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| Allison, Anne. Millennial Monsters: Japanese Toys and the Global Imagination. Asia: Local Studies/Global Themes. Berkeley: Univ. of California Press, 2006. |
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| Anderson, Mark. "Oshii Mamoru’s Patlabor 2: Terror, Theatricality, and Exceptions That Prove the Rule." Mechademia 4. (2009): 75–109. |
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| Anton, Audrey. "The Nietzschean Influence in The Incredibles and the Sidekick Revolt." The Amazing Transforming Superhero! Essays on the Revision of Characters in Comic Books, Film and Television. Jefferson, London: McFarland, 2007. 209–30. |
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| Armour, William S. and Sumiko Iida. "Using the revised Bloom’s taxonomy to reflect on the teaching of the Japanese language through ‘manga’ and anime." East Asian Journal of Popular Culture 4. (2018): 205–20. |
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| Atkinson, Paul. "Movements within Movements: Following the Line in Animation and Comic Books." Animation 4. (2009): 265–81. |
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| Avventi, Carlo. "Filme ohne Augenzwinkern: Zur Wertevermittlung in Hayao Miyazakis Werk." Comics und Animationsfilme. Eds. Klaus Maiwald and Petra Josting. Jahrbuch Medien im Deutschunterricht. München: kopaed, 2010. 158–75. |
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| Azuma, Hiroki. "Anime or Something Like It: Neon Genesis Evangelion." InterCommunication (1996). |
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| Azuma, Hiroki. Otaku: Japan’s Database Animals. Minneapolis: Univ. of Minnesota Press, 2009. |
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| Baker, Kaysee and Arthur A. Raney. "Equally Super? Gender-Role Stereotyping of Superheroes in Children’s Animated Programs." Mass Communication and Society 10. (2007): 25–41. |
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| Bakker, Freek. "Hanuman im indischen Animationsfilm und die Entwicklungen im Hinduismus." Weltentwürfe im Comic/film. Mensch, Gesellschaft, Religion. Eds. Theresia Heimerl and Christian Wessely. Religion, Film und Medien. Marburg: Schüren, 2018. 83–97. |
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| Barber, Christie, Mio Bryce, and Jason Davis. "The Making of Killer Cuties." Anime and Philosophy. Wide Eyed Wonder. Eds. Josef Steiff and Tristan D. Tamplin. Popular Culture and Philosophy. Chicago: Open Court, 2010. 13–25. |
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| Barkman, Adam. "Did Santa Die on the Cross?." Anime and Philosophy. Wide Eyed Wonder. Eds. Josef Steiff and Tristan D. Tamplin. Popular Culture and Philosophy. Chicago: Open Court, 2010. 105–19. |
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| Barrier, Michael. The Animated Man: A Life of Walt Disney. Berkeley: Univ. of California Press, 2007. |
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| Batkin, Jane. Identity in Animation: A Journey into Self, Difference, Culture, and the Body. London, New York: Routledge, 2017. |
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| Becker, Thomas. "Matrix versus The Ghost in the Shell: Die neuen Mythen der virtuellen Welt sind nicht mehr allein diskursiv analysierbar." Journal Ethnologie 5 2007. Accessed 4Nov. 2012. <http://www.journal-ethn ... n_the_Shell/index.phtml>. |
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| Becker, Thomas. "Cool premedialisation as symbolic capital of innovation: On intercultural intermediality between comics, literature, film, manga, and anime." Intercultural Crossovers, Transcultural Flows. Manga/Comics. Ed. Jaqueline Berndt. Global Manga Studies. Kyoto: International Manga Research Center, Kyoto Seika University, 2011. 107–17. |
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| Berndt, Jaqueline. "Subculture und Otaku – Manga und Anime in Japan als Nischenkulturen." Veröffentlichungen des Japanisch-Deutschen Zentrums Berlin. Reihe 1. Deutsch 54. (2006): 28–41. |
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| Berndt, Jaqueline. "Facing the Nuclear Issue in a “Mangaesque” Way: The Barefoot Gen Anime." Cinergie 2 2012. Accessed 20Apr. 2013. <http://www.cinergie.it/?p=1840>. |
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| Berndt, Jaqueline. "Anime in Academia: Representative Object, Media Form, and Japanese Studies." Arts 7. 4 2018. Accessed 30Aug. 2020. <https://www.mdpi.com/2076-0752/7/4/56>. |
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| Berndt, Jaqueline, ed. The Cambridge Companion to Manga and Anime. Cambridge Companions to Literature. Cambridge [etc.]: Cambridge Univ. Press, 2024. |
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| Berndt, Jaqueline. "Hand in Hand: Kouno Fumiyos Mangaserie Kono sekai no katasumi ni (In This Corner of the World) im Vergleich zur Anime-Adaptation durch Katabuchi Sunao." Ästhetik des Gemachten. Interdisziplinäre Beiträge zur Animations- und Comicforschung. Eds. Hans-Joachim Backe, et al. Berlin u. Boston: de Gruyter, 2018. 53–84. |
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| Bierly, Steve R. Stronger Than Spinach: The Secret Appeal of The Famous Studios Popeye Cartoons. Duncan: BearManor Media, 2009. |
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| Bigelow, Susan J. "Technologies of Perception: Miyazaki in Theory and Practice." Animation 4. (2009): 55–75. |
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| Birmingham, Elisabeth. "Anime’s Dangerous Innocents: Millennial Anxieties, Gender Crises, and the Shōjo Body as a Weapon." Cycles, Sequels, Spin-offs, Remakes, and Reboots. Multiplicities in Film and Television. Eds. Amanda Ann Klein and R. Barton Palmer. Austin: Univ. of Texas Press, 2016. 130–47. |
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| Blumberg, Fran C., Kristen P. Bierwirth, and Allison J. Schwartz. "Does cartoon violence beget aggressive behavior in real life? An opposing view." Early Childhood Education Journal 36. (2008): 101–04. |
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| Bock, Charles. "On Archer’s Underground Comix Roots: How underground comic books helped give rise to Archer." Harper’s Magazine 2013. Accessed 4Feb. 2015. <http://harpers.org/blog ... nderground-comix-roots/>. |
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| Boer, Nienke. "Taking a Joke Seriously: Mickey Mouse and William Kentridge." MLN 128. (2013): 1146–69. |
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| Bolton, Christopher. Interpreting Anime. Minneapolis: Univ. of Minnesota Press, 2018. |
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| Bolton, Christopher. "The Mecha’s Blind Spot: Patlabor 2 and the Phenomenology of Anime." Robot Ghosts and Wired Dreams. Japanese Science Fiction from Origins to Anime. Eds. Christopher Bolton, Istvan Csicsery-Rony Jr. and Takayuki Tatsumi. Minneapolis: Univ. of Minnesota Press, 2007. 123–47. |
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| Boyd, James W. and Tetsuya Nishimura. "Shinto Perspectives in Miyazaki’s Anime Film “Spirited Away”." Journal of Religion and Film 8. 2 2004. Accessed 3Jun. 2011. <http://www.unomaha.edu/jrf/Vol8No2/boydShinto.htm>. |
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| Bresler, Liora. "University Faculty as Intellectual Entrepreneurs: Vision, Experimental Learning, and Animation." Visual Arts Research 35. (2009): 12–23. |
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| Bresnahan, Mary Jiang, Yasuhiro Inoue, and Naomi Kagawa. "Players and Whiners? Perceptions of Sex Stereotyping in Animé in Japan and the US." Asian Journal of Communication 16. (2006): 207–17. |
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| Briel, Holger. "Hentai: Eroticism in Manga and Anime." Ga-netchū! The Manga Anime Syndrome. Eds. Hans-Peter Reichmann and Stephan von der Schulenburg. Frankfurt am Main: Deutsches Filmmuseum/Deutsches Filminstitut, 2008. 166–75. |
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| Briel, Holger. "Hentai: Erotik in Manga und Anime." Ga-netchū! Das Manga Anime Syndrom. Eds. Hans-Peter Reichmann and Stephan von der Schulenburg. Frankfurt am Main: Deutsches Filmmuseum/Deutsches Filminstitut, 2008. 164–75. |
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| Brockmann, Madalina. "Metamorphosis and Identity: Psychoanalytical Notes to Miyazaki’s Spirited Away and Howl’s Moving Castle." Medienobservationen 2008. Accessed 20Feb. 2014. <http://www.medienobserv ... mann_metamorphosis.html>. |
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| Broderick, Mick. "Anime’s Apocalypse: Neon Genesis Evangelion as Millennarian Mecha." Intersections 7 2002. Accessed 18Apr. 2011. <http://intersections.an ... 7/broderick_review.html>. |
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| Broderick, Mick. "Superflat Eschatology: Renewal and Religion in anime." Animation Studies 2009. Accessed 29Aug. 2011. <http://journal.animatio ... -superflat-eschatology/>. |
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| Broderick, Mick. "Making things new: Regeneration and transcendence in Anime." The End All Around Us. Apocalyptic Texts and Popular Culture. Eds. John Walliss and Kenneth G. C. Newport. London, Oakville: Equinox, 2009. 120–47. |
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| Brophy, Philip. 100 Anime. BFI Screen Guides. London: British Film Institute, 2005. |
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| Brown, Steven T., ed. Cinema Anime: Critical Engagements with Japanese Animation. New York [etc.]: Palgrave Macmillan, 2006. |
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| Brown, Steven T. "Screening Anime." Cinema Anime. Critical Engagements with Japanese Animation. Ed. Steven T. Brown. New York [etc.]: Palgrave Macmillan, 2006. 1–19. |
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| Bruce, Douglas. "Notes toward a rhetoric of animation: The Road Runner as cultural critique." Critical Studies in Media Communication 18. (2001): 229–45. |
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| Bryce, Mio, et al. "Manga and Anime: Fluidity and Hybridity in Global Imagery." electronic journal of contemporary japanese studies 2010. Accessed 28Feb. 2011. <http://www.japanesestud ... rticles/2010/Bryce.html>. |
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| Bukatman, Scott. "Comics and the Critique of Chronophotography, or ‘He Never Knew When It Was Coming!’." Animation 1. (2006): 83–103. |
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| Bukatman, Scott. The Poetics of Slumberland: Animated Spirits and the Animating Spirit. Berkeley: Univ. of California Press, 2012. |
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| Buljan, Katharine. "The Uncanny and the Robot in the Astro Boy Episode “Franken”." Animation Studies 2009. Accessed 29Aug. 2011. <http://journal.animatio ... -boy-episode-“franken”/>. |
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| Burke, Liam. "Harley Quinn and the carnivalesque transformation of comic book fandom." Transformative Works and Cultures 36 2021. Accessed 12Oct. 2021. <https://journal.transfo ... p/twc/article/view/2015>. |
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| Buruma, Ian. Behind the Mask: On Sexual Demons, Sacred Mothers, Transvestites, Gangsters and Other Japanese Cultural Heroes. New York: Pantheon, 1984. |
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| Buruma, Ian. Japan hinter dem Lächeln: Götter, Gangster, Geishas. Frankfurt am Main, Berlin: Ullstein, 1988. |
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| Butler, Matthew and Lucie Joschko. "Final Fantasy or The Incredibles: Ultra-realistic animation, aesthetic engagement and the uncanny valley." Animation Studies 2009. Accessed 29Aug. 2011. <http://journal.animatio ... asy-or-the-incredibles/>. |
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| Bye, Susan. "Spirits of Times Past: Fantasy, Tradition and Identity in Spirited Away." Screen Education (2012): 121–28. |
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| Bye, Susan. "Two Worlds Colliding: Restoring Balance in Hayao Miyazakis Ponyo." Screen Education (2013): 102–07. |
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| Camp, Brian and Julie Davis. Anime Classics Zettai! 100 Must-See Japanese Animation Masterpieces. Berkeley: Stone Bridge Press, 2007. |
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| Canemaker, John. Felix: The Twisted Tale of the World’s Most Famous Cat. New York: Pantheon, 1991. |
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| Carter, David Ray. "Reinterpreting Myths in Spider-Man: The Animated Series." Web-Spinning Heroics. Critical Essays on the History and Meaning of Spider-Man. Eds. Robert Moses Peaslee and Robert G. Weiner. Jefferson, London: McFarland, 2012. 210–21. |
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| Cavalier, Stephen. The World History of Animation. Berkeley: Univ. of California Press, 2011. |
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| Cavallaro, Dani. The Animé Art of Hayao Miyazaki. Jefferson, London: McFarland, 2006. |
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| Cavallaro, Dani. The Cinema of Mamoru Oshii: Fantasy, Technology and Politics. Jefferson, London: McFarland, 2006. |
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| Cavallaro, Dani. Anime Intersections: Tradition and Innovation in Theme and Technique. Jefferson, London: McFarland, 2007. |
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| Cavallaro, Dani. Anime and Memory: Aesthetic, Cultural and Thematic Perspectives. Jefferson, London: McFarland, 2009. |
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| Cavallaro, Dani. The Art of Studio Gainax: Experimentation, Style and Innovation at the Leading Edge of Anime. Jefferson, London: McFarland, 2009. |
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| Cavallaro, Dani. Anime and the Art of Adaptation: Eight Famous Works from Page to Screen. Jefferson, London: McFarland, 2010. |
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| Cavallaro, Dani. Anime and the Visual Novel: Narrative Structure, Design and Play at the Crossroads of Animation and Computer Games. Jefferson, London: McFarland, 2010. |
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| Cavallaro, Dani. Magic as Metaphor in Anime: A Critical Study. Jefferson, London: McFarland, 2010. |
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| Cavallaro, Dani. The Fairy Tale and Anime: Traditional Themes, Images and Symbols at Play on Screen. Jefferson, London: McFarland, 2011. |
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| Cavallaro, Dani. Art in Anime: The Creative Quest as Theme and Metaphor. Jefferson, London: McFarland, 2012. |
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| Cavallaro, Dani. CLAMP in Context: A Critical Study of the Manga and Anime. Jefferson, London: McFarland, 2012. |
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| Cavallaro, Dani. Kyoto Animation: A Critical Study and Filmography. Jefferson, London: McFarland, 2012. |
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| Cavallaro, Dani. Japanese Aesthetics and Anime: The Influence of Tradition. Jefferson, London: McFarland, 2013. |
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| Chandler, Benjamin. "Alchemic Heroes." Anime and Philosophy. Wide Eyed Wonder. Eds. Josef Steiff and Tristan D. Tamplin. Popular Culture and Philosophy. Chicago: Open Court, 2010. 171–80. |
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| Chao, Tien-yi. "Transmutation of worlds: Adaptation and transformation in Fullmetal Alchemist the Movie: Conqueror of Shamballa." Studies in Comics 4. (2013): 159–70. |
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| Chelebourg, Christian. Les Écofictions: Mythologies de la fin du monde. Réflexions faites. Bruxelles: Les Impressions Nouvelles, 2012. |
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| Chen, Jin-Shiow. "The Comic/Anime Fan Culture in Taiwan: With Focus on Adolescent’s Experience." Journal of Social Theory in Art Education 23. (2003): 89–103. |
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| Chen, Jin-Shiow. "Meditating on the Voiceless Words of the Invisible Other: Young Female Animé Fan Artists—Narratives of Gender Images." Journal of Social Theory in Art Education 24. (2004): 213–33. |
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| Chen, Jin-Shiow. "A Study of Fan Culture: Adolescent Experiences with Animé/manga Doujinshi and Cosplay in Taiwan." Visual Arts Research 33. (2007): 14–24. |
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| Chiba, Naoki and Hiroko Chiba. "Words of Alienation, Words of Flight: Loanwords in Science Fiction Anime." Robot Ghosts and Wired Dreams. Japanese Science Fiction from Origins to Anime. Eds. Christopher Bolton, Istvan Csicsery-Rony Jr. and Takayuki Tatsumi. Minneapolis: Univ. of Minnesota Press, 2007. 148–71. |
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| Choo, Kukhee. "Girls Return Home: Portrayal of Femininity in Popular Japanese Girls’ Manga and Anime Texts during the 1990s in Hana yori Dango and Fruits Basket." Women 19. (2008): 275–96. |
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| Christofori, Ralf. "Auge in Auge: Anime, Manga und Malerei bei Amano Yoshitaka." Ga-netchū! Das Manga Anime Syndrom. Eds. Hans-Peter Reichmann and Stephan von der Schulenburg. Frankfurt am Main: Deutsches Filmmuseum/Deutsches Filminstitut, 2008. 186–97. |
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| Christofori, Ralf. "Eye to Eye: Anime, Manga and Painting in the Work of Amano Yoshitaka." Ga-netchū! The Manga Anime Syndrome. Eds. Hans-Peter Reichmann and Stephan von der Schulenburg. Frankfurt am Main: Deutsches Filmmuseum/Deutsches Filminstitut, 2008. 186–95. |
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| Clements, Jonathan. "The Mechanics of the U.S. Anime and Manga Industry." Foundation (1995): 32–44. |
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| Clements, Jonathan. Schoolgirl Milky Crisis: Adventures in the Anime and Manga Trade. London: Titan Books, 2009. |
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| Clements, Jonathan. Anime: A History. London: British Film Institute, 2013. |
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| Clements, Jonathan and Helen McCarthy. The Anime Encyclopedia: A Guide to Japanese Animation Since 1917. 2nd ed. Berkeley: Stone Bridge Press, 2006. |
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| Cleto, Sara and Erin Kathleen Bahl. "Becoming the Labyrinth: Negotiating Magical Space and Identity in Puella Magi Madoka Magica." Humanities 5. 2 2016. Accessed 31Dec. 2017. <http://www.mdpi.com/2076-0787/5/2/20>. |
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| Condry, Ian. The Soul of Anime: Collaborative Creativity and Japan’s Media Success Story. Experimental Futures. Durham: Duke Univ. Press, 2013. |
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| Connolly, Paula T. "Mickey & Co. Enlist: Disney’s World War II Animated Shorts." Forgotten Disney. Essays on the Lesser-Known Productions. Eds. Kathy Merlock Jackson, Carl H. Sederholm and Mark I. West. Jefferson: McFarland, 2023. 22–30. |
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| Cook, Malcolm. "The lightning cartoon: Animation from music hall to cinema." Early Popular Visual Culture 11. (2013): 237–54. |
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| Copley, Jessica. "Modes of Representing the Holocaust: A Discussion of the Use of Animation in Art Spiegelman’s Maus and Oryl Yadin and Sylvie Bringas’s Silence." Opticon1826 9 2010. Accessed 25Jul. 2013. <http://www.opticon1826.com/article/view/opt.091003>. |
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| Cornog, Martha and Timothy Perper, eds. Mangatopia: Essays on Manga and Anime in the Modern World. Santa Barbara: Libraries Unlimited, 2011. |
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| Courtebras, Marilou. Hybridations et mutations dans l’imaginaire Disney. Saarbrücken: Éd. universitaires européennes, 2013. |
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| Crafton, Donald. "Animation Iconography: The “Hand of the Artist”." Quarterly Review of Film Studies 4. (1979): 409–28. |
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| Crafton, Donald. Emile Cohl, Caricature, and Film. Princeton: Princeton Univ. Press, 1990. |
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| Crafton, Donald. Before Mickey: The Animated Film, 1898–1928. 2nd ed. Chicago: Univ. of Chicago Press, 1993. |
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| Crafton, Donald. Shadow of a Mouse: Performance, Belief, and World-Making in Animation. Berkeley: Univ. of California Press, 2012. |
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