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| Avventi, Carlo. "Filme ohne Augenzwinkern: Zur Wertevermittlung in Hayao Miyazakis Werk." Comics und Animationsfilme. Eds. Klaus Maiwald and Petra Josting. Jahrbuch Medien im Deutschunterricht. München: kopaed, 2010. 158–75. |
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| Balzer, Jens. "Wer hat an der Uhr gedreht? Gefälschtes Gedächtnis, stillstehende Zeit: Über einige Motive in den Comics von Miyazaki Hayao, Moebius und Chris Ware." Szenarien des Comic. Helden und Historien im Medium der Schriftbildlichkeit. Eds. Stefanie Diekmann and Matthias Schneider. Berlin: SuKuLTuR, 2005. 144–56. |
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| Batkin, Jane. Identity in Animation: A Journey into Self, Difference, Culture, and the Body. London, New York: Routledge, 2017. |
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| Bigelow, Susan J. "Technologies of Perception: Miyazaki in Theory and Practice." Animation 4. (2009): 55–75. |
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| Boyd, James W. and Tetsuya Nishimura. "Shinto Perspectives in Miyazaki’s Anime Film “Spirited Away”." Journal of Religion and Film 8. 2 2004. Accessed 3Jun. 2011. <http://www.unomaha.edu/jrf/Vol8No2/boydShinto.htm>. |
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| Brockmann, Madalina. "Metamorphosis and Identity: Psychoanalytical Notes to Miyazaki’s Spirited Away and Howl’s Moving Castle." Medienobservationen 2008. Accessed 20Feb. 2014. <http://www.medienobserv ... mann_metamorphosis.html>. |
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| Bye, Susan. "Spirits of Times Past: Fantasy, Tradition and Identity in Spirited Away." Screen Education (2012): 121–28. |
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| Bye, Susan. "Two Worlds Colliding: Restoring Balance in Hayao Miyazakis Ponyo." Screen Education (2013): 102–07. |
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| Callis, Cari. "Nothing that Happens Is Ever Forgotten." Anime and Philosophy. Wide Eyed Wonder. Eds. Josef Steiff and Tristan D. Tamplin. Popular Culture and Philosophy. Chicago: Open Court, 2010. 93–103. |
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| Cavallaro, Dani. The Animé Art of Hayao Miyazaki. Jefferson, London: McFarland, 2006. |
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| Cavallaro, Dani. Anime Intersections: Tradition and Innovation in Theme and Technique. Jefferson, London: McFarland, 2007. |
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| Darling-Wolf, Fabienne. "The “Lost” Miyazaki: How a Swiss Girl Can Be Japanese and Why It Matters." Communication, Culture and Critique 9. (2016): 499–516. |
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| Denison, Rayna. "The Language of the Blockbuster: Promotion, Princess Mononoke and the Daihitto in Japanese Film Culture." East Asian Cinemas. Exploring Transnational Connections on Film. Eds. Leung Wing-Fai and Leon Hunt. Tauris World Cinema. London, New York: I. B. Tauris, 2008. 103–21. |
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| DeWeese-Boyd, Ian. "Shojo Savior: Princess Nausicaä, Ecological Pacifism, and The Green Gospel." Journal of Religion and Popular Culture 21. 2 2009. Accessed 30May. 2011. <http://www.usask.ca/rel ... t21(2)-ShojoSavior.html>. |
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| Dufayet, Nathalie. "Nausicaä de la vallée du vent: La grande saga mythopoétique de Hayao Miyazaki." Mythe et bande dessinée. Eds. Danielle Corrado and Viviane Alary. Littératures. Clermont-Ferrand: Presses Univ. Blaise Pascal, 2006. 39–53. |
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| Ellis, Jonathan. "The art of anime: Freeze-frames and moving pictures in Miyazaki Hayao’s Kiki’s Delivery Service." Journal of Japanese and Korean Cinema 2. (2010): 21–34. |
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| Evely, Christine and Vyvyan Stranieri. "Spirited Away: Study Guide." Screen Education (2004): 57–68. |
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| Gaschler, Peter M. "Noch einmal von vorne anfangen: Hayao Miyazaki, Meister des Anime." Das Science Fiction Jahr 8. (2009): 1025–39. |
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| Gossin, Pamela. "Interdisciplinary Meets Cross-Cultural: Teaching Anime and Manga on a Science and Technology Campus." Teaching the Graphic Novel. Ed. Stephen E. Tabachnick. Options for Teaching. New York: The Modern Language Assoc. of America, 2009. 288–98. |
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| Gunston, John. "The Inverted Quest of Ashitaka: A Jungian Analysis of Princess Mononoke." Ecclectica 2003. Accessed 3Jun. 2011. <http://www.ecclectica.ca/issues/2003/1/gunston.asp>. |
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| Haas, Daniel. "Why Nice Princesses Don’t Always Finish Last." Anime and Philosophy. Wide Eyed Wonder. Eds. Josef Steiff and Tristan D. Tamplin. Popular Culture and Philosophy. Chicago: Open Court, 2010. 121–30. |
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| Hairston, Marc. "The Reluctant Messiah: Miyazaki Hayao's Nausicaä of the Valley of the Wind Manga." Manga. An Anthology of Global and Cultural Perspectives. Ed. Toni Johnson-Woods. London, New York: Continuum, 2010. 173–84. |
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| Heinricy, Shana. "Take a Ride on the Catbus." Anime and Philosophy. Wide Eyed Wonder. Eds. Josef Steiff and Tristan D. Tamplin. Popular Culture and Philosophy. Chicago: Open Court, 2010. 3–11. |
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| Inaga, Shigemi. "Miyazaki Hayao’s Epic Comic Series: Nausicaä in the Valley of the Wind: An Attempt at Interpretation." Japan Review (1999): 113–27. |
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| Inouye, Charles Shirō. Evanescence and Form: An Introduction to Japanese Culture. New York [etc.]: Palgrave Macmillan, 2008. |
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| Kraemer, Christine Hoff. "Between the Worlds: Liminality and Self-Sacrifice in Princess Mononoke." Journal of Religion and Film 8. 2 2004. Accessed 3Jun. 2011. <http://digitalcommons.unomaha.edu/jrf/vol8/iss2/1/>. |
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| Lamarre, Thomas. "From animation to anime: Drawing movements and moving drawings." Japan Forum 14. (2002): 329–67. |
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| Looser, Thomas. "From Edogawa to Miyazaki: Cinematic and anime-ic architectures of early and late twentieth-century Japan." Japan Forum 14. (2002): 297–327. |
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| Marci-Boehncke, Gudrun and Andrea Thomitzni. "Prinzessin Mononoke: Ein japanischer Anime und seine kulturspezifische Rezeption." Comics und Animationsfilme. Eds. Klaus Maiwald and Petra Josting. Jahrbuch Medien im Deutschunterricht. München: kopaed, 2010. 176–97. |
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| Matthews, Kate. "Logic and Narrative in Spirited Away." Screen Education (2006): 135–40. |
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| Mayumi, Kozo, Barry D. Solomon, and Jason Chang. "The ecological and consumption themes of the films of Hayao Miyazaki." Ecological Economics 54. (2005): 1–7. |
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| McCarthy, Helen. Hayao Miyazaki, Master of Japanese Animation: Films, Themes, Artistry. Berkeley: Stone Bridge Press, 1999. |
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| Miyazaki, Hayao. Starting Point: 1979–1996. San Francisco: VIZ Media, 2009. |
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| Monroe, William. "The Tau of Nausicaa." Foundation (2009): 38–52. |
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| Napier, Susan J. "Confronting Master Narratives: History As Vision in Miyazaki Hayao’s Cinema of De-assurance." positions 9. (2001): 467–93. |
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| Napier, Susan J. "Matter Out of Place: Carnival, Containment, and Cultural Recovery in Miyazaki’s Spirited Away." Journal of Japanese Studies 32. (2006): 287–310. |
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| Napier, Susan J. Miyazakiworld: A Life in Art. New Haven: Yale Univ. Press, 2018. |
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| Napier, Susan J. "Vampires, Psychic Girls, Flying Women and Sailor Scouts: Four faces of the young female in Japanese popular culture." The Worlds of Japanese Popular Culture. Gender, Shifting Boundaries and Global Cultures. Ed. Dolores P. Martinez. 3rd ed. Contemporary Japanese Society. Cambridge [etc.]: Cambridge Univ. Press, 2001. 91–109. |
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| Nieder, Julia. Die Filme von Hayao Miyazaki. Marburg: Schüren, 2006. |
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| Odell, Colin and Michelle Le Blanc. Studio Ghibli: The Films of Hayao Miyazaki and Isao Takahata. Harpenden: Kamera, 2009. |
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| Ogihara-Schuck, Eriko. "“Estranged Religion” in Anime: American and German Translations of Hayao Miyazaki’s Spirited Away." Religion in the United States. Eds. Jeanne Cortiel, et al. American Studies. Heidelberg: Winter, 2011. 253–68. |
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| Added by: joachim 8/27/11, 11:33 AM |
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| Ogihara-Schuck, Eriko. "The Christianizing of Animism in Manga and Anime: American Translations of Hayao Miyazaki’s Nausicaä of the Valley of the Wind." Graven Images. Religion in Comic Books & Graphic Novels. Eds. A. David Lewis and Christine Hoff Kraemer. London, New York: Continuum, 2010. 133–46. |
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| Okuhara, Rieko. "Walking Along With Nature: A Psychological Interpretation of My Neighbor Totoro." The Looking Glass 10. 2 2006. Accessed 30May. 2011. <http://www.lib.latrobe. ... lg/article/view/104/100>. |
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| Osmond, Andrew. "Nausicaa and the Fantasy of Hayao Miyazaki." Foundation (1998): 57–81. |
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| Paik, Peter Y. From Utopia to Apocalypse: Science Fiction and the Politics of Catastrophe. Minneapolis: Univ. of Minnesota Press, 2010. |
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| Pike, Deidre M. Enviro-Toons: Green Themes in Animated Cinema and Television. Jefferson, London: McFarland, 2012. |
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| Rifa-Valls, Montserrat. "Postwar Princesses, Young Apprentices, and a Little Fish-Girl: Reading Subjectivities in Hayao Miyazaki’s Tales of Fantasy." Visual Arts Research 37. (2011): 88–100. |
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| Risden, Edward L. "Miyazaki’s Medieval World: Japanese Medievalism and the Rise of Anime." The Year’s Work in Medievalism 28 2013. Accessed 14May. 2020. <https://sites.google.co ... cabinet/28%20Risden.pdf>. |
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| Risden, Edward L. "Miyazaki’s Intellectual Landscape: Myth, Ecomedievalism, Coming of Age." The Year’s Work in Medievalism 31 2016. Accessed 14May. 2020. <https://sites.google.co ... cabinet/31%20Risden.pdf>. |
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| Shaner, Andrew. "Defining Steampunk Through the Films of Hayao Miyazaki." BA Thesis. Pennsylvania State University, 2011. |
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| Suparman, Michie Akahane. "An Investigation into Audience Perception of Mononoke Hime: Construction and reconstruction of contemporary Japanese identity." Thesis Master of Arts. University of New South Wales, 2006. |
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| Suvilay, Bounthavy. "Jules Verne au pays du manga." Belphégor 6. 2 2007. Accessed 14Feb. 2013. <http://dalspace.library.dal.ca/handle/10222/47744>. |
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| Suzuki, Ayumi. "Animating the Chaos: Contemporary Japanese Anime, Cinema, and Postmodernity." Thesis Master of Arts. Southern Illinois University, 2008. |
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| Swale, Alistair. "Miyazaki Hayao and the Aesthetics of Imagination: Nostalgia and Memory in Spirited Away." Asian Studies Review 39. (2015): 413–29. |
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| Theisen, Nicholas A. "(Un)reading the Odyssey in Nausicaä of the Valley of the Wind." Son of Classics and Comics. Eds. George Kovacs and C. W. Marshall. Classical Presences. New York: Oxford Univ. Press, 2016. 79–93. |
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| Thomas, Jolyon Baraka. "Shûûkyôô Asobi and Miyazaki Hayao’s Anime." Nova Religio 10. (2007). |
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| Wegner, Phillip E. "“An Unfinished Project that was Also a Missed Opportunity”: Utopia and Alternate History in Hayao Miyazaki’s My Neighbor Totoro." Shockwaves of Possibility. Essays on Science Fiction, Globalization, and Utopia. Ralahine Utopian Studies. Bern [etc.]: Peter Lang, 2014. 257–74. |
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| Wright, Lucy. "Forest Spirits, Giant Insects and World Trees: The Nature Vision of Hayao Miyazaki." Journal of Religion and Popular Culture 10 2005. Accessed 30May. 2011. <http://www.usask.ca/relst/jrpc/art10-miyazaki.html>. |
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| Yamanaka, Hiroshi. "The Utopian “Power to Live”: The Significance of the Miyazaki Phenomenon." Japanese Visual Culture. Explorations in the World of Manga and Anime. Ed. Mark W. MacWilliams. Armonk: M. E. Sharpe, 2008. 237–55. |
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| Yang, Andrew. "The Two Japans of “Spirited Away”." International Journal of Comic Art 12. (2010): 435–52. |
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| Added by: joachim 6/25/11, 4:39 PM |
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| Yoshioka, Shiro. "Heart of Japaneseness: History and Nostalgia in Hayao Miyazaki's Spirited Away." Japanese Visual Culture. Explorations in the World of Manga and Anime. Ed. Mark W. MacWilliams. Armonk: M. E. Sharpe, 2008. 256–73. |
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| Added by: joachim 2/7/11, 11:12 AM |
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