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| Barman, Daisy. "Comics beyond Fun and Thrill: A critical reflection on gender dynamics and public imagination in select popular comics-based movies." Gnosis Special Issue (2019): 81–91. |
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| Baroni, Raphaël. "L’exploration temporelle comme modalité du voyage imaginaire dans la bande dessinée franco-belge (1930–1980)." Image [&] Narrative 16.2 2015. Accessed 3 September. 2015. <http://www.imageandnarr ... rative/article/view/864>. |
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| Baroni, Raphaël. "Le suspense dans le feuilleton littéraire et dans la bande dessinée." Bédé, ciné, pub et art. D’un média à l’autre. Eds. Philippe Kaenel and Gilles Lugrin. Gollion: Infolio, 2007. 141–65. |
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| Barounis, Cynthia. "Survival angst: Reading hothead paisan in the trump era." Journal of Lesbian Studies 22.(2018): 415–23. |
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| Barrera-Vidal, Albert. "Comics und Sprachunterricht." Comics. Katalog der Comics-Ausstellung im Münchner Stadtmuseum vom 2. März bis 6. Mai 1974. Ed. Reinhold C. Reitberger. München: Icon, 1974. |
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| Barrier, Michael. Funnybooks: The improbable glories of the best american comic books. Berkeley: Univ. of California Press, 2014. |
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| Barrier, Michael and Martin Williams. A Smithsonian Book of Comic-Book Comics. New York: Abrams, 1981. |
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| Barry, Lynda. Syllabus: Notes from an accidental professor. Montreal: Drawn & Quarterly, 2014. |
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| Bartels-Wu, Stella. Mitatemono und kibyôshi: Edition, bearbeitung und übersetzung »myô-kinako kogome dômyôji« (1805) von takizawa bakin. Bunken. Wiesbaden: Harassowitz, 1994. |
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| Bartlett, Myke. "The Adventures of Tintin: Drawn into motion." Screen Education (2012): 8–17. |
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| Bartley, Aryn. "Staging Cosmopolitanism: The transnational encounter in joe sacco’s footnotes in gaza." Transnational Perspectives on Graphic Narratives. Comics at the Crossroads. Eds. Shane Denson, Christina Meyer and Daniel Stein. New York: Bloomsbury, 2013. 67–82. |
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| Bartosch, Sebastian. "Understanding comics’ mediality as an actor-network: Some elements of translation in the works of brian fies and dylan horrocks." Journal of Graphic Novels and Comics 7.(2016): 242–53. |
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| Bartosch, Sebastian. "Genre und Comic." Filmwissenschaftliche Genreanalyse. Eine Einführung. Eds. Markus Kuhn, Irina Scheidgen and Nicola Valeska Weber. De Gruyter Studium. Berlin: de Gruyter, 2013. 381–408. |
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| Bartual, Roberto. "Creation versus interpretation in To Boil a Bear." The Comics Grid. Journal of Comics Scholarship. Year One. Ed. Ernesto F. Priego Ramirez. London: The Comics Grid Digital First Editions, 2012. 90–92. |
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| Bartual, Roberto. "Peanuts, 5 October 1950." The Comics Grid. Journal of Comics Scholarship. Year One. Ed. Ernesto F. Priego Ramirez. London: The Comics Grid Digital First Editions, 2012. 8–9. |
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| Barzi, Davide and Tito Faraci. Le Regine del Terrore. Angela e Luciana Giussani: le ragazze della Milano bene che inventarono Diabolik. Storie di segni. Milano: Edizioni BD, 2007. |
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| Baschiera, Stefano. "The Thickness of the Panel: Narrative stratification and complexification in azzarello’s 100 bullets." Cinema e fumetto. Cinema and comics. Eds. Leonardo Quaresima, Laura Ester Sangalli and Federico Zecca. Udine: Forum, 2009. 367–80. |
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| Baskind, Samantha. "Plain Dealing Women: Lois lane and the origin of the comic book heroine – a conversation with laura siegel larson." Journal of Graphic Novels and Comics 9.(2018): 634–44. |
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| Baskind, Samantha. The Warsaw Ghetto in American Art and Culture. University Park: Penn State Univ. Press, 2018. |
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| Baskind, Samantha. "A Conversation with Miriam Katin." The Jewish Graphic Novel. Critical Approaches. Eds. Samantha Baskind and Ranen Omar-Sherman. New Brunswick: Rutgers Univ. Press, 2008. 237–43. |
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| Baskind, Samantha. "Joe Kubert’s Yossel: April 19, 1943 Faith and art history’s precedents." Comics and Sacred Texts. Reimagining Religion and Graphic Narratives. Eds. Assaf Gamzou and Ken Koltun-Fromm. Jackson: Univ. Press of Mississippi, 2018. 193–210. |
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| Baskind, Samantha and Ranen Omar-Sherman, eds. The Jewish Graphic Novel: Critical approaches. New Brunswick: Rutgers Univ. Press, 2008. |
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| Baskind, Samantha. "Picturing “The Holiest Thing”: Joe kubert’s children of the warsaw ghetto." Visualizing Jewish Narrative. Jewish Comics and Graphic Novels. Ed. Derek Parker Royal. New York: Bloomsbury Academic, 2016. 171–84. |
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| Basu, Lopamudra. "The Graphic Memoir in a State of Exception: Transformations of the personal in art spiegelman’s in the shadow of no towers." Drawing from Life. Memory and Subjectivity in Comic Art. Ed. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013. 163–84. |
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| Bateman, John A., Annika Beckmann, and Rocio Varela. "From Empirical Studies to Visual Narrative Organization: Exploring page composition." Empirical Comics Research. Digital Multimodal and Cognitive Methods. Eds. Alexander Dunst, Jochen Laubrock and Janina Wildfeuer. Routledge Advances in Comics Studies. London, New York: Routledge, 2018. 127–53. |
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| Bateman, John A., et al.. "An Open Multilevel Classification Scheme for the Visual Layout of Comics and Graphic Novels: Motivation and design." Digital Scholarship in the Humanities 32.3 2017. Accessed 17 May. 2019. <http://dsh.oxfordjourna ... y/2016/06/01/llc.fqw024>. |
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| Batkin, Jane. Identity in Animation: A journey into self, difference, culture, and the body. London, New York: Routledge, 2017. |
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| Battis, Jes. "The Kryptonite Closet: Silence and queer." The Smallville Chronicles. Critical Essays on the Television Series. Ed. Lincoln Geraghty. Lanham [etc.]: Rowman & Littlefield, 2011. 45–64. |
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| Baudinette, Thomas. "Japanese gay men’s attitudes towards ‘gay manga’ and the problem of genre." East Asian Journal of Popular Culture 3.(2017): 59–72. |
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| Baudry, Julien. "Saint-Ogan et les grands enfants: La place de l’œuvre d’alain saint-ogan dans le discours historique de la socerlid." Comicalités 2011. Accessed 11 November. 2012. <http://comicalites.revues.org/578>. |
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