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| Friedrich, Hans-Edwin. "Frank Miller’s Sin City: Transformationsprozesse zwischen graphic novel und film." Übersetzung und Film. Das Kino als Translationsmedium. Eds. Ulrich Meurer and Maria Oikonomou. Bielefeld: Transcript, 2012. 87–106. |
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| Kogler, Monika. Schwarzweiß in Kombination mit Farbelementen als Gestaltungsmittel im Film: Eine historische analyse aufgrund der basis von am beispiel von frank millers »sin city«. Saarbrücken: VDM, 2008. |
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| Priskic, Janine. "Das Kulturphänomen Held und seine intermediale Transformation." Bachelorarbeit BA. Universität Bonn, 2012. |
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| Sağlam, Berkem Gürenci. "Comic Books on Screen: Frank miller’s and robert rodriguez’s sin city." The Theme of Cultural Adaptation in American History, Literature and Film. Cases When the Discourse Changed. Eds. Laurence Raw, Tanfer Emin Tunç and Gülriz Büken. Lewiston: Edwin Mellen, 2009. 63–72. |
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| Wandtke, Terrence R. The Dark Night Returns: The contemporary resurgence of crime comics. Comics Studies Monograph. Rochester: RIT, 2015. |
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| Würbel, Sebastian. "Sin City. Comic – film – comicverfilmung. ein intermedialer vergleich." Magisterarbeit M.A. Universität Bochum, 2008. |
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| Zecca, Federico. Cinema e intermedialità: Modelli di traduzione. Cinethesis. Udine: Forum, 2013. |
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