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Displaying 1 - 64  of 64 (Bibliography: WIKINDX Master Bibliography)
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Abate, Michelle. "Art Spiegelman’s In the Shadow of No Towers as Board Book: From the Matter of Materiality to the Way That Materiality Matters." Jeunesse 7.2 2015. Accessed 17 Feb. 2016. <http://www.jeunessejour ... p/yptc/article/view/253>.   
Last edited by: joachim 17/02/2016, 14:20
Aldana, Juan Alberto Conde. "Del cómic a la novela gráfica: Mutaciones editoriales de la historieta colombiana en el siglo XXI." Mitologías Hoy 20 2019. Accessed 25 Jun. 2022. <https://revistes.uab.ca ... /article/view/v20-conde>.   
Last edited by: joachim 25/06/2022, 17:12
Antola, Laura. "Strategies of Adaptation in the Finnish Publications of Marvel’s Superhero Comics." Journal of Popular Culture 52.(2019): 703–24.   
Last edited by: joachim 06/02/2023, 03:48
Antola, Laura. "‘It is nice that you want to improve this comic book together with us’: The letters page’s significance in the transnational adaptation of Marvel comics in Finland." Participations 17.1 2020. Accessed 6 Feb. 2023. <https://www.participations.org/17-01-04-antola.pdf>.   
Added by: joachim 06/02/2023, 03:25
Antola, Laura. "Transnational Adaptation of a Marvel comic book event: The case of X-Men: ‘fatal attractions’ in Finland." Journal of Graphic Novels and Comics (2021): 1–14.   
Last edited by: joachim 18/04/2021, 15:16
Bachmann, Christian A. Metamedialität und Materialität im Comic: Zeitungscomic – Comicheft – Comicbuch. Bildnarrative. Berlin: Ch.A. Bachmann, 2016.   
Last edited by: joachim 25/02/2017, 00:28
Baetens, Jan and Pascal Lefèvre. "The Work and its Surround." The French Comics Theory Reader. Eds. Ann Miller and Bart Beaty. Studies in European Comics and Graphic Novels. Leuven: Leuven University Press, 2014. 191–202.   
Last edited by: joachim 02/05/2016, 10:06
Baetens, Jan and Caren Litherland. "Latent Violence (Escher, Franc, Vaughn-James)." Yale French Studies (1994): 222–41.   
Last edited by: joachim 20/10/2013, 16:50
Becker, Romain. "How a German Publisher Appropriates Comics It Did Not Originally Publish." Comics and Agency. Eds. Vanessa Ossa, Jan-Noël Thon and Lukas R. A. Wilde. Comics Studies. Berlin u. Boston: de Gruyter, 2022. 59–80.   
Last edited by: joachim 06/08/2023, 19:54
Bredehoft, Thomas A. The Visible Text: Textual Production and Reproduction from Beowulf to Maus. Oxford Textual Perspectives. New York: Oxford Univ. Press, 2014.   
Last edited by: joachim 18/10/2014, 13:13
Brienza, Casey E. "Paratexts in Translation: Reinterpreting “Manga” for the United States." International Journal of the Book 6.(2009): 13–20.   
Last edited by: joachim 02/10/2009, 20:31
Bryan, Peter Cullen. "Geeking Out and Hulking Out: Toward an Understanding of Marvel Fan Communities." Age of the Geek. Depictions of Nerds and Geeks in Popular Media. Ed. Katherine Lane. New York [etc.]: Palgrave Macmillan, 2018. 149–65.   
Last edited by: joachim 25/11/2020, 13:05
Bueno, Bernardo. "Geek Metafiction: Nerds, Footnotes, and Intertextuality." Age of the Geek. Depictions of Nerds and Geeks in Popular Media. Ed. Katherine Lane. New York [etc.]: Palgrave Macmillan, 2018. 91–111.   
Last edited by: joachim 25/04/2021, 17:37
Bumatay, Michelle. "Postcolonial Interjections: Jean-Philippe Stassen Illustrates Heart of Darkness and We Killed Mangy Dog." Alternative Francophone 1.8 2015. Accessed 1 Jan. 2018. <https://journals.librar ... p/af/article/view/24018>.   
Added by: joachim 01/01/2018, 16:28
Carney, Sean. "The Ear of the Eye, or, Do Drawings Make Sounds?." English Language Notes 46.(2008): 193–209.   
Last edited by: joachim 25/06/2010, 10:15
Chaney, Michael A. "Misreading with the President: Re-reading the Covers of John Lewis’s March." International Journal of Comic Art 20.(2018): 25–42.   
Last edited by: joachim 06/04/2021, 11:21
Christopher, Brandon. "Paratextual Shakespearings: Comics’ Shakespearean Frame." Shakespeare / Not Shakespeare. Eds. Christy Desmet, Natalie Loper and Jim Casey. Reproducing Shakespeare. New York [etc.]: Palgrave Macmillan, 2017. 149–67.   
Last edited by: joachim 28/11/2019, 19:57
Clarke, M. J. "The production of the Marvel Graphic Novel series: The business and culture of the early direct market." Journal of Graphic Novels and Comics 5.(2014): 192–210.   
Added by: joachim 22/06/2014, 16:33
Cook, Roy T. "Judging a Comic Book by its Cover: Marvel Comics, Photo-covers, and the Objectivity of Photography." Image [&] Narrative 16.2 2015. Accessed 3 Sept. 2015. <http://www.imageandnarr ... rative/article/view/805>.   
Added by: joachim 03/09/2015, 10:05
D’Arcy, Jeanette. "Troubling Boundaries and Negotiating Dominant Culture: Fun Home as a Transmedial Text." The Comics Grid 9 2019. Accessed 21 Feb. 2020. <https://www.comicsgrid. ... ticles/10.16995/cg.146/>.   
Added by: joachim 21/02/2020, 12:01
Ditschke, Stephan. "Comics als Literatur: Zur Etablierung des Comics im deutschsprachigen Feuilleton seit 2003." Comics. Zur Theorie und Geschichte eines populärkulturellen Mediums. Eds. Stephan Ditschke, Katerina Kroucheva and Daniel Stein. Bielefeld: Transcript, 2009. 265–80.   
Last edited by: joachim 16/11/2021, 18:18
Eckstein, Kristin. "»Gesehene Worte, gelesene Bilder«: Text-Bild-Verhältnisse und Erzählstrategien im modernen shôjo manga." Magisterarbeit M.A. Universität Siegen, 2009.   
Last edited by: joachim 04/11/2012, 14:28
Gabilliet, Jean-Paul. Des comics et des hommes: Histoire culturelle des comic books aux Etats-Unis. Nantes: Édition du Temps, 2004.   
Last edited by: joachim 19/11/2014, 20:12
Gabilliet, Jean-Paul. Of Comics and Men: A Cultural History of American Comic Books. Jackson: Univ. Press of Mississippi, 2010.   
Last edited by: joachim 16/12/2011, 15:02
Geyh, Paula. "Between Word and Image." The Cambridge Companion to Postmodern American Fiction. Ed. Paula Geyh. Cambridge [etc.]: Cambridge Univ. Press, 2017. 163–80.   
Last edited by: joachim 03/04/2020, 16:03
Gil González, Antonio J. "Comics and the Graphic Novel in Spain and Iberian Galicia." CLCWeb: Comparative Literature and Culture 13.5 2011. Accessed 5 Apr. 2012. <http://docs.lib.purdue.edu/clcweb/vol13/iss5/17/>.   
Last edited by: joachim 06/04/2012, 07:41
Gilmore, Shawn. "Public and Private Histories in Chris Ware’s Jimmy Corrigan." The Comics of Chris Ware. Drawing is a Way of Thinking. Eds. David M. Ball and Martha B. Kuhlman. Jackson: Univ. Press of Mississippi, 2010. 146–58.   
Last edited by: joachim 29/07/2014, 14:33
Gravett, Paul. "Graphic Novels: Can You Hear the Trucks?." The Best American Comics Criticism. Ed. Ben Schwartz. Seattle: Fantagraphics, 2010. 34–36.   
Added by: joachim 14/05/2010, 23:26
Grunzke, Andrew. "Using Multimodal Literacy to Teach Gender History through Comic Books or How “The Wonder Women of History” Became “Marriage A La Mode”." Educating through Popular Culture. You’re Not Cool Just Because You Teach with Comics. Eds. Edward Janak and Ludovic A. Sourdot. Lanham [etc.]: Lexington, 2017. 243–63.   
Last edited by: joachim 16/05/2018, 10:12
Hagener, Malte. "Digital/digitus: Die Geste in den Pixar-Animationsfilmen." Ästhetik des Gemachten. Interdisziplinäre Beiträge zur Animations- und Comicforschung. Eds. Hans-Joachim Backe, et al. Berlin u. Boston: de Gruyter, 2018. 11–26.   
Last edited by: joachim 09/06/2022, 14:50
Hatfield, Charles. "Graphic Novel." Keywords for Children’s Literature. Eds. Philip Nel and Lissa Paul. New York, London: New York Univ. Press, 2011. 100–05.   
Added by: joachim 12/08/2012, 09:03
Högerle, Erin. "Comic to Film: The Title Sequence of Comic Book Adaptations as Transmedial Transitional Space." Magistra Artium Abschlussarbeit. Goethe-Universität Frankfurt a.M. 2013.   
Added by: joachim 06/03/2017, 12:41
Jacobs, Dale. "Marveling at The Man Called Nova: Comics as Sponsors of Multimodal Literacy." College Composition and Communication 59.(2007): 180–205.   
Last edited by: joachim 23/04/2013, 16:51
Jones, Bethan. "Producing and Branding Gender in Comics: My So-Called Secret Identity and the Ambivalence of an Alternative Address." Palabra Clave 20.(2017): 1073–104.   
Added by: joachim 25/02/2020, 11:55
Joseph, Michael. "Seeing the Visible Book: How Graphic Novels Resist Reading." Children’s Literature Association Quarterly 37.(2012): 454–67.   
Added by: joachim 16/09/2014, 13:42
Kennedy-Karpat, Colleen. "Self-adaptation and Transnationality in Marjane Satrapi’s Poulet aux prunes (2011)." Adaptation 8.(2015): 68–88.   
Added by: joachim 27/03/2016, 14:02
Kirtz, Jaime Lee. "Computers, Comics and Cult Status: A Forensics of Digital Graphic Novels." Digital Humanities Quarterly 8.3 2014. Accessed 30 Mar. 2015. <http://www.digitalhuman ... /8/3/000185/000185.html>.   
Added by: joachim 30/03/2015, 22:17
Kuipers, Christopher M. "The Anti-Pastoral Novelty Library: Bucolic Superhero Satire in the Paratexts of Chris Ware’s Jimmy Corrigan." Works & Days 32.(2014–15): 329–47.   
Last edited by: joachim 29/04/2016, 08:55
Kuskin, William. "Batman in the Trash: Canon Construction and Bibliography." English Language Notes 46.(2008): 57–69.   
Last edited by: joachim 25/06/2010, 10:43
Larsson, Donald F. "Comic? Book? or, Of Maus and Manga: Visualizing Reading, Reading the Visual in Graphic Novels." International Journal of the Book 4.(2007): 43–50.   
Last edited by: joachim 01/03/2012, 08:55
Le Duc, Dominique. "XX1st Century Graphic Novels." Belphégor 5.1 2005. Accessed 10 Aug. 2009. <http://dalspace.library.dal.ca/handle/10222/47712>.   
Last edited by: Deleted user 06/01/2015, 10:01
Lefèvre, Pascal. "The Importance of Being ‘Published’: A Comparative Study of Different Comics Formats." Comics & Culture. Analytical and Theoretical Approaches to Comics. Eds. Anne Magnussen and Hans-Christian Christiansen. Copenhagen: Museum Tusculanum, 2000. 91–105.   
Last edited by: joachim 03/11/2009, 18:15
Martinelli, Hélène. "Représenter l’auteur dans le livre auto-illustré au début du XXe siècle: Jean Bruller, Josef Váchal, Bruno Schulz et Alfred Kubin." Comicalités 2013. Accessed 3 Oct. 2013. <http://comicalites.revues.org/1680>.   
Last edited by: joachim 04/10/2013, 10:00
Misemer, Leah. "Serial Critique: The Counterpublic of Wimmen’s Comix." Inks 3.(2019): 6–26.   
Last edited by: joachim 16/09/2020, 11:50
Muller, Agnès. "Image as Paratext in Alison Bechdel’s Fun Home." GRAAT on-line 1 2007. Accessed 20 Jul. 2011. <http://www.graat.fr/bechdel002aaaa.pdf>.   
Last edited by: joachim 20/07/2011, 17:16
Murray, Padmini Ray. "Scott Pilgrim vs the future of comics publishing." Studies in Comics 3.(2012): 129–42.   
Added by: joachim 08/01/2013, 14:46
Pylyser, Charlotte. "Rogue Paratexts: Epo’s Graphic Classic Adaptations and the Jupien Effect." Scan. Journal of media arts culture 9.1 2012. Accessed 3 May. 2013. <http://scan.net.au/scn/ ... /Charlotte-Pylyser.html>.   
Added by: joachim 04/05/2013, 08:42
Rosenblatt, Adam. "The Mini and the Many." Critical Ends Accessed 5 Nov. 2009. <http://www.secretacres.com/mm1.html>.   
Added by: joachim 05/11/2009, 01:19
Rota, Valerio. "The Translation’s Visibility: David B.’s L’Ascension du Haut Mal in Italy." Belphégor 4.1 2004. Accessed 6 Apr. 2010. <http://dalspace.library.dal.ca/handle/10222/47698>.   
Last edited by: Deleted user 06/01/2015, 10:09
Rota, Valerio. "Aspects of Adaptation: The Translation of Comics Formats." Comics in Translation. Ed. Federico Zanettin. Manchester: St. Jerome, 2008.   
Added by: joachim 21/09/2009, 17:05
Roth, Laurence. "Contemporary American Jewish Comic Books: Abject Pasts, Heroic Futures." The Jewish Graphic Novel. Critical Approaches. Eds. Samantha Baskind and Ranen Omar-Sherman. New Brunswick: Rutgers Univ. Press, 2008. 3–21.   
Last edited by: joachim 19/11/2011, 16:48
Sackmann, Eckart. "Ritter Sigurd: Das Streifenheft als Gattung, Muster und Mythos." Deutsche Comicforschung 6.(2010): 101–19.   
Added by: joachim 10/12/2009, 15:00
Sackmann, Eckart. "Addenda [zu: Ritter Sigurd. Das Streifenheft als Gattung, Muster und Mythos]." Deutsche Comicforschung 7.(2011): 142.   
Added by: joachim 30/12/2010, 11:46
Spurgeon, Tom. "Mini-Comics: Comics’ Secret Lifeblood." The Education of a Comics Artist. Visual Narrative in Cartoons, Graphic Novels, and Beyond. Eds. Michael Dooley and Steven Heller. New York: Allworth Pr. 2005. 133–37.   
Last edited by: joachim 11/04/2012, 13:47
Stein, Daniel. Authorizing Superhero Comics: On the Evolution of a Popular Serial Genre. Studies in Comics and Cartoons. Columbus: Ohio State Univ. Press, 2021.   
Last edited by: joachim 05/12/2021, 11:33
Stein, Daniel. "Superhero Comics and the Authorizing Functions of the Comic Book Paratext." From Comic Strips to Graphic Novels. Contributions to the Theory and History of Graphic Narrative. Eds. Daniel Stein and Jan-Noël Thon. Narratologia. Berlin u. Boston: de Gruyter, 2013. 155–89.   
Last edited by: joachim 14/10/2013, 01:39
Sulmicki, Maciej. "The author as the antiquarian: Selling Victorian culture to readers of neo-Victorian novels and steampunk comics." Otherness 2.1 2011. Accessed 18 Sept. 2013. <http://www.otherness.dk ... .1/6.MaciejSulmicki.pdf>.   
Added by: joachim 25/08/2020, 10:39
Tinker, Emma. "Manuscript in Print: The Materiality of Alternative Comics." Literature Compass 4.4 2007. Accessed 14 Jun. 2019. <https://onlinelibrary.w ... .1741-4113.2007.00478.x>.   
Last edited by: joachim 14/06/2019, 20:01
Vanoost, Marie and Sarah Sepulchre. "Subjectivity and Comics Journalism in the French Magazine XXI: Discrepancy between Paratexts and Texts." Diegesis 8.1 2019. Accessed 14 Jun. 2019. <https://www.diegesis.un ... egesis/article/view/351>.   
Last edited by: joachim 14/06/2019, 11:56
Waites, Peter. On the Boundaries of Watchmen: Paratextual Narratives across Media. Uppsala: Uppsala Universitet, 2015.   
Last edited by: joachim 11/08/2018, 16:01
Walbrühl, Dirk. "Der Comicroman und seine Wegbereiter: Watchmen, Maus und From Hell." Prinzip Synthese: Der Comic. Eds. Mathis Bicker, Ute Friederich and Joachim Trinkwitz. Edition Kritische Ausgabe. Bonn: Weidle, 2011. 33–37.   
Added by: joachim 19/10/2011, 01:22
Werber, Niels and Daniel Stein. "Paratextual Negotiations: Fan Forums as Digital Epitexts of Popular Superhero Comic Books and Science Fiction Pulp Novel Series." Arts 12.2 2023. Accessed 30 Aug. 2023. <https://www.mdpi.com/2076-0752/12/2/77>.   
Added by: joachim 30/08/2023, 13:55
Wix, Gabriele. "Der Text erscheint selten nackt: Max Ernst, La femme 100 têtes." Text – Material – Medium. Zur Relevanz editorischer Dokumentationen für die literaturwissenschaftliche Interpretation. Eds. Wolfgang Lukas, Rüdiger Nutt-Kofoth and Madleen Podewski. Beihefte zu Editio. Berlin u. Boston: de Gruyter, 2014. 173–96.   
Last edited by: joachim 29/01/2016, 11:35
Wroot, Jonathan. "Dubbing Death Note: Framing the authentic text." East Asian Journal of Popular Culture 1.(2015): 193–204.   
Last edited by: joachim 10/05/2019, 17:45
WIKINDX 6.8.2 | Total resources: 14508 | Username: -- | Bibliography: WIKINDX Master Bibliography | Style: Modern Language Association (MLA)