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Ahmed, Maaheen. "Moebius, Gir, Giraud, Gérard: Self-Visualizations." International Journal of Comic Art 11.(2009): 421–31.   
Last edited by: joachim 07/10/2010, 16:28
Alegría Sabogal, Diego Cristóbal. "Autorenfunktion, Comic-Kontinuität und Transmedia Storytelling: Intertextuelle Bedeutungsketten bei Neil Gaiman." Ketten. Ed. Petra Gehring. Essen: Blaue Eule, 2017. 111–28.   
Last edited by: joachim 14/10/2021, 13:35
Ayres, Jackson. "The Integrity of the Work: Alan Moore, Modernism, and the Corporate Author." Journal of Modern Literature 39.(2016): 144–66.   
Added by: joachim 25/02/2017, 01:04
Bachmann, Michael. Der abwesende Zeuge: Autorisierungsstrategien in Darstellungen der Shoah. Mainzer Forschungen zu Drama und Theater. Tübingen: Francke, 2010.   
Added by: joachim 15/07/2013, 12:04
Baetens, Jan. Le réseau Peeters. Faux titre. Amsterdam [etc.]: Rodopi, 1995.   
Last edited by: joachim 15/05/2019, 15:39
Baetens, Jan. "Of Graphic Novels and Minor Cultures: The Fréon Collective." Yale French Studies 114.(2008): 95–115.   
Last edited by: joachim 27/05/2012, 07:18
Balzer, Jens and Jens R. Nielsen. "»Der Autorencomic ist ein mißlungenes Experiment«: Christian Gorny." Comic Almanach (1993): 43–48.   
Added by: joachim 29/08/2016, 14:25
Baroni, Raphaël, Gaëlle Kovaliv, and Olivier Stucky. "La transition numérique de la bande dessinée franco-belge, une mutation impossible ?." Belphégor 19.1 2021. Accessed 15 Jul. 2023. <https://journals.openedition.org/belphegor/3948>.   
Last edited by: joachim 15/07/2023, 08:37
Beaty, Bart. Comics Versus Art. Toronto, Buffalo, London: Univ. of Toronto Press, 2012.   
Last edited by: joachim 07/02/2023, 17:30
Becker, Thomas. "Enki Bilal’s Woman Trap: Reflections on Authorship under the Shifting Boundaries between Order and Terror in the Cities." Comics and the City. Urban Space in Print, Picture and Sequence. Eds. Jörn Ahrens and Arno Meteling. London, New York: Continuum, 2010. 265–78.   
Added by: joachim 25/03/2010, 01:16
Becker, Thomas. "Comiclibido der Nouvelle Vague und die Folgen: Zur Ästhetik der oszillierenden Übertreibung im Autorenfilm (Godard) und Autorencomic (Moebius)." Comic. Intermedialität und Legitimität eines popkulturellen Mediums. Ed. Thomas Becker. Bochum: Ch.A. Bachmann, 2011. 63–76.   
Added by: joachim 08/04/2011, 00:10
Brandl, Katharina and Anne Elizabeth Moore. "Bound to fail: Living and working conditions in the comics industry." Closure 5 2019. Accessed 7 Jan. 2019. <http://www.closure.uni- ... e/closure5/brandl_moore>.   
Added by: joachim 07/01/2019, 19:20
Bredehoft, Thomas A. "Style, Voice, and Authorship in Harvey Pekar’s (Auto)(Bio)Graphical Comics." College Literature 38.(2011): 97–110.   
Last edited by: joachim 08/08/2012, 18:36
Brown, Sarah Annes. "“Shaping Fantasies”: Responses to Shakespeare’s Magic in Popular Culture." Shakespeare 5.(2009): 162–76.   
Added by: joachim 23/08/2013, 14:41
Cadle, Lanette. "The Shadow or the Self: The Construction of Neil Gaiman on Social Media." The Artistry of Neil Gaiman. Finding Light in the Shadows. Eds. Joseph Michael Sommers and Kyle Eveleth. Critical Approaches to Comics Artists. Jackson: Univ. Press of Mississippi, 2019. 149–68.   
Last edited by: joachim 07/07/2020, 11:15
Carpenter, Greg. The British Invasion: Alan Moore, Neil Gaiman, Grant Morrison and the Invention of the Modern Comic Book Writer. Edwardsville: Sequart Research & Literacy Organization, 2016.   
Last edited by: joachim 19/10/2018, 03:00
Carpenter, Stanford W. "Truth Be Told: Authorship and the Creation of the Black Captain America." Comics as Philosophy. Ed. Jeff McLaughlin. Jackson: Univ. Press of Mississippi, 2005. 46–62.   
Last edited by: joachim 08/09/2010, 23:12
Cassidy, Paul Henry. "An Approach to the Profession of Comic Strip Cartooning Based upon an Analytical Survey of Current Trends and Personal Experiences." M.S. Thesis. University of Wisconsin, 1942.   
Last edited by: joachim 12/09/2017, 11:09
Cederlund, Scott. "On Mignola’s Chosen Artists." The Mignolaverse. Hellboy and the Comics Art of Mike Mignola. Ed. S. G. Hammond. Edwardsville: Sequart Research & Literacy Organization, 2019. 16–30.   
Last edited by: joachim 01/05/2021, 16:27
Collver, Jordan and Emma Weitkamp. "Alter egos: An exploration of the perspectives and identities of science comic creators." Journal of Science Communication 17.1 2018. Accessed 25 Jan. 2018. <https://jcom.sissa.it/s ... /JCOM_1701_2018_A01.pdf>.   
Last edited by: joachim 25/01/2018, 13:25
Dennis, Mark. "Manga as Historical Medium: Depictions of Prince Shotoku’s Authorship of the Sangyō-gisho in Japanese Comic Books." Forum for World Literature Studies 3.(2011): 25–39.   
Last edited by: joachim 22/01/2022, 10:39
Dubreuil, Laurent and Renaud Pasquier. "Du voyou au critique: Parler de la Bande dessinée." Labyrinthe 25.(2006): 11–59.   
Last edited by: joachim 14/11/2014, 16:57
Dunst, Alexander and Rita Hartel. "The Quantitative Analysis of Comics: Towards a Visual Stylometry of Graphic Narrative." Empirical Comics Research. Digital Multimodal and Cognitive Methods. Eds. Alexander Dunst, Jochen Laubrock and Janina Wildfeuer. Routledge Advances in Comics Studies. London, New York: Routledge, 2018. 43–61.   
Last edited by: joachim 22/07/2021, 12:44
Eggert, Barbara Margarethe and Johanna Öttl. "Graphic Novel. Zur Popularisierung eines neuen Begriffs: Ein Wissenschaftslogbuch." p/art/icipate 8 2017. Accessed 23 Feb. 2022. <https://www.p-art-icipa ... g-eines-neuen-begriffs/>.   
Last edited by: joachim 23/02/2022, 17:03
Etter, Lukas. Distinctive Styles and Authorship in Alternative Comics. Anglia. Berlin u. Boston: de Gruyter, 2020.   
Added by: joachim 16/11/2021, 16:39
Falardeau, Mira. A History of Women Cartoonists. Oakville: Mosaic, 2018.   
Last edited by: joachim 04/09/2020, 12:15
Fink, Moritz. "Of Maus and Gen: Author Avatars in Nonfiction Comics." International Journal of Comic Art 20.(2018): 267–96.   
Added by: joachim 12/09/2018, 10:39
Frahm, Ole. "Art Spiegelman, der inhaftierte Künstler: Ein Versuch über die Grenzen souveräner Performanz." Übung, ein Stück Papier zu halten. Festschrift für Kathrin Hoffmann-Curtius zum 60. Geburtstag. Eds. Maike Christadler and Hilla Frübis. Marburg: Jonas Verl. 1997. 28–36.   
Last edited by: joachim 07/10/2010, 16:09
Friedlander, Keith. "The editor, the author function, and the social function: A methodological survey." Journal of Graphic Novels and Comics 9.(2018): 157–72.   
Last edited by: joachim 16/09/2022, 11:38
Friedrich, Annegret. "Zum Künstlermythos bei Charlotte Salomon." Übung, ein Stück Papier zu halten. Festschrift für Kathrin Hoffmann-Curtius zum 60. Geburtstag. Eds. Maike Christadler and Hilla Frübis. Marburg: Jonas Verl. 1997. 37–46.   
Added by: joachim 08/08/2009, 17:29
Fuchs, Wolfgang J. "Comics als Schlüssel zum Autor: Biographische und autobiographische Elemente der Comics." Comic Jahrbuch (1991): 32–39.   
Added by: joachim 23/08/2016, 10:03
Gabilliet, Jean-Paul. "Vertigo: the first few months (1992–1994)—according to The Comics Journal and Wizard." Leaves 11 2021. Accessed 16 Jan. 2021. <https://climas.u-bordea ... ard-jean-paul-gabilliet>.   
Added by: joachim 16/01/2021, 12:19
Gandolfo, Amadeo. "Relaunching in the age of the author: The Dreaming and Doom Patrol." Leaves 11 2021. Accessed 14 Jan. 2021. <https://climas.u-bordea ... -patrol-amadeo-gandolfo>.   
Added by: joachim 15/01/2021, 00:03
Gheno, Marine. "« Être auteure, ce n’est pas encore être »: La visibilité féminine à travers les BD de Judith Forest." Alternative Francophone 1.6 2013. Accessed 1 Jan. 2018. <https://journals.librar ... p/af/article/view/21262>.   
Last edited by: joachim 01/01/2018, 13:27
Giet, Sylvette. "Auteurs/producteurs, légitimité/illégitimité: Deux dialectiques à l’œuvre dans la création fictionelle de Nous Deux." Production(s) du populaire. Eds. Jacques Migozzi and Philippe Le Guern. Médiatextes. Limoges: Presses Univ. de Limoges, 2004. 133–50.   
Added by: joachim 25/07/2014, 14:09
Glaubitz, Nicola. "Coyote in the land of culture industry: Robert Crumb and popular cultural memory." Moment to Monument. The Making and Unmaking of Cultural Significance. Eds. Ladina Bezzola Lambert and Andrea Ochsner. Bielefeld: Transcript, 2009. 197–208.   
Last edited by: joachim 12/09/2016, 22:33
Glaude, Benoît. "L’auctorialité dans Marzi, une bande dessinée autobiographique en collaboration." Authorship 6.2 2017. Accessed 29 Dec. 2017. <http://www.authorship.ugent.be/article/view/7699>.   
Last edited by: joachim 29/12/2017, 18:07
Gordon, Ian. "Siegel and Shuster as Brand Name." The Superhero Symbol. Media, Culture, and Politics. Eds. Liam Burke, Ian Gordon and Angela Ndalianis. New Brunswick: Rutgers Univ. Press, 2019. 105–17.   
Added by: joachim 21/01/2022, 19:58
Gordon, Ian. "Comics, Creators, and Copyright: On the Ownership of Serial Narratives by Multiple Authors." A Companion to Media Authorship. Eds. Jonathan Gray and Derek Johnson. Chichester: Wiley-Blackwell, 2013. 221–36.   
Last edited by: joachim 12/03/2014, 08:08
Grampp, Sven. "»Folge dem auteur!«: Serielle und transmediale Autorenschaft am Beispiel von Joss Whedon." Amerikanische Fernsehserien der Gegenwart. Perspektiven der American Studies und der Media Studies. Eds. Christoph Ernst and Heike Paul. Bielefeld: Transcript, 2015. 305–41.   
Added by: joachim 23/09/2015, 10:32
Gray, Brenna Clarke and Peter Wilkins. "The Case of the Missing Author: Toward an Anatomy of Collaboration in Comics." Cultures of Comics Work. Eds. Casey E. Brienza and Paddy Johnston. Palgrave Studies in Comics and Graphic Novels. New York [etc.]: Palgrave Macmillan, 2016. 115–30.   
Added by: joachim 07/06/2018, 11:01
Green, Stephanie. "Fantasy, gender and power in Jessica Jones." Continuum 33.(2019): 173–84.   
Last edited by: joachim 18/04/2021, 16:31
Hammonds, Kyle A. and Garrett Hammonds. "The Flash and His Fantastic Fear of Ferocious Fans." The Phoenix Papers 3.1 2017. Accessed 21 Jul. 2021. <http://perma.cc/J4TK-LQA4>.   
Added by: joachim 21/07/2021, 11:17
Hernández, María Lorenzo. "A Film of One’s Own: The Animated Self-Portraits of Young Contemporary Female Animators." Animation 5.(2010): 73–90.   
Added by: joachim 11/08/2010, 13:09
Hills, Matthew. "Whatever Happened to the Time Lord? Mythology and Fandom in Neil Gaiman’s Contributions to Unfolding Texts." The Mythological Dimensions of Neil Gaiman. Eds. Anthony S. Burdge, Jessica Burke and Kristine Larsen. Crawfordville: Kitsune, 2012. 64–80.   
Last edited by: joachim 27/10/2021, 15:36
de la Iglesia, Martin. "Geographical Classification in Comics." International Journal of Comic Art 9.(2007): 330–39.   
Last edited by: Martin de la Iglesia 12/02/2010, 16:16
de la Iglesia, Martin. "Authorship, Collaboration, and Art Geography." CLCWeb: Comparative Literature and Culture 12.3 2010. Accessed 3 Nov. 2010. <http://docs.lib.purdue.edu/clcweb/vol12/iss3/6/>.   
Last edited by: joachim 11/10/2015, 12:01
Inge, M. Thomas. "Collaboration and Concepts of Authorship." PMLA 116.(2001): 623–30.   
Last edited by: joachim 03/05/2021, 23:10
Johnston, Paddy. "From Random House to Rehab: Julia Wertz, The Small Press, Auteurism and Alternative Comics." Comics Forum 2014. Accessed 29 Jan. 2022. <https://comicsforum.org ... mics-by-paddy-johnston/>.   
Last edited by: joachim 29/01/2022, 19:13
Johnston, Patrick James. "Working with Comics: Labour, Neoliberalism and Alternative Cartooning." PhD Thesis. University of Sussex, 2016.   
Added by: joachim 17/08/2022, 04:36
Kashtan, Aaron. "Writing Yourself into the World: Fantasies of Handwriting and Computer Graphics." PhD Diss. University of Florida, 2011.   
Added by: joachim 12/02/2018, 02:37
Khanduri, Ritu G. "Comicology: Comic books as culture in India." Journal of Graphic Novels and Comics 1.(2010): 171–91.   
Last edited by: joachim 12/11/2020, 19:20
Kirtz, Jaime Lee. "Computers, Comics and Cult Status: A Forensics of Digital Graphic Novels." Digital Humanities Quarterly 8.3 2014. Accessed 30 Mar. 2015. <http://www.digitalhuman ... /8/3/000185/000185.html>.   
Added by: joachim 30/03/2015, 22:17
Knight, Rhonda. "Author/Character: Persepolis as a Gateway to Reading Metafictional Novels." Class, Please Open Your Comics. Essays on Teaching with Graphic Narratives. Ed. Matthew L. Miller. Jefferson: McFarland, 2015. 181–94.   
Last edited by: joachim 15/03/2021, 00:27
Kociemba, David and Mary Ellen Iatropoulos. "Separate Canons or One Canon? Canonicity, Medium, and Authorship in the Whedonverse Comics." The Comics of Joss Whedon. Critical Essays. Ed. Valerie Estelle Frankel. Jefferson: McFarland, 2015. 31–47.   
Added by: joachim 25/11/2020, 12:43
Kunka, Andrew J. "Cranky Bosses, Rebellious Characters, and Suicidal Artists: Scribbly, Inkie, and Pre-Underground Autobiographical Comics." Comics Studies Here and Now. Ed. Frederick Luis Aldama. Routledge Advances in Comics Studies. London: Routledge, 2018. 44–56.   
Last edited by: joachim 15/03/2019, 18:49
Labarre, Nicolas. "Adapter Macbeth, du comic book au roman graphique." Revue de recherche en civilisation américaine 5 2015. Accessed 20 Feb. 2017. <https://rrca.revues.org/660>.   
Added by: joachim 20/02/2017, 15:47
Latxague, Claire. "L’image dans le récit: La Cage ou la mise en abyme iconique." Textimage 4 2012. Accessed 25 Jul. 2014. <http://www.revue-textim ... ge_recit/latxague1.html>.   
Last edited by: joachim 25/07/2014, 10:50
Lau, Peter. "Glück gehabt." brand eins (2006): 76–81.   
Added by: joachim 15/05/2014, 09:23
Lefèvre, Pascal and Morgan Di Salvia. "A Creative Culture Where It Is Hard to Make a Living: The Socio-Economic Situation of Comics Authors and Illustrators in Belgium." European Comic Art 4.(2011): 59–80.   
Added by: joachim 05/07/2012, 08:17
Licari-Guillaume, Isabelle. "Ambiguous Authorities: Vertigo and the Auteur Figure." Authorship 6.2 2017. Accessed 29 Dec. 2017. <http://www.authorship.ugent.be/article/view/7700>.   
Last edited by: joachim 15/09/2022, 11:21
Licari-Guillaume, Isabelle. "“What is it with these Brits?” British culture and the “British Invasion” narrative seen through letter columns." Comicalités 2021. Accessed 28 May. 2021. <http://journals.openedition.org/comicalites/5585>.   
Last edited by: joachim 27/09/2022, 11:23
Mag Uidhir, Christy. "Comics and Collective Authorship." The Art of Comics. A Philosophical Approach. Eds. Aaron Meskin and Roy T. Cook. Chichester: Wiley-Blackwell, 2012. 47–67.   
Added by: joachim 12/11/2012, 23:30
Mao, Catherine. "L’artiste de bande dessinée et son miroir: L’autoportrait détourné." Comicalités 2013. Accessed 3 Oct. 2013. <http://comicalites.revues.org/1702>.   
Added by: joachim 03/10/2013, 23:42
Martinelli, Hélène. "Représenter l’auteur dans le livre auto-illustré au début du XXe siècle: Jean Bruller, Josef Váchal, Bruno Schulz et Alfred Kubin." Comicalités 2013. Accessed 3 Oct. 2013. <http://comicalites.revues.org/1680>.   
Last edited by: joachim 04/10/2013, 10:00
Moe, Anders. "Japanese Comics: The Reasons for their Popularity and Place in the Popular Culture." Hovedoppgave Universitetet i Oslo, 2004.   
Added by: joachim 23/12/2010, 18:04
Molinaro, John. "Who Owns Captain America? Contested Authorship, Work-For-Hire, And Termination Rights Under the Copyright Act of 1976." Georgia State University Law Review 21.(2004): 565–92.   
Last edited by: joachim 04/04/2019, 19:21
Muanis, Felipe. "Dokumentarische Comics als Übersetzung des Alltäglichen." Zeitschrift für Medienwissenschaft 6.(2014): 49–64.   
Last edited by: joachim 02/01/2024, 17:40
Murray, Padmini Ray. "Behind the Panel: Examining Invisible Labour in the Comics Publishing Industry." Publishing Research Quarterly (2013).   
Added by: joachim 16/11/2013, 00:55
Murray, Christopher. "Alan Moore: The Making of a Graphic Novelist." The Cambridge History of the Graphic Novel. Eds. Jan Baetens, Hugo Frey and Stephen E. Tabachnick. Cambridge [etc.]: Cambridge Univ. Press, 2018. 219–34.   
Last edited by: joachim 10/12/2018, 19:17
Nijhawan, Vikram. "“The lunatic, the lover, and the poet”: Ambiguous three-way authorship in Neil Gaiman’s Sandman #19, “A Midsummer Night’s Dream”." Journal of Graphic Novels and Comics (2023): 1–20.   
Last edited by: joachim 08/03/2023, 18:38
Nobleman, Marc Tyler. Bill the Boy Wonder: The Secret Co-Creator of Batman. Watertown: Charlesbridge, 2012.   
Last edited by: joachim 13/08/2012, 10:47
Noppe, Nele. "Dōjinshi research as a site of opportunity for Manga Studies." Comics Worlds and the World of Comics. Towards Scholarship on a Global Scale. Ed. Jaqueline Berndt. Global Manga Studies. Kyoto: International Manga Research Center, Kyoto Seika University, 2010. 123–42.   
Added by: joachim 25/01/2011, 02:34
Nordling, Lee. Your Career in the Comics. Kansas City: Andrews McMeel, 1995.   
Last edited by: joachim 21/07/2015, 10:00
Packard, Stephan. "Copyright und Superhelden: Über die Prägung populärer Mythologie durch textuelle Kontrolle." Justitiabilität und Rechtmäßigkeit. Verrechtlichungsprozesse von Literatur und Film in der Moderne. Ed. Claude D. Conter. Amsterdamer Beiträge zur neueren Germanistik. Amsterdam [etc.]: Rodopi, 2010. 109–26.   
Last edited by: joachim 23/06/2020, 15:46
Parezanović, Tijana. "Dream a Little Dream of Will: Shakespeare as a Character in Neil Gaiman’s The Sandman." Philologist / Филолог 5 2012. Accessed 3 Mar. 2021. <https://doisrpska.nub.r ... ilolog/article/view/344>.   
Last edited by: joachim 10/10/2021, 17:51
Peeters, Benoît. "Between Writing and Image: A Scriptwriter’s Way of Working." European Comic Art 3.(2010): 105–16.   
Last edited by: joachim 15/05/2019, 16:01
Peeters, Benoît. "Le scénariste et l’engendrement des images." L’engendrement des images en bande dessinée. Ed. Henri Garric. Iconotextes. Tours: Presses Univ. François-Rabelais, 2013. 191–92.   
Last edited by: joachim 15/05/2019, 15:57
Pfahl, Courtney A. "“after the / Unauthor”: Fragmented Author Functions in Tom Phillips’s A Humument." Studies in the Novel 47.(2015): 399–419.   
Added by: joachim 25/04/2016, 09:04
Punday, Daniel. "Kavalier & Clay, the Comic-Book Novel, and Authorship in a Corporate World." Critique. Studies in Contemporary Fiction 49.(2008): 291–302.   
Last edited by: joachim 02/10/2011, 12:06
Punter, David. "Postmodernism, Criticism and the Graphic Novel." Authorship in Context. From the Theoretical to the Material. Eds. Kyriaki Hadjiafxendi and Polina Mackay. New York [etc.]: Palgrave Macmillan, 2007. 131–44.   
Last edited by: joachim 20/04/2018, 12:00
Pylyser, Charlotte and Steven Surdiacourt. "De gestileerde auteur: Stijl, auteurschap en grafische literatuur." Cahier voor de literatuurwetenschap 5.(2013): 17–28.   
Last edited by: joachim 01/10/2017, 09:56
Rauscher, Andreas. "Auteuristische Strategien der Adaption und Appropriation in Superhelden-Comicverfilmungen." Daumenkino 2014. Accessed 4 Oct. 2014. <http://dkritik.de/schwe ... lden-comicverfilmungen/>.   
Added by: joachim 04/10/2014, 17:08
Reinerth, Maike Sarah. "Entirely (Self-)Made Up! Animierte Imaginationsdarstellungen in Realspielfilmen." Ästhetik des Gemachten. Interdisziplinäre Beiträge zur Animations- und Comicforschung. Eds. Hans-Joachim Backe, et al. Berlin u. Boston: de Gruyter, 2018. 231–56.   
Last edited by: joachim 09/06/2022, 14:39
Reyns-Chikuma, Chris. "Les Ignorants, récit d’une initiation croisée, d’Etienne Davodeau (2011): Parallèle et solidarité des cultures alternatives du vin et de la bande dessinée." Contemporary French Civilization 43.(2018): 275–304.   
Last edited by: joachim 21/06/2020, 15:42
Rime, Jean. "Hergé est un personnage: Quelques figures de la médiation et de l’autoreprésentation dans Les aventures de Tintin." Études littéraires 46.(2010): 27–46.   
Added by: joachim 09/06/2013, 17:28
Rioux, Philippe. "Performing Alan Moore: Mise et remises en scène de soi." Pop en stock 2014. Accessed 29 Nov. 2015. <http://popenstock.ca/do ... remises-en-scene-de-soi>.   
Added by: joachim 29/11/2015, 12:49
Round, Julia. "From Comic to Graphic and from Book to Novel: Sandman’s Invisible Authors and the Quest for Literariness." The Novel as Network. Forms, Ideas, Commodities. Eds. Tim Lanzendörfer and Corinna Norrick-Rühl. New Directions in Book History. New York [etc.]: Palgrave Macmillan, 2020. 137–62.   
Last edited by: joachim 20/10/2021, 12:36
Sacks, Jason. "Earth’s Mightiest (Dysfunctional) Family: The Evolution of The Avengers Under Jim Shooter." The Ages of the Avengers. Essays on the Earth’s Mightiest Heroes in Changing Times. Ed. Joseph J. Darowski. Jefferson: McFarland, 2014. 31–44.   
Last edited by: joachim 06/04/2021, 10:29
Saika, Tadahiro. "How creators depict creating manga: Mangaka manga as authenticating discourse." Comics Worlds and the World of Comics. Towards Scholarship on a Global Scale. Ed. Jaqueline Berndt. Global Manga Studies. Kyoto: International Manga Research Center, Kyoto Seika University, 2010. 99–109.   
Added by: joachim 14/06/2017, 12:54
Salter, Anastasia and Mel Stanfill. A Portrait of the Auteur as Fanboy: The Construction of Authorship in Transmedia Franchises. Jackson: Univ. Press of Mississippi, 2020.   
Last edited by: joachim 17/11/2020, 11:12
Schlam, Helena Frenkil. "Contemporary Scribes: Jewish American Cartoonists." Shofar 20.(2001): 94–112.   
Last edited by: joachim 30/08/2019, 14:31
Schlichting, Laura. Authorship in Comics Journalism. Konstanz: UVK, 2021.   
Last edited by: joachim 10/08/2021, 11:08
Schumer, Arlen. "The Auteur Theory of Comics." International Journal of Comic Art 14.(2012): 474–84.   
Added by: joachim 15/09/2022, 11:27
Scott, Keith. "No Guru, No Method, No Teacher: “Grant Morrison” and Grant Morrison™." ImageTexT 8.2 2015. Accessed 10 Aug. 2017. <http://www.english.ufl. ... xt/archives/v8_2/scott/>.   
Added by: joachim 10/08/2017, 10:01
Scott, Ronnie and Elizabeth MacFarlane. "Peculiar integrations: Adaptations, experimentations and authorships in The Long Weekend in Alice Springs." TEXT 22.2 2018. Accessed 23 Jul. 2019. <http://www.textjournal. ... 18/scott_macfarlane.htm>.   
Last edited by: joachim 23/07/2019, 11:34
Smith, Clay. "Get Gaiman? PolyMorpheus Perversity in Works by and about Neil Gaiman." ImageTexT 4.1 2008. Accessed 5 Jun. 2013. <https://imagetextjourna ... -and-about-neil-gaiman/>.   
Last edited by: joachim 05/06/2013, 18:17
Smith, Matthew J. "Auteur Criticism: The Re-Visionary Works of Alan Moore." Critical Approaches to Comics and Graphic Novels. Theories and Methods. Eds. Matthew J. Smith and Randy Duncan. London, New York: Routledge, 2012. 178–88.   
Last edited by: joachim 11/03/2014, 17:09
Stein, Daniel. Authorizing Superhero Comics: On the Evolution of a Popular Serial Genre. Studies in Comics and Cartoons. Columbus: Ohio State Univ. Press, 2021.   
Last edited by: joachim 05/12/2021, 11:33
Stein, Daniel. "Was ist ein Comic-Autor? Autorinszenierung in autobiografischen Comics und Selbstporträts." Comics. Zur Theorie und Geschichte eines populärkulturellen Mediums. Eds. Stephan Ditschke, Katerina Kroucheva and Daniel Stein. Bielefeld: Transcript, 2009. 201–37.   
Last edited by: joachim 16/11/2021, 18:51
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