| Abbott, Stacey. "It (Re-)Started with a Girl: The Creative Interplay Between TV and Comics in Angel: After the Fall." The Literary Angel. Essays on Influences and Traditions Reflected in the Joss Whedon Series. Eds. AmiJo Comeford and Tamy Burnett. Jefferson, London: McFarland, 2010. 221–32. |
 
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| Beddows, Emma. "Buffy the Transmedia Hero." Colloquy 24 2012. Accessed 28Dec. 2012. <http://artsonline.monas ... wenty-four_/beddows.pdf>. |
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| Call, Lewis. "“That Weird, Unbearable Delight”: Representations of Alternative Sexualities in Joss Whedon’s Astonishing X-Men Comics." Slayage 12.2/13.1 2014/15. Accessed 1May. 2015. <http://www.whedonstudie ... l_slayage_12.2-13.1.pdf>. |
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| Added by: joachim Last edited by: joachim 5/1/15, 10:36 PM |
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| Call, Lewis. "“Find What Warmth You Can”: Queer Sexualities in Buffy Season Eight through Ten Comic Books." Slayage 15. 2 2017. Accessed 3Feb. 2019. <http://www.whedonstudie ... call_-_slayage_15.2.pdf>. |
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| Added by: joachim 2/3/19, 3:48 PM |
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| Call, Lewis. "Slaying the Heteronormative: Representations of Alternative Sexuality in Buffy Season Eight Comics." Sexual Rhetoric in the Works of Joss Whedon. New Essays. Ed. Erin B. Waggoner. Jefferson, London: McFarland, 2010. 106–16. |
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| Chiat, Kevin. "Giant Dawn and Mutant Superheroes: Joss Whedon in Comics." Joss Whedon. The Complete Companion. Ed. Mary Alice Money. London: Titan Books, 2012. 341–52. |
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| Clemons, Leigh. "Genre and the Impact on Storytelling in Season Eight." Buffy Meets the Academy. Essays on the Episodes and Scripts as Text. Ed. Kevin K. Durand. Jefferson, London: McFarland, 2009. 25–31. |
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| Dalton, Russell W. "To Assemble or to Shrug? Power, Responsibility and Sacrifice in Marvel’s The Avengers." Joss Whedon and Religion. Essays on an Angry Atheist’s Explorations of the Sacred. Eds. Anthony R. Mills, John W. Morehead and J. Ryan Parker. Jefferson, London: McFarland, 2013. 165–82. |
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| DeRoss, Jennifer. "Not Gay Enough So You’d Notice: Poaching Fuffy." Slayage 16. 2 2018. Accessed 3Feb. 2019. <http://www.whedonstudie ... ross_-_slayage_16.2.pdf>. |
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| Di Bernardo, Emma. "“Can The Buffy Comics Be Feminist?”: Transmedia Adaptation and Representation." Watcher Junior 8. 1 2015. Accessed 4Jul. 2016. <http://www.whedonstudie ... o_watcherjunior_8.1.pdf>. |
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| Dunaway, Dustin. "Un-Warren-Ted: Or, How I Learned to Stop Worrying and Love My Transgressive Fandom." Transmediating the Whedonverse(s). Essays on Texts, Paratexts, and Metatexts. Eds. Juliette C. Kitchens and Julie L. Hawk. New York [etc.]: Palgrave Macmillan, 2019. 17–40. |
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| Frankel, Valerie Estelle. Buffy and the Heroine’s Journey: Vampire Slayer as Feminine Chosen One. Jefferson: McFarland, 2012. |
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| Frankel, Valerie Estelle, ed. The Comics of Joss Whedon: Critical Essays. Jefferson, London: McFarland, 2015. |
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| Frankel, Valerie Estelle. "Seeking Safe Haven: Shelter and Self-Protection from Afterlife to Avengers: Age of Ultron." At Home in the Whedonverse. Essays on Domestic Place, Space and Life. Ed. Juliette C. Kitchens. Jefferson: McFarland, 2017. 68–86. |
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| Grampp, Sven. "»Folge dem auteur!«: Serielle und transmediale Autorenschaft am Beispiel von Joss Whedon." Amerikanische Fernsehserien der Gegenwart. Perspektiven der American Studies und der Media Studies. Eds. Christoph Ernst and Heike Paul. Bielefeld: Transcript, 2015. 305–41. |
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| Guffey, Ensley F. "Joss Whedon Throws His Mighty Shield: Marvel’s The Avengers as War Movie." Reading Joss Whedon. Eds. Rhonda V. Wilcox, et al. Television and Popular Culture. Syracuse: Syracuse Univ. Press, 2014. 280–93. |
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| Gurpegui, Carlos Gómez. "Fray, Astonishing X-Men y Runaways: El cómic según Whedon." De la estaca al martillo. Un viaje por los universos de Joss Whedon, de Buffy a los Vengadores. Eds. Pedro J. García and Irene Raya. Madrid: Diábolo, 2015. 167–75. |
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| Hautsch, Jessica. "“What the Geisha has gotten into you?”: Colorblindness, Orientalist Stereotypes, and the Problem of Global Feminism in Buffy the Vampire Slayer Season Eight." Slayage 12.2/13.1 2014/2015. Accessed 3Feb. 2019. <http://www.whedonstudie ... h_slayage_12.2-13.1.pdf>. |
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| Holder, Nancy and Lisa Clancy. Buffy the Vampire Slayer Encyclopedia: The Ultimate Guide to the Buffyverse. New York: Harper Design, 2017. |
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| Hurd, Matthew. "Six Reasons Why Joss Whedon Is the Perfect Director for The Avengers." Joss Whedon. The Complete Companion. Ed. Mary Alice Money. London: Titan Books, 2012. 447–56. |
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| Introvigne, Massimo. "Brainwashing the Working Class: Vampire Comics and Criticism from Dr. Occult to Buffy." Slayage 2. 3 2002. Accessed 1May. 2015. <http://slayageonline.com/PDF/introvigne.pdf>. |
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| Jelinski, Oliver. "The End of Magicks: Zur achten Staffel." Horror als Alltag. Texte zu »Buffy the Vampire Slayer«. Ed. Annika Beckmann. Berlin: Verbrecher-Verl. 2010. 157–85. |
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| Kociemba, David and Mary Ellen Iatropoulos. "Separate Canons or One Canon? Canonicity, Medium, and Authorship in the Whedonverse Comics." The Comics of Joss Whedon. Critical Essays. Ed. Valerie Estelle Frankel. Jefferson: McFarland, 2015. 31–47. |
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| Lavery, David. Joss: A Creative Portrait of Joss Whedon, Maker of the Whedonverses. London, New York: I. B. Tauris, 2011. |
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| Macnaughtan, Don. The Buffyverse Catalog: A Complete Guide to Buffy the Vampire Slayer and Angel in Print, Film, Television, Comics, Games and Other Media, 1992–2010. Jefferson, London: McFarland, 2011. |
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| McCormick, Casey. "Transmediating the Whedon Classroom." Transmediating the Whedonverse(s). Essays on Texts, Paratexts, and Metatexts. Eds. Juliette C. Kitchens and Julie L. Hawk. New York [etc.]: Palgrave Macmillan, 2019. 65–85. |
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| Added by: joachim 11/25/20, 12:25 PM |
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| McDowell, John C. "National Treasures: Joss Whedon’s Assembling of Exceptional Avengers." Joss Whedon and Religion. Essays on an Angry Atheist’s Explorations of the Sacred. Eds. Anthony R. Mills, John W. Morehead and J. Ryan Parker. Jefferson, London: McFarland, 2013. 183–95. |
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| McGee, Masani. "Big Men in Spangly Outfits: Spectacle and Masculinity in Joss Whedon’s The Avengers." Slayage 11.2/12.1 2014. Accessed 1May. 2015. <http://www.whedonstudie ... e_slayage_11.2-12.1.pdf>. |
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| Melton, J. Gordon. "Images from the Hellmouth: Buffy the Vampire Slayer Comic Books 1998–2002." Slayage 2. 2 2002. Accessed 1May. 2015. <http://slayageonline.com/PDF/melton2.pdf>. |
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| Meredith, Rowan and Sharon Sutherland. "Dream Queer: Does Fitz Offer Positive Bisexual Representation on Agents of S.H.I.E.L.D.?." Slayage 15. 2 2017. Accessed 3Feb. 2019. <http://www.whedonstudie ... land_-_slayage_15.2.pdf>. |
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| Added by: joachim 2/3/19, 3:40 PM |
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| Q, Shatley. "Chronological Bibliography of Print Comics Written by Joss Whedon." Joss Whedon. The Complete Companion. Ed. Mary Alice Money. London: Titan Books, 2012. 359–60. |
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| Added by: joachim 8/24/20, 3:17 PM |
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| Q, Shatley. "Tom Brokaw’s Coat: Joss Whedon, Astonishing X-Men and the Accessibility of History." Joss Whedon. The Complete Companion. Ed. Mary Alice Money. London: Titan Books, 2012. 313–19. |
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| Robbins, Margaret A. "A Hero’s Journey for Diverse Women in Comics: Teaching Critical Visual Literacy Skills through Serenity and Parallel Texts Ms. Marvel, Buffy the Vampire Slayer, and Gotham." Comic Connections. Reflecting on Women in Popular Culture. Ed. Sandra Eckard. Comic Connections. Lanham [etc.]: Rowman & Littlefield, 2018. 107–20. |
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| Stanley, Marni. "Buffy’s Season Eight, Image and Text: Superhero Self-Fashioning." Reading Joss Whedon. Eds. Rhonda V. Wilcox, et al. Television and Popular Culture. Syracuse: Syracuse Univ. Press, 2014. 250–67. |
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| Tranter, Kieran. "‘Come a Day there Won’t be Room for Naughty Men Like Us to Slip About at All’: The Multi-Media Outlaws of Serenity and the Possibilities of Post-Literate Justice." Law Text Culture 16. (2012): 277–304. |
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| Added by: joachim 6/23/16, 9:56 AM |
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