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Displaying 1 - 19  of 19 (Bibliography: WIKINDX Master Bibliography)
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Agland, Jamie. "Madness and Masculinity in the Caricatures of the Regency Crisis, 1788–89." Drawing the Line. Using Cartoons as Historical Evidence. Eds. Richard Scully and Marian Quartly. Clayton: Monash Univ. ePress, 2009.   
Last edited by: joachim 13/01/2024, 07:19
Casey, Jay. "‘What’s So Funny?’: The Finding and Use of Soldier Cartoons from the World Wars as Historical Evidence." Drawing the Line. Using Cartoons as Historical Evidence. Eds. Richard Scully and Marian Quartly. Clayton: Monash Univ. ePress, 2009.   
Last edited by: joachim 12/02/2014, 17:42
Deans Halloran, Fiona. "‘Oppose Everything, Propose Nothing’: Influence and Power in the Political Cartoons of Thomas Nast." Drawing the Line. Using Cartoons as Historical Evidence. Eds. Richard Scully and Marian Quartly. Clayton: Monash Univ. ePress, 2009.   
Last edited by: joachim 12/02/2014, 17:39
Dobrivojevic, Ivana. "Cartoons as a Powerful Propaganda Tool: Creating the Images of East and West in the Yugoslav Satirical Press." Drawing the Line. Using Cartoons as Historical Evidence. Eds. Richard Scully and Marian Quartly. Clayton: Monash Univ. ePress, 2009.   
Last edited by: joachim 12/02/2014, 17:21
Dyrenfurth, Nick and Marian Quartly. "‘All the World Over’: The Transnational World of Australian Radical and Labour Cartoonists." Drawing the Line. Using Cartoons as Historical Evidence. Eds. Richard Scully and Marian Quartly. Clayton: Monash Univ. ePress, 2009.   
Last edited by: joachim 12/02/2014, 17:34
Hicks, Marianne. "‘Teh Futar’: The Power of the Webcomic and the Potential of Web 2.0." Drawing the Line. Using Cartoons as Historical Evidence. Eds. Richard Scully and Marian Quartly. Clayton: Monash Univ. ePress, 2009. 11.1–20.   
Last edited by: joachim 12/02/2014, 17:38
Lim, Cheng Tju. "‘Forgotten Legacies’: The Case of Abdullah Ariff’s Pro-Japanese Cartoons during the Japanese occupation of Penang." Drawing the Line. Using Cartoons as Historical Evidence. Eds. Richard Scully and Marian Quartly. Clayton: Monash Univ. ePress, 2009.   
Last edited by: joachim 12/02/2014, 17:52
Scully, Richard. "The Cartoon Emperor: The Impact of Louis Napoleon Bonaparte on European Comic Art, 1848–1870." European Comic Art 4.(2011): 147–80.   
Added by: joachim 04/07/2012, 22:38
Scully, Richard. British Images of Germany: Admiration, Antagonism and Ambivalence, 1860–1914. New York [etc.]: Palgrave Macmillan, 2012.   
Last edited by: joachim 12/01/2016, 12:42
Scully, Richard. "Constructing the Colossus: The Origins of Linley Sambourne’s Greatest Punch Cartoon." International Journal of Comic Art 14.(2012): 120–42.   
Last edited by: Deleted user 25/06/2013, 11:50
Scully, Richard. "The Lion and the Unicorn -- William Gladstone and Benjamin Disraeli through William Empson’s Looking-Glass." International Journal of Comic Art 15.(2013): 323–37.   
Last edited by: joachim 06/01/2015, 22:11
Scully, Richard. "A serious matter: Erwin D. Swann (1906–1973) and the collection of caricature and cartoon." Journal of the History of Collections 27.(2015): 111–22.   
Added by: joachim 12/01/2016, 12:51
Scully, Richard and Robert Phiddian. "The Australian Political Cartoon – An Historiographical Overwiew." International Journal of Comic Art 20.(2018): 367–83.   
Last edited by: joachim 03/11/2021, 12:55
Scully, Richard and Marian Quartly, eds. Drawing the Line: Using Cartoons as Historical Evidence. Clayton: Monash Univ. ePress, 2009.   
Last edited by: joachim 12/02/2014, 18:23
Scully, Richard and Marian Quartly. "Using Cartoons as Historical Evidence." Drawing the Line. Using Cartoons as Historical Evidence. Eds. Richard Scully and Marian Quartly. Clayton: Monash Univ. ePress, 2009.   
Last edited by: joachim 12/02/2014, 17:57
Scully, Richard and Joshua Santospirito. "An Australian Comic Breakthrough: Craig San Roque’s The Long Weekend in Alice Springs. Adapted and drawn by Joshua Santospirito." International Journal of Comic Art 17.(2015): 131–48.   
Added by: joachim 27/12/2015, 23:05
Scully, Richard. "‘A Pettish Little Emperor’: Images of Kaiser Wilhelm II in Punch, 1888–1901." Drawing the Line. Using Cartoons as Historical Evidence. Eds. Richard Scully and Marian Quartly. Clayton: Monash Univ. ePress, 2009.   
Last edited by: joachim 12/02/2014, 17:55
Sleight, Simon. "Wavering between Virtue and Vice: Constructions of Youth in Australian Cartoons of the Late-Victorian Era." Drawing the Line. Using Cartoons as Historical Evidence. Eds. Richard Scully and Marian Quartly. Clayton: Monash Univ. ePress, 2009.   
Last edited by: joachim 12/02/2014, 18:00
Wichhart, Stefanie. "Propaganda and Protest: Political Cartoons in Iraq during the Second World War." Drawing the Line. Using Cartoons as Historical Evidence. Eds. Richard Scully and Marian Quartly. Clayton: Monash Univ. ePress, 2009.   
Last edited by: joachim 12/02/2014, 18:02
WIKINDX 6.8.2 | Total resources: 14514 | Username: -- | Bibliography: WIKINDX Master Bibliography | Style: Modern Language Association (MLA)