| Adams, Jeff. Documentary Graphic Novels and Social Realism. Cultural Interactions. Oxford [etc.]: Peter Lang, 2008. |
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| Afrashteh, Diana. "Das gezeichnete Selbst zwischen den Kulturen: Eine interkulturelle Annäherung an Marjane Satrapis biographisches Werk Persepolis." Diplomarbeit Donau Universität Krems, 2008. |
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| Ahmed, Maaheen. "Historicizing in Graphic Novels: The Welcome Subjective G(l)aze." Graphic History. Essays on Graphic Novels And/As History. Ed. Richard Iadonisi. Newcastle upon Tyne: Cambridge Scholars Publ, 2012. 184–202. |
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| Basu, Lopamudra. "Crossing Cultures/Crossing Genres: The Re-invention of the Graphic Memoir in Persepolis and Persepolis 2." Nebula 4.3 2007. Accessed 29 May. 2012. <http://www.nobleworld.biz/images/Basu.pdf>. |
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| Botshon, Lisa and Melinda Plastas. "Homeland In/Security: A Discussion and Workshop on Teaching Marjane Satrapi’s Persepolis." Feminist Teacher 20.(2009): 1–14. |
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| Boy, Florie. "Les femmes dans la bande dessinée d’auteur depuis les années 1970: Itinéraires croisés : Claire Bretécher, Chantal Montellier et Marjane Satrapi." Diplôme national de master Mémoire Master. Université Lyon II Lumière, 2009. |
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| Brock, Jennifer. "‘One Should Never Forget’ : The Tangling of History and Memory in Persepolis." Graphic History. Essays on Graphic Novels And/As History. Ed. Richard Iadonisi. Newcastle upon Tyne: Cambridge Scholars Publ, 2012. 223–41. |
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| Capitanio, Adam. "Marjane Satrapi’s Persepolis." The Graphic Novel. Ed. Gary Hoppenstand. Critical Insights. Englewood Cliffs: Salem Pr, 2014. 168–82. |
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| Chaney, Michael A. "Terrors of the Mirror and the Mise en Abyme of Graphic Novel Autobiography." College Literature 38.(2011): 21–44. |
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| Chiu, Monica. "Sequencing and Contingent Individualism in the Graphic, Postcolonial Spaces of Satrapi's Persepolis and Okubo's Citizen 13660." English Language Notes 46.(2008): 99–114. |
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| Chute, Hillary. "The Texture of Retracing in Marjane Satrapi’s Persepolis." Women's Studies Quarterly 36.(2008): 92–110. |
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| Claudio, Esther. "Marjane Satrapi’s Elaborate Simplicity." The Comics Grid. Journal of Comics Scholarship. Year One. Ed. Ernesto F. Priego Ramirez. London: The Comics Grid Digital First Editions, 2012. 66–68. |
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| Darda, Joseph. "Graphic Ethics: Theorizing the Face in Marjane Satrapi’s Persepolis." College Literature 40.(2013): 31–51. |
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| Derbel, Emira. Iranian Women in the Memoir: Comparing Reading Lolita in Tehran and Persepolis (1) and (2). Newcastle upon Tyne: Cambridge Scholars Publ, 2017. |
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| Eder, Barbara. "Bewegte Erinnerung: Zur ›autofiktionalen‹ Erinnerungskonstruktion in den Comics emigrierter Graphic Novel-Autorinnen." Comparativ 24.(2014): 97–111. |
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| Eder, Barbara. "Zeit der Revolution – Revolution der Zeit: Figuren der Zeitlichkeit in Marjane Satrapis Persepolis." Theorien des Comics. Ein Reader. Eds. Barbara Eder, Elisabeth Klar and Ramón Reichert. Kultur- und Medientheorie. Bielefeld: Transcript, 2011. 283–302. |
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| Eder, Barbara. "Politische Amnesien: Zu Verfilmung und Bewerbungspolitik von Marjane Satrapis iranisch-österreichisch-französischer Migrationsbiografie Persepolis." Comic. Film. Helden. Heldenkonzepte und medienwissenschaftliche Analysen. Ed. Barbara Kainz. Wien: Löcker, 2009. 167–85. |
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| Gilmore, Leigh. "Witnessing Persepolis: Comics, Trauma, and Childhood Testimony." Graphic Subjects. Critical Essays on Autobiography and Graphic Novels. Ed. Michael A. Chaney. Wisconsin Studies in Autobiography. Madison: Univ. of Wisconsin Press, 2011. 157–63. |
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| Hajdu, David. "Marjane Satrapi." Heroes and Villains. Essays on Music, Movies, Comics, and Culture. Cambridge: Da Capo, 2009. 295–304. |
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| Hajdu, David. "Persian Miniatures." The Best American Comics Criticism. Ed. Ben Schwartz. Seattle: Fantagraphics, 2010. 274–82. |
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| Hernández, María Lorenzo. "A Film of One’s Own: The Animated Self-Portraits of Young Contemporary Female Animators." Animation 5.(2010): 73–90. |
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| Hescher, Achim. "Transgressing Borders in and with Comics: Mana Neyestani’s Graphic Novel Une métamorphose iranienne (2012)." PhiN 70 2014. Accessed 17 Dec. 2014. <http://web.fu-berlin.de/phin/phin70/p70t4.htm>. |
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| Hill, Christian. "Marjane Satrapi Interviewed, August 24, 2003." International Journal of Comic Art 8.(2006): 6–33. |
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| Horstkotte, Silke and Nancy Pedri. "Focalization in Graphic Narrative." Narrative 19.(2011): 330–57. |
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| Houston, Kerr. "Narrative and Pictorial Dualism in Persepolis and the Emergence of Complexity." Graven Images. Religion in Comic Books & Graphic Novels. Eds. A. David Lewis and Christine Hoff Kraemer. London, New York: Continuum, 2010. |
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| Humphrey, Aaron Scott. "Drawing out of Detention: The Transnational Drawing Practices of Eaten Fish, Refugee Cartoonist." a/b: Auto/Biography Studies 35.(2020): 435–58. |
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| Illger, Daniel. "Von Persepolis zu Abu Ghraib: Kunst und Ideologie: Eine Antwort auf Bruce Lincoln." »Ästhetisierung«. Der Streit um das Ästhetische in Politik, Religion und Erkenntnis. Eds. Ilka Brombach, Dirk Setton and Cornelia Temesvári. Zürich, Berlin: diaphanes, 2010. 199–204. |
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| Kager, Andrea. "Aufbruch ohne Ankunft - Persepolis, Vincent Paronnaud, Marjane Satrapi, F 2007." Cinépassion – The Sequel. Eine psychoanalytische Filmrevue. Eds. Yvonne Frenzel Ganz and Markus Fäh. 1st ed. Gießen: Psychosozial-Verlag, 2016. 77–86. |
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| Kaiser, Julie. "Veiling and Unveiling in Marjane Satrapi’s Persepolis." International Journal of Comic Art 20.(2018): 538–53. |
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| Karipidis, Iliana. "Persepolis & Nylon Road Zwei Beispiele populärer interkultureller Literatur." Werkstücke 1.(2011): 25–36. |
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| Kelp-Stebbins, Katherine. "Global Comics: Two Women’s Texts and a Critique of Cultural Imperialism." Feminist Media Histories 4.(2018): 135–56. |
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| Kennedy-Karpat, Colleen. "Self-adaptation and Transnationality in Marjane Satrapi’s Poulet aux prunes (2011)." Adaptation 8.(2015): 68–88. |
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| Kepser, Matthis. "Persepolis: Einen Animationsfilm im Unterricht reflektieren." Comics und Animationsfilme. Eds. Klaus Maiwald and Petra Josting. Jahrbuch Medien im Deutschunterricht. München: kopaed, 2010. 122–38. |
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| Khorshidi, Sara. Voices from Necropolis: A Critical Study of Autobiography and Subalternity in the Works of Nafisi & Satrapi. Literaturwissenschaft. Berlin [etc.]: LIT, 2018. |
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| Knight, Rhonda. "Author/Character: Persepolis as a Gateway to Reading Metafictional Novels." Class, Please Open Your Comics. Essays on Teaching with Graphic Narratives. Ed. Matthew L. Miller. Jefferson: McFarland, 2015. 181–94. |
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| Link, Alex. "Tulips and Roses in a Global Garden: Speaking Local Identities in Persepolis and Tekkon Kinkreet." Representing Multiculturalism in Comics and Graphic Novels. Eds. Carolene Ayaka and Ian Hague. Routledge Research in Cultural and Media Studies. London, New York: Routledge, 2014. 240–56. |
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| Ludwig, Logan. Moving Panels: Translating Comics to Film. Edwardsville: Sequart Research & Literacy Organization, 2015. |
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| Lummerding, Ssanne. "Das Politische trotz allem: Holocaust-Diskurse im Comic." Theorien des Comics. Ein Reader. Eds. Barbara Eder, Elisabeth Klar and Ramón Reichert. Kultur- und Medientheorie. Bielefeld: Transcript, 2011. 321–40. |
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| Mahrt, Nina. "A Comic Approach to Politics? Political Education via Comics." Journal of Social Science Education 7/8.2/1 2008. Accessed 3 Sep. 2015. <http://www.jsse.org/ind ... /jsse/article/view/1073>. |
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| Malek, Amy. "Memoir as Iranian Exile Cultural Production: A Case Study of Marjane Satrapi's Persepolis Series." Iranian Studies 39.(2006): 353–80. |
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| McNicol, Sarah. "Freedom to teach: Implications of the removal of Persepolis from Chicago schools." Journal of Graphic Novels and Comics 6.(2015): 31–41. |
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| Miller, Nancy K. "Out of the Family: Generations of Women in Marjane Satrapi’s Persepolis." Life Writing 4.(2007): 13–29. |
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| Miller, Ann. Reading bande dessinée: Critical Approaches to French-language Comic Strip. Bristol, Chicago: Intellect Books, 2007. |
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| Miller, Nancy K. "Out of the Family: Generations of Women in Feminism: The Case of Marjane Satrapi’s Persepolis." Women’s Writing in Western Europe. Gender, Generation and Legacy. Eds. Adalgisa Giorgio and Julia Waters. Newcastle upon Tyne: Cambridge Scholars Publ, 2007. 22–37. |
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| Naghibi, Nima. "A Story Told in Flashback: Remediating Marjane Satrapi’s Persepolis." Graphic Subjects. Critical Essays on Autobiography and Graphic Novels. Ed. Michael A. Chaney. Wisconsin Studies in Autobiography. Madison: Univ. of Wisconsin Press, 2011. 164–77. |
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| Naghibi, Nima and Andrew O’Malley. "Estranging the Familiar: “East” and “West” in Satrapi’s Persepolis." English Studies in Canada 31.(2005): 223–47. |
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| Naghibi, Nima and Andrew O’Malley. "Marjane Satrapi’s Persepolis." a/b: Auto/Biography Studies 35.(2020): 305–09. |
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| Naghibi, Nima and Andrew O’Malley. "Estranging the Familiar: “East” and “West” in Satrapi’s Persepolis." Islam and Popular Culture. Ed. Anna Piela. Vol. 1. Critical Concepts in Sociology. London, New York: Routledge, 2018. |
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| Nayar, Pramod K. "The Visual Turn: Affect, Autobiography, History, and the Graphic Narrative." The ICFAI University Press Journal of American Literature 2.(2009): 58–72. |
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| Orlitsch, Nina and Wolfgang Poier. "Persepolis: Eine (Autobio-)Graphic Novel zwischen »Islamischer Revolution« und westlicher Kultur." Praxis Deutsch (2015): 52–59. |
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| Paköz, Ahu. "A Reawakening of Memories in Comic Form: Persepolis by Marjane Satrapi." Scan. Journal of media arts culture 5.2 2008. Accessed 1 Oct. 2009. <http://scan.net.au/scan ... play.php?journal_id=115>. |
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| Pedri, Nancy. "What’s the Matter of Seeing in Graphic Memoir?." South Central Review 32.(2015): 8–29. |
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| Place-Verghnes, Floriane. "Instruction, distraction, réflexion lecture de Persepolis." French Cultural Studies 21.(2010): 257–65. |
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| Platten, David. "Windows of Cognition: Contemporary French Comics and the Cultural Middlebrow." Belphégor 15.2 2017. Accessed 15 May. 2019. <http://journals.openedition.org/belphegor/1005>. |
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| Poloczek, Marie. "Die Subjektdarstellung in der Globalisierung: Eine Analyse anhand autofiktionaler Comics und Animationsfilme." Diplomarbeit Mag.phil. Universität Wien, 2010. |
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| Quigley, Marian. "Drawing on Experience: Animation as History in Persepolis." Screen Education 51.(2008): 62–66. |
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| Reyns, Chris and Houssem ben Lazreg. "The Discovery of Marjane Satrapi and the Translation of Works from and about the Middle East." The Cambridge History of the Graphic Novel. Eds. Jan Baetens, Hugo Frey and Stephen E. Tabachnick. The Cambridge Companions to Philosophy, Religion and Culture. Cambridge [etc.]: Cambridge Univ. Press, 2018. 405–25. |
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| Rhett, Maryanne. "Orientalism and Graphic Novels: A Modern Reexamination of Popular Culture." Graphic History. Essays on Graphic Novels And/As History. Ed. Richard Iadonisi. Newcastle upon Tyne: Cambridge Scholars Publ, 2012. 203–22. |
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| Salmi, Charlotta. "The Worldliness of Graphic Narrative." The Cambridge Companion to World Literature. Eds. Ben Etherington and Jarad Zimbler. Cambridge Companions to Literature. Cambridge [etc.]: Cambridge Univ. Press, 2018. 180–96. |
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| Selmikeit, Katja. "Marjane Satrapi: Persepolis – Jugendjahre." 2006. Accessed 19 Aug. 2009. <http://prof08b.lai.fu-berlin.de/index.php?id=129>. |
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| Simidchieva, Marta. "Marjane Satrapi’s Persepolis through the Lens of Persian Historiography." International Journal of Persian Literature 2.(2017): 87–137. |
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| Singer, Marc. Breaking the Frames: Populism and Prestige in Comics Studies. World Comics and Graphic Nonfiction. Austin: Univ. of Texas Press, 2019. |
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| Song, Min Hyoung. "Looking Back: Diasporic Longing in Citizen 13660 and Persepolis." Ethnic Life Writing and History. Genre, Performance, and Culture. Eds. Rocío G. Davis, Jaume Aurell and Ana Beatriz Delgado. Contributions to Asian American Literary Studies. Berlin [etc.]: LIT, 2007. 115–31. |
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| Strömberg, Fredrik. Comics and the Middle East Representation, Accommodation, Integration. Malmö: Malmö University, 2022. |
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| Tensuan, Theresa M. "Comic Visions and Revisions in the Work of Lynda Barry and Marjane Satrapi." Modern Fiction Studies 52.(2006): 947–64. |
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| Thomas, Beena. "Graphic Exposure: The Politics of Representation and Production in Marjane Satrapi’s Persepolis." Gnosis Special Issue (2019): 180–94. |
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| Trattner, Katrin. "Für die sind wir fanatische Spinner: Bilder des Islam und (De-)Konstruktion von Orientalismen in Persepolis." Weltentwürfe im Comic/film. Mensch, Gesellschaft, Religion. Eds. Theresia Heimerl and Christian Wessely. Religion, Film und Medien. Marburg: Schüren, 2018. 98–114. |
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| Trousdale, Rachel. "A Female Prophet? Authority and Inheritance in Marjane Satrapi." Drawing from Life. Memory and Subjectivity in Comic Art. Ed. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013. 241–63. |
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| Uhlig, Barbara. "Is this Iran? Depiction of the 2009 Iranian post-election protests in mass media and in the webcomic Zahra’s Paradise." estrema 5 2014. Accessed 10 Apr. 2016. <http://www.estrema-cec. ... this-Iran-final-ed..pdf>. |
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| Valentino, Zullo. "Fighting for queerness, justice, and the Persian way An interview with Sina Grace." Journal of Graphic Novels and Comics 9.(2018): 490–500. |
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| Vignaud, Marie-Françoise. "Ouah! Balèze! Die BD und den Film »Persepolis« analysieren." Der Fremdsprachliche Unterricht. Französisch 43.(2009): 18–27. |
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| Whitlock, Gillian. "Autographics: The Seeing “I” of the Comics." Modern Fiction Studies 52.(2006): 965–79. |
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