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Chaney, Michael A. "Misreading with the President: Re-reading the Covers of John Lewis’s March." International Journal of Comic Art 20. (2018): 25–42. |
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D’Arcy, Jeanette. "Troubling Boundaries and Negotiating Dominant Culture: Fun Home as a Transmedial Text." The Comics Grid 9 2019. Accessed 21Feb. 2020. <https://www.comicsgrid. ... ticles/10.16995/cg.146/>. |
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Ditschke, Stephan. "Comics als Literatur: Zur Etablierung des Comics im deutschsprachigen Feuilleton seit 2003." Comics. Zur Theorie und Geschichte eines populärkulturellen Mediums. Eds. Stephan Ditschke, Katerina Kroucheva and Daniel Stein. Bielefeld: Transcript, 2009. 265–80. |
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Eckstein, Kristin. "»Gesehene Worte, gelesene Bilder«: Text-Bild-Verhältnisse und Erzählstrategien im modernen shôjo manga." Magisterarbeit M.A. Universität Siegen, 2009. |
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Gilmore, Shawn. "Public and Private Histories in Chris Ware’s Jimmy Corrigan." The Comics of Chris Ware. Drawing is a Way of Thinking. Eds. David M. Ball and Martha B. Kuhlman. Jackson: Univ. Press of Mississippi, 2010. 146–58. |
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Grunzke, Andrew. "Using Multimodal Literacy to Teach Gender History through Comic Books or How “The Wonder Women of History” Became “Marriage A La Mode”." Educating through Popular Culture. You’re Not Cool Just Because You Teach with Comics. Eds. Edward Janak and Ludovic A. Sourdot. Lanham [etc.]: Lexington, 2017. 243–63. |
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Kuipers, Christopher M. "The Anti-Pastoral Novelty Library: Bucolic Superhero Satire in the Paratexts of Chris Ware’s Jimmy Corrigan." Works & Days 32. (2014–15): 329–47. |
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Larsson, Donald F. "Comic? Book? or, Of Maus and Manga: Visualizing Reading, Reading the Visual in Graphic Novels." International Journal of the Book 4. (2007): 43–50. |
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Lefèvre, Pascal. "The Importance of Being ‘Published’: A Comparative Study of Different Comics Formats." Comics & Culture. Analytical and Theoretical Approaches to Comics. Eds. Anne Magnussen and Hans-Christian Christiansen. Copenhagen: Museum Tusculanum, 2000. 91–105. |
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Martinelli, Hélène. "Représenter l’auteur dans le livre auto-illustré au début du XXe siècle: Jean Bruller, Josef Váchal, Bruno Schulz et Alfred Kubin." Comicalités 2013. Accessed 3Oct. 2013. <http://comicalites.revues.org/1680>. |
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Muller, Agnès. "Image as Paratext in Alison Bechdel’s Fun Home." GRAAT on-line 1 2007. Accessed 20Jul. 2011. <http://www.graat.fr/bechdel002aaaa.pdf>. |
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Roth, Laurence. "Contemporary American Jewish Comic Books: Abject Pasts, Heroic Futures." The Jewish Graphic Novel. Critical Approaches. Eds. Samantha Baskind and Ranen Omar-Sherman. New Brunswick: Rutgers Univ. Press, 2008. 3–21. |
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Sackmann, Eckart. "Ritter Sigurd: Das Streifenheft als Gattung, Muster und Mythos." Deutsche Comicforschung 6. (2010): 101–19. |
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Stein, Daniel. Authorizing Superhero Comics: On the Evolution of a Popular Serial Genre. Studies in Comics and Cartoons. Columbus: Ohio State Univ. Press, 2021. |
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Stein, Daniel. "Superhero Comics and the Authorizing Functions of the Comic Book Paratext." From Comic Strips to Graphic Novels. Contributions to the Theory and History of Graphic Narrative. Eds. Daniel Stein and Jan-Noël Thon. Narratologia. Berlin u. Boston: de Gruyter, 2013. 155–89. |
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Sulmicki, Maciej. "The author as the antiquarian: Selling Victorian culture to readers of neo-Victorian novels and steampunk comics." Otherness 2. 1 2011. Accessed 18Sep. 2013. <http://www.otherness.dk ... .1/6.MaciejSulmicki.pdf>. |
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Tinker, Emma. "Manuscript in Print: The Materiality of Alternative Comics." Literature Compass 4. 4 2007. Accessed 14Jun. 2019. <https://onlinelibrary.w ... .1741-4113.2007.00478.x>. |
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Vanoost, Marie and Sarah Sepulchre. "Subjectivity and Comics Journalism in the French Magazine XXI: Discrepancy between Paratexts and Texts." Diegesis 8. 1 2019. Accessed 14Jun. 2019. <https://www.diegesis.un ... egesis/article/view/351>. |
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Waites, Peter. On the Boundaries of Watchmen: Paratextual Narratives across Media. Uppsala: Uppsala Universitet, 2015. |
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Walbrühl, Dirk. "Der Comicroman und seine Wegbereiter: Watchmen, Maus und From Hell." Prinzip Synthese: Der Comic. Eds. Mathis Bicker, Ute Friederich and Joachim Trinkwitz. Edition Kritische Ausgabe. Bonn: Weidle, 2011. 33–37. |
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Wix, Gabriele. "Der Text erscheint selten nackt: Max Ernst, La femme 100 têtes." Text – Material – Medium. Zur Relevanz editorischer Dokumentationen für die literaturwissenschaftliche Interpretation. Eds. Wolfgang Lukas, Rüdiger Nutt-Kofoth and Madleen Podewski. Beihefte zu Editio. Berlin u. Boston: de Gruyter, 2014. 173–96. |
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