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| Alexander, Dorian, Michael Goodrum, and Philip Smith, eds. Drawing the Past: Comics and the historical imagination in the world. Vol. 2. Jackson: Univ. Press of Mississippi, 2022. |
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| Casey, Jay. "‘What’s So Funny?’ The finding and use of soldier cartoons from the world wars as historical evidence." Drawing the Line. Using Cartoons as Historical Evidence. Eds. Richard Scully and Marian Quartly. Clayton: Monash Univ. ePress, 2009. |
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| Dittmar, Jakob F. "Comic und Geschichtsbewusstsein: Mythisierung im gegensatz zur historisierung." Rechtsextremismus, Rassismus und Antisemitismus in Comics. Ed. Ralf Palandt. Berlin: Archiv der Jugendkulturen, 2011. 419–27. |
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| Dyrenfurth, Nick and Marian Quartly. "‘All the World Over’: The transnational world of australian radical and labour cartoonists." Drawing the Line. Using Cartoons as Historical Evidence. Eds. Richard Scully and Marian Quartly. Clayton: Monash Univ. ePress, 2009. |
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| Gundermann, Christine. "Geschichtskultur in Sprechblasen: Comics in der politisch-historischen bildung." Aus Politik und Zeitgeschichte 64.(2014): 24–29. |
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| Gundermann, Christine. "Inszenierte Vergangenheit oder wie Geschichte im Comic gemacht wird." Ästhetik des Gemachten. Interdisziplinäre Beiträge zur Animations- und Comicforschung. Eds. Hans-Joachim Backe, et al.. Berlin u. Boston: de Gruyter, 2018. 257–84. |
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| Gundermann, Christine. "Zwischen Genre, Gattung und Typus Geschichtscomics aus geschichtswissenschaftlicher perspektive." Geschichte im Comic. Befunde – Theorien – Erzählweisen. Ed. Bernd Dolle-Weinkauff. Berlin: Ch.A. Bachmann, 2018. 29–44. |
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| Harbeck, Matthias. "Alternate Histories des Zweiten Weltkriegs – Erinnerung oder Fetischisierung? Eine untersuchung am beispiel us-amerikanischer mainstreamcomics.." Mediated Pasts – Popular Pleasures. Medien und Praktiken populärkulturellen Erinnerns. Eds. Christoph Bareither and Ingrid Tomkowiak. Kulturen populärer Unterhaltung und Vergnügung. Würzburg: Königshausen & Neumann, 2020. 235–53. |
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| Harbeck, Matthias. "Comics als Gegenstand der historischen Stereotypenforschung." Geschichte im Comic. Befunde – Theorien – Erzählweisen. Ed. Bernd Dolle-Weinkauff. Berlin: Ch.A. Bachmann, 2018. 253–72. |
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| Hwang, Yih-Jye. "Japan as “Self” or “the Other” in Yoshinori Kobayashi’s On Taiwan." China Information 24.(2010): 75–98. |
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| Kesper-Biermann, Sylvia and Bettina Severin-Barboutie. "Verflochtene Vergangenheiten: Geschichtscomics in europa, asien und amerika. perspektiven auf ein forschungsfeld." Comparativ 24.(2014): 7–28. |
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| Klęczar, Aleksandra. "The Revenge of Augustus: Caesar, octavian and history in neil gaiman’s august." Classica Cracoviensia 21 2018. Accessed 10 October. 2021. <https://journals.akademicka.pl/cc/article/view/890>. |
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| Magnussen, Anne. "Comics as historical source material: Race, ethnicity and power according to texas history movies." Studies in Comics 7.(2016): 99–126. |
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| Melber, Takuma. "Mangas als Impulsgeber für die Geschichtswissenschaft?! Das beispiel barfuß durch hiroshima." Rechtsextremismus, Rassismus und Antisemitismus in Comics. Ed. Ralf Palandt. Berlin: Archiv der Jugendkulturen, 2011. 135–48. |
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| Munier, Gerald. "Geschichte im Comic: Können ernsthafte historische themen auch in form von bildergeschichten behandelt werden?." Traverse 11.(2004): 110–17. |
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| Näpel, Oliver. Das Fremde als Argument: Identität und alterität durch fremdbilder und geschichtsstereotype von der antike bis zum holocaust und 9/11 im comic. Die Deutschen und das östliche Europa. Studien und Quellen. Frankfurt am Main [etc.]: Peter Lang, 2011. |
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| Näpel, Oliver. "›Fremdheit‹ und ›Geschichte‹: Identität und alterität durch visuelle stereotypisierung des ›anderen‹ und der ›geschichte‹ von der antiken vasenmalerei bis zum gegenwärtigen comic und film. ein abriss." Struktur und Geschichte der Comics. Beiträge zur Comicforschung. Ed. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2010. 99–127. |
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| Netter, Louis and Oliver Gruner. "Steal This History: Historiography, the sixties and the comic." Rethinking History (2016). |
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| Neuhaus, Jessamyn. "How Wonder Woman Helped My Students: “join the conversation”. comic books as teaching tools in a history methodology course." Comic Books and American Cultural History. An Anthology. Ed. Matthew Pustz. London, New York: Continuum, 2012. 11–25. |
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| Nijdam, Elizabeth. "Coming to Terms with the Past: Teaching german history with the graphic novel." Class, Please Open Your Comics. Essays on Teaching with Graphic Narratives. Ed. Matthew L. Miller. Jefferson: McFarland, 2015. 143–54. |
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| Palandt, Ralf, ed. Anne Frank im Comic. Berlin: Ch.A. Bachmann, 2021. |
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| Pandel, Hans-Jürgen. "Comicliteratur und Geschichte: Gezeichnete narrativität, gedeutete geschichte und die ästhetik des geschichtsbewußtseins." Geschichte lernen (1994): 18–26. |
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| Ribbens, Kees. "Die Darstellung des Zweiten Weltkriegs in europäischen Comics: Eine fallstudie populärer geschichtskultur." History Goes Pop. Zur Repräsentation von Geschichte in populären Medien und Genres. Eds. Barbara Korte and Sylvia Paletschek. Historische Lebenswelten in populären Wissenskulturen/History in Popular Cultures. Bielefeld: Transcript, 2009. 121–45. |
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| Ricca, Brad J. "History: Discovering the story of jerry siegel and joe shuster." Critical Approaches to Comics and Graphic Novels. Theories and Methods. Eds. Matthew J. Smith and Randy Duncan. London, New York: Routledge, 2012. 189–200. |
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| Riedel, Siegmund, ed. Max & Luzie Ein comic macht geschichte. Gilching: Stefan Riedl, 2019. |
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| Scully, Richard and Marian Quartly, eds. Drawing the Line: Using cartoons as historical evidence. Clayton: Monash Univ. ePress, 2009. |
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| Scully, Richard and Marian Quartly. "Using Cartoons as Historical Evidence." Drawing the Line. Using Cartoons as Historical Evidence. Eds. Richard Scully and Marian Quartly. Clayton: Monash Univ. ePress, 2009. |
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| Scully, Richard. "‘A Pettish Little Emperor’: Images of kaiser wilhelm ii in punch, 1888–1901." Drawing the Line. Using Cartoons as Historical Evidence. Eds. Richard Scully and Marian Quartly. Clayton: Monash Univ. ePress, 2009. |
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| Serriere, Jérôme. Zum Bild des tirailleur sénégalais im französischen Comic: Repräsentation einer kolonialen figur in der erinnerungskultur des 1. weltkriegs. Wiesbaden: Springer VS, 2022. |
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| Sleight, Simon. "Wavering between Virtue and Vice: Constructions of youth in australian cartoons of the late-victorian era." Drawing the Line. Using Cartoons as Historical Evidence. Eds. Richard Scully and Marian Quartly. Clayton: Monash Univ. ePress, 2009. |
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| Wichhart, Stefanie. "Propaganda and Protest: Political cartoons in iraq during the second world war." Drawing the Line. Using Cartoons as Historical Evidence. Eds. Richard Scully and Marian Quartly. Clayton: Monash Univ. ePress, 2009. |
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| Wolfinger, Stefan. Von Karl Marx bis Carl Barks: Comics und geschichte. Neue Aspekte in Kultur- und Kommunikationswissenschaft. Wien: Österreichischer Kunst- und Kulturverl, 1999. |
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