| Ahrens, Jörn. "Intermedialität, Hybridität Wieviel unbestimmtheit verträgt der comic?." Comics intermedial. Eds. Christian A. Bachmann, Véronique Sina and Lars Banhold. Bochum: Ch.A. Bachmann, 2012. 11–22. |
|
| Last edited by: joachim 11/18/12, 11:23 AM |
|
| Baetens, Jan. "Learning From Comics (and Bart Beaty): On the institutionalization of comics. an interview with bart beaty." Interférences littéraires / Literaire interferenties 11 2013. Accessed 7 October. 2014. <http://www.interferenceslitteraires.be/node/232>. |
|
| Last edited by: joachim 7/7/14, 5:35 PM |
|
| Beaty, Bart. Unpopular Culture: Transforming the european comic book in the 1990s. Studies in Book and Print Culture. Toronto, Buffalo, London: Univ. of Toronto Press, 2007. |
|
| Last edited by: joachim 10/25/21, 2:08 PM |
|
| Beaty, Bart. Comics Versus Art. Toronto, Buffalo, London: Univ. of Toronto Press, 2012. |
|
| Last edited by: joachim 2/7/23, 5:30 PM |
|
| Beaty, Bart. "The Concept of “Patrimoine” in Contemporary Franco-Belgian Comics Production." History and Politics in French-Language Comics and Graphic Novels. Ed. Mark McKinney. Jackson: Univ. Press of Mississippi, 2008. 69–93. |
|
| Added by: joachim 10/13/10, 12:45 AM |
|
| Beaty, Bart and Benjamin Woo. The Greatest Comic Book of All Time: Symbolic capital and the field of american comic books. Palgrave Studies in Comics and Graphic Novels. New York [etc.]: Palgrave Macmillan, 2016. |
|
| Last edited by: joachim 1/28/18, 6:25 PM |
|
| Becker, Thomas. "Wer hat Angst vor der Neunten Kunst? Kurze archäologie eines legitimierungsdiskurses." Triëdere (2012): 5–13. |
|
| Added by: joachim 6/19/12, 9:28 PM |
|
| Becker, Thomas. "Comiclibido der Nouvelle Vague und die Folgen: Zur ästhetik der oszillierenden übertreibung im autorenfilm (godard) und autorencomic (moebius)." Comic. Intermedialität und Legitimität eines popkulturellen Mediums. Ed. Thomas Becker. Bochum: Ch.A. Bachmann, 2011. 63–76. |
|
| Added by: joachim 4/8/11, 12:10 AM |
|
| Becker, Thomas. "Fieldwork in aesthetics: On comics’ social legitimacy." Comics Worlds and the World of Comics. Towards Scholarship on a Global Scale. Ed. Jaqueline Berndt. Global Manga Studies. Kyoto: International Manga Research Center, Kyoto Seika University, 2010. 110–22. |
|
| Last edited by: joachim 6/25/11, 9:48 AM |
|
| Becker, Thomas. "Graphic Novel – eine ›illegitime‹ Medienkombination?." Der neue Wettstreit der Künste. Legitimation und Dominanz im Zeichen der Intermedialität. Eds. Uta Degner and Norbert Christian Wolf. Bielefeld: Transcript, 2010. 167–86. |
|
| Added by: joachim 9/20/10, 10:59 AM |
|
| Becker, Thomas. "Genealogie der autobiografischen Graphic Novel: Zur feldsoziologischen analyse intermedialer strategien gegen ästhetische normalisierungen." Comics. Zur Theorie und Geschichte eines populärkulturellen Mediums. Eds. Stephan Ditschke, Katerina Kroucheva and Daniel Stein. Bielefeld: Transcript, 2009. 239–64. |
|
| Last edited by: joachim 11/16/21, 5:03 PM |
|
| Becker, Thomas. "Comic – eine illegitime Kunst? Sozioanalyse der lust an einem hybriden medium." Struktur und Geschichte der Comics. Beiträge zur Comicforschung. Ed. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2010. 309–26. |
|
| Added by: joachim 6/8/10, 1:48 AM |
|
| Becker, Thomas. "Wo steht die Gegenkultur? Zum unterschied zwischen normativem diskurs und sozialer realität im spiel zwischen high und low." »High« und »low«. Zur Interferenz von Hoch- und Populärkultur in der Gegenwartsliteratur. Eds. Thomas Wegmann and Norbert Christian Wolf. Studien und Texte zur Sozialgeschichte der Literatur. Berlin: de Gruyter, 2012. 43–55. |
|
| Last edited by: joachim 3/29/16, 12:58 PM |
|
| Boltanski, Luc. "La constitution du champ de la bande dessinée." Actes de la recherche en sciences sociales 1.(1975): 37–59. |
|
| Last edited by: joachim 10/4/13, 2:16 PM |
|
| Boltanski, Luc. "The Constitution of the Comics Field." The French Comics Theory Reader. Eds. Ann Miller and Bart Beaty. Studies in European Comics and Graphic Novels. Leuven: Leuven University Press, 2014. 281–301. |
|
| Added by: joachim 5/2/16, 10:21 AM |
|
| Brienza, Casey E. "Books, Not Comics Publishing fields, globalization, and japanese manga in the united states." Publishing Research Quarterly 25.(2009): 101–17. |
|
| Added by: joachim 2/7/11, 11:09 PM |
|
| Brienza, Casey E. "Producing comics culture: A sociological approach to the study of comics." Journal of Graphic Novels and Comics 1.(2010): 105–19. |
|
| Last edited by: joachim 1/14/16, 10:42 PM |
|
| Brown, Jeffrey A. "Comic Book Fandom and Cultural Capital." Journal of Popular Culture 30.(1997): 13–31. |
|
| Last edited by: joachim 7/30/10, 11:58 PM |
|
| Caraco, Benjamin. "La communication éditoriale: Un outil de légitimation. le cas de l’association." Comicalités 2013. Accessed 3 October. 2013. <http://comicalites.revues.org/1707>. |
|
| Added by: joachim 10/4/13, 12:01 AM |
|
| Ditschke, Stephan. "›Die Stunde der Anerkennung des Comics‹? Zur legitimierung des comics im deutschsprachigen feuilleton." Comic. Intermedialität und Legitimität eines popkulturellen Mediums. Ed. Thomas Becker. Bochum: Ch.A. Bachmann, 2011. 21–44. |
|
| Added by: joachim 4/7/11, 7:07 PM |
|
| Dozo, Björn-Olav. "La bande dessinée francophone contemporaine à la lumière de sa propre critique: Quand une avant-garde esthétique s’interroge sur sa pérennité." Belphégor 6.2 2007. Accessed 4 October. 2013. <http://dalspace.library.dal.ca/handle/10222/47737>. |
|
| Last edited by: Deleted user 1/6/15, 9:52 AM |
|
| Gabilliet, Jean-Paul. Des comics et des hommes: Histoire culturelle des comic books aux etats-unis. Nantes: Édition du Temps, 2004. |
|
| Last edited by: joachim 11/19/14, 8:12 PM |
|
| Gabilliet, Jean-Paul. Of Comics and Men: A cultural history of american comic books. Jackson: Univ. Press of Mississippi, 2010. |
|
| Last edited by: joachim 12/16/11, 3:02 PM |
|
| Gittinger, Juli L. "Hijabi Cosplay: Performances of culture, religion, and fandom." Journal of Religion and Popular Culture 30.(2018): 87–105. |
|
| Last edited by: joachim 12/17/21, 12:17 PM |
|
| Heikkinen, Merja. "Government policy and definitions of art – The case of comics." International Journal of Cultural Policy 14.(2008): 79–93. |
|
| Added by: joachim 7/19/12, 11:32 AM |
|
| Kaindl, Klaus. "Thump, Whizz, Poom A framework for the study of comics under translation." Target 11.(1999): 263–88. |
|
| Last edited by: joachim 1/9/13, 1:30 PM |
|
| Kaindl, Klaus. "Das Feld als Kampfplatz: Comics und ihre übersetzung im deutschen sprachraum." Internationales Archiv für Sozialgeschichte der deutschen Literatur 29.(2004): 211–28. |
|
| Last edited by: joachim 7/26/11, 4:39 PM |
|
| Kaindl, Klaus. Übersetzungswissenschaft im interdisziplinären Dialog: Am beispiel der comicübersetzung. Studien zur Translation. Wien: Stauffenburg, 2004. |
|
| Last edited by: joachim 1/15/13, 2:58 AM |
|
| Krantz, Gunnar. "Seriekonst och konstserier." Valör (2011): 37–. |
|
| Added by: joachim 4/12/13, 10:24 AM |
|
| Kuskin, William. "Batman in the Trash: Canon construction and bibliography." English Language Notes 46.(2008): 57–69. |
|
| Last edited by: joachim 6/25/10, 10:43 AM |
|
| Lesage, Sylvain. "Une bande dessinée adulte ? Usages et mésusages de la légitimation." Belphégor 17.1 2019. Accessed 15 May. 2019. <http://journals.openedition.org/belphegor/1607>. |
|
| Added by: joachim 5/15/19, 5:22 PM |
|
| Lopes, Paul. Growing Up: The popular genre strategy in transforming mainstream comic books. Public Sociologies: San Francisco, 14—17 August, 2004. |
|
| Last edited by: joachim 6/21/13, 9:44 PM |
|
| Lopes, Paul. "Strategies of Rebellion in the Heroic Age of the American Comic Book." International Journal on the Arts in Society 2.(2007): 127–34. |
|
| Last edited by: joachim 11/8/19, 11:32 PM |
|
| Maigret, Eric. "La reconnaissance en demi-teinte de la bande dessinée." Réseaux 12.(1994): 113–40. |
|
| Added by: joachim 2/15/18, 7:19 PM |
|
| Martinez, Nicolas. "A Trip Down Memory Lane: Reprints and canonization of morris’ lucky luke series." Comics Memory. Archives and Styles. Eds. Maaheen Ahmed and Benoît Crucifix. Palgrave Studies in Comics and Graphic Novels. New York [etc.]: Palgrave Macmillan, 2018. 211–30. |
|
| Last edited by: Okwuchi Mba 9/6/18, 5:09 PM |
|
| Maynard, Amy Louise. "Bourdieu vs. Batman Examining the cultural capital of the dark knight via graphic novels." Framescapes. Graphic Narrative Intertexts. Eds. Mikhail Peppas and Sanabelle Ebrahim. Oxford: Inter-Disciplinary Pr, 2016. 51–61. |
|
| Last edited by: joachim 1/18/18, 11:56 PM |
|
| Méon, Jean-Matthieu. "Comics in Museums and at their Periphery: Hierarchical reaffirmation and domination adjustments in french art museums." ImageTexT 10.3 2019. Accessed 13 January. 2020. <http://imagetext.englis ... du/archives/v10_3/meon/>. |
|
| Last edited by: joachim 1/13/20, 6:00 PM |
|
| Moore, Michael. "The Economics of Cultural Legitimacy in Hip Hop’s Counterpublic Space." gnovis 8.1 2007. Accessed 3 June. 2011. <http://gnovisjournal.or ... Cultural-Legitimacy.pdf>. |
|
| Added by: joachim 6/3/11, 3:22 AM |
|
| Mutet, Sylvie. "La bande dessinée, phénomène culturel." Lendemains 33.(2008): 8–23. |
|
| Added by: joachim 1/30/13, 3:22 PM |
|
| Newton, Leslie. "Picturing Smartness: Cartoons in the new yorker, vanity fair, and esquire in the age of cultural celebrities." Journal of Modern Periodical Studies 3.(2012): 64–92. |
|
| Added by: joachim 10/17/17, 11:56 AM |
|
| Otterbeck, Jonas. "Islamophobic Expressions in Rocky: A discussion of satire, taste, and the lack of reactions." Scandinavian Journal of Comic Art 2.2 2016. Accessed 28 June. 2016. <http://sjoca.com/wp-con ... CA-2-2-03-Otterbeck.pdf>. |
|
| Last edited by: joachim 6/29/16, 12:06 AM |
|
| Rioux, Philippe. "Performing Alan Moore: Mise et remises en scène de soi." Pop en stock 2014. Accessed 29 November. 2015. <http://popenstock.ca/do ... remises-en-scene-de-soi>. |
|
| Added by: joachim 11/29/15, 12:49 PM |
|
| Samson, Jacques. "Le champ tardien." Mieux vaut Tardi. Ed. Jacques Samson. Montréal: Analogon, 1989. 25–41. |
|
| Last edited by: joachim 3/3/16, 2:51 PM |
|
| Simmons, David. "‘Nothing too heavy or too light’: Negotiating moore’s tom strong and the academic establishment." Studies in Comics 2.(2011): 57–67. |
|
| Last edited by: joachim 12/3/12, 7:26 PM |
|
| von Sprecher, Roberto. "Desarrollo del campo de la historieta argentina: Entre la dependencia y la autonomía." Diálogos de la comunicación 78 2009. Accessed 15 January. 2013. <http://dialnet.unirioja ... articulo?codigo=3718802>. |
|
| Added by: joachim 1/15/13, 4:04 AM |
|
| Wagner, Philipp. "Grafische Literatur und Metanarrativität am Beispiel des Comic-Künstlers Jason." BA Bachelorarbeit. Universität Greifswald, 2011. |
|
| Last edited by: joachim 9/7/19, 6:13 PM |
|
| Woo, Benjamin. "The Android’s Dungeon: Comic-bookstores, cultural spaces, and the social practices of audiences." Journal of Graphic Novels and Comics 2.(2011): 125–36. |
|
| Added by: joachim 12/19/11, 10:43 AM |
|
