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Hescher, Achim. "Schrecken ohne Ende: Apokalyse(n) in englischsprachiger narrativik und der graphic novel watchmen." Untergangsszenarien. Apokalyptische Denkbilder in Literatur, Kunst und Wissenschaft. Eds. Lothar Blum, et al.. Berlin: Akademie Verl, 2013. 167–94.  
Last edited by: joachim 1/27/14, 12:05 AM
Pape, Walter. "The Battle of the Signs: Robert crumb’s visual reading of james boswell’s “london journal”." Icons – Texts – Iconotexts. Essays on Ekphrasis and Intermediality. Ed. Peter Wagner. European Cultures. Berlin: de Gruyter, 1996. 324–45.  
Last edited by: joachim 5/18/15, 11:59 PM
Paulson, Ronald. "The Harlot, Her Father, and the Parson Representing and interpreting hogarth in the eighteenth century." Icons – Texts – Iconotexts. Essays on Ekphrasis and Intermediality. Ed. Peter Wagner. European Cultures. Berlin: de Gruyter, 1996. 149–74.  
Added by: joachim 10/23/09, 4:49 PM
Wagner, Peter. "Hogarth’s graphic palimpsests: Intermedial adaptation of popular literature." Word & Image 7.(1991): 329–47.  
Last edited by: joachim 5/10/22, 10:28 AM
Wagner, Peter. Reading Iconotexts: From swift to the french revolution. Picturing History. London: Reaktion Books, 1995.  
Added by: joachim 3/17/14, 6:56 PM
Wagner, Peter. "The Nineteenth-century Illustrated Novel." Handbook of Intermediality. Literature – Image – Sound – Music. Handbooks of English and American Studies. Berlin: de Gruyter, 2015. 378–400.  
Added by: joachim 8/7/16, 4:25 PM
WIKINDX 6.7.0 | Total resources: 14163 | Username: -- | Bibliography: WIKINDX Master Bibliography | Style: Modern Language Association (MLA)


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