 1992. |
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| Fresnault-Deruelle, Pierre. "Hergé ou L’intelligence graphique." MEI (2007): 40–54. |
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| Fresnault-Deruelle, Pierre. "The Moulinsart Crypt." European Comic Art 3.(2010): 119–44. |
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| Fresnault-Deruelle, Pierre. Hergéologie: Cohérence et cohésion du récit en images dans les aventures de tintin. Iconotextes. Tours: Presses Univ. François-Rabelais, 2011. |
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| Frey, Hugo. "Tintin: The extreme right-wing and the 70th anniversary debates." Modern and Contemporary France 7.(1999): 361–63. |
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| Frey, Hugo. "Contagious colonial diseases in Hergé’s The Adventures of Tintin." Modern and Contemporary France 12.(2004): 177–88. |
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| Frey, Hugo. "Céline, Hergé et l’Affaire Haddock The consequences of a literary scandal." Études Francophones 20.(2005): 59–72. |
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| Frey, Jean-Pierre. "Tintin eller plats för en utopi." Boken om serier. Eds. Elisabet Haglund, et al.. Johanneshov: Hammarström & Åberg, 1986. 167–75. |
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| Frey, Hugo. "Trapped in the Past: Anti-semitism in hergé's flight 714." History and Politics in French-Language Comics and Graphic Novels. Ed. Mark McKinney. Jackson: Univ. Press of Mississippi, 2008. 27–43. |
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| Gabilliet, Jean-Paul. "A Disappointing Crossing: The north american reception of asterix and tintin." Transnational Perspectives on Graphic Narratives. Comics at the Crossroads. Eds. Shane Denson, Christina Meyer and Daniel Stein. New York: Bloomsbury, 2013. 257–70. |
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| Girard, Eudes. "Une lecture de Tintin au Tibet." Études 411.(2009): 77–86. |
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| Girard, Eudes. "Une relecture de Tintin au Congo." Études 417.(2012): 75–86. |
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| Goddeeris, Idesbald. "Racism for Beginners: Constructions of chinese in twentieth-century belgian comics." Race and Racism in Modern East Asia. Western and Eastern Constructions. Eds. Rotem Kowner and Walter Demel. Brill’s Series on Modern East Asia in a Global Historical Perspective. Leiden: Brill, 2013. 231–59. |
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| Goddin, Philippe. Hergé and Tintin: Reporters: From le petit vingtieme to tintin magazine. London: Sundancer, 1987. |
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| Goddin, Philippe. Comment nait une bande dessinée: Par-dessus l’epaule d’hergé. Tournai: Casterman, 1991. |
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| Goddin, Philippe. The Art of Hergé, Inventor of Tintin. San Francisco: Last Gasp, 2008. |
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| González Salvador, Ana. "Fausse ressemblance, fausse différence: les Dupondt." Tintin, Hergé et la «Belgité». Ed. Anna Soncini Fratta. BelŒil. Bologna: CLUEB, 1994. 125–36. |
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| Gousseau, Josette. "Tintin détective." Tintin, Hergé et la «Belgité». Ed. Anna Soncini Fratta. BelŒil. Bologna: CLUEB, 1994. 151–80. |
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| Gravet, Catherine. "Qui a peur du grand anthropoïde?." Tintin, Hergé et la «Belgité». Ed. Anna Soncini Fratta. BelŒil. Bologna: CLUEB, 1994. 247–60. |
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| Gravett, Paul. "Hergé & The Clear Line Part 1." Comic Art (2003). |
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| Groensteen, Thierry. Le rire de Tintin: Essai sur le comique hergéen. Bruxelles: Moulinsart, 2006. |
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| de Groot, Kees. "Tintin as a Catholic comic: How catholic values went underground." Implicit Religion 19.3 2017. Accessed 14 February. 2018. <https://journals.equino ... p/IR/article/view/31123>. |
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| Grutman, Rainier. "« Eih bennek, eih blavek » L’inscription du bruxellois dans le sceptre d’ottokar." Études françaises 46.(2010): 83–99. |
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| Halen, Pierre. "Tintin, paradigme du héros colonial belge? (a propos de «tintin au congo»)." Tintin, Hergé et la «Belgité». Ed. Anna Soncini Fratta. BelŒil. Bologna: CLUEB, 1994. 39–56. |
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| Hein, Michael. "Studio Hergé." Lexikon der Comics. Ed. Marcus Czerwionka. Meitingen: Corian, 1992. |
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| Hunt, Nancy Rose. "Tintin and the Interruptions of Congolese Comics." Images and Empires. Visuality in Colonial and Postcolonial Africa. Eds. Paul S. Landau and Deborah D. Kaspin. Berkeley: Univ. of California Press, 2002. 90–123. |
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| Jordan, Joachim. "Abenteuercomics in Christian Krachts Imperium." Georg-Forster-Studien 20.(2015): 307–22. |
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| Jouanny, Robert. "Tintin et l’Amérique Latine." Tintin, Hergé et la «Belgité». Ed. Anna Soncini Fratta. BelŒil. Bologna: CLUEB, 1994. 89–102. |
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| Last edited by: Okwuchi Mba 1/4/22, 9:52 AM |
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| Justens, Daniel and Alain Préaux. HerGPS: L’univers géographique d’un célèbre reporter. Waterloo: Avant-Propos, 2011. |
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| Kelp-Stebbins, Katherine. "Comics as Orientation Devices." Comics Studies Here and Now. Ed. Frederick Luis Aldama. Routledge Advances in Comics Studies. London: Routledge, 2018. 211–25. |
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| Last edited by: Okwuchi Mba 10/3/18, 12:44 PM |
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| van de Kerckhove, Marcel. "Tintin en voyage: Une vision «belge» des mondes exotiques?." Tintin, Hergé et la «Belgité». Ed. Anna Soncini Fratta. BelŒil. Bologna: CLUEB, 1994. 25–38. |
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| Last edited by: Okwuchi Mba 1/4/22, 9:58 AM |
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| Knutsson, Magnus. "Vreden hos Kapten Haddock." Boken om serier. Eds. Elisabet Haglund, et al.. Johanneshov: Hammarström & Åberg, 1986. 44–51. |
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| Last edited by: joachim 9/27/09, 8:42 PM |
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| Konitzer, Viktor. "Rinnstein, Rahmen, reines Sehen? Comicpanels als plural [sic] bilder." Kunstgeschichte 2014. Accessed 18 February. 2014. <http://nbn-resolving.de ... n:de:bvb:355-kuge-362-0>. |
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| Last edited by: joachim 8/22/20, 5:19 PM |
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| Körber, Joachim. Die Geschichte bei Tim & Struppi: Eine reise durch die zeit – von den maya bis zum mond. Weinheim: Wiley-VCH, 2011. |
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| Langford, Rachael. "Photography, Belgian colonialism and Hergé’s Tintin au Congo." Journal of Romance Studies 8.(2008): 77–89. |
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| Last edited by: joachim 1/8/18, 1:45 AM |
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| Lefèvre, Pascal. "An Empirical Study of the Publication Format and Beginnings in the Belgian Francophone Weeklies, Spirou and Tintin, in the 1950s." Closure 4 2017. Accessed 8 December. 2017. <http://www.closure.uni-kiel.de/closure4/lefevre>. |
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| Added by: joachim 12/8/17, 6:38 PM |
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| Leroy, Fabrice. "Absent-Mindedness, Mustaches, and the Cold War The image of science in herge's professor calculus and franquin's count of champignac." International Journal of Comic Art 4.(2002): 205–17. |
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| Last edited by: Deleted user 9/1/10, 4:14 PM |
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| Lettkemann, Gerd and Stefan Neuhaus. "nicki – die deutsche Antwort auf Hergé." Deutsche Comicforschung 4.(2008): 100–12. |
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| Last edited by: joachim 12/10/09, 10:13 PM |
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