| Brownie, Barbara and Danny Graydon. The Superhero Costume: Identity and disguise in fact and fiction. New York: Bloomsbury, 2016. |
 
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| Brownstein, Charles. "The Walk Through the Rain: Excerpt from eisner/miller." The Best American Comics Criticism. Ed. Ben Schwartz. Options for Teaching. Seattle: Fantagraphics, 2010. 86–92. |
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| Brozo, William G., Gary Moorman, and Carla K. Meyer. Wham! Teaching with graphic novels across the curriculum. Language & Literacy. New York: Teachers College Pr. 2013. |
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| Bruce, Douglas. "Notes toward a rhetoric of animation: The road runner as cultural critique." Critical Studies in Media Communication 18. (2001): 229–45. |
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| Brück, Axel, ed. Sex & Horror in den Comics. Hamburg: Kunsthaus, 1971. |
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| Brück, Axel. "Zur Theorie des Comics." The Art of the Comic Strip. Die Kunst des Comic Strip. L'Art de la bande dessinée. Eds. Walter Herdeg and David Pascal. Zürich: The Graphis Press, 1972. XXX. |
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| Brüggemann, Theodor. "Das Bild der Frau in den Comics." Studien zur Jugendliteratur 2. (1956): 3–29. |
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| Bruhn, Jørgen. "Now a Major Soundtrack! Madness, music, and ideology in shutter island." Adaptation 6. (2013): 320–37. |
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| Brühwiler, Claudia Franziska. "“A is A”: Spider-man, ayn rand, and what man ought to be." PS: Political Science and Politics 47. (2014): 90–93. |
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| de Bruin-Molé, Megen. Gothic Remixed: Monster mashups and frankenfictions in 21st-century culture. New York: Bloomsbury Academic, 2020. |
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| Brummbär, Bernd. "Terror, Sex und Fritz the Cat. Die Kinderzeit der Comics ist vorbei: Amerikanische anti-comics schocken die usa." Underground 3. (1970): 48–52. |
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| Brunet, Peyton and Blair Davis. Comic Book Women: Characters, creators, and culture in the golden age. World Comics and Graphic Nonfiction. Austin: Univ. of Texas Press, 2022. |
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| Brunetti, Ivan. Cartooning: Philosophy and practice. Oakland: Buenaventura Press, 2007. |
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| Brunetti, Ivan. Aesthetics: A memoir. New Haven: Yale Univ. Press, 2013. |
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| Brunetti, Ivan. "Comics as Poetry." The Paris Review 2020. Accessed 14 Apr. 2021. <https://www.theparisrev ... 7m_CXiuOyyKEx1SBjr_VTEo>. |
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| Brunken, Otto and Felix Giesa, eds. Erzählen im Comic: Beiträge zur comicforschung. Bochum: Ch.A. Bachmann, 2013. |
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| Brunner, Edward. "“This Job is a Solid Killer”: Oliver harrington’s jive gray and the african american adventure strip." Iowa Journal of Cultural Studies 6. (2005): 36–57. |
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| Brunner, Edward. "Death and the Maiden: Milton caniff’s pre-war anti-elegiac war elegy." International Journal of Comic Art 8. (2006): 174–96. |
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| Brunner, Edward. "Red Funnies: The new york daily worker’s “popular front” comics, 1936–1945." American Periodicals 17. (2007): 184–207. |
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| Brunner, Edward. "“Shuh! Ain’t Nothin’ To It”: The dynamics of success in jackie ormes’s torchy brown." Melus 32. (2007): 23–49. |
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| Brunner, Miriam. Manga – Die Faszination der Bilder: Darstellungsmittel und motive. München: Fink, 2009. |
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| Brunner, Miriam. Manga. UTB Profile. Stuttgart: UTB, 2010. |
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| Brunner, Markus. "»Erinnern, Wiederholen, Durcharbeiten«: Zur funktion der bilder in comic-sachbüchern (›graphic guides‹)." Psychologie und Gesellschaftskritik 38. (2014): 99–135. |
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| Brunner, Miriam. "Once upon a Time: Temporale strukturen im sequentiellen medium manga." Revisionen – Relektüren – Perspektiven. Eds. Simon Frisch and Tim Raupach. Film- und Fernsehwissenschaftliches Kolloquium. 2012. 81–97. |
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| Brunner, Edward. "The Comics as Outsider’s Text: Teaching r. crumb and underground comix." Teaching the Graphic Novel. Ed. Stephen E. Tabachnick. Options for Teaching. New York: The Modern Language Assoc. of America, 2009. 137–46. |
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| Bruno, Franklin. "An Interview with Peter Blegvad: “i’m a dilettante, ‘polymorphously perverse,’ a perpetual amateur”." The Believer (2009). |
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| Brunoro, Gianni. Corto comme un roman: Réflexions sur corto maltese, ultime héros romantique. Tournai: Casterman, 2008. |
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| Bruttmann, Tal. "The Holocaust through Comic Books." Re-examining the Holocaust through Literature. Eds. Aukje Kluge and Benn E. Williams. Newcastle upon Tyne: Cambridge Scholars Publ. 2009. 173–200. |
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| Bryan, Peter Cullen. "Purple healing rays and paralysis: intersections of disability and gender theory in comics." Journal of Fandom Studies 7. (2019): 21–34. |
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| Bryan, Peter Cullen. Creation, Translation, and Adaptation in Donald Duck Comics: The dream of three lifetimes. Palgrave Fan Studies. New York [etc.]: Palgrave Macmillan, 2021. |
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| Bryan, Peter Cullen. "A Financial Fable: The rise and fall of disney comics, 1990–1993." Forgotten Disney. Essays on the Lesser-Known Productions. Eds. Kathy Merlock Jackson, Carl H. Sederholm and Mark I. West. Jefferson: McFarland, 2023. 201–11. |
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| Bryan, Peter Cullen. "Geeking Out and Hulking Out: Toward an understanding of marvel fan communities." Age of the Geek. Depictions of Nerds and Geeks in Popular Media. Ed. Katherine Lane. New York [etc.]: Palgrave Macmillan, 2018. 149–65. |
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| Bryant, Jr., Robert L. The Thin Black Line: Perspectives on vince colletta, comics’ most controversial inker. Raleigh: TwoMorrows, 2010. |
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| Bryce, Mio. "Another Half and/or Another Individual: Representation of twins in manga." International Journal of the Humanities 5. (2008): 143–52. |
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| Bryce, Mio, et al. "Manga and Anime: Fluidity and hybridity in global imagery." electronic journal of contemporary japanese studies 2010. Accessed 28 Feb. 2011. <http://www.japanesestud ... rticles/2010/Bryce.html>. |
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| Bryce, Mio, Jason Davis, and Christie Barber. "The Cultural Biographies and Social Lives of Manga: Lessons from the mangaverse." Scan. Journal of media arts culture 5. 2 2008. Accessed 1 Oct. 2009. <http://scan.net.au/scan ... play.php?journal_id=114>. |
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| Bryce, Mio and Jason Davis. "An Overview of Manga Genres." Manga. An Anthology of Global and Cultural Perspectives. Ed. Toni Johnson-Woods. London, New York: Continuum, 2010. 34–61. |
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| Bryce, Mio. "A Look at Hikawa Kyōko's Kanata kara." Manga. An Anthology of Global and Cultural Perspectives. Ed. Toni Johnson-Woods. London, New York: Continuum, 2010. 137–56. |
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| Brysbaert, Xavier. "Le théâtre chez Marc-Antoine Mathieu." Mémoire Master. EESI Angoulême / UFR lettres et langues Poitiers, 2009/2010. |
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| Bryson, Jae. "The Racial Politics of the Legion." Teenagers from the Future. Essays on the Legion of Super-Heroes. Ed. Timothy Callahan. Sequart Journal. Edwardsville: Sequart Research & Literacy Organization, 2008. 315–25. |
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| Bucciferro, Claudia. "Representations of gender and race in Ryan Coogler’s film Black Panther: Disrupting hollywood tropes." Critical Studies in Media Communication 38. (2021): 169–82. |
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| Buch, Hans Christoph. "Sex-Revolte im Comic-Strip." pardon (1966): 14–21. |
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| Buch, Hans Christoph. "Tarzan oder der Anteil des Imperialismus an der Menschenwerdung des Affen." Kritische Wälder. Essays, Kritiken, Glossen. Das neue Buch. Reinbek bei Hamburg: Rowohlt, 1972. 50–65. |
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| Buche, Irina. "Zur Geschichte der mexikanischen Bilderhandschriften: Über verschiedene formen des umgangs mit einer präkolumbischen erbschaft." Comics Anno 1. (1991): 130–41. |
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| Buchele, Kai-Thorsten. "Comic & Computerspiel am Beispiel der Comicfigur Corto Maltese." Comics. Interdisziplinäre Perspektiven aus Theorie und Praxis auf ein Stiefkind der Medienpädagogik. Eds. Christine Dallmann, et al. München: kopaed, 2018. 241–46. |
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| Buchenberger, Stefan. "Vom dünnen Heftchen zum anerkannten literarischen Genre: Zur entwicklung der graphic novel." Zwischen Kanon und Unterhaltung. Interkulturelle und intermediale Aspekte von hoher und niederer Literatur. Between Canon and Entertainment. Intercultural and Intermedial Aspects of Highbrow and Lowbrow Literature. Eds. Annie Bourguignon, Konrad Harrer and Franz Hintereder-Emde. Berlin: Frank & Timme, 2016. 63–70. |
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| Buchenberger, Stefan. "Superman and the Corruption of Power." The Ages of Superman. Essays on the Man of Steel in Changing Times. Ed. Joseph J. Darowski. Jefferson, London: McFarland, 2012. 192–98. |
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| Buchenberger, Stefan. "Future Imperfect: Dystopia, time travel, absolute power, and the incredible hulk." Dialogues between Media. Ed. Paul Ferstl. The Many Languages of Comparative Literature. Berlin u. Boston: de Gruyter, 2021. 25–32. |
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| Buchenberger, Stefan. "Thomas von Steinaeckers Roman Geister: Eine weiterentwicklung der graphic novel?." Bildlichkeit und Schriftlichkeit in der deutschen Kultur zwischen Barock und Gegenwart. Ed. Yuji Nawata. Studienreihe der Japanischen Gesellschaft für Germanistik. 2015. 57–65. |
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| Bucher, Simone. Comickulissen: Der urbane raum im comic. Saarbrücken: VDM, 2008. |
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| Bucher, Hans-Jürgen and Bettina Boy. "How Informative are Information Comics in Science Communication? Empirical results from an eye-tracking study and knowledge testing." Empirical Comics Research. Digital Multimodal and Cognitive Methods. Eds. Alexander Dunst, Jochen Laubrock and Janina Wildfeuer. Routledge Advances in Comics Studies. London, New York: Routledge, 2018. 176–96. |
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| Bucher, Katherine T. and M. Lee Manning. "Bringing Graphic Novels into a School’s Curriculum." The Clearing House 78. (2004): 67–72. |
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| Buchholz, Barbara. "Kriminalliteratur in Bild und Text: Zu comicadaptionen ausgewählter romane léo malets und didier daeninckx." Magisterarbeit M.A. Rheinische Friedrich-Wilhelms-Universität Bonn, 2002. |
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| Buck, Louisa. "Defining the British Political Cartoon." Framescapes. Graphic Narrative Intertexts. Eds. Mikhail Peppas and Sanabelle Ebrahim. Oxford: Inter-Disciplinary Pr. 2016. 39–49. |
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| Buckley, Sandra. "“Penguin in Bondage”: A graphic tale of japanese comic books." The Visual Culture Reader. Ed. Nicholas Mirzoeff. London, New York: Routledge, 1998. 495–503. |
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| Buckley, Sandra. "“Penguin in Bondage”: A graphic tale of japanese comic books." Technoculture. Eds. Constance Penley and Andrew Ross. Minneapolis: Univ. of Minnesota Press, 1991. 163–95. |
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| Budick, Emily Miller. "Forced Confessions: The case of art spiegelman’s maus." Prooftexts 21. (2001): 379–98. |
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| Budke, Alexandra, Veit Maier, and Frederik von Reumont. "Rassismus und Rassismuskritik in von Studierenden erstellten didaktischen Comics." Migration und Geographische Bildung. Eds. Alexandra Budke and Miriam Kuckuck. Stuttgart: Franz Steiner, 2018. 123–39. |
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| Buenaventura, Alvin, ed. The Art of Daniel Clowes: Modern cartoonist. New York: Abrams, 2012. |
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| Bueno, Antoine. Le petit livre bleu: Analyse critique et politique de la société des schtroumpfs. Paris: Hors collection, 2011. |
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| Bueno, Bernardo. "Geek Metafiction: Nerds, footnotes, and intertextuality." Age of the Geek. Depictions of Nerds and Geeks in Popular Media. Ed. Katherine Lane. New York [etc.]: Palgrave Macmillan, 2018. 91–111. |
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| Buerkle, Dardy. "Historical Effacements: Facing charlotte salomon." Reading Charlotte Salomon. Eds. Michael P. Steinberg and Monica Bohm-Duchen. Ithaca: Cornell Univ. Press, 2005. 73–87. |
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| Bugelnig, Marie-Christin and Melanie Viktoria Warmuth. Sprache und Bild-Text-Kommunikation im Comic am Beispiel der Asterix-Reihe. Saarbrücken: VDM, 2010. |
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| Buhl, Hendrik. "Funny Nazis? Comics zwischen information und unterhaltung." Rechtsextremismus, Rassismus und Antisemitismus in Comics. Ed. Ralf Palandt. Berlin: Archiv der Jugendkulturen, 2011. 405–18. |
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| Buhle, Paul. From the Lower East Side to Hollywood: Jews in american popular culture. London, New York: Verso, 2004. |
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| Buhle, Paul. "Toward the Understanding of the Visual Vernacular: Radicalism in comics and cartoons." Rethinking Marxism 18. (2006): 367–81. |
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| Buhle, Paul, ed. Jews and American Comics: An illustrated history of an american art form. New York: New Press, 2008. |
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| Buhle, Paul. "Eco-Comics, Then and Now." Capitalism Nature Socialism 20. (2009): 68–73. |
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| Buhle, Paul. "Wisconsin’s Comic Art: From underground to the forefront." The Wisconsin Magazine of History 92. (2009): 42–53. |
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| Buhle, Paul. "Harvey Pekar, in Memory." Studies in Comics 1. (2010): 191–95. |
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| Buhle, Paul. "Juden und Comics." Helden, Freaks und Superrabbis. Die jüdische Farbe des Comics. Eds. Margret Kampmeyer-Käding and Cilly Kugelmann. Berlin: Stiftung Jüdisches Museum Berlin, 2010. 10–22. |
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| Bühner, Björn. "Unsichtbares zeigen: Über die funktion der text-bild-kombinationen in hans magnus enzensberger, jan peter tripps und justine landats blauwärts. ein ausflug zu dritt." Bilderbuch und literar-ästhetische Bildung. Aktuelle Forschungsperspektiven. Ed. Gabriela Scherer. KOLA – Koblenz-Landauer Studien zu Geistes-, Kultur- und Bildungswissenschaften. Trier: Wissenschaftlicher Verlag Trier, 2014. 323–38. |
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| Bühring, Andrea. "Goethes »Faust« im Comic." M.A. Magisterarbeit. Universität Bonn, 2012. |
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| Bukatman, Scott. "There's Always Tomorrowland: Disney and the hypercinematic experience." October (1991): 55–78. |
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| Bukatman, Scott. Terminal Identity: The virtual subject in postmodern science fiction. Durham: Duke Univ. Press, 1993. |
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| Bukatman, Scott. "Boys in the Hoods: Glossing the urban superhero." Iconics 5. (2000): 42–50. |
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| Bukatman, Scott. "The Boys in the Hoods: A song of the urban superhero (2000)." Matters of Gravity. Special Effects and Supermen in the 20th Century. Durham: Duke Univ. Press, 2003. 184–223. |
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| Bukatman, Scott. "X-Bodies: The torment of the mutant superhero (1994)." Matters of Gravity. Special Effects and Supermen in the 20th Century. Durham: Duke Univ. Press, 2003. 48–78. |
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| Bukatman, Scott. "Comics and the Critique of Chronophotography, or ‘He Never Knew When It Was Coming!’." Animation 1. (2006): 83–103. |
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| Bukatman, Scott. "Why I Hate Superhero Movies." Cinema Journal 50. (2011): 118–22. |
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| Bukatman, Scott. The Poetics of Slumberland: Animated spirits and the animating spirit. Berkeley: Univ. of California Press, 2012. |
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| Bukatman, Scott. "Sculpture, Stasis, the Comics, and Hellboy." Critical Inquiry 40. (2014): 104–17. |
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| Bukatman, Scott. Hellboy’s World: Comics and monsters on the margins. Berkeley: Univ. of California Press, 2016. |
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| Bukatman, Scott. "Frankenstein and the Peculiar Power of the Comics." Global Frankenstein. Eds. Carol Margaret Davison and Marie Mulvey-Roberts. Studies in Global Science Fiction. 185–207. |
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| Bukatman, Scott. "Online Comics and the Reframing of the Moving Image." The New Media Book. Ed. Dan Harries. Berkeley: Univ. of California Press, 2002. 133–43. |
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| Bukatman, Scott. "Secret Identity Politics." The Contemporary Comic Book Superhero. Ed. Angela Ndalianis. Routledge Research in Cultural and Media Studies. London, New York: Routledge, 2009. 109–25. |
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| Bukatman, Scott. "X-Bodies (The Torment of the Mutant Superhero)." Uncontrollable Bodies. Testimonies of Identity and Culture. Eds. Rodney Sappington and Tyler Stallings. Seattle: The Bay Pr. 1994. 92–129. |
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| Bukh, Alexander. "Reception of the revisionist historical manga in Japan: A case study of university students." Inter-Asia Cultural Studies 13. (2012): 623–38. |
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| Bulić, Jelena. "The Travelling Cartoonist: Representing the self and the world in guy delisle’s graphic travel narratives." Narodna umjetnost 49. (2012): 61–80. |
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| Buljan, Katharine. "The Uncanny and the Robot in the Astro Boy Episode “Franken”." Animation Studies 2009. Accessed 29 Aug. 2011. <http://journal.animatio ... -boy-episode-“franken”/>. |
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| Bullen, David. "Dionysus Comes to Gotham: Forces of disorder in the dark knight." Classical Myth on Screen. Eds. Monica S. Cyrino and Meredith E. Safran. New York [etc.]: Palgrave Macmillan, 2015. 183–93. |
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| Bullen, David. "On the Origin of a Supervillain: The neo-victorian reinvention of mister sinister." Neo-Victorian Villains. Adaptations and Transformations in Popular Culture. Ed. Benjamin Poore. Neo-Victorian Series. Leiden: Brill, 2017. 180–96. |
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| Bultena, John. "Aperture for a Storyteller: An interview with jh williams iii." Neil Gaiman in the 21st Century. Essays on the Novels, Children’s Stories, Online Writings, Comics and Other Works. Ed. Tara Prescott. Jefferson: McFarland, 2015. 195–215. |
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| Bumatay, Michelle. "Humor as a Way to Re-Image and Re-Imagine Gabon and France in La vie de Pahé and Dipoula." European Comic Art 5. (2012): 45–66. |
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| Bumatay, Michelle. "Postcolonial Interjections: Jean-philippe stassen illustrates heart of darkness and we killed mangy dog." Alternative Francophone 1. 8 2015. Accessed 1 Jan. 2018. <https://journals.librar ... p/af/article/view/24018>. |
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| Bundrick, Christopher. "The Dark Knight Errant: Power and authority in frank miller’s batman: the dark knight returns." Riddle Me This, Batman! Essays on the Universe of the Dark Knight. Eds. Kevin K. Durand and Mary K. Leigh. Jefferson, London: McFarland, 2011. 24–40. |
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| Bunn, Geoffrey C. "The lie detector, Wonder Woman and liberty: The life and work of william moulton marston." History of the Human Sciences 10. (1997): 91–119. |
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