| Anderst, Leah. "“It Both Is and Isn’t My Life”: Autobiography, Adaptation and Emotion in Fun Home, the Musical." The Comics of Alison Bechdel. From the Outside In. Ed. Janine Utell. Critical Approaches to Comics Artists. Jackson: Univ. Press of Mississippi, 2020. 105–18. |
 
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| Baetens, Jan. "“Fun Home”: Novela gráfica y posmodernidad." deSignis (2015): 21–28. |
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| Ball, David M. "Allusive Confessions: The Literary Lives of Alison Bechdel’s Fun Home." Drawing from Life. Memory and Subjectivity in Comic Art. Ed. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013. 3–25. |
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| Barounis, Cynthia. "Alison Bechdel and Crip-Feminist Autobiography." Journal of Modern Literature 39. (2016): 139–61. |
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| Bauer, Heike. "Vital Lines Drawn From Books: Difficult Feelings in Alison Bechdel’s Fun Home and Are You My Mother?." Journal of Lesbian Studies 18. (2014): 266–81. |
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| Bechdel, Alison. The Indelible Alison Bechdel: Confessions, Comix and Miscellaneous Dykes to Watch Out For. Ithaca: Firebrand Books, 1998. |
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| Bechdel, Alison. "Transcript of Alison Bechdel’s talk at the Institut Charles V – Université Paris VII in January 2007." GRAAT on-line 1 2007. Accessed 29Jul. 2009. <http://www.graat.fr/bechdel004aaaa.pdf>. |
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| Bhattacharjee, Partha and Priyanka Tripathi. "‘Disease’ and Visual Rhetorics of Disability: Comics and Autopathography in the Works of Alison Bechdel." Gnosis 5. (2019): 263–74. |
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| Boesenberg, Eva. "Family Business: Death in Alison Bechdel’s Fun Home." American Lives. Ed. Alfred Hornung. American Studies – A Monograph Series. Heidelberg: Winter, 2013. 327–38. |
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| Böger, Astrid. "Grafische Literatur (A. Bechdel: Fun Home und D. Small: Stitches)." Handbuch Literatur & Visuelle Kultur. Eds. Claudia Benthien and Brigitte Weingart. Handbücher zur kulturwissenschaftlichen Philologie. Berlin u. Boston: de Gruyter, 2014. 544–60. |
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| Chabani, Karim. "Double Trajectories: Crossing Lines in Fun Home." GRAAT on-line 1 2007. Accessed 20Jul. 2011. <http://www.graat.fr/bechdel001aaaa.pdf>. |
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| Cordeiro, William and Season Ellison. "Performative Texts and the Pedagogical Theatre: Alison Bechdel’s Fun Home as Compositional Model." Teaching Graphic Novels in the English Classroom. Pedagogical Possibilities of Multimodal Literacy Engagement. Ed. Alissa Burger. New York [etc.]: Palgrave Macmillan, 2018. 167–86. |
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| Couser, G. Thomas. Memoir: An Introduction. New York: Oxford Univ. Press, 2012. |
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| Cox, Catherine S. "Queering the Siren’s Call: Signatures of Subjectivity in Dante’s Purgatorio and Alison Bechdel’s Fun Home." Exemplaria 22. (2010): 44–64. |
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| Cvetkovich, Ann. "Drawing the Archive in Alison Bechdel’s Fun Home." Women's Studies Quarterly 36. (2008): 111–28. |
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| D’Arcy, Jeanette. "Troubling Boundaries and Negotiating Dominant Culture: Fun Home as a Transmedial Text." The Comics Grid 9 2019. Accessed 21Feb. 2020. <https://www.comicsgrid. ... ticles/10.16995/cg.146/>. |
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| Dean, Gabrielle N. "The ‘Phallacies’ of Dyke Comic Strips." The Gay ’90s. Disciplinary and Interdisciplinary Formations in Queer Studies. Eds. Thomas Foster, Carol Siegel and Ellen E. Berry. New York, London: New York Univ. Press, 1997. 199–223. |
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| Dean-Ruzicka, Rachel. "Mourning and Melancholia in Alison Bechdel’s Fun Home: A Family Tragicomic." ImageTexT 7. 2 2013. Accessed 11Feb. 2014. <http://www.english.ufl. ... ives/v7_2/dean-ruzicka/>. |
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| Dimovitz, Scott A. "(Religious) Fun Homes: Teaching the Lesbian Feminist Graphic Novel in a Catholic University." Class, Please Open Your Comics. Essays on Teaching with Graphic Narratives. Ed. Matthew L. Miller. Jefferson: McFarland, 2015. 79–90. |
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| Earle, Monalesia. "Does 21st Century Feminist Fiction Challenge or Uphold Conventional Notions of the Family? A Critique of A Mercy and Fun Home." ImageTexT 7. 4 2014. Accessed 4Jan. 2015. <http://www.english.ufl. ... xt/archives/v7_4/earle/>. |
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| El Refaie, Elisabeth. "Visual modality versus authenticity: The example of autobiographical comics." Visual Studies 25. (2010): 162–74. |
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| Etter, Lukas. Distinctive Styles and Authorship in Alternative Comics. Anglia. Berlin u. Boston: de Gruyter, 2020. |
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| Etter, Lukas. "Autobiographische Graphic Novels: Das Beispiel von Alison Bechdels Fun Home." Autobiographie. Eine interdisziplinäre Gattung zwischen klassischer Tradition und (post-)moderner Variation. Eds. Uwe Baumann and Karl August Neuhausen. Super alta perennis. Bonn: Bonn Univ. Press, 2013. 533–46. |
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| Etter, Lukas. "The Protagonists’ Many ‘Wedges’: Aspects of Seriality in Alison Bechdel’s Dykes to Watch Out For." Cultural Excavation and Formal Expression in the Graphic Novel. Eds. Jonathan C. Evans and Thomas Giddens. At the Interface, Probing the Boundaries. Oxford: Inter-Disciplinary Pr. 2013. 65–71. |
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| Etter, Lukas. "On the Drawing Board: The Many Autobiographical “Wedges” of Alison Bechdel." American Lives. Ed. Alfred Hornung. American Studies – A Monograph Series. Heidelberg: Winter, 2013. 313–26. |
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| Eveleth, K. W. "“A Vast ‘Network of Transversals’”: Labyrinthine Aesthetics in Fun Home." South Central Review 32. (2015): 88–109. |
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| Fantasia, Annette. "The Paterian Bildungsroman Reenvisioned: “Brain-Building” in Alison Bechdel’s Fun Home: A Family Tragicomic." Criticism 31. 1 2011. Accessed 4Nov. 2016. <http://digitalcommons.w ... /criticism/vol53/iss1/4>. |
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| Fox, Meghan C. "Alison Bechdel’s Fun Home: Queer Futurity and the Metamodernist Memoir." Modern Fiction Studies 65. (2019): 511–37. |
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| Freedman, Ariela. "Drawing on Modernism in Alison Bechdel’s Fun Home." Journal of Modern Literature 32. (2009): 125–40. |
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| Frei, Dana. "Vom Panel zum Closet: Zur Symbolik von Räumen in Alison Bechdels Fun Home." Schweizerisches Archiv für Volkskunde. Archives suisses des traditions populaires 108. (2012): 253–63. |
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| Galvan, Margaret. "“The Lesbian Norman Rockwell”: Alison Bechdel and Queer Grassroots Networks." American Literature 90. (2018): 407–38. |
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| Galvan, Margaret. In Visible Archives: Queer and Feminist Visual Culture in the 1980s. Minneapolis: Univ. of Minnesota Press, 2024. |
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| Galvan, Margaret. "Thinking through Thea: Alison Bechdel’s Representations of Disability." Disability in Comic Books and Graphic Narratives. Eds. Chris Foss, Jonathan Gray and Zach Whalen. Literary Disability Studies. New York [etc.]: Palgrave Macmillan, 2014. 187–202. |
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| Gardiner, Judith Kegan, ed. Approaches to Teaching Bechdel’s Fun Home. Approaches to Teaching World Literature. New York: The Modern Language Assoc. of America, 2018. |
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| Geyh, Paula. "Between Word and Image." The Cambridge Companion to Postmodern American Fiction. Ed. Paula Geyh. Cambridge [etc.]: Cambridge Univ. Press, 2017. 163–80. |
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| Giaimo, Genie. "Psychological Diffusions: The Cognitive Turn in Alison Bechdel’s Are You My Mother? A Comic Drama." European Journal of Life Writing 2 2013. Accessed 20Sep. 2016. <http://ejlw.eu/article/view/57/78>. |
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| Giaimo, Genie Nicole. "Psychological Diffusions: The Cognitive Turn in Alison Bechdel’s Are You My Mother? A Comic Drama." European Journal of Life Writing 2 2013. Accessed 13Sep. 2019. <https://ejlw.eu/article/view/31397>. |
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| Gill-Peterson, Julian. Virtual(ly) Queer: Anti-Genealogy and Obsessive-Compulsion in Bechdel’s Fun Home. Thinking Gender: Los Angeles, 3Feb, 2012. |
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| Gillett, Robert. "Gaps To Watch Out For: Alison Bechdel in German." Queer in Translation. Eds. B. J. Epstein and Robert Gillett. Routledge Advances in Translation and Interpreting Studies. London, New York: Routledge, 2017. 104–17. |
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| Goldsmith, Jenna. "Landing on the Patio: Landscape Ecology and the Architecture of Identity in Alison Bechdel’s Fun Home: A Family Tragicomic." disClosure 23 2014. Accessed 3Dec. 2014. <http://uknowledge.uky.edu/disclosure/vol23/iss1/2/>. |
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| Guillaume, Isabelle. "Corporéité et subversion dans Fun Home d’Alison Bechdel." Les Langages du corps dans la bande dessinée. Eds. Isabelle Guillaume, et al. Mouvements des Savoirs. Paris: L’Harmattan, 2015. |
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| Hall, Marny. "Ordinary insurrections: Alison Bechdel interviewed by Marny Hall." Journal of Lesbian Studies 5. (2001): 15–21. |
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| Harvey, Robert C. "Fun Home: Literary Cartooning in a Graphic Novel." The Best American Comics Criticism. Ed. Ben Schwartz. Seattle: Fantagraphics, 2010. 232–39. |
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| Hevešiová, Simona. "The Art of Remembering in Alison Bechdel’s Fun Home." Ars Aeterna 5. (2013): 73–80. |
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| Hochreiter, Susanne and Ursula Klingenböck, eds. "Ikarus Rising: Zur metatextuellen Odyssee in Alison Bechdels Fun Home." Bild ist Text ist Bild. Narration und Ästhetik in der Graphic Novel. Bielefeld: Transcript, 2014. 191–212. |
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| Added by: joachim 3/23/15, 1:33 PM |
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| Kashtan, Aaron. "My mother was a typewriter: Fun Home and the importance of materiality in comics studies." Journal of Graphic Novels and Comics 4. (2013): 92–116. |
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| Kelley, Michael J. "Mirrored discourse in Alison Bechdel’s Fun Home." Journal of Graphic Novels and Comics 5. (2014): 42–57. |
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| Klepper, Martin. "Alison Bechdel: Fun Home: A Family Tragicomic (2006)." Handbook of Autobiography/Autofiction. Volume III: Exemplary Texts. Ed. Martina Wagner-Egelhaaf. Berlin u. Boston: de Gruyter, 2019. 2074–88. |
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| Added by: joachim 12/16/19, 5:22 PM |
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| Klimek, Julia. "Teaching Alison Bechdel’s Fun Home: The Construction of a Modernist Lesbian Graphic Novel." Class, Please Open Your Comics. Essays on Teaching with Graphic Narratives. Ed. Matthew L. Miller. Jefferson: McFarland, 2015. 131–42. |
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| Klorman, Renee. "Confessions, Comix, and Miscellaneous Alison Bechdel." Off Our Backs 28. (1998): 1–7. |
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| Lemberg, Jennifer. "Closing the Gap in Alison Bechdel’s Fun Home." Women's Studies Quarterly 36. (2008): 129–40. |
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| Linares, Santiago Parga. "Proustian curiosity and the archive: Alison Bechdel’s Fun Home." Journal of Graphic Novels and Comics (2020): 1–17. |
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| Linke, Kai. Good White Queers? Racism and Whiteness in Queer U.S. Comics. Queer Studies. Bielefeld: Transcript, 2021. |
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| Lydenberg, Robin. "Under Construction: Alison Bechdel’s Fun Home: A Family Tragicomic." European Journal of English Studies 16. (2012): 57–68. |
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| Lydenberg, Robin. "Reading Lessons in Alison Bechdel’s Fun Home: A Family Tragicomic." College Literature 44. (2017): 133–65. |
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| Magnet, Shoshana. "Are You My Mother?: Understanding Feminist Therapy with Alison Bechdel." Women & Therapy 40. (2017): 207–27. |
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| Manchester, Ashley. "Teaching Critical Looking: Pedagogical Approaches to Using Comics as Queer Theory." SANE journal 2. 2 2017. Accessed 23Apr. 2017. <http://digitalcommons.unl.edu/sane/vol2/iss2/2/>. |
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| Mansbridge, Joanna. "Adapting Queerness, Queering Adaptation: Fun Home on Broadway." Adaptation, Awards Culture, and the Value of Prestige. Eds. Colleen Kennedy-Karpat and Eric Sandberg. Cham: Springer, 2017. |
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| Martin, Côme. "Le roman visuel: Relations entre texte et image dans la bande dessinée et le roman américains contemporains." Thèse de doctorat Paris 4, 2013. |
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| Martin, Rachel R., ed. Alison Bechdel: Conversations. Conversations with Comic Artists. Jackson: Univ. Press of Mississippi, 2018. |
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| Martindale, Kathleen. Un/Popular Culture: Lesbian Writing After the Sex Wars. Identities in the Classroom. Albany: SUNY Pr. 1997. |
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| Martindale, Kathleen. "Zurück in die Zukunft mit Dykes To Watch Out For und Hothead Paisan." Theorien des Comics. Ein Reader. Eds. Barbara Eder, Elisabeth Klar and Ramón Reichert. Kultur- und Medientheorie. Bielefeld: Transcript, 2011. 341–64. |
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| Added by: joachim 10/2/11, 7:29 PM |
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| McBean, Sam. "Seeing in Alison Bechdel’s Fun Home." Camera Obscura 28. (2013): 103–23. |
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| McBean, Sam. Feminism’s Queer Temporalities. Transformations: Thinking Through Feminism. London, New York: Routledge, 2016. |
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| McCullough, Kate. "“The Complexity of Loss Itself”: The Comics Form and Fun Home’s Queer Reparative Temporality." American Literature 90. (2018): 377–405. |
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| McQuillan, Gene. "Considering Ethical Questions in (Non)Fiction: Reading and Writing about Graphic Novels." Dialogue 5. 1 2018. Accessed 11May. 2018. <http://journaldialogue. ... g-about-graphic-novels/>. |
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| Mitchell, Adrielle. "Spectral Memory, Sexuality and Inversion: An Arthrological Study of Alison Bechdel’s Fun Home: A Family Tragicomic." ImageTexT 4. 3 2009. Accessed 9Dec. 2009. <https://imagetextjourna ... me-a-family-tragicomic/>. |
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| Muller, Agnès. "Image as Paratext in Alison Bechdel’s Fun Home." GRAAT on-line 1 2007. Accessed 20Jul. 2011. <http://www.graat.fr/bechdel002aaaa.pdf>. |
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| Olsza, Małgorzata. "Photography as a Mirror in Alison Bechdel’s Graphic Memoir Are You My Mother?: A Comic Drama." Image [&] Narrative 20. 3 2019. Accessed 29Feb. 2020. <http://www.imageandnarr ... ative/article/view/2293>. |
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| Parille, Ken. "Six Observations about Alison Bechdel’s Graphic Archive Are You My Mother?." The Comics Journal 2012. Accessed 12Oct. 2017. <http://www.tcj.com/six- ... hive-are-you-my-mother/>. |
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| Pearl, Monica B. "Graphic Language: Redrawing the family (romance) in Alison Bechdel's Fun Home." Prose Studies 30. (2008): 286–304. |
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| Pedri, Nancy. "What’s the Matter of Seeing in Graphic Memoir?." South Central Review 32. (2015): 8–29. |
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| Pizzino, Christopher. Arresting Development: Comics at the Boundaries of Literature. World Comics and Graphic Nonfiction. Austin: Univ. of Texas Press, 2016. |
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| Precup, Mihaela. "Apprehending Ghosts: Spaces of Invisibility in Alison Bechdel’s Fun Home (2006)." University of Bucharest Review 11. (2009): 87–93. |
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| Pulda, Molly. "Portrait of a Secret: J. R. Ackerley and Alison Bechdel." The Future of Text and Image. Collected Essays on Literary and Visual Conjunctures. Eds. Ofra Amihay and Lauren Walsh. Newcastle upon Tyne: Cambridge Scholars Publ. 2012. 15–38. |
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| Added by: joachim 1/8/14, 10:39 AM |
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| Rerik, Michael. "Queering the museum: Challenging heteronormative space in Bechdel’s Fun Home." Journal of Graphic Novels and Comics 3. (2012): 223–30. |
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| Richardson, Sarah. "‘Perseveration on Detail’: Shame and Confession in Memoir Comics." Cultural Excavation and Formal Expression in the Graphic Novel. Eds. Jonathan C. Evans and Thomas Giddens. At the Interface, Probing the Boundaries. Oxford: Inter-Disciplinary Pr. 2013. 149–58. |
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| Added by: joachim Last edited by: joachim 10/20/21, 11:19 AM |
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| Riquelme, John Paul. "Modernist Transformations of Life Narrative: From Wilde and Woolf to Bechdel and Rushdie." Modern Fiction Studies 59. (2013): 461–79. |
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| Added by: joachim 1/12/14, 11:36 AM |
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| Roessner, Jeffrey and Eithne Amos. "Old Father, New Artificer: Teaching Alison Bechdel’s Fun Home as Postmodern Literature." Class, Please Open Your Comics. Essays on Teaching with Graphic Narratives. Ed. Matthew L. Miller. Jefferson: McFarland, 2015. 169–80. |
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| Rohy, Valerie. "In the Queer Archive: Fun Home." GLQ. A Journal of Lesbian and Gay Studies 16. (2010): 341–61. |
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| Rüggemeier, Anne. "‘Posing for all the characters in the book’: The multimodal processes of production in Alison Bechdel’s relational autobiography Are You My Mother?." Journal of Graphic Novels and Comics 7. (2016): 254–67. |
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| Rüggemeier, Anne and Maren Scheurer. "Autobiography and|as Narcissism? Psychoanalysis and Self-Reflexive Life-Writing in Eve Kosofsky Sedgwick’s A Dialogue on Love and Alison Bechdel’s Are You My Mother?." a/b: Auto/Biography Studies 34. (2019): 167–95. |
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| Saltzman, Lisa. Daguerreotypes: Fugitive Subjects, Contemporary Objects. Chicago: Univ. of Chicago Press, 2015. |
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| Scherr, Rebecca. "Queering the Family Album: The Re-orientation of Things in Alison Bechdel’s Fun Home." Forum for World Literature Studies 3. (2011): 52–60. |
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| Added by: joachim Last edited by: joachim 2/12/18, 2:05 AM |
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| Schlick, Yaël. "What Is an Experience? Selves and Texts in the Comic Autobiographies of Alison Bechdel and Lynda Barry." Drawing from Life. Memory and Subjectivity in Comic Art. Ed. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013. 26–43. |
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| Added by: joachim Last edited by: joachim 7/28/14, 9:54 AM |
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| Schneider, Christian W. "Young daughter, old artificer: Constructing the Gothic Fun Home." Studies in Comics 1. (2010): 337–58. |
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| Schneider, Christian W. Framing Fear: The Gothic Mode in Graphic Literature. ELCH - Studies in English Literary and Cultural History. Trier: Wissenschaftlicher Verlag Trier, 2014. |
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| Shaw, Adrienne. "Women on Women: Lesbian Identity, Lesbian Community, and Lesbian Comics." Journal of Lesbian Studies 13. (2009): 88–97. |
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| Added by: joachim 1/6/10, 1:47 PM |
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| Spiers, Miriam Brown. "Daddy’s little girl: Multigenerational queer relationships in Bechdel’s Fun Home." Studies in Comics 1. (2010): 315–35. |
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| Added by: joachim Last edited by: joachim 11/26/16, 4:27 PM |
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| Stahl, Lynne. "Allusive Meaning: A Reference Guide to Alison Bechdel’s Fun Home." 2017. Accessed 11Aug. 2021. <https://scalar.usc.edu/ ... ison-bechdels-fun-home/>. |
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| Added by: joachim 8/11/21, 12:48 PM |
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| Thomas, Héloïse. "Fun Homes and Queer Houses of Memory in Alison Bechdel’s Graphic Memoirs." Text and Image in Women's Life Writing. Picturing the Female Self. Eds. Valérie Baisnée-Keay, et al. Palgrave Studies in Life Writing. New York [etc.]: Palgrave Macmillan, 2021. 101–17. |
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| Added by: joachim Last edited by: joachim 2/20/22, 2:27 PM |
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| Tison, Hélène. "An Interview with Alison Bechdel." GRAAT on-line 1 2007. Accessed 20Jul. 2011. <http://www.graat.fr/bechdel005aaaa.pdf>. |
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| Added by: joachim Last edited by: joachim 7/20/11, 5:17 PM |
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| Tison, Hélène. "Drag as metaphor and the quest for meaning in Alison Bechdel’s Fun Home: A Family Tragicomic." GRAAT on-line 1 2007. Accessed 20Jul. 2011. <http://www.graat.fr/bechdel003aaaa.pdf>. |
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| Added by: joachim Last edited by: joachim 7/20/11, 5:20 PM |
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| Tison, Hélène. "Loss, Revision, Translation: Re-Membering the Father’s Fragmented Self in Alison Bechdel’s Graphic Memoir Fun Home: A Family Tragicomic." Studies in the Novel 47. (2015): 346–64. |
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| Added by: joachim 4/25/16, 7:40 AM |
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