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Cotta Vaz, Mark. Empire of the Superheroes: America’s Comic Book Creators and the Making of a Billion-Dollar Industry. New Brunswick: Rutgers Univ. Press, 2021. |
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Gordon, Ian. "Siegel and Shuster as Brand Name." The Superhero Symbol. Media, Culture, and Politics. Eds. Liam Burke, Ian Gordon and Angela Ndalianis. New Brunswick: Rutgers Univ. Press, 2019. 105–17. |
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Gordon, Ian. "Comics, Creators, and Copyright: On the Ownership of Serial Narratives by Multiple Authors." A Companion to Media Authorship. Eds. Jonathan Gray and Derek Johnson. Chichester: Wiley-Blackwell, 2013. 221–36. |
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Hoberek, Andrew. Considering Watchmen: Poetics, Property, Politics. Comics Culture. New Brunswick: Rutgers Univ. Press, 2014. |
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Kidman, Shawna Feldmar. Comic Books Incorporated: How the Business of Comics Became the Business of Hollywood. Berkeley: Univ. of California Press, 2019. |
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Molinaro, John. "Who Owns Captain America? Contested Authorship, Work-For-Hire, And Termination Rights Under the Copyright Act of 1976." Georgia State University Law Review 21. (2004): 565–92. |
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Packard, Stephan. "Copyright und Superhelden: Über die Prägung populärer Mythologie durch textuelle Kontrolle." Justitiabilität und Rechtmäßigkeit. Verrechtlichungsprozesse von Literatur und Film in der Moderne. Ed. Claude D. Conter. Amsterdamer Beiträge zur neueren Germanistik. Amsterdam [etc.]: Rodopi, 2010. 109–26. |
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Swartz-Levine, Jennifer A. "She-Hulk Crash! The Evolution of Jen Walters, or How Marvel Comics Learned to Stop Worrying About Feminism and Love the Gamma Bomb." The Ages of the Incredible Hulk. Essays on the Green Goliath in Changing Times. Ed. Joseph J. Darowski. Jefferson, London: McFarland, 2016. 78–92. |
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